Music Selector’s Choice: Indie Pop Old and New

Many people of taste disdain mainstream, Top 40 pop music in favor of equally talented but less famous independent musicians. If that describes you, you may already know about the artists I’ll share here. But if you are like me, you may be delighted to discover them and their music – and hopefully it will open our horizons to seeking out other lesser-known artists. There’s no shame in enjoying top 40 hits, of course, but smaller creators deserve love too, especially (as you’ll read below) when their work plumbs a deep well of meaning.

Back in 2016, most everyone heard the song “HandClap” by Fitz and the Tantrums, and it may have been the first and last time they thought about the indie pop / neo soul band. It wasn’t the band’s first release, coming on their self-titled album after three previous albums (Songs for a Breakup vol. 1, Pickin’ Up the Pieces, and More Than Just A Dream). It was, however, their most notable hit. Me personally, I remember that song and “The Walker”, as well as “I Just Wanna Shine” from their next album All The Feels (this last because it was also on the soundtrack for delightful Netflix movie Yes Day). I confess I haven’t thought of them much, but I can now, because their latest release, Let Yourself Free, is out now. By all accounts it showcases what the band does best: upbeat tracks with strong hooks. If this is your thing (it definitely is mine) you’ll probably enjoy it, even though the content is strictly surface-level sentiments.

Obviously, the field of indie pop today is pretty wide and filled with talented performers, especially lately as TikTok helps with publicity. Through social media I’ve discovered talents like Gayle, Wet Leg, Against Me!, Brockhampton, and many more. One such talent is NoSo, whose debut release, Stay Proud of Me, is now on library shelves for your perusal. Interesting performer name, right? Well, apparently “NoSo is shorthand for North/South: A nod to their Korean heritage, and the inane origin question (“Which Korea are you from?”) that so many Korean Americans inevitably face at some point in their lives.” The same source also names the artist as LA-based singer-songwriter and guitarist Baek Hwong (pronouns he/they). “Their music grapples with the search for a sense of identity, overcoming imposter syndrome, and repressed memory” reports their record label – and NPR agrees, summing up the debut record as a “care package for someone in need –  their younger self.” Try this record if you want to support more queer artists, relate to the search for identity and acceptance, or enjoy “virtuosic, memorable guitar playing… cinematic synths and lush pop sounds…packaging heavy subject matter as a catchy hook or chorus without cheapening its sentiment” (NPR).

Share YOUR favorite indie musicians below!

25+ Years of Tegan and Sara

Like most aging people I’m starting to realize just how long my favorite artists have been around. For example the iconic band Tegan and Sara have been making music since 1995, recording on cassette tapes. If you don’t know them, Canadian twins Tegan and Sara Quin have been vitally important to building a more mainstream LGBTQ music scene. Their music has the earworm elements of pop music and an unapologetically sapphic core – and recently they’ve grown more reflective about their public image.

Their early music, starting in about 2002, quickly gained popularity in Canada and with teen listeners, featuring albums The Con and Sainthood. Both albums were generally acclaimed as their sound both matured and experimented. It was the seventh album that was perhaps the most successful, and the one I know best: Heartthrob in 2013, followed by Love You to Death in 2016. This is where their indie pop sound really hit its stride with songs like Boyfriend and Closer, featuring danceable beats mixed with melancholy feelings. Incidentally this is also where I heard I’m Not Your Hero, whose hook will forever live in my head rent-free: “I’m not their hero / but that doesn’t mean that I wasn’t brave”.

This is a band that doesn’t forget its past: in 2017 their big tour and promotion was celebrating 10 years since the release of The Con (including the creation of an album of other artists’ versions called The Con X: Covers) and in 2019 they released Hey I’m Just Like You, which shares recordings of songs they initially wrote as teenagers. The influence of rock and punk bands like Nirvana, Hole, or the Smashing Pumpkins is more apparent here, and the album as a whole reads more pop-punk than their more recent compositions. In the same spirit they made an all-acoustic version of their 2004 album, So Jealous, which was released as Still Jealous in February.

But the big news of recent years was the release of High School, a memoir about their experiences coming-of-age, which was adapted into a TV series on Amazon Freevee. Viewers are offered a glimpse into a teenager’s life in the early 2000s including the pains of exploring your sexuality and deciding who you want to be. This is definitely a band for you if you’re someone into memoir, legacy, and writing your own history. They’re also politically engaged, passionate activists for causes including cancer research and LGBTQ rights.

