The IT Crowd

For sheer lighthearted sitcom fun, few shows can compete with The IT Crowd. It follows the well-known workplace sitcom format: in each episode, we see the three principal characters interacting in their shared office. As the IT staff of a large corporation, Jen, Moss, and Roy deal with the technological incompetence of their superiors, the ingratitude of their coworkers, and the everyday indignity of being a nerd. Jen is the head of the department, the “relationship manager,” despite having no knowledge about computers, for which Roy and Moss tease her relentlessly. Roy is a selfish, laid back, halfheartedly kind bloke; perpetually single but not bitter about it, his best friend and coworker Moss is very shy and considerably weirder than his friend. Moss is the type to obsessively count the staples in his stapler and email the authorities about a fire when he gets flustered and can’t reach them on the phone. Luckily, the socially adept Jen is there to smooth things over and keep the place running, but she isn’t without her own foibles; her ignorance has gotten her into hot water more than once, like when she believed Roy when he told her that “typing Google into Google can break the internet” and passed on this dire warning to the board of directors, or when she pretends to be a classical music expert to impress a date – only to have that date ring her up from the set of “Who Wants To Be A Millionaire” asking for her help on a classical music question.

For a lighthearted workplace comedy, The IT Crowd is in the running as my favorite. The episodes “The Haunting of Bill Crouse” (wherein Moss accidentally convinces the whole office that Jen has died), “Are We Not Men?” (the guys pretend to be soccer fans to make friends and end up accessories to a robbery), and “Italian for Beginners” (where Jen uses translation software to pretend she speaks Italian) are absolutely hilarious, and it was hard to stop that list at just three. Recommended for fans of The Office (British or American), Parks & Recreation, Spaced, Coupling, and Community.

Wonder by R.J. Palacio

wonder

Wonder by R.J. Palacio: This book came into my life like a freight train of emotion and steamrolled over everything else I was doing. Auggie is starting fifth grade after being homeschooled for the previous five years: he has extreme facial deformities that make going out in public an almost unbearable trial. Everywhere he goes, people stare at him and whisper to each other. Auggie almost always notices, and wants so very much just to be normal. Inside, he’s as normal as any bright ten year old can be – he adores Star Wars, he likes to play Halo, he’s read all the Diary of a Wimpy Kid books, and Halloween is his favorite holiday (since everyone is wearing a mask, he can too, and goes around just like a truly normal kid).

But Wonder isn’t just about Auggie, though he’s the main character. This is one of the few children’s novels I’ve seen that uses more than one narrator, and it’s surprisingly effective. Palacio doesn’t get carried away trying to make each narrator sound distinct (which would complicate matters for young readers): she uses a similar voice for each of the six viewpoint characters, letting their experiences and their emotions differentiate between them rather than her writing style.

This is a happy-sad book. Some moments will stab at you and make you weep, but overall you’ll feel rewarded and uplifted and most of all lucky: lucky to have met August, a character of such everyday bravery that you won’t soon forget him, lucky not to have the cascade of medical afflictions that have made him so remarkable, and lucky to have this beautiful book as a reminder to always be a little more kind than is necessary.

Oliver, Anna, Miss Moore and Rabbit: not just for kids

If you think children’s literature isn’t worthy of discussion, pick up one of these books and prepare to eat your words. These books are not just beautiful, simple, cute stories for children: they have big ideas, big hearts, and important messages to teach readers of all ages. Whether you have a little one to share them with or not, I highly recommend all of them.

oliverOliver by Birgitta Sif: gorgeous, rich, layered illustrations in muted earth tones and fluid character lines that suggest life and movement – brava. So beautifully done, and each page has so much going on; you can follow the unwritten story of the mouse on each page, and careful readers will see that many characters turn up over and over (besides Oliver, of course). Olivia is there all along, living her life parallel to Oliver’s; you can see that they will become best friends. So precious and wonderful.

