Tag: music CDs

The Women of Def Jam

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I love ordering music, partly because of how much I learn from it! For example, I was fascinated by The Smithsonian Anthology of Hip-Hop and Rap and its pretty comprehensive look at the growth and development of the genre. In a similar vein, recently I was able to order The Women of Def Jam, which “features the female artists that dominated hip-hop and R&B from the ’90s to the present day” (from publisher).

If, like me, you’ve only got a vague sense of what Def Jam is, here’s the breakdown I found from The Guardian’s “25 Years of Def Jam” piece back in 2011: “From humble beginnings in student digs, the record label Def Jam is credited with bringing New York’s street culture and music to the masses – and even helping to elect a president… Although not the only label to export the music and culture of inner-city America to the world, Def Jam is the most significant, artistically and commercially. Key signings have altered the art form, among them LL Cool J, Public Enemy, Beastie Boys, Jay-Z and Kanye West.” There’s a lot more to Def Jam now than hip-hop and rap, but it retains its reputation as helping to promote the cutting edge of the genre, especially at critical points in recent history.

The Women of Def Jam focuses on a specific part of that legacy which is not as evident in the stories told about Def Jam’s origins: what it owes to women. The album announcement in Variety explains that this album was put together for Women’s History Month, not least because “over half of the Def Jam staff are women, including seven women of color in senior executive positions. Two of the three executive leaders are women. Of ten department heads, eight are women” (Tunji Balogun, CEO). It’s an encouraging sign as in some genres of music, including arguably hip-hop and country music, women have had to fight against cultural conceptions of what their role ought to be to find success.

This album celebrates how far we’ve come in that journey by paying homage to the greats. Even for someone like me for whom hip-hop and R&B are not my top genres, this album is star-studded; both household names and lesser-known gems are represented for a voyage of nostalgia, discovery, or both. Explore this blast from the past today!

Key Changes: Machine Gun Kelly and Mainstream Sellout

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As someone who’s had the song Emo Girl (featuring Willow Smith) stuck in their head on and off for weeks, I think this is a perfect time to explore controversial artist Machine Gun Kelly’s professional journey from hip-hop and rap to pop-punk and mainstream success, culminating in 2022’s appropriately-named album Mainstream Sellout.

He rose to fame with a series of rap and hip-hop mixtapes (generally acclaimed) before releasing studio albums, starting with Lace Up in 2012, General Admission in 2015, and Bloom in 2017. Notable features included rapid-fire flow and pride in an unattractive underdog image. Then in 2020 he made a dramatic shift from rap to pop/punk with the release of Tickets to My Downfall – a shocking, impressive, and fluid album still with rap-inspired elements.

Why did he make the move? Without knowing details, it reminds me of Lady Gaga’s professional journey (which is a blog post in itself) in which she made mostly loud statement pieces until she’d captured public attention and then, fame established, moved to a more stripped-down mainstream sound in albums like Joanne. (Lady Gaga, of course, has now moved back to her outlandish roots with the flashier album Chromatica, but I digress.) Sometimes musicians want to try something different and explore their other interests, but don’t have the freedom to do so until they’ve reached a certain level of success.

Whatever the reason he seems satisfied with his new career track, since he continued with pop/punk in 2022’s album, Mainstream Sellout. The reviews have been mixed, but the album has had big commercial success debuting high on the Billboard 200 charts. Emo Girl ft. Willow is particularly good track (though I may be biased in saying that) — it’s a good example of the overall pop punk revival going on in the 2020s, partly because it’s extremely self-aware of how it’s referencing a scene more than participating in it. Rolling Stone called it “gleefully derivative” and on the whole the feeling is of playing a part and having a ton of fun with it.  Willow Smith’s vocals shine, her gen Z energy a good balance to Kelly’s so-called “buzzsaw bubblegum”.

For myself, I haven’t heard the whole album yet, but I enjoy Machine Gun Kelly better in pop-punk, which is one of my favorite genres. I know I may be in the minority; what are your thoughts on Machine Gun Kelly, Willow, or the pop-punk revival? Let us know in the comments!

The Latest from Pop Punk Princess Avril Lavigne

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Love Sux is Avril Lavigne’s latest album, and if you grew up like I did yelling along with her angsty bops, this is the perfect album for you.

