The Outer Worlds Video Game

guest post by Wesley B

2019 has been a good year for AA developers – studios that fall somewhere between small indie teams and big corporate juggernauts in terms of budget and labor power. In September, Spiders released Greedfall, a better BioWare game than BioWare itself has released lately. Now, Obsidian has done something similar with The Outer Worlds – a better Fallout game than Bethesda’s own Fallout 76 (and, for that matter, some might say, better than Fallout 4). Of course, this shouldn’t come as a surprise to anyone who’s followed Obsidian’s output over the years. The studio is responsible for some of my favorite games of all time: Knights of the Old Republic II, Alpha Protocol, the Pillars of Eternity series, Neverwinter Nights 2, Tyranny. Most relevantly to The Outer Worlds, they made Fallout: New Vegas for Bethesda, a game that remains many fans’ favorite entry in the Fallout franchise.

Critics, however, were less kind to New Vegas. While there was a strong favorable consensus around the narrative (particularly the level of freedom and player choice), the gameplay was more hit or miss, and the experience was riddled with bugs on release. These technical issues stemmed mainly from the fact that New Vegas was made using Bethesda’s rickety Gamebryo engine, on a tight Bethesda-imposed deadline (the game was made in 18 months; for perspective, Fallout 3 took four years to develop). It seems a tad unfair, then, that Bethesda tied Obsidian’s bonus to the game’s Metacritic score – a benchmark they fell short of by a single point. In light of this history, it’s easy to view The Outer Worlds as Obsidian thumbing their nose at Bethesda. And as I said above, the game does fill the Fallout-shaped void present in gaming since 76 bombed. The Outer Worlds is its own beast, though, not just a reskinned Fallout game, and deserves to be judged on its own merits.

To begin with, let’s get the similarities out of the way. Like the modern Fallout games, The Outer Worlds is a first-person shooter/role-playing game hybrid with an emphasis on exploration and dialogue. As you reconnoiter the world and chat with its inhabitants you’ll quickly find your journal filling up with side quests. You can talk your way out of conflict, sneak around to avoid it, or confront it head-on with ranged or melee weapons. There are locks to pick and computers to hack in order to gain experience, loot, side quests, and lore. When you level up, you’ll be given skill points and perks to distribute as you see fit. You’ll be presented with morally ambiguous decisions to make that will affect the world and how the people in it treat you.

Some people point to the Tactical Time Dilation (TTD) as a similarity, even going so far as to call it knock-off VATS. In my experience, though, the similarities between the two are strictly superficial. VATS in Fallout stops time (halting you and your companions and opponents in your tracks) and allows you to flick between targets, and fire as many shots as you have action points for. TTD, on the other hand, doesn’t stop time, but simply slows it down significantly, allowing you to aim and move freely until the TTD meter depletes. TTD also allows you to analyze your enemies and target different locations to proc various status effects, like knockdown, stagger, blind, and so on. As someone who relies on VATS to get myself through Fallout, I actually prefer TTD – it feels much more fluid.

The most obvious difference is to be found in the setting. Both games take place in the distant future, but Fallout explores a post-nuclear apocalypse America, while The Outer Worlds takes us to a whole new solar system, the Halcyon Colony. Halcyon is under the complete control of the Board, a holding company comprised of executives from the colony’s various founding companies. While both franchises use their settings to critique the structural shortcomings and moral failures of late stage capitalism, the extraterrestrial setting of The Outer Worlds allows for a much greater variety in flora, fauna, terrain, technology, and – perhaps most importantly to those of you who are aesthetically inclined like I am – color palette (I adore the Fallout games but sometimes it’s nice to see colors other than dull browns and greys).

