The Library Book by Susan Orlean

The simplistic description of this book is that it tells the story of the burning of the Los Angeles Public Library in 1986, a disaster that destroyed 400,000 books and damaged 700,000 more. But it is far more than that – The Library Book by Susan Orlean is about the joy of reading and learning, the magic and potential of libraries, the people that make sure libraries are open every day to everyone. It is a love letter to libraries everywhere.

The fire itself is fascinating. A perfect combination of fuel (the books) and oxygen (from the unique shelving system that allowed ample air circulation), the fire burned at up to 2000 degrees for seven hours. Most fires burn orange and red, but this fire achieved a chemical reaction known as a “stoichiometric condition” and burned clear, a phenomenon that most firemen never see and is usually only able to be produced under specific lab conditions.

The Library Book also delves into the history of the Los Angeles Public Library including its unique architecture, its growth which reflects Los Angeles itself growing from a raw, untamed outpost to a center of glamour and sophistication, and the colorful people it serves. I found that LAPL’s struggles are often universal to libraries everywhere – incorporating and embracing technology, serving diverse populations, maintaining a collection and, always, budget. Descriptions of many of their patrons and incidents rang very familiar with me, although I have to say I’ve never (and hope never to) run into a patron like the one on page 159!

Hopefully, if you’re reading the library blog, you’re a fan of libraries already and you’re predisposed to be interested in this book but I think  anyone would find this book interesting. Orlean is a masterful storyteller, weaving multiple storylines together, sprinkled with fun ancedotes and real life observations. One of her main thesis is that libraries are the repository of memory and the keeper of time. Not just historical, but personal, that the experience of walking into a library and being able to check out a book holds a certain joy no matter the building. Her stories about her childhood library and visiting it with her mother are poignant and heartfelt prove this belief beautifully and elevate the book far beyond a dry accounting of events.

Read it. You’ll love it.

 

How Not To Get Shot: And Other Advice From White People by D.L. Hughley

D.L. Hughley, co-author of How Not To Get Shot: And Other Advice From White People, one of the original Kings of Comedy, is a wildly successful comedian, radio host, actor, and political commentator. In the early 1990s, he was the first host of BET’s Comic View and later went on to produce and star in the sitcom, The Hughleys as well as appear as a television correspondent on the Jay Leno Show, among many other accomplishments.

In today’s scorching social and political climate, when we struggle to openly discuss racism and police brutality, Hughley takes a different approach: satire.  Historically, satire has been used to scrutinize societal views. A basic web definition describes satire as “the use of humor, irony, exaggeration, or ridicule to expose and criticize people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues.” Hughley indeed draws on irony to discuss how largely white audiences explain the topic of police brutality while also offering prescriptions for how People of Color (POC) should  carry themselves when encountering police officers while having little to no relevant first-hand experience.

In How Not To Get Shot: And Other Advice From White People,  the authors devote entire chapters to some of the following “prescriptions” offered by white people for not getting shot: 1. Comply with police orders; 2.) Don’t Talk Back; 3.) Don’t Match The Description; 4.) How To Do Your Hair; 5.) End White-on-White Crime; 6.)  How to Be Nice and Quiet and 7.) How To Not Be A Reverse Racist. (Nevermind, though, that “compliance” does not guarantee protection from police violence, a point Hughley drives home throughout the book). Hughley’s clever use of satire and sardonic wit enables readers to infer the ridiculousness of offering overly-simplistic and misinformed “solutions” to complex problems.

Now, you’ve heard of “mansplaining,” right?  See, “mansplaining” describes the phenomenon of men attempting to dominate debates centering around cultural norms and realities that negatively impact the lives of a majority of women but while having no first-hand experience themselves. We can hopefully understand what is inherently flawed in a system in which those who are least impacted attempt to silence those who are most impacted, yes?

And it behooves me now to offer the disclaimer that the act of identifying and validating a societal ill is by no means a condemnation of, in this case, all men. So there. Glad we got that settled.

But by the same token, the term “whitesplaining” –hardly an accusation against all white people (come on, now)–describes the phenomenon of white people attempting to dominate discussions about racial profiling and police violence having had little to no relevant experience in that department. At it’s core, this book pokes fun at whitesplaining, and I happen to think it does a marvelous job. Imagine if I attempted to explain to Deaf individuals how they should conduct themselves in interactions with hearing people? Or if I presumed to know how LGBTQ individuals should carry themselves around their hetero counterparts in order to fend off discrimination? Really, even apolitical examples work to illustrate that it just doesn’t logically hold up that a non-expert would exude any respectable amount of authenticity in matters he or she is not experienced. And, no, oversimplifying these matters as some partisan ploy in identity politics is hardly a legitimate reason to fight against fair representation – that only occurs when we are willing to listen to and validate experiences that are different from our own.

