So. That was quite a month, wasn’t it? How did you do with your Online Challenge reading? I have to admit, I haven’t been reading as much lately. With the extra time at home, I had thought I would get lots of reading done, but I’ve found that I get distracted easily. I think it has to do with this new normal that we are living through, adjusting and absorbing how life is now and wondering what it will be like in the future. What about you, are you having issues adjusting?
I did read a book for this month’s theme which was inspired by the film and television series Downton Abbey. I read A Duty to the Dead by Charles Todd, the first in the Bess Crawford mystery series. While I enjoyed the book, I found it slow in parts and it didn’t grab my attention completely.
Bess Crawford is a nurse serving in the British army during World War I. She is injured when the hospital ship she is on, the HMHS Britannic, is sunk by a German mine (a true event) Home again in England to recuperate, she is haunted by a promise she made to Arthur Graham, a soldier she cared for who died in France, a promise that she has yet to fulfill. At her father’s urging she takes the time now while she is home to lay this promise to rest.
Traveling by train to Kent, Bess pays a visit to the Graham family estate and delivers Arthur’s cryptic message to his family. They are startling unimpressed and, while polite, seem to have no interest in pursuing the matter further. Delayed on her return, Bess stays with the Grahams a few extra days and discovers a complicated family dynamic with a mysterious brother hidden away in an insane asylum. Bess gets caught up in the dramas of the small local village (jumping in to help the local doctor in an emergency) and the mystery surrounding the Graham family.
There was a lot I liked about this book – the brave, level-headed Bess, the time period and the settings. The sinking of the HMHS Britannic at the beginning of the book was very interesting and exciting, but I found the pace of the rest of the book slowed and even dragged at times. It is the first of the series though and it will be worth trying more titles in this popular series in the future.
How was your reading this month? Did you read anything good? Let us know in the comments!
This is a book about two wars, of the price paid both by those who died and those who survived, of sisterhood and loyalty and immeasurable bravery. The Alice Network by Kate Quinn alternates between the two World Wars. The similarities are chilling with threads that tie the two together in more ways than one.
1915. Eve Gardiner is one of thousands of file clerks in London, unremarkable in appearance, quiet and demure, but because of her upbringing she speaks flawless French and German. She is bored and feels useless so when a Captain from British Intelligence recruits her to be a spy, she leaps at the chance. After a few short weeks of training, she is sent to Lille in occupied France and takes on the role of a shy, simple waitress in a restaurant that caters to German generals. The information she gleans from their overheard conversations is passed on to her contact, the “Queen of the Spies” Louise de Bettignies who becomes a bright and shining light for Eve in a dark and dangerous world. The work is exhilarating and treacherous, even more so when the owner of the restaurant takes an interest in her. One misstep and all will be lost.
1947. Charlotte (Charlie) St. Clair is young, unmarried and pregnant. Her wealthy parents send her to Switzerland to have her “Little Problem” taken care of and to preserve her (and their) reputation. Charlie is heartbroken over the recent suicide of her brother (a soldier who came home from the war but never left it) and the complete lack of information of what happened to her beloved French cousin Rose who she is convinced is still alive. In London, Charlie slips away from her Mother and contacts the one person she thinks might be able to help her – one Evelyn Gardiner. Evelyn’s hands are horribly disfigured and she is bitter and angry (the first thing she does to Charlie is to pull out a Luger and threaten to kill her) but eventually she agrees to go to France with Charlie see if they can find Rose. Accompanied by Evelyn’s driver Finn, they make their way to a France that is still torn and broken by the war. The horrors of World War II are very much still evident, but the shadows cast by World War I are still present too.
The book alternates between these two story lines, chapter by chapter. The connecting threads between the stories is gradually revealed, leading to an explosive final confrontation. It is one of those books that’s difficult to put down when you’re reading it and nearly impossible to forget about when you’re finished. I certainly found this to be true.
