Tag: R&B

The Women of Def Jam

- Callen Leave a comment

I love ordering music, partly because of how much I learn from it! For example, I was fascinated by The Smithsonian Anthology of Hip-Hop and Rap and its pretty comprehensive look at the growth and development of the genre. In a similar vein, recently I was able to order The Women of Def Jam, which “features the female artists that dominated hip-hop and R&B from the ’90s to the present day” (from publisher).

If, like me, you’ve only got a vague sense of what Def Jam is, here’s the breakdown I found from The Guardian’s “25 Years of Def Jam” piece back in 2011: “From humble beginnings in student digs, the record label Def Jam is credited with bringing New York’s street culture and music to the masses – and even helping to elect a president… Although not the only label to export the music and culture of inner-city America to the world, Def Jam is the most significant, artistically and commercially. Key signings have altered the art form, among them LL Cool J, Public Enemy, Beastie Boys, Jay-Z and Kanye West.” There’s a lot more to Def Jam now than hip-hop and rap, but it retains its reputation as helping to promote the cutting edge of the genre, especially at critical points in recent history.

The Women of Def Jam focuses on a specific part of that legacy which is not as evident in the stories told about Def Jam’s origins: what it owes to women. The album announcement in Variety explains that this album was put together for Women’s History Month, not least because “over half of the Def Jam staff are women, including seven women of color in senior executive positions. Two of the three executive leaders are women. Of ten department heads, eight are women” (Tunji Balogun, CEO). It’s an encouraging sign as in some genres of music, including arguably hip-hop and country music, women have had to fight against cultural conceptions of what their role ought to be to find success.

This album celebrates how far we’ve come in that journey by paying homage to the greats. Even for someone like me for whom hip-hop and R&B are not my top genres, this album is star-studded; both household names and lesser-known gems are represented for a voyage of nostalgia, discovery, or both. Explore this blast from the past today!

Recently Added: Quarantine Music

- Callen Leave a comment

I think it’s safe to say the last few months have changed a lot of plans. Countless goals and dreams and ways of thinking have been forced to adapt, be revised, or be put to rest. One way, both beautiful and bittersweet, that these changes are expressed is through the art we create. Taylor Swift is a good example of what can be created in these unusual circumstances, but there are several other cases of creative projects altered by pandemic that are worth looking at. All the albums listed have recently been ordered for the library and will be available soon.

how i’m feeling now by Charli XCX is an album that was created in a truly unique way, unlikely to have arisen except in the context of self-isolation. The artist announced (where else?) on a Zoom call  that she would be making an album in self-isolation and that she would use only the tools at her fingertips to create the music, album art, everything.  Moreover, she worked collaboratively with her fans to get feedback on tracks, album art, and more. The result has been highly acclaimed by critics and fans.

In A Dream by Troye Sivan is the artist’s third album, following 2018’s Bloom. According to Sivan, this album represents an emotional rollercoaster, where emotions and feelings are shockingly fresh. Similar to Taylor Swift’s journey with Folklore, this album was made while Sivan was in lockdown in Melbourne, and it was facilitated by the boredom and isolation of the experience. Songs were created day by day and it was an unexpected realization to find that an entire album had materialized.

Here On Earth by Tim McGraw, in contrast to previous examples, was planned and recorded before the pandemic, but was unmistakably altered by it. The tour originally planned to accompany the release had to be canceled, and according to an interview with Rolling Stone, McGraw had to reexamine the record in light of the pandemic to see how its emotional impact had been changed. Some tracks, including I Called Mama, were found to have unexpected emotional weight.

ALICIA by Alicia Keys was also planned ahead of time, but struck a timely chord with its themes. Critics said the album struck a balance between hope and despair, and Keys herself said the album showed the value of introspection – something we’ve all had more time to do lately, right? The album was scheduled for release in March, but was delayed by the pandemic until September. In the meantime, various virtual performances allowed Keys to debut songs from the album ahead of its release, including the iHeart Living Room Concert for America.

The Electric Lady

- Ann Leave a comment

electric ladyTo say that I was excited about the release of Janelle Monáe’s newest album, The Electric Lady, is an understatement.   Her 2010 album, The ArchAndroid (Suites II & III), is one of my favorite albums of all time.  That epic, sprawling R&B recording (that feels like a collaboration between David Bowie, Lauryn Hill, Beck, and Outcast) tells the story of Cindi Mayweather, an android sent back in time to save the people of Metropolis from a time-traveling secret society that prevents freedom and love.  Monáe’s first album, Metropolis: Suite I (The Chase) began the story and The Electric Lady continues with suites four and five out of seven.

But don’t let that complicated back story turn you away.  The Electric Lady is as fun as it is smart.  Collaborating with Erykah Badu (on the spectacular track Q.U.E.E.N.), Esperanza Spalding, Miguel, Solonge, and Prince, Monáe has created an exciting follow-up album. While there are stand-out tracks (Primetime and Dance Apocolyptic are two of my favorites), The Electric Lady is best listened to in full.