 

anna the bookbinderAnna the Bookbinder, by Andrea Cheng and Ted Rand: A fantastic picture book! Anna’s father is a bookbinder; she’s helped him in the shop her whole life, and she knows the process very well. When her father is called away from work, Anna steps in to complete an important order. It’s odd to see these historical books where children and parents are coworkers as well as family members, since it’s so unusual now. Despite this book’s happy ending, I found myself wondering if Anna would be able to go to school, to travel, to marry for love – or if her father’s need of help in the bookshop would keep her tied to home forever. Maybe I’m thinking about it too much. 

miss mooreMiss Moore Thought Otherwise by Jan Pinborough and Debby Atwell: Oh Anne Carroll Moore! How I wish I were you. This book – the story of how Miss Moore created the Children’s Library space as we know it today – will make you thankful for children’s libraries. Miss Moore blazes her own trail, she has agency and verve and it’s just so satisfying reading about her successes! Since this is a children’s book, it is biased towards the positive, which made me wonder what Anne’s life was really like, and whether she ever wanted to give up, and what she dreamed of doing but couldn’t finish, and who were the intractable powers-that-be that she overthrew to make her dreams a reality for children everywhere? (It also really, really made me want to time-travel to the opening of the NYPL. Where’s my tardis?)

Rabbityness by Jo Empson: because neon paint splatters. And because of the word ‘rabbityness.’ And because this is a book that doesn’t pretend bad things don’t happen, it’s one that acknowledges that good & bad and old & new change in relation to each other all the time; and one person (or rabbit) can have a big impact.
Rabbityness

The Family Fang by Kevin Wilson

Family_Fang-Kevin_WilsonIt is hard enough to be well-adjusted while raised under typical circumstances, but Annie (Child A) and Buster (Child B) spent their childhood as players in their parent’s mischief disguised as art (or is it art disguised as mischief?).  They have spent their adult years attempting to distance themselves from their famous artist parents, but when their new lives start to fall apart, they find themselves back under their parent’s roof.

In his debut novel, The Family Fang, Kevin Wilson introduces us to the Fang family. With disdain for traditional art forms, Caleb and Camille Fang choose unexpected public performance art as their medium and have included their children in all of their greatest pieces. When their children return home, Caleb and Camille plan one final performance, and Annie and Buster are participants whether they want to be or not.  The quirky story (think Wes Anderson meets Arrested Development) is bolstered by flash-back chapters that help the reader better understand the character’s motives and gives clues to the final outcome.  Exceptionally written and a fun read, this book should please fans of Zadie Smith and Karen Russell.

Spin by Robert Charles Wilson

Spin(1stEd)You’re twelve years old, sitting in your backyard at night with your two best friends. You are looking up at the sky, and without warning, preamble, or explanation, the stars flare as one and then abruptly disappear. A mere facsimile of the sun – a perfect yellow disk unmarred by solar flares or sunspots – rises in the morning, but the stars are gone for good. This is what Tyler Dupree and his friends, the brilliant twins Diane and Jason, encounter. These three friends grow up under ‘the Spin,’ as it is soon called – a barrier around the earth placed there by some unknowable alien intelligence, for a purpose they can only guess. Even more perplexing: time is passing much, much faster outside the barrier than inside it. A satellite sent up to explore the phenomenon breaks through and then comes crashing down immediately, but instead of the pristine machine launched hours earlier, what crash lands on earth is a banged up satellite with weeks, months, of data recorded. A moment on earth is measured in millennia outside the Spin, which is dire news: at that rate, humanity will live long enough to be destroyed by our own decaying sun, which hasn’t slowed its life cycle down at all. The timeline? About 40 years on earth until the sun expands far enough to fry us where we stand.

How would you choose to spend those 40 years?

Jason dedicates his life to pure science, learning more about the Spin than any other earthling. Diane finds refuge in one of the many new religions that spring up in the wake of the slow disaster. Tyler plows ahead with life as usual, becoming a doctor and as “average” as any citizen can be under the Spin.

Spin falls on the hard side of the science fiction spectrum, which means there is lots of real science in addition to speculation in the plot. It also means that even the invented aspects of Wilson’s universe are imbued with a plausible explanation based on real science; for example, the scary global epidemic he invents, CVWS, is fake, but its symptoms (similar to tuberculosis) are familiar and its behavior – a disease crossing over to humans from cattle – is all too real. Because of this it’s a better pick for established fans of speculative fiction; if you like the genre already, the sophisticated plotting, satisfying conclusion, and smart characters will delight you. If you just have a casual interest, you might have a bad time trying to wade through all the science on display here.