There are a lot of books about the World Wars, especially WWII, but The Alice Network manages to take a closer look at two lesser known subjects – the women who spied for the Allies during World War I, and the aftermath of the war in the countryside of postwar France. What really adds weight to the book though, is that many of the people and heart-stopping incidents depicted are true – there really was a network of female spies in German occupied countries during WWI and it really was called the Alice Network and was led by Louise de Bettignies, one of the most accomplished and successful spies the Allies had. Most of the things that happen in the book – the secrets the women uncovered, the danger and brutal punishments they suffered – actually happened. And in Charlie’s timeline, there is one episode that she comes across that is absolutely true (and absolutely chilling) but probably little-known outside of France. Evelyn and Charlie are fictional, but what they see and feel and experience are very real. Don’t miss the author’s notes at the end for more about these nearly forgotten heroines. And don’t miss this book.
In The Crimson Field, viewers are introduced to the daily lives of doctors and nurses in a tented field hospital right on the front lines of France during World War I. Right at the start, you are introduced to three volunteer nurses, Kathleen, Rosalie, and Flora as they make their way to a field hospital on the coast of France close to the front lines of fighting. At this field hospital, they are the very first volunteer nurses; a fact that rankles the established medical team already in place. Kitty, Rosalie, and Flora must find ways to deal with the new world that they have been thrust into where they quickly realize that the training that they have received is nowhere near adequate for the job they must do. With their addition to camp, everyone’s lives start to shift and clashes quickly crop up between the way that things have always been done, the hierarchal structure within the camp, and a new way of thinking. While the girls quickly find out that they are underprepared for this new way of life, they also discover that they, just like the others around them, are able to use this as a new start and to break away from everything that held them back in their hometowns.
PBS and the BBC have found ways to make interesting a subject that would have been dreadful to read about in a history textbook. By illuminating such topics as World War I, the day-to-day life of people in front-line field hospitals, and the tensions between the Allied and the Central Powers, viewers realize just how tumultuous life was during World War I and how people had to be aware of even their smallest actions. This PBS television show has a unique way of pulling people into the lives of the characters while simultaneously making the events that they are going through a wide and layered character unto itself.
The Unsubstantial Air is the gripping story of the Americans who fought and died in the aerial battles of World War I. Much more than a traditional military history, it is an account of the excitement of becoming a pilot and flying in combat over the Western Front, told through the words and voices of the aviators themselves.
A World War II pilot himself, the memoirist and critic Samuel Hynes revives the adventurous young men who inspired his own generation to take to the sky. The volunteer fliers were often privileged–the sorts of college athletes and Ivy League students who might appear in an F. Scott Fitzgerald novel, and sometimes did. Others were country boys from the farms and ranches of the West. Hynes follows them from the flying clubs of Harvard, Princeton, and Yale and the grass airfields of Texas and Canada to training grounds in Europe and on to the front, where they learned how to fight a war in the air. And to the bars and clubs of Paris and London, where they unwound and discovered another kind of excitement, another challenge. He shows how East Coast aristocrats like Teddy Roosevelt’s son Quentin and Arizona roughnecks like Frank Luke the Balloon Buster all dreamed of chivalric single combat in the sky, and how they came to know both the beauty of flight and the constant presence of death. By drawing on letters sent home, diaries kept, and memoirs published in the years that followed, Hynes brings to life the emotions, anxieties, and triumphs of the young pilots. They gasp in wonder at the world seen from a plane, struggle to keep their hands from freezing in open air cockpits, party with actresses and aristocrats, rest at Voltaire’s castle, and search for their friends’ bodies on the battlefield. Their romantic war becomes more than that–a harsh but often thrilling reality.
