Category: Staff Picks

The Bone Season by Samantha Shannon

- Ann Leave a comment

boneseasonI read a lot about The Bone Season before I started reading the book, which means that I read a lot about the book’s author, Samantha Shannon.  A twenty-one year old recent graduate from Oxford University, Shannon has been marketed as a literary wunderkind. Every interview and review mentions her age or her status as a “young writer”.  As a first-time published author, that is to be expected (here I am doing the same), and I would be lying if I didn’t say that influenced my decision to pick it up.

But this novel stands on its own (well, at least until the next six books in the series are released.)  Shannon has created a fascinating near-future paranormal fantasy novel that includes elements of revisionist history and dystopian science fiction.  Set in Scion controlled London in 2059, this fast-paced novel introduces readers to Paige Mahoney, a member of the clairvoyant criminal underworld.  Scion was formed to find and eliminate clairvoyants like Paige, so being a member of Jaxon Hall’s Seven Dials based gang keeps her a protected and fed member of a family.  But when Paige commits a crime that leads to her arrest and capture, she finds herself in Sheol I, a penal colony for voyants run by Rephaim, a race of non-human clairvoyants.  While in Sheol I, Paige is assigned to the Warden for training and care and she has to decide if she can trust him, as she tries to find a way to save herself and the other humans imprisoned for life in Sheol I.

Shannon has been called the next J.K. Rowling (pressure anyone?) and The Bone Season has been compared to the Harry Potter series and The Hunger Games series.  I understand why, and I would recommend that fans of both series check out The Bone Season.  But I think that while there are elements of each in this book (magical powers, dystopian future, strong female protagonist), Shannon has created something different.  She has said that she was influenced by Margaret Atwood, and this is apparent in her intelligent, literary take on urban fantasy.  This might be my favorite read this year (but there are two more months to go, so don’t hold me to that.)

I am Overdressed

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Overdressed: The Shockingly High Cost of Cheap Fashion by Elizabeth ClineIn Overdressed: The Shockingly High Cost of Cheap Fashion, writer Elizabeth Cline manages to educate the reader on the current state of the worldwide garment industry and to make it a page-turner. I COULD NOT PUT THIS BOOK DOWN. Cline covers the history of America’s Department Stores, the complicated ethics of a global garment industry, a trip to China’s factories for an experiment in fashion manufacturing, the effect of cheap clothes on the secondhand stores and charitable causes, and the role of social media in the “fast fashion” environment–all while unintentionally evolving herself into a “slow fashion” activist.

This is not a see-how-I’m-better-than-you-because-I-only-wear-handsewn-fair-trade-organic-cotton manifesto, but rather a conversation with a super smart friend who’s motto is I-used-to-shop-mostly-at-Forever-21-and-then-I-learned-some-stuff-and-now-prefer-not-to-shop-there. In fact, one of my favorite parts of the book is when Cline admits that only a few years before she began researching the book by sifting through her closet of cheap clothes from H&M, Target & Forever 21, she had participated in protests against her college for using sweatshops to produce their merch. If you were to ask me “Hey, are you against sweatshops and unfair labor practices?” I would say “Duh. Of course.” But then I would sheepishly look down at my clothing and have absolutley no idea how or where anything was made. It takes a lot of work not to buy cheap fasthion, and only Cline’s complete honesty, curiosity, and empathy could produce a book that could convince me to shop (a little bit) less at Target.

I highly recommend Overdressed by Elizabeth Cline to nonfiction readers, fashionistas, and fans of the slow lifestyle movement.

Eureka Watch-Alikes

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eurekaI’m a latecomer to Eureka.  It was recommended by friends and Netflix, and still I resisted.  When I finally yielded and started watching (from the beginning, of course), I was disappointed that it had taken me so long.  It reminded me of a hybrid of three of my favorite shows — Warehouse 13, Psych, and Buffy the Vampire Slayer.

Like the town of Eureka, Warehouse 13 is top secret.  Rather than being a town filled with the top brains in the country, it is a storage facility filled warehouse13with artifacts with ties to history and literature. The employees of Warehouse 13 are tasked with traveling the world to retrieve these supernatural objects and prevent them from causing harm to their owners and protecting the objects once they’re in the Warehouse. A mixture of humor, clever references, and strong character development makes this the strongest contender for Eureka fans. 

Psych is a comedy detective show focused on Shawn Spencer and Burton “Gus” Guster, two childhood friends that own a psychic detective agency.  Neither one of them is a psychic, but Shawn’s strong detective skills make him pretty impressive at psychpretending to be one.  Psych is filled with lots of cultural references and silly capers.  Eureka fans have to suspend disbelief pretty often, and this skill will be useful when watching Psych.

You’ve probably already seen Buffy the Vampire Slayer.  A show about a normal high school girl that happens to be the one chosen slayer, endowed with strength and skill mismatched to her petite frame.  The show follows her and her group of friends (and Watcher/Librarian Giles) from high school to college, as she fights vampires and demons. But let’s say you haven’t seen Buffy, or you’re thinking, “Why would someone suggest that Buffy and Eureka are watch-buffyalikes?”  I have one word for you — camp.  Some may call them cheesy, breathlessly pointing out how saccharine the dialogue can be or how ridiculous the special effects are (something that can be said for Warehouse 13, as well), and I understand those arguments.  But these self-aware, absurd shows are fun in many of the same ways.

Might I also recommend Castle and Angel (and point out that I probably watch too many television shows?)

