Tag: satire

Bunny by Mona Awad

- Claire Leave a comment

Mona Awad’s Bunny is cerebral, experimental, and on more than one occasion left me wondering “What in the world just happened?” 

The novel follows Samantha Mackey (or Smackie as her best friend Ava affectionately calls her) as she trudges through the last few semesters of her MFA program at a prestigious New England university. Fraught with writer’s block and an iceberg of unresolved trauma, Samantha hazily moves to and from workshop day after day where the only other creative peers she interacts with are the Bunnies–a Heathers-esque, culty group of women who make up the other four seats in Samantha’s cohort. 

The Bunnies–whom she distinguishes by nicknames Cupcake, Creepy Doll, Vignette, and The Duchess–invite Samantha to their private “Workshop,” which proves to be nothing short of a horrific brainstorming session come to life. 

Awad pokes fun at the self-indulgent creative process that often is evoked from intense writing programs such as the one in the novel, programs with which she herself is intimately familiar. Much of Bunny reads like a fever-dream: As Samantha’s grip on reality weakens, so does her reliability as the protagonist and narrator. The fun of this novel is in the constant guessing game of what is real and what is figment of her dissociated imagination. 

The overall plot of the novel would have been well served by a more purposeful exploration of Ava and her relationship with Samantha, as well as the hierarchy between the bunnies, which is apparent but never explained. While I was let down by some gaps in character development, the execution and overarching concept of Bunny is unique, engrossing, and wonderfully freaky.

Jane Steele by Lyndsay Faye

- Callen Leave a comment

If you know me you know I love a good retelling, and that I fanatically loved Lyndsay Faye’s retelling of Hamlet. Recently I picked up her 2016 Jane Steele, a tongue-in-cheek retelling of Jane Eyre, in which rather than bearing up stoically under adversity, Jane turns to murder to escape her various oppressors. Once again Faye perfectly captures the spirit of the original while adding certain improvements – with both style and modern sensibilities.

Jane Steele has decided to write her memoir, after reading an interesting book called Jane Eyre. However, while she admires Jane E, Jane S has taken a rather different approach to her own life of suffering. It all started with her uncomfortably attentive cousin Edwin, after Jane’s beloved mother dies. In the spirit of honesty, Jane admits: “Reader, I murdered him.” Through her various trials – a cruel boarding school, her time in London – Jane often resorts to this problem-solving method, until one day she discovers that someone has bought her childhood home. Curious, she makes her way there, and is surprised by her feelings for new owner Charles Thoringfield. But can someone as admittedly wicked as Jane really get her happy ending?

I was impressed at how well this book echoed Jane Eyre‘s narrative style, while also feeling like an original story. Jane manages to be simultaneously sympathetic, relatable, and unique in her unflinching homicidal instincts. The murders themselves become a sort of feminist commentary – at the time this book (and the original) are set, the options for women to succeed are few, and the opportunities for them to suffer are boundless, and so from the beginning Jane’s victims are archetypes for those who oppress women: Jane’s cousin is a sexual predator as well as a demanding relative, the school’s headmaster shames and torments the girls in the name of religion, a later victim abuses his wife, and so on. This allows the reader to feel righteous glee as through murder Jane rejects and destroys these individuals’ harmful and/or misogynist messages.

To balance out the gore and social justice, Jane has her share of tenderness, love, and friendship from her mother, school friends, and others along the way – in most cases Jane only takes drastic measures in self-defense or to protect those she loves. There’s also a good amount of intrigue, mystery, hijinks, and romance, and of course, to lighten things up, the whole thing is shot through with frankness and humor. I think the story works particularly well because it follows the general structure of the original Jane, but puts even more focus on Jane Steele as an individual with power in her own hands doing her best to protect herself and her loved ones from many very real dangers.

For an excellent retelling and feminist romp in the spirit of An Elderly Lady Is Up To No Good, don’t miss the vibrant and violent Jane Steele.

Fearscape by Ryan O’Sullivan

- Atticus Leave a comment

Fearscape by Ryan O’Sullivan

Have you ever had that coworker or fellow student that always talked like they knew everything and contributed the most to a project or assignment but in reality, they did the least amount of work? Protagonist, plagiarist and thief, Henry Henry is that guy.

Once a generation, The Muse, a being from an alternate dimension known as the Fearscape, comes to our dimension and finds the greatest storyteller of our time. Henry Henry was in the process of “borrowing” a great work of fiction when The Muse comes to earth in search of a great storyteller. The Muse mistakes Henry for a great writer and whisks him away to the Fearscape to fight an evil that threatens both the Fearscape and all of humanity. The Fearscape is a plane where fiction becomes reality, writers use their imagination to fight off evil beings.

O’Sullivan’s writing in this Graphic Novel is fantastic and witty. We get all of Henry’s internal dialog and justifications for every slimy and dishonest move that he makes and it makes the story all the more entertaining because of it. Fearscape is a satire on the current state of fiction in pulp culture but it also serves as a love letter to the art of writing fiction as a whole. Everyone knows someone like Henry in their lives and seeing him go through all the trials and tribulations that he does is cathartic and entertaining in a lot of ways. I loved to hate Henry as the story progressed and he got more and more enthralled in his web of lies and deceit, all the while proclaiming that he was indeed a great storyteller to the point where you know that on some level, Henry actually believes it about himself despite never writing an actual work of fiction himself.