Her first album was smash hit Let Go, containing tracks like Sk8er Boi and Complicated which rocketed her to fame. Next was Under My Skin, a darker grunge-inspired album whose most lasting track was My Happy Ending. The Best Damn Thing was album number three, and had several good tracks including Hot, Keep Holding On, and the yearning When You’re Gone, but most notable was Girlfriend, possibly her most popular song to date. Number four was Goodbye Lullaby, which has some of my personal favorite songs on it, including What The Hell and Smile. After that came self-titled album Avril Lavigne which is bursting with catchy tracks like Sippin’ On Sunshine and Here’s To Never Growing Up, alongside the controversial j-pop inspired Hello Kitty and the ballad Let Me Go with then-husband Chad Kroeger. After her battle with lyme disease she released Head Above Water in 2019, a bit of a departure in style as she processed the pain of her experiences; the main song with her signature rebelliousness is Dumb Blonde with Nicki Minaj, while the rest are slower, ballad-style tracks about helplessness and struggle to break free.

Love Sux is a return to form, with energetic rock-style tracks expressing defiance at every stage of relationships. The energy starts strong with Cannonball and doesn’t let up through a duet with Machine Gun Kelly, two dysfunctional love songs, and the eponymous Love Sux. Things might mellow a little by the end, but the whole effect is vintage Avril – which only fuels the Internet’s speculation that she doesn’t age (or ages very well). I’m always impressed at the way her music naturally matures as she does, while keeping her signature style; Let Go‘s “let’s crash the mall” skater vibe was definitely a teenager’s point of view, but Love Sux listens well from an adult perspective, even though it still probably has youth appeal.

If you’ve ever enjoyed Avril Lavigne or just like rock music with punk vibes and pop appeal, you’ll probably enjoy Love Sux.

Super Monster by Claud

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Support a non-binary artist and discover some catchy new music on Super Monster by Claud.  How to describe their style? Well, here’s what they say on their website: “claud mintz (they/them) makes the kind of pop that goes well with a late night snack.”

If that doesn’t clear it up for you, here’s my take: this is a pop sound similar to twin icons Tegan and Sara, and the California band Muna, but also with shades of Olivia Rodrigo and Billie Eilish. With simple hooks and honest lyrics, Claud combines soft, musing ballads with more fast-paced, playful tracks for a mix that is overall optimistic, affectionate, vulnerable, and proudly queer. Listeners will be drawn in by bright, quirky album art and intriguing song titles including “Cuff Your Jeans” and “That’s Mr. Bitch to You”.

Incidentally, “That’s Mr. Bitch To You” is probably my favorite track for its light-hearted energy in response to hate (definitely my new personal anthem) – but most tracks are relaxing and enjoyable to listen to. I also recommend “Overnight” and “Falling with the Rain” for more romantic vibes, and “Ana” for a lost-love story.  Most tracks will leave you humming for the rest of the day, and the lack of cynicism will keep you coming back for more.

In Defense of My Own Happiness by Joy Oladokun

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Raw emotions and deep insights are combined with catchy, hopeful melodies to make truly captivating music in Joy Oladakun’s (oh-LA-da-koon) most recent album, In Defense of My Own Happiness.

24 unique tracks are packed into the album, each with its own viewpoint delving into love, society, struggle, beauty, or some combination thereof. What all the songs have in common is Oladakun’s signature singer-songwriter style. She’s described on her website as “a new kind of american troubadour” and her music reflects that – while your toes are tapping, head bobbing along to the beat, your mind and heart are absorbing deeply intentional lyrics. Particularly powerful is the specific perspective she brings on the world.

“i feel like it’s not an accident i’m a queer black woman writing and making music,” says the Nigerian-American singer. Her singles criticizing religion and systemic racism, among other topics, have been widely acclaimed. However, as the album’s title suggests, the music at its core is about hope and happiness wherever and however it can be found. “when you listen to me, i want you to feel like you’ve taken an emotional shower. that’s what i’m trying to accomplish for myself. to me, music is a vehicle of catharsis. i write a lot of sad songs, but i always push for a sliver of a silver lining or glimmer of hope it could be better. that’s why i’m writing in the first place. i want you to be changed when you hear me, and not because i’m special, but because i make music with the intention to change myself.”

I was surprised, touched, and fascinated by this album; I kept expecting to find a track that didn’t hook me, something that I didn’t like, that I’d skip past, but I never did. Every song was gentle on the ear but persistently catchy, with lyrics that kept you waiting to hear what came next. There was nothing superficial or frivolous going on, and everything felt like an authentic, intentional celebration of life – the good and the bad. Whether you’re into the singer-songwriter style of folk music or not, I definitely recommend you give a listen to this powerhouse album.

Lojo Russo: Discover Local Music!