The fact that you traverse an entire solar system means that The Outer Worlds has you visiting, unlike Fallout’s expansive open world (on a single, interconnected map), a variety of separate, enclosed, discrete locations. It’s also a much shorter game than the typical Fallout experience, though of course the actual length varies greatly depending on how much side content you do, how thoroughly you explore, and so on. These changes might be negative for some people, but I actually appreciated them. Obsidian, lacking the overhead of Bethesda, knew they couldn’t match the scope of a Fallout game, so chose instead to opt for quality over quantity. The smaller maps sacrifice breadth for depth, and are filled to the brim with content and details, making them feel incredibly vibrant. The shorter storyline meant the writing was focused and well-paced, holding my interest throughout. Most importantly, it left me wanting more – I can’t wait to make a new character with different skills, experiment with new playstyles, and see how the game responds to different choices.

The Outer Worlds is available at the Davenport Library on the PlayStation 4 and XBox One platforms.

Moonlighter Video Game

guest post by Wesley B

When I first launched Moonlighter, I was immediately struck by its art style. True, an indie game with retro-styled pixel graphics isn’t exactly a rare find these days, but Moonlighter manages to stand out from the crowd with its refreshingly bright and varied palette. Even more impressive are the animations, which are painstakingly detailed and impart a remarkable amount of character to the simplistic sprites. My favorite example is the shop assistant you can hire after expanding your shop enough. They have a distinctive coif of thick hair that they always take a moment to tie back when you open your shop for the day.

But I’m getting ahead of myself. At the beginning of the game, your shop (named, surprisingly enough, the Moonlighter), far from being successful enough to require an assistant, is struggling to stay open. In fact, the whole town of Rynoka is depressed, both economically and emotionally – a far cry from its heyday as a bustling hub for both heroes and merchants. This prosperity stemmed from the nearby Dungeons – four mysterious caverns that appeared out of nowhere one day, attracting adventurers of all sorts seeking fame and fortune within. Of course, there’s neither glory nor riches without risk, and as the death toll mounted, all but the least dangerous of the Dungeons were boarded up. Rynoka’s (and by extension the Moonlighter’s) salad days ended soon after.

Enter Will, the player character. Although a merchant by trade, he moonlights (get it?) as a hero by night, venturing into the sole open Dungeon for loot to sell at the shop by day. This is the conceit by which developers Digital Sun integrate two disparate (but similarly addictive) genres of gameplay – roguelite dungeon crawler and shop simulator – into one brilliant, engaging gameplay loop. The money you make selling your loot in the shop can go to upgrading your shop or resuscitating Rynoka by investing in new businesses. The most important of these businesses is the blacksmith, who takes money and materials and crafts armor and weapons for you. These in turn allow you to delve deeper into more difficult dungeons, making more money to further expand your shop and upgrade your gear, allowing you to make it even further into the Dungeons, and so on. It’s the type of game that will have you saying “just one more day” over and over until the sun rises – in the real world this time.

North Korea Journal by Michael Palin

Michael Palin has taken us on his travels over the years.  We’ve gone with him as he’s circumnavigated the globe in 80 days, gone pole-to-pole, and explored the Himalayas.  This time he’s off to the DPRK, the Democratic People’s Republic of Korea, for a 15-day adventure with a small film crew and some preconceived notions of what he’ll find.

This small book is presented in journal form, his day-by-day activities documented and presented with a copious number of photographs.  Day 3:  Arrive at Pyongyang station.  Day 8:  A journey to the Demilitarized Zone.

On his travels he notes the ever-present images of Kim Il Sung and Kim Jong Il, painted in pictures or molded in bronze, always equal in size.  He hears music played in loud speakers sounding throughout a city, the soundtrack of their lives.  He sees Senior Citizen ladies in traditional dress dance “formally and carefully, as if in slow motion.”

But the places he goes are not the main message of North Korea Journal.  Palin strives to give us sense of the people he encounters along the way.  Their hesitance to engage with outsiders.  Their love for their Great Leaders.  He asks probing questions, and only sometimes embarrasses his hosts.

Online Reading Challenge – December

Here we go Challenge Readers! It’s the final month of the 2019 Online Reading Challenge! Are you ready for a strong finish to the year?