Really, the message is simple: how about, at the very least, we humor our fellow humans enough not to try and shut them up or worse–call them crazy–when they speak up on topics with which we ourselves have little experience? How about we give our fellow humans the benefit of the doubt without gaslighting them, especially when we are dealing with issues reaching critical mass. I don’t know about you, but I want to live in a society that listens to and validates the experiences of its members.

Enter comedy. Only a skilled comedian is able to shine a light on brutal truths about humanity and elicit, of all things, laughter when tears are the more appropriate response. Why? Because a comedian, like a scientist, scrutinizes and magnifies painful truths about society and humanity s/he shares with a wider audience. During that time spent together, the comic and the audience laugh together at what is wrong with the world and for that brief moment in time creates an environment of hope and possibility. Comedians unify audiences through the use of humor and I am astounded at how successfully they can, at their best, create transformative atmospheres and opportunities to facilitate genuine, life-changing understanding. To me, comedy can help break down barriers that prevent us from listening to our fellow human beings with an open mind and, if we’re lucky, having a genuine understanding with one another.

Check out this interview from NPR with D.L. Hughley as he discusses his book!

 

 

 

 

 

Calypso by David Sedaris

Image result for calypso by david sedaris amazon Now, while I don’t normally listen to books on CD or audio, I truly enjoyed listening to Calypso by David Sedaris, read by the author himself. And I must say that it was a lovely, riveting, and a hilarious ride….ride I say….. in that I only listened to the book on CD while I was riding around town or making my entire family listen to it when we took a short road trip over the Labor Day holiday weekend….and believe it or not, they actually listened, although they did let me know at times that the language was not appropriate for teenage ears….but whatever is all I have to say about that! As the video games I have seen them play are way worse than anything that could have ever been written in this novel. Sedaris’ prose is almost autobiographical writing mixed with what seems to be comedy bits that could have been written by his comedic actor sister Amy Sedaris.  Calypso will keep the reader and/or listener engaged, entertained and especially amused in the comical sense and laughing in a very familial relatable scenes with parents, adolescence, and aging. Check out Calypso David Sedaris’ latest book and you won’t be disappointed….instead it will leave you crying with laughter…at times.

Keep track of those books! Try Goodreads

The holiday season is here and you are probably going to be interacting with friends and family at gatherings. A popular topic of conversation is books. Well, books always becomes the topic after I mention that I am a librarian. “Oh, it must be nice to sit around and read all day”. Sadly, we don’t get to sit and read all day either. But I do like talking about books! However, I cannot always remember the author or title of a book that I read that I want to recommend to someone.

So what do I do?

Thankfully, there is an app for that. I like to use Goodreads. And if you don’t like squinting at your phone, check out their website. Goodreads is my favorite app/website. It helps me keep track of what I have read. If I find a new author I like, I can search Goodreads for all of their works. Best of all, while I am searching new titles, I can see what other Goodreads users ranked and reviewed a book. So if I see that a book has a low rating, I might put it in my “To-Read” list on the site instead. While you are comparing books at that holiday gathering, you can add those interesting sounding titles to your “To-Read” list on your phone so you don’t forget them later.

Goodreads is not just a site of lists of books and authors. It is social site that allows you to interact with other people. You can see what your friends have read or want to read. You can compare your lists with their lists, see how your rankings compare and read their reviews. There is a news feed that shows you what your friends just added to their list or what book they just finished. Goodreads now offers a personal reading challenge that keeps track of how many books you have read during the year. Also, Goodreads users vote on their favorite books at the end of the year.

Hopefully I have given you a reason to join Goodreads. It is a fun way to keep track of what you have read and interact with your friends. It is great tool for helping you find new books and authors to read as well. When you are at those family gatherings, it will be much easier to add that recommended book on your Goodreads app then to try to remember the book title (and forget it later).

 

 

Let’s hit the streets!

Are you ever curious what people are actually reading? If you’re like me, you see all the books that people are checking out from the library or are buying at bookstores and you wonder if they are really reading those books or not. I know that most of the books that I check out just sit on my shelf until I either return them to put another hold on them or I renew them for another 3 weeks of book shelf sitting. It’s a little frustrating.