This year they released the all-new Crybaby with a new record label. Written during the pandemic, this is the album that nearly wasn’t: originally they were recording standalone singles I Can’t Grow Up and All I Wanted, but were inspired to spin the two into a whole album — luckily for all of us that need more T&S in our lives.

If you like indie music, are a longtime fan, or want exposure to more LGBTQ music artists, definitely listen to some Tegan and Sara today.

Super Monster by Claud

Support a non-binary artist and discover some catchy new music on Super Monster by Claud.  How to describe their style? Well, here’s what they say on their website: “claud mintz (they/them) makes the kind of pop that goes well with a late night snack.”

If that doesn’t clear it up for you, here’s my take: this is a pop sound similar to twin icons Tegan and Sara, and the California band Muna, but also with shades of Olivia Rodrigo and Billie Eilish. With simple hooks and honest lyrics, Claud combines soft, musing ballads with more fast-paced, playful tracks for a mix that is overall optimistic, affectionate, vulnerable, and proudly queer. Listeners will be drawn in by bright, quirky album art and intriguing song titles including “Cuff Your Jeans” and “That’s Mr. Bitch to You”.

Incidentally, “That’s Mr. Bitch To You” is probably my favorite track for its light-hearted energy in response to hate (definitely my new personal anthem) – but most tracks are relaxing and enjoyable to listen to. I also recommend “Overnight” and “Falling with the Rain” for more romantic vibes, and “Ana” for a lost-love story.  Most tracks will leave you humming for the rest of the day, and the lack of cynicism will keep you coming back for more.

Hidden Music Gems: Global Edition

You may not know that our “global” genre of music CDs incorporates not only great music from around the world, but also great folk music groups from the US. Here are some great albums you can find under Global:

Appalachia Waltz , with Yo-Yo Ma, Edgar Meyer, and Mark O’Connor, which honors the legacy of fiddle and folk music in America. This is just one example of eminent American cellist Yo-Yo Ma’s dedication to folk and global music; he’s also made an album called the Goat Rodeo sessions, collaborating with Edgar Meyer and others, as well as several albums with the Silk Road ensemble, an intercultural collective of musicians, artists, and storytellers, tracing the trade routes and the impacts of the Silk Road, which ran from the Mediterranean to China and beyond.

The Civil Wars‘ self-titled album was the indie folk duo’s second and final, featuring Grammy-award-winning song “From This Valley”. Fun fact: the band’s name was not a historical reference, but actually referred to the battles each of us is fighting within ourselves – based on the quote “Be kind, for everyone you meet is fighting a great battle.” The pair met in a songwriting workshop, and got early success when their song “Poison and Wine” was featured on Grey’s Anatomy in 2009.

Foreverly, featuring Billie Joe Armstrong of Green Day duetting with jazz singer-songwriter Norah Jones, honors traditional Americana and folk music as recorded by country icons the Everly Brothers, while remaining true to the singers’ distinct styles. The Everly Brothers recorded Songs Our Daddy Taught Us in 1958, and it was their second studio album. When Billie Joe Armstrong fell in love with the album, he decided to remake it to make more people aware of it, and wanted to add a woman’s vocals to deepen the meaning. It was actually Armstrong’s wife Adrienne Armstrong who suggested he invite Norah Jones to partner with him – and their voices turned out to complement each other perfectly.

Album 1700 by iconic folk group Peter, Paul, and Mary was the band’s seventh album, featuring their last big hit, “Leaving on a Jet Plane” (a John Denver cover). If this cover looks familiar, you might recognize that it’s styled after a promotional photo for the 1967 movie Bonnie & Clyde where the gang held machine guns. It’s an eclectic mix of tracks, standing outside the contemporary trends at the time. As well as the John Denver cover, there’s also a Bob Dylan cover and a song which was eventually turned into a children’s book, “I’m In Love With a Big Blue Frog”. The group itself was a big part of the 1960s folk music revival in the US after their debut album topped the charts for weeks after its release in 1962.

Songs of Our Native Daughters – a collaborative album by four Black female artists highlighting historical issues that influenced black women, using mostly the banjo to echo historically Black minstrel music. Rhiannon Giddens had the original idea for the project, after visiting the  Smithsonian’s  National Museum of African American History and Culture in Washington, D.C. and watching Nate Parker’s 2016 Birth of a Nation, in which she felt the suffering of enslaved women didn’t receive enough focus. She then invited other Black female artists to collaborate, resulting in the final team of Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell. A major part of the album is devoted to songs about different aspects of slavery and its aftermath.