I think this month will be fun. And kind of a free-for-all because the topic is Friends and Family and well, that means the number of books that would qualify is nearly unlimited. Whether you define family as blood relations, step-, blended or the family you choose, these people are important and influence your life past, present and future. Here are a few titles to get you started thinking about what to read.

Little Fires Everywhere by Celeste Ng – A placid, planned neighborhood in suburban Cleveland is disrupted and changed forever when an enigmatic single mother and her daughter move in, drawing the other families to them and sparking controversy and conflict.

The Great Alone by Kristin Hannah – A Vietnam War vet moves his family to Alaska where he hopes the wide open spaces will calm his increasingly erratic behavior. Woefully unprepared for an Alaskan winter, the family soon learns that the real danger is from within.

A Man Called Ove by Fredrik Backman – Falling under the category of “the family you choose” this lovely book shows how an oddball collection of neighbors from wildly varying backgrounds come together to support and celebrate each other through the multiple milestones of life. Highly recommended.

Cutting for Stone by Abraham Verghese – Twin brothers who are orphaned at birth when their mother dies and their father abandons them, Marion and Shiva share a love of medicine but their love for the same woman tears them apart. When the past threatens Marion, he must turn to the father who abandoned him and the brother who betrayed him.

And that’s just the tip of the iceberg – be sure to check the displays at each of the Davenport Library locations for lots more choices!

I’m planning on reading The Shell Seekers by Rosamunde Pilcher. This is an older book that is listed as a favorite by many (I know someone who re-reads it every year!) Set in Cornwall, England, it is described as “a sweeping family drama” that centers around the fate of a beloved painting. I hope it lives up to all the great reviews!

Now it’s your turn – what will you be reading this month?

 

Online Reading Challenge – November Wrap-Up

Hello Readers!

How did your November reading go? Did you find a great book to read or movie to watch?

I struggled a bit this month. “Education” turned out to be a tougher subject to find interesting books than I had expected. That’s not to say there aren’t any books worth reading, just that I had trouble finding one that I wanted to read. I ended up choosing Looking for Alaska by John Green and, what can I say, I had some issues with it.

Looking for Alaska takes place in an exclusive boarding school in Alabama. Miles has never quite fit in at public school back home in Florida (his favorite hobby is collecting the last words of famous people), so he transfers to Culver Creek to seek “the great perhaps”. What he finds there is a collection of eccentric and independent thinkers that push his boundaries and sometimes endanger his life. Alaska Young – brilliant, beautiful, free-spirited, troubled – becomes the center of his world and her moods and flights of fancy dictate how Miles and the circle of friends around Alaska will experience each day. When tragedy strikes the consequences are far reaching and long lasting.

I think I may be too old and too cynical to have really enjoyed this book. It reminds me a bit of the experience of reading Catcher in the Rye; if you read it at the right point in your life, it’s mind blowing. If you read it too late, it seems self-indulgent and shallow. I wouldn’t call Looking for Alaska either self-indulgent or shallow (it deals with serious issues teens face today), but I had a hard time relating to the teens. Of course, I was never part of a “cool crowd” (more the “super-quiet-book-nerd never-do-anything-against-the-rules” crowd!) I found much of their behavior to be dangerous and was disturbed by their disregard for the privileges they had access to. Of course, there were several serious, underlying issues that at least in part explained their behavior but mostly I wanted to shake them and tell them to stop making stupid choices. (It’s tough to get old!!)

The writing, as to be expected from John Green, was beautiful and kept me reading when I might have given up. He can turn a phrase or describe an emotion with such care and skill with no extraneous clutter that it’s breathtaking. I found myself skimming chunks of the book but also repeatedly diving into passages that I would re-read again and again. My recommendation is to go read The Fault in Our Stars, also by John Green, and pass on Looking for Alaska, but your mileage my vary.

What about you? What was your November reading experience like?