Watch Your Step: The Crimson Petal and the White


I will say it right now: Romola Garai is the next Judi Dench. She was clever and charming in the BBC’s Emma, tragic in Atonement and lovely in I Capture the Castle, but it is her starring roll as Sugar in the BBC’s 4-part adaptation of Michael Faber‘s novel, The Crimson Petal and the White, that has devoted me to her as a fan for life. She is absolutely breathtaking and MESMERIZING as a shrewd Victorian prostitute who writes revenge slasher fiction featuring her “patrons” to amuse her friends and as a dream of a future life as a published author.

However, Sugar’s plan changes when a suppressed aristocrat seeks out her services after being cut-off from his wealthy father and repeatedly pushed away from his mentally ill wife. She quickly creates a mutually beneficial relationship with William Rackham, played by Chris O’Dowd (of IT Crowd, Bridesmaids, HBO’s Girls), and soon finds herself the invisible force behind his personal and financial successes. Eventually, Sugar finds herself entwined with the women of the Rackham family and her control over William’s affections begins to slip away.

Now for the warnings: This series features nudity and explicit content which, I’ll admit, took me off guard at first, yet felt very appropriate to the era and environment. What I really want to warn viewers about is how this miniseries made me feel. The depiction of the historical treatment of women mentally, socially, and sexually left me in very dark moods after each episode. The storylines following Mrs. Rackham and her illness were particularly difficult to watch. However, Sugar’s overall strength of spirit left me aggressively hopeful as the final scene faded into light.

I highly recommend The Crimson Petal and the White to adult fans of period films and miniseries and to those who enjoy dramas targeting the female experience in relationships such as HBO’s Girls.

Lost Cat: a True Story of Love, Desperation and GPS Technology by Caroline Paul

lost catAt turns hilarious and poignant, Lost Cat by Caroline Paul is a treasure – a simple story that reveals multiple truths and makes you laugh out loud.

Caroline Paul was home recovering from a serious accident when her beloved cat Tibby disappeared. Already weepy and depressed from the prolonged recovery, she was devastated. She and her partner Wendy (who provides charming and very funny illustrations) canvassed the neighborhood, posted flyers and finally mourned him as lost when, five weeks later, in strolls Tibby, fat and happy. Caroline was overjoyed – and suspicious. Where had he been all this time? How had her shy, timid cat survived the wilds of the outdoors? Why wasn’t he eating his food, yet remaining fit and healthy? Most of all, did he love someone else more?

Fueled by painkillers and jealousy, Caroline set out to find where Tibby went on his wanderings, seeking answers through GPS, cat cams, animal communication, pet psychics and pet detectives. With self-deprecating humor – and surprisingly moving insights – Caroline tells the story of their quest and what they found along the way – that technology is great but people are better, that bonkers is in the eye of the beholder. That you can never know your cat (or anyone for that matter), but that’s ok, love is better.

Highly recommended to anyone who has loved a cat, or a pet or anyone.

Etiquette & Espionage by Gail Carriger

EEOnce I devoured Gail Carriger’s excellent Parasol Protectorate series, I was delighted to see that Etiquette & Espionage represents her return to the same steampunk universe of  Soulless et al. It is also a first foray for Carriger into the field of YA. This is a true YA title – it’s perfect for, and I’d recommend it heartily to, almost any teenager/YA reader. It takes place at school; the main character is 14; the gore/sex/four-letter-words are tame or nonexistent. There’s a lot of emphasis on self-discovery, resourcefulness, learning, and intelligence, as well as bravery and friendship. The only element of a typical teen novel missing? ROMANCE!