While I was poking around on the internet one night before bed, I found CoverSpy. CoverSpy is a Tumblr put together by people roaming around New York looking for people reading. These ‘agents’, as they call themselves, wander into bars, parks, subways, and streets to take note of the cover of the books being read and what the person reading looks like. They also have groups in Vancouver, BC, Omaha, Portland, Seattle, Los Angeles, Milwaukee, Montreal, Barcelona, Boston, Chicago, and Washington, DC that do the same.

CoverSpy caught my interest because instead of posting pictures of the people reading, which vaguely creeps me out because it makes me super self-conscious when I read in public, CoverSpy just posts the cover and a little description of the person reading. And it’s not just books adults are reading! It’s coloring books, kid’s books, cookbooks, how-to manuals, etc. Anything that looks like a book or that could be counted as reading material (BESIDES e-readers and magazines) count!

Each post is set up like the one above. I love scrolling through the list because the description of the person reading can get pretty funny.

This website veers away from traditional book recommendation sites that pull their source information from librarians or book reviewers. Instead CoverSpy pulls anonymously from people who are actually out reading in public. If you don’t find your next read on these site, no big deal. At least you were entertained and maybe laughed a bit.

Question: Is the Movie Ever Better Than the Book?

Here’s the question – Have you ever thought that a movie was better than the book it was based on?

This question is a little unfair – comparing books and movies is like comparing apples and oranges. They are very different media with very different user experiences; a 2-3 hour movie cannot possible capture the nuance of emotion or inner dialogue that a book can. Nor can a book show you sweeping vistas in full color (especially if it’s a landscape you’ve never experienced)

Most people would claim, strongly, that the book was better and for the most part, I agree. That doesn’t mean I don’t enjoy many of the movies based on books – movies have their own kind of magic and can often enhance the overall experience.

But there are some exceptions. A quick internet search brings up several articles with “better than the book” lists including these from Buzzfeed,  Bustle,  Hollywood.com,  and Purewow

It’s interesting to note that while there are some differences, most of the lists tend to agree on several titles including Forrest Gump, The Godfather, The Notebook, Jaws, The Princess Bride, Fight Club and Jurassic Park. This is often due to the creativity and vision of the director, or to careful editing of the original source material. It’s also enlightening to note that most of the books that these movies were based on were not hugely popular successes on their own, but considered fair to middling.

As for movies that enhance the book without insulting it, I would include movies such as the Harry Potter series, the Lord of the Rings movies and Master and Commander. And as much as I love to read Jane Austen, some of the Jane Austen adaptations are some of my favorite movies of all (I especially love the Emma Thompson version of Sense and Sensibility and the PBS version of Emma) In all of these cases, the beautiful settings, costumes and music contribute to and expand well-loved stories. (Although I still prefer the book!)

What about you – have you ever thought the movie was better than the book? Or thought that the movie caught the spirit of the book especially well? Tell us what you think!

 

Beautiful Lies by Lisa Unger

From the start, Beautiful Lies by Lisa Unger is suspenseful, engaging and full of twists and turns. The main appeal, though, is Ridley Jones, whose tidy, enjoyable life is turned upside down one morning when she rescues a small child from getting hit by a car. This act of heroism and the attendant publicity brings out people from her past, causing her to doubt her parents, long-time family friends, and everything she’s believed about her life up until that point.

A freelance journalist living in a cozy East Village apartment, she goes on the run, investigating a man claiming to be her father, and  a shadowy group dedicated to finding homes for abandoned children. She’s not sure who she can trust. She’s not even sure of her new neighbor and love interest, who helps her with her investigation but seems too professional in his skills for someone who claims to be an artist.

While you’re reading this, you’re quite aware that this is very firmly rooted in the thriller genre, and is pure escapism. But it’s artfully done, and Ridley’s re-examination of lifelong assumptions and philosophical musings make it a cut above those churned out by authors turned corporations.

Bibliophilia

Bibliophilia, by N. John Hall, is an epistolary novel and, even though the correspondence is via email, it could just as well be letters that arrive by mail . Larry Dickerson develops relationships with Christie’s auction house staff, academics and other book experts as he educates himself about the art of book collecting. His enthusiasm is contagious; he isn’t afraid of appearing naïve or uneducated. He asks the questions that the reader would ask, and the answers he receives are a mixture of the personal and the professional.