Gideon the Ninth by Tamsyn Muir

guest post by Wesley B

I feel sorry for my co-workers that had to catalogue Tamsyn Muir’s Gideon the Ninth. How do you categorize a book that does all it can to resist labels and push boundaries? On the bright side, that means Gideon has something for nearly everyone: space travel for science fiction fans, magic for fantasy fanatics, skeletons and other undead abominations for horror enthusiasts, romance for – well, romance readers. The characters are primarily young adults, but the content and themes transcend the YA label. The cover and content are pulpy, but the prose is literary. There’s plenty of humor, but Muir treats her characters and their problems with the gravity they deserve. After all, the stakes are higher than life and death – they’re life and undeath.

The story is told from the perspective of the eponymous heroine, Gideon Nav, an indentured servant in the Ninth House. It’s Gideon you see on the striking cover, clad in all black, her face covered with skull paint and aviator shades, walking away, sword drawn, from an explosion of skeletons. Her fiery red coif gives the cover a splash of color; similarly, her incandescent personality lends levity to the novel’s gothic, often grotesque proceedings. The book’s opening line, the most memorable I’ve read this year, is a masterclass in narrative table-setting: “In the myriadic year of our lord — the ten thousandth year of the King Undying, the kindly Prince of Death! — Gideon Nav packed her sword, her shoes and her dirty magazines, and she escaped from the House of the Ninth.” This simple declarative sentence immediately introduced me to Gideon and her world, and had me dying to learn more about them. Even when I was finished reading, that desire stayed with me; unlike many of her fellow authors of genre fiction, Muir never gets bogged down in the expository weeds of worldbuilding, instead letting her colorful characters stay in the driver’s seat as the plot moves propulsively from one scene to the next.

Gideon is a sort of inverted Harry Potter figure, leaving behind a hostile home for a new life in a place filled with wonder, danger, and people who know far more about it than she does. Unlike the boy wizard, however, Gideon isn’t so much called to adventure as dragged on it against her will, when her lifelong frenemy Harrowhark, daughter of the Ninth House’s leaders, foils her escape attempt. In doing so, however, she strikes a bargain with Gideon: if she accompanies Harrow to the First House and serves as her cavalier (essentially a bodyguard/personal assistant), where the aforementioned King Undying (a God-Emperor who should feel familiar to Warhammer 40k fans) is holding tryouts for new Lyctors (basically immortal lieutenants with vast necromantic powers).

Upon arriving at the First House, Harrow and Gideon meet their counterparts from the other seven Houses. My main criticism of Gideon is that it’s difficult to keep track of a dozen-plus characters dumped in your lap all at once, especially when only a few of them are as interesting or well-developed as our heroines. Thankfully, in its second act the book turns into an Agatha Christie-style murder mystery, culling the cast significantly (plus there’s a handy list of dramatis personae at the front of the book). It’s during this section that Muir fleshes out her world’s magic system, one of my absolute favorite parts of the book. You’d think a book based entirely on necromancy wouldn’t be that varied in the magic department, but you’d be wrong – each House has its own special variety of death magic, from summoning skeletons to siphoning souls. What’s truly impressive, though, is that these differences in magic aren’t merely superficial. Instead, each necromancer’s style of magic reflects their personality.

In the third act, Muir gives readers the climactic action scenes and revelations of mysteries that we expect, and executes both with aplomb. Ultimately, however, what kept me reading was Gideon and Harrow. As they struggle to work together, they learn not just about the secrets of the First House, but about themselves as well. The ending is explosive and intimate, hilarious and heartbreaking, a tearjerker and a cliffhanger all in one. I can’t wait for the sequel to come out next year; in the meantime, I might have to re-read this one.

Online Reading Club – Mid-Month Check In

Hello Readers!

How is your reading going this month? Have you found something good, or are you still searching? If you’re short on time, here are a couple of movie suggestions that fit into our Education theme!

Indiana Jones and the Raiders of the Lost Ark with Harrison Ford and Karen Allen. Remember? Indiana is a professor of archaeology! Granted, there aren’t a lot of classroom/professor scenes but nevertheless, beyond the bullwhip and fedora and deathly fear of snakes, he was a teacher. It does beg the question though – how come none of my college professors looked like Harrison Ford?