In Carriger’s adult series, romance and sex were a huge driving force behind both the plot and the characters’ motivations. Without ever being crass or gratuitous, those books are about the way adults fall in love and stay in love – emotionally and physically. But in Etiquette & Espionage, the much, much younger teenage characters are motivated by entirely different things. Sophronia, the main character, is a “covert recruit” at a floating school for future spies; here, she’ll be trained to curtsy perfectly, measure poisons precisely, and wield sewing scissors to deadly ends. Sophronia is interested in boys, and she knows about feminine charms and how she might need to deploy them in her career as a spy, but her motivation is never reduced to the moronic, unimportant whine of “I want a boyfriend!! Why doesn’t a boy love me?!” – a fixture of many other YA titles. As the series goes on and Sophronia grows up, I fully expect Ms. Carriger to allow her to expand her romantic interests in a way that is intelligent and logical for her age, but in the meantime I’m thrilled to read a novel about the teenage experience outside of the desperate “need” for a boyfriend. Etiquette & Espionage is refreshing, exciting, and leaves the door open for a bevy of sequels that will be even better now that the groundwork has been laid.

Among Others by Jo Walton

As you can reliably guess from the fact that I write for this blog, I am a librarian. So I knew I would love Among Others by Jo Walton as soon as I read the dedication page:

This is for all the libraries in the world, and the librarians who sit there day after day lending books to people.

among othersThis book is for me! Awesome!* And this Hugo & Nebula award-winning novel is a treat. Mori is a well read 15 year old who has already accomplished a lot: she overthrew her mother, an evil witch, in a magical battle that killed her twin and left Mori with a shattered hip. She’s read just about everything that’s ever been published in the SF genre (well, everything before 1979, when this novel is set), besides Philip K. Dick, whom she dislikes. In the Wales of Mori’s childhood, magic and fairies are very real, but they aren’t all-powerful. Magic isn’t even the focus of this story; what could have been a bombastic, typical tale of good triumphing over evil (at a great cost) in a climactic magical duel  is instead a bildungsroman, the story of a smart, confident, magical girl discovering her identity. Mori’s most important challenge is discovering the value in her life now that her deed is done and her twin is dead.

When you are the hero, when you’ve already saved the world, and you’re a teenager stuck at boarding school based on the whim of a father you’ve never known, where the other girls taunt you for your Welsh accent and your limp, and where both the fairies and the magic of your childhood and your twin – your other half – can never reach you, what is the point of living? On Halloween, Mori sees the ghostly remnant of her sister near a portal to the next world and is tempted to follow and join her in death, but:

…I was halfway through Babel 17, and if I went on I would never find out how it came out. There may be stranger reasons for being alive.

Her love of books, libraries, writing, and the other worlds of the SF genre buoy Mori through the turbulent year after her sister’s death and lead her to the path her adulthood will take, so though her tale may sound grim, it’s really effervescent and uplifting.

Among Others is a fantasy novel, but Mori’s engagement with the realm of science fiction is so cogent, meaningful, and pervasive in the novel that this is a must read for fans of both genres.

 

*I have to add, though, that we do a lot more than sit and lend books! Sometimes we stand and lend DVDs 🙂

The Diviners by Libba Bray

divinersOne of my favorite Young Adult books that I’ve read recently is The Diviners by Libba Bray.  Set in the Roaring ’20s, it’s about a teen girl named Evie O’Neill who is sent away from her Ohio hometown after an incident at a party.  Shipped off to live with her uncle in New York, Evie is secretly thrilled at the prospect of life in the big city.  The excitement begins immediately when the police seek out the help of her uncle, the curator of the Museum of American Folklore, Superstition, and the Occult, in the hope that he can help solve a series of disturbing occult-related murders.  The possessor of secret supernatural gifts, Evie gets more than she bargained for when she is quickly tangled up in the investigation and begins to suspect that the killer is no ordinary man.

Despite all the glowing reviews I read, I was hesitant to pick up this book at first because it is HUGE.  Luckily we had a copy of the audio book on shelf, which seemed less daunting, and I am so glad that I decided to give it a try. I really enjoyed the setting and thought that Libba Bray did a great job of making the time period come to life for the reader.  I’m not usually up for creepy stories at all, but from minute one I was completely hooked on this engrossing tale couldn’t wait to find out what happened to the compelling characters next.  The Diviners is the first book in a planned quartet, and I can’t wait for the next installment in the series!  While I’m waiting, I think I’ll have to pick up a few of her other books like A Great and Terrible Beauty, Going Bovine, or Beauty Queens.