Some of their respect and interest may be due to the fact that Larry is newly rich, having sold his great-great grandfather’s correspondence with some noted Victorian authors for  $400,000 – a portion of which he  plans to invest in collecting rare books. Larry always tries to tie his collecting to something he has an interest in, so he begins with Victorians such as Dickens, Thackeray, and Trollope. Along the way, he learns about  printing and publishing history – in both the U.S. and England, condition, inscriptions and book jackets – all of which affect the value of  books, whether they are first editions or not.

Soon, his correspondence leads him to New Yorker writers and cartoonists; he begins to collect J.D. Salinger, Roth, Updike, James Thurber, Dorothy Parker, and others. It’s fun to get a quick overview of these authors, as well as famed New Yorker editors Harold Ross and William Shawn.

There is a subplot about fraud in the world of rare books – an entertaining way to learn about the underbelly of unscrupulous book dealers. Bibliophilia is an interesting mix of a sort of superficial, middlebrow learning and literary enthusiasm.

 

 

Now Departing for: Rome

Hello and Welcome to the first month of the 2017 Online Reading Challenge!

This year we’re going to travel the world, “visiting” a new country or city each month, giving us a chance to experience a little of other cultures without the annoying airport security lines! Grab your passport (library card) and let’s take off!

Our first stop is Rome, a city that wears it’s ancient history proudly. Once the center of the known world, it remains a favorite for travelers and adventurers alike.

There is no shortage of books set in or about ancient Rome. Mystery lovers should take a look at the popular murder mysteries by Lindsey Davis or John Maddox Roberts. For fiction, try any of several titles by Colleen McCullough or Robert Harris.

If you’re looking for a travel guide, go to 914.563 where you’ll find information on Rome and Italy. For Roman history (and there’s lots of it!) look in 937.

There are lots of DVDs to try too – the HBO series Rome (caution: mature themes!) is spectacular or look for Gladiator or Ben Hur. I, Claudius, an older PBS series has minimal production values (in sharp contrast to modern films) but the acting and story lines are amazing and you’ll be hooked immediately.

For more contemporary setting, try Stuart Woods Foreign Affairs or The Imperfectionists by Tom Rachman. You might also check out the movie When in Rome, a romantic comedy. And there’s always Dan Brown’s Da Vinci Code (and yes, I know it’s mostly set in the Vatican but I’m still counting it). Remember, there are no Library Police! If you would prefer to read something set in Italy, or only a bit in Rome, go for it; it still counts!

As for me, I’m going to start by watching Roman Holiday with Audrey Hepburn and Gregory Peck. I’ve never seen this movie and figure it’s high time I fixed that. I’m also going to see about reading a book set in Rome – I’ll let you know how that goes.

Now, what about you? What are you going to read (or watch or listen to) this month?

Ciao!

Genius

genius2I’m a sucker for literary movies, movies that give me a glimpse into the lives of my favorite authors, the time period that they were writing, and their motivations for writing. Genius fell right into my lap one day and I knew I needed to watch it.

Genius tells the story of the relationship between Maxwell Perkins and Thomas Wolfe. Perkins was a book editor at Scribner, one who discovered F. Scott Fitzgerald and Ernest Hemingway, among others. Thomas Wolfe’s manuscript was put into Perkins’ hands by an associate who said that is was unique and that he should take a look at it. What follows is a deep dive into the psyche of Wolfe and Perkins’ relationship.

Wolfe is portrayed as a lovable American South writer who does not believe his novel will ever get published after he worked on it for four years. Perkins drops into his life right when he is at a crossroads. The two work together to carve down Wolfe’s massive manuscript into something the public will actually read. The scenes where Wolfe and Perkins are actively working on his manuscript are some of my favorite as both of their personalities shine as they rally for their favorite parts to be saved or for certain sections to be cut. Perkins’ relationship with his family as well as Wolfe’s relationship with his lady benefactor also play key roles in this movie.

Ernest Hemingway and F. Scott Fitzgerald make frequent appearances in the movie, letting viewers see into their own personal lives and the struggles they were facing as writers. Seeing the characters’ relationships grow and change throughout the course of this movie really allows viewers to see how complex Wolfe and Perkins’ relationship was with each other and with the outside world.

This movie is based on the 1978 National Book Award-winner Max Perkins: Editor of Genius by A. Scott Berg. It’s important to remember that this is a dramatized version of a biography, so the director and writers strayed from the book a little bit. If you’re curious about what was left out or need a little more background, check out this New Yorker article entitled “The Odd Factual Gaps in Michael Grandage’s ‘Genius’ “and judge the movie’s authenticity and factuality for yourself.