Dead Poet’s Society with Robin Williams. When a new English professor shakes up the established teaching curriculum at a strict boarding school he changes the lives of his students forever. A homage to the beloved teachers that do so much to inspire and motivate us.

Mr Hollands Opus starring Richard Dreyfuss. A frustrated composer learns that his true calling is teaching others and his legacy becomes not a piece of music but the generations of students he has taught.

Legally Blonde with Reese Witherspoon. Blonde and beautiful does not equal dumb and unmotivated. When El is dumped by her boyfriend, she follows him to law school where she finds out that she has a brilliant legal mind and that she doesn’t need a loser boyfriend to succeed. Fun and light.

Travel Talk – Armchair Traveler

This month in Travel Talk we’re going to explore travel books. I’m not talking about those giant coffee table books that are filled with artsy, professional photography (although those can be fun too). I’m talking about the books that you can settle down with and read, follow someone into a different culture or country and vicariously experience their adventures. These are the kind of books that will give you travel fever, all from the comfort of your armchair. Here are a few of my favorites.

Miles from Nowhere by Barbara Savage. This is the book that really hit me with the travel bug, not only to see new places, but that you didn’t have to be rich and fancy to go places. Barbara and her husband go on an around-the-world bicycle trip that is full of highs, lows and some scary moments. The writing style is fun and engaging and you’ll find it nearly impossible to put down. A great eye-opener into many different cultures and attitudes. Highly recommended. (Just don’t read the back of the book until after you finish)

A Walk in the Woods by Bill Bryson. Is there anyone that hasn’t read this book yet? Come on – it’s easily one of the funniest books I’ve ever read! Although the chapter on bears might scare you into never camping (or walking in the woods)! Bryson and his friend Katz undertake hiking the Appalachian Trail, underestimating it’s difficulty and the commitment required. Katz is extremely casual in his approach; Bryson is his usual keenly observant, riotously irreverent self and comes away from his experience with a new appreciation of the land and nature. Highly recommended.

Wild by Cheryl Strayed. After making several poor life decisions, Strayed gets the crazy idea to walk the Pacific Crest Trail which runs from Mexico to Canada. It’s a long, rigorous hike and Cheryl is not prepared, but she sticks with it and along the way she finds herself. The long days of isolation and forced self-reliance help her find a reserve of strength within herself that she had never known, cleared her mind, settled her emotions and helped set her priorities. An inspiring story of growth and renewal.

These are all memoirs, but a great armchair travel books doesn’t have to be non-fiction. Any novel that sets you in a different place can give you wanderlust; for me that’s just about anything set in Paris or London or on the prairies and mountains of America.

What about you – what have you read that makes you want to dust off your suitcase? Let us know in the comments!

The Biggest Little Farm on DVD

guest post from Laura V

The Biggest Little Farm documentary follows John and Molly Chester as they transition from L.A. apartment dwellers with cool jobs to organic and biodynamic agriculture farmers. He is a filmmaker and she was a personal chef and food blogger. Molly continues to blog and has written a traditional foods cookbook. This beautifully touching story unfolds in a captivating manner and has breathtaking camera shots that had me wondering how John achieved them.

The story’s main characters include John, Molly, a rescued dog named Todd, a regenerative agriculture guru named Alan York, Emma the pig, their son Beauden, and the living, breathing, 210 acre farm north of Los Angeles. The film opens with a wildfire quickly approaching the farm. We come to realize how utterly catastrophic this would be as we view footage of hundreds of animals and thousands of fruit trees. They close the film by bringing the story back to the fire as we find out what happened.

I’m guessing that much acreage near Los Angeles had to have cost more than they personally invested or garnered in contributions from their friends but financial details weren’t addressed. Alan guided them through the steps necessary to regenerate the overused, unhealthy soil to basically build a thriving ecosystem that could be somewhat self-sustaining. Somewhat is the operative word. It was heart wrenching to see one problem after another crop up after so much effort. It was equally heartwarming to see them find a solution to a problem right before them, like using existing organisms as natural control for a pest infestation with some modifications in their structure or practices.