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Lojo Russo recently, generously, donated copies of her most recent CD Fresh Oil – Loose Gravel to the library for circulation! If you’re not familiar, Russo is a local musician who has lived in California and Minnesota, but currently calls the Quad Cities home. She’s influenced by folk, funk, jazz, jam, Irish and indie music, creating a unique folk rock sound. Learn more about her here.

Here are some other QC musicians whose CDs are in our collection:

The Candymakers

Centaur Noir – Let’s Start A War

Three Years Hollow – Ascension

Meth and Goats – Leisure Time

Lewis Knudsen – Joy, Pain, Love, Songs

Broken Social Scene – Hug of Thunder

Metrolites – In Spy-Fi

Pro Tip: you can also search the term “local music” in our online catalog to get a list of all the local musicians’ CDs available at all the Rivershare libraries. Don’t forget to use the filters along the left side of the results page – if you check the box for “Music CD” you’ll narrow your results down to just the music.

Can’t play CDs? Then make sure to check out QC Beats, our online streaming audio collection including the original music of Quad Cities musicians and artists. If you’re a musician, submissions are open once a year to add  your music to the collection, so please share!

Key Changes: Gen Z Hitmakers

- Callen Leave a comment

I don’t know about you, but I’m hugely vulnerable to earworms: those songs that stick in your head and just never leave. Now, I fall squarely in the “millennial” camp, but in my experience lately, there are some Generation Z (born 1995-2015) pop artists that are making really catchy songs that spread like wildfire on social media and everyone finds themselves singing. Here are three top-rated Gen Z artists whose new albums we’ve recently purchased for the library, full of new earworms for you to love and hate – you’re welcome!

Billie Eilish became iconic for her oversized fashion and green-and-black hair alongside her homemade, whisper-sung tracks. I always found her work atmospheric and spooky, leaning into the dark side of humanity and growing up. For her new album, Happier than Ever, Eilish has changed her image to blonde hair and a nude color palette – but her softly sung, otherworldly musical style and lightly cynical lyrics remain largely unchanged. You might have heard her hit song Bad Guy from debut album When We All Fall Asleep, Where Do We Go? This time around, watch out for Therefore I Am, which has a similar sound but revolves around defying bullies and haters.

Tones and I, AKA Toni Watson of Australia, rocketed to fame on the song Dance Monkey in 2019. Like Billie Eilish, she has a unique vocal sound, which in her iconic track is paired with danceable beats (evidence: the song is my favorite from the game Just Dance 2021). Dance Monkey was released on the 6-song EP The Kids Are Coming in late 2019. The new album, Welcome to the Madhouse, may have grown in scope as a result of the COVID-19 pandemic: Watson added 5 more songs and took extra time to do most of the production work herself. According to critics, the songs on this album are Watson being really vulnerable and exploring her mental health and the cruelty of haters, through clever lyrics and strong vocals.

This last entry was added to our collection a few months back, but it’s too popular not to be mentioned in this group. Olivia Rodrigo was originally known for her acting work on Disney shows, including High School Musical: The Musical: The Series, but with the release of her smash hit album Sour, her fame has definitely shifted. The earworm (for me, anyway) in this case is Good 4 U, an energetic and danceable take on the anger after a breakup, especially when an ex-partner moves on quickly. The album as a whole is very centered on the teenage experience, especially falling in (and out of) love: the other popular track is Driver’s License, about getting a license but losing a partner. Guaranteed to knock around your brain for a while, this is not an album to miss – even if you’re not a teenager anymore.

Key Changes: New Music by Enchanting Voices

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First things first: everyone has different opinions on which singers have the most beautiful voices. The two singers I’m highlighting today are just two of my personal favorites — I love the rich, velvety tones of their voices and am looking to share the beauty of it with you! Both these singers are probably known to you in some way, because they’re iconic features of vocal music in popular culture. These, their most recent albums, show their chops and add to their already considerable reputations – in popular music circles, anyway. Classical music critics have mixed feelings.

Believe by Andrea Bocelli is the 16th solo album the pop tenor has released (though he’s collaborated on many more!) and it strikes a very timely tone for 2020. It’s a collection of uplifting songs that Bocelli has loved throughout his life. In his announcement, Bocelli said the album is a celebration of the power of music to soothe the soul, and it features duets with opera singer Cecilia Bartoli and award-winning singer Alison Krauss.

Harmony by Josh Groban strikes a similar note: Groban reportedly developed and fleshed-out this album during the isolation of the global pandemic when he was trying to reach a place of light and hope. The resulting album represents a miracle of cooperation as musicians and producers combined their efforts from a distance to create a unified whole. Moreover, the songs themselves are a mix of classic melodies and original songs which express hope for the future.