Andrea Mutti does a fantastic job as Illustrator of this work, his faces are incredibly emotive and the worlds in which Mutti is tasked with illustrating are fantastical but grounded at the same time. There are fantastical and incredible creatures and characters in the fearscape but even in some of the more ridiculous scenes, I could always tell what was going on and what I was supposed to be focusing on in the panel.

I recommend Fearscape to anyone that loves the dark fantasy genre and enjoys a bit of satire. Fearscape pokes a lot of fun at the state of fiction and pop culture in this modern age. It is no coincidence that the “Greatest Storyteller” of our modern age is a plagiarist with no original ideas in this story. This story never takes itself too seriously and is a fun ride along the way.

 

How Not To Get Shot: And Other Advice From White People by D.L. Hughley

- Erin 1 Comment

D.L. Hughley, co-author of How Not To Get Shot: And Other Advice From White People, one of the original Kings of Comedy, is a wildly successful comedian, radio host, actor, and political commentator. In the early 1990s, he was the first host of BET’s Comic View and later went on to produce and star in the sitcom, The Hughleys as well as appear as a television correspondent on the Jay Leno Show, among many other accomplishments.

In today’s scorching social and political climate, when we struggle to openly discuss racism and police brutality, Hughley takes a different approach: satire.  Historically, satire has been used to scrutinize societal views. A basic web definition describes satire as “the use of humor, irony, exaggeration, or ridicule to expose and criticize people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues.” Hughley indeed draws on irony to discuss how largely white audiences explain the topic of police brutality while also offering prescriptions for how People of Color (POC) should  carry themselves when encountering police officers while having little to no relevant first-hand experience.

In How Not To Get Shot: And Other Advice From White People,  the authors devote entire chapters to some of the following “prescriptions” offered by white people for not getting shot: 1. Comply with police orders; 2.) Don’t Talk Back; 3.) Don’t Match The Description; 4.) How To Do Your Hair; 5.) End White-on-White Crime; 6.)  How to Be Nice and Quiet and 7.) How To Not Be A Reverse Racist. (Nevermind, though, that “compliance” does not guarantee protection from police violence, a point Hughley drives home throughout the book). Hughley’s clever use of satire and sardonic wit enables readers to infer the ridiculousness of offering overly-simplistic and misinformed “solutions” to complex problems.

Now, you’ve heard of “mansplaining,” right?  See, “mansplaining” describes the phenomenon of men attempting to dominate debates centering around cultural norms and realities that negatively impact the lives of a majority of women but while having no first-hand experience themselves. We can hopefully understand what is inherently flawed in a system in which those who are least impacted attempt to silence those who are most impacted, yes?

And it behooves me now to offer the disclaimer that the act of identifying and validating a societal ill is by no means a condemnation of, in this case, all men. So there. Glad we got that settled.

But by the same token, the term “whitesplaining” –hardly an accusation against all white people (come on, now)–describes the phenomenon of white people attempting to dominate discussions about racial profiling and police violence having had little to no relevant experience in that department. At it’s core, this book pokes fun at whitesplaining, and I happen to think it does a marvelous job. Imagine if I attempted to explain to Deaf individuals how they should conduct themselves in interactions with hearing people? Or if I presumed to know how LGBTQ individuals should carry themselves around their hetero counterparts in order to fend off discrimination? Really, even apolitical examples work to illustrate that it just doesn’t logically hold up that a non-expert would exude any respectable amount of authenticity in matters he or she is not experienced. And, no, oversimplifying these matters as some partisan ploy in identity politics is hardly a legitimate reason to fight against fair representation – that only occurs when we are willing to listen to and validate experiences that are different from our own.

Really, the message is simple: how about, at the very least, we humor our fellow humans enough not to try and shut them up or worse–call them crazy–when they speak up on topics with which we ourselves have little experience? How about we give our fellow humans the benefit of the doubt without gaslighting them, especially when we are dealing with issues reaching critical mass. I don’t know about you, but I want to live in a society that listens to and validates the experiences of its members.

Enter comedy. Only a skilled comedian is able to shine a light on brutal truths about humanity and elicit, of all things, laughter when tears are the more appropriate response. Why? Because a comedian, like a scientist, scrutinizes and magnifies painful truths about society and humanity s/he shares with a wider audience. During that time spent together, the comic and the audience laugh together at what is wrong with the world and for that brief moment in time creates an environment of hope and possibility. Comedians unify audiences through the use of humor and I am astounded at how successfully they can, at their best, create transformative atmospheres and opportunities to facilitate genuine, life-changing understanding. To me, comedy can help break down barriers that prevent us from listening to our fellow human beings with an open mind and, if we’re lucky, having a genuine understanding with one another.

Check out this interview from NPR with D.L. Hughley as he discusses his book!