Weaving together their testimonies, The Unsubstantial Air is a moving portrait of a generation coming of age under new and extreme circumstances. (description from publisher)
The devastating events of the First World War were captured in myriad photographs on all sides of the front. Since then, thousands of books of black-and-white photographs of the war have been published as all nations endeavour to comprehend the scale and the carnage of the “greatest catastrophe of the 20th century”. Far less familiar are the rare color images of the First World War, taken at the time by a small group of photographers pioneering recently developed autochrome technology.
To mark the centenary of the outbreak of war, this groundbreaking volume, The First World War in Colour, brings together all of these remarkable, fully hued pictures of the “war to end war”. Assembled from archives in Europe, the United States and Australia, more than 320 color photos provide unprecedented access to the most important developments of the period – from the mobilization of 1914 to the victory celebrations in Paris, London and New York in 1919. The volume represents the work of each of the major autochrome pioneers of the period, including Paul Castelnau, Fernand Cuville, Jules Gervais-Courtellemont, Léon Gimpel, Hans Hildenbrand, Frank Hurley, Jean-Baptiste Tournassoud and Charles C. Zoller. Since the autochrome process required a relatively long exposure time, almost all of the photos depict carefully composed scenes, behind the rapid front-line action. We see poignant group portraits, soldiers preparing for battle, cities ravaged by military bombardment – daily human existence and the devastating consequences on the front.
A century on, this unprecedented publication brings a startling human reality to one of the most momentous upheavals in history. (description from publisher)
The United States Congress in 1929 passed legislation to fund travel for mothers of the fallen soldiers of World War I to visit their sons’ graves in France. Over the next three years, 6,693 Gold Star Mothers made the trip. In this emotionally charged, brilliantly realized novel, April Smith breathes life into a unique moment in American history, imagining the experience of five of these women in A Star for Mrs Blake.
They are strangers at the start, but their lives will become inextricably intertwined, altered in indelible ways. These very different Gold Star Mothers travel to the Meuse-Argonne American Cemetery to say final good-byes to their sons and come together along the way to face the unexpected: a death, a scandal, and a secret revealed.
None of these pilgrims will be as affected as Cora Blake, who has lived almost her entire life in a small fishing village off the coast of Maine, caring for her late sister’s three daughters, hoping to fill the void left by the death of her son, Sammy, who was killed on a scouting mission during the final days of the war. Cora believes she is managing as well as can be expected in the midst of the Depression, but nothing has prepared her for what lies ahead on this unpredictable journey, including an extraordinary encounter with an expatriate American journalist, Griffin Reed, who was wounded in the trenches and hides behind a metal mask, one of hundreds of “tin noses” who became symbols of the war.
With expert storytelling, memorable characters, and beautiful prose, April Smith gives us a timeless story, by turns heartwarming and heartbreaking, set against a footnote of history––little known, yet unforgettable. (description from publisher)
This is the 11th in the Inspector Ian Rutledge Mystery series, but the first one I’ve read. As a historical mystery, it makes for an interesting genre, but what I found even more intriguing was that the author, Charles Todd, is a pseudonym for a mother-son team who don’t even live in the same state! Even in this high-tech world, I still marvel at that kind of skill, but for now, let’s focus on the story.
A Matter of Justice takes place in 1920’s England, and the main character, Rutledge, is an inspector for Scotland Yard. He is called to the rural village of Somerset to investigate the brutal murder of a successful London financier, Harold Quarles. There are no shortages of suspects, as many of the villagers openly admit to totally despising the man. Even Quarles’ wife and the town’s police officer are under suspicion.
In what turns out to be a very effective technique, the reader is clued in to the real killer early on, and as the pages kept turning, I began to fear that Rutledge would arrest the wrong person or never literally bring the “matter to justice.” Another useful ploy was the voice of Hamish in Rutledge’s head. Hamish, a soldier who died under Rutledge’s command in the trenches of WWI, serves as a sort of guilty conscience for the inspector. This contributes greatly to making him a fully human character and not just some singular sleuth. Though some will find this similar to an Agatha Christie mystery, I found it refreshingly superior.