Key Changes: New Classical Crossovers

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I grew up listening to a lot of classical music because of my parents, and only developed a love for pop music later. This has given me a unique perspective on music, and a love for a genre that’s a bit obscure but super fun if you’re a music nerd like me. It’s usually called Classical Crossovers, and it’s what happens when instruments and groups that typically play classical music play… NOT classical music, whether that’s pop music, rock music, soundtracks, etc. How this works depends on the group and the music they’re covering. I like it because the different instrumentation puts a unique twist on a familiar melody. Here are a few examples of this genre, recently ordered for the library.

Disney Goes Classical by the Royal Philharmonic Orchestra is an album where a symphony orchestra plays beloved Disney songs, from movies like The Lion King, Moana, Frozen, and more. It also features guest artists who are some of the best classical musicians today, including Matteo Bocelli,  Renee Fleming, and more. If you’re looking to relive your childhood or experience the magic of Disney in a different way, check out this album for a classy journey down memory lane.

10 by the Piano Guys probably needs no introduction; The Piano Guys have been an Internet sensation for a long time with their amazing covers of popular songs and mashups with both popular and classical tracks. In this album, they celebrate 10 years of making music with new covers as well as some of their greatest hits. They always adapt the original song to work perfectly with their instruments (piano and cello) and the songs on this album are no exception.

Alive by David Garrett is the newest album from an acclaimed violinist known for his violin covers of rock and popular songs. In this album, he has created a collection of his favorite soundtrack music, which runs the gamut from Disney songs like Beauty and the Beast and Let it Go to dramatic hits like Shallow, all the while staying true to his roots as a classical musician.

Key Changes: New Quirky Music

- Callen Leave a comment

I love ordering the music CDs for the library – getting the inside scoop on all the new albums coming out is great fun for me. The only thing I like better is sharing the cool new music with other people! Today I’ve got another two albums, recently ordered for the library, which give us a great opportunity to think about how the artist’s work has changed and matured over the course of their career.

Violet Bent Backwards Over the Grass by Lana Del Rey is another unique installment in already unusual body of work. Her music is hard to classify in my mind, with old Americana glamour (think 1950s and 1960s) fatalistically described in hypnotic, narcotic vocals. I’ve heard it described as a red rose smoking a cigarette. Another word people use is “sadcore”, which describes a moodier, alternative musical style featuring depressive themes, bleak lyrics, and/or downbeat melodies. It’s perfect music for thinking about doomed love or the flaws in the American dream. She has continually evolved over the course of her career: her first album, Born to Die, was a breakout hit, heavy with American nostalgia but influenced by hip-hop and indie pop. A subsequent album, Ultraviolence, was more guitar-based, sounding like psychedelic or desert rock, and was followed by Honeymoon, which had a thick, crooning sound that felt like a time warp, according to one reviewer. Her next album, Lust for Life, was for her fans, and it was followed by her biggest success, Norman Fucking Rockwell, which delved deep into twisted and sordid American fantasies and was called “massive and majestic” by reviewers. In Violet Bent Backwards Over the Grass, she has created a spoken word album, putting a series of original poems over musical accompaniment. Another studio album is anticipated in early 2021, titled Chemtrails over the Country Club.

Love Goes by Sam Smith is another artist that I’ve always felt stands apart from the crowd. They first rose to fame in 2012 and 2013 performing on other artists’ tracks, before releasing their first studio album In the Lonely Hour in 2014. This album rocketed to the top of the charts and won them 4 Grammy awards. They continued to release individual tracks, including Writing’s On The Wall, a very atmospheric song for a James Bond film in 2015, Promises with Calvin Harris, and Dancing with a Stranger with Normani. In 2017 they released a second studio album, The Thrill of It All, which was also a big success, especially the lead single Too Good At Goodbyes. This third album features another string of wildly successful singles including How Do You Sleep, To Die For, and I’m Ready with Demi Lovato. The beauty of Smith’s music is that it has grown increasingly personal and intimate over the course of their career; In The Lonely Hour had a crooner, R&B sound that was familiar, though extremely catchy, and the lyrics told age-old stories of love and loss reminiscent of music by Adele. With The Thrill of It All and subsequent singles, Smith became more vulnerable, putting more personal truth into their songs and developing a more meditative, unique sound. This album promises to be the most authentic record yet, featuring tracks that already popular as well as new unknown songs. Early reviews are positive, saying that with this album Smith celebrates freedom and self-expression in a way they haven’t before.