I felt the young couple’s exhaustion and thrills along with them since I’m trying to use regenerative practices (no till, composting, rain garden, using predatory insects for pest control) in my gardens and yard with difficulties that now seem almost trivial. It was honestly difficult to understand how they tackled such a large project in such a short amount of time. I can’t imagine they slept much for a few years. Although they didn’t mention the name of the organization from which the volunteers were recruited, I believe they may have been from WWOOF, World Wide Opportunities on Organic Farms.

This documentary is as honest as one can get within the short span of a film. The adorable opening animated sequence highlights Molly’s optimistic outlook on what she pictures the farm to be. The reality is much harsher but the rewards are literally life-changing for them, their employees and volunteers, vegetation, soil microbes, and carbon sequestration for the planet’s overall health. I know they’ll continue to experience problems with pests, predators, weather, and climate change but it looks like they’ll be able to handle whatever comes their way.

Catch and Kill: Lies, Spies and a Conspiracy to Protect Predators by Ronan Farrow

guest post by Lexie R

I am only slightly embarrassed to admit that when I need a break from the serious news of the day, I turn to celebrity gossip. I love reading about the secret inner-workings of the entertainment industry, the behind-the-scenes machinations that make the celebrity machine look so effortless, and the blind items about who is misbehaving. So when journalists like Jodi Kantor, Megan Twohey, and Ronan Farrow broke the news about accusations of producer Harvey Weinstein’s decades of abusing women, I thought to myself, “I’ve read about this on blind items sites a hundred times, how is it that none of these people knew about this?” Well, as is made clear in Ronan Farrow’s gripping new book Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators, it sure seems like a whole lot of people did, in fact, know.

Catch and Kill takes the reader through the process of how Farrow investigated what was previously only whispered about: claims that mega-producer Harvey Weinstein routinely harassed and abused women for decades. If you were a “Friend of Harvey”, you made it in the entertainment industry; if you weren’t, you didn’t. For a non-fiction work that everyone knows the ending to, I found Farrow’s account to be breathless, fast-pasted, and engaging. Though I had read Farrow’s reporting of the accusations against Weinstein, there was a lot I didn’t know about how the story was investigated and all the hurdles Farrow faced in trying to report it. What was most startling was Farrow’s account of NBC executives who, after months of reporting and collecting firsthand accounts and even an audio recording of Weinstein admitting to an assault, suddenly wanted him to stop talking to sources and drop the story. This part of the story is still ongoing, with NBC disputing Farrow’s claims and alleging that he had no story until he went to The New Yorker and published it a month later.

One of the more thriller-esque parts of the book was the way he weaved in details about Weinstein apparently hiring an Israeli intelligence agency to follow Farrow and gather information on him in an effort to smear his reputation. Every few chapters or so we get a glimpse of two men sitting outside Farrow’s home in a silver Nissan or just so happening to be at the same restaurant as him, and later the precautions Farrow had to take when it because clear that he was in fact being followed and his phone was being targeted. But even in such serious parts of the book Farrow managed to include some levity; my favorite of these such moments was the revelation that the private investigators assigned to tail Farrow’s boyfriend Jon Lovett (of podcasts Pod Save America and Lovett or Leave It) gave up because Lovett’s routine was too boring (to which Jon replied “I’m interesting!…I went to an escape room!”)

All throughout the book, Farrow makes it clear that though he received many acclaims for bringing this information to light, the real heroes of story are the women who risked everything to come forward and speak up about what had been done to them. Many of these women held onto their stories for years because they had seen others lose their careers after trying to speak up; for them to do so at this time was courageous and Farrow is quick to point that out at every turn.

This is a great read if you’re interested in the incredibly thorough process of reporting, real-life espionage, and demolishing institutions that empower and encourage abusers. Highly recommended.

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