The Cuckoo’s Calling by Robert Galbraith

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cuckoo's callingBack when Deathly Hallows was hot off the presses, I remember reading an interview with J.K. Rowling; when asked what she would write next, she answered: mysteries for adults. I’ve been looking forward to The Cuckoo’s Calling ever since. After her first post-Potter foray into literary fiction, Jo is back in the realm of genre, and I think it’s where she belongs. Her imagination is so fierce and wild and her observations about the real world are so raw and true that the juxtaposition of them is magical. We all saw it in Harry Potter, I missed it in The Casual Vacancy, and now it’s back in The Cuckoo’s Calling. This is a phenomenal book: thrilling and elegant and a little cheeky. The characters are vibrant, true, and endlessly entertaining. Even the dead model at the heart of the mystery, Lula “Cuckoo” Landry, has a personality, and a life, beyond her infamous lifestyle and her undignified death; the living characters, private detective Cormoran Strike and his assistant Robin, are even better.

Cormoran lost his leg to a land mine in Afghanistan, and back home in the UK, he’s facing a life that’s deteriorating rapidly as his debts mount, his relationships waver, and his stream of clients dries up. When Robin appears, the product of an expensive contract with the temp agency that he tried to cancel, Strike is vexed: how can he hide from this clever, intrepid young woman that he’s sleeping on a cot in his office? But Robin and Strike are a great team, as they both tentatively realize: Strike is a gifted detective whose shadowed past has removed him from the military police for complex, unclear reasons, and Robin is a whip-smart HR rep with a natural talent for investigation.

As Robert Galbraith, Rowling wastes no words. This is a long book, but not an overlong one. There are a lot of characters, a lot of red herrings, and a lot of plot developments, but they layer on top of each other seamlessly and the payoff is extremely satisfying. The scenes are so descriptive, you’re absolutely there – I was completely drawn into this book. The best part about it was how genuine and true it all was: when Robin and Cormoran use their cell phones and the internet to track down clues, it doesn’t feel forced or fake, it’s completely natural. The same thing happened in The Casual Vacancy: whenever technology is used, it’s employed seamlessly, artfully, expertly into the plot. I propose that this comes from treating it with the same rules you’d use to write about magic wands. It was painful to set The Cuckoo’s Calling down and heartbreaking to reach the end: if Rowling wants to write any more about Cormoran Strike, I’ll be gleefully pre-ordering every new Galbraith title.

Relevant Fun Fact: the common European cuckoo reproduces by parasitic brooding, where they lay their eggs in the nests of other birds and the other birds raise the baby cuckoos – leaving the adults free to flit off and do whatever birds do.

This is How You Lose Her by Junot Diaz

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This is How you Lose HerPulitzer Prize winning author, Junot Díaz writes with a kind of swagger and cool that makes it pretty hard to believe that he’s a creative writing professor at MIT.  Having recently finished reading his third published book, a collection of short stories called This is How You Lose Her, I am convinced that he knows every dirty word in English and Spanish.  Particularly if the words are referencing female anatomy.  So be warned, this is not the novel for anyone offended by salty and sexual language.

But if you can get beyond that, I can’t recommend this book enough. Díaz, himself a Dominican immigrant, tells stories about immigrants that help create a full picture of why someone is who they are. He shows that machismo is often a projection due to a lack of respect, and poor behavior isn’t something to be excused, but it can sometimes be explained. This is never more true than in his semi-autobiographical character, Yunior, the protagonist of most of this collection.

Readers may have met Yunior in Díaz’s The Brief Life of Oscar Wao (winner of the aforementioned Pulitzer) or in his first published collection of short stories, Drown, but I met Yunior for the first time after he cheated on Magda in This is How You Lose Her.  As he cheats his way through many of these short stories — and continues to imprison himself in grief and regret following the discovery of his transgressions — Yunior’s story becomes less about each individual relationship and more about how Yunior’s relationships reflect his own self-image and cultural identity.  The most powerful passages in the novel occur in his home, when we meet his family and see the effects of his father and brother’s infidelity on the family. Equally funny and frustrating, Díaz has written a complicated novel that feels both universal and unique.

Tender Morsels by Margo Lanagan

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Margo Lanagan is an artist, and Tender Morsels is a potent story, rich in magic and full of feeling. Liga, with a babe in arms and another on the way – both forced on her in the most unpleasant ways you care to imagine – is rescued from her miserable life by an elemental creature, removed to her Heart’s Desire: her personal heaven, a world that narrowly overlaps her real pre-industrial, vaguely-historical, sort-of-European one. The boundary is firm for a while and Liga raises her daughters in peace and safety, but eventually people start poking their way through – in both directions. What follows is a meditative, surprising, totally unique tale of self discovery, familial and romantic love, magic, fear, and growing up. It’s slow paced and knotted with complex, beautiful language. It’s brilliant and mature and devastating, but uplifting at the same time. Tender Morsels is based on the fairy tale Snow White and Rose Red. It fills in the bones of that story, adding motivation to the characters and a reason to the movements of the plot, which always bends to fit the whims of the magic, and never the other way around.

 “You are a living creature, born to make a real life, however it cracks your heart.”

This book isn’t for everyone: the plot hinges on violence and sexual abuse, so those who are uncomfortable with those topics will be unhappy with this book. It’s written for a teenage audience, but the complexity of the writing and some mature content mean that it’s better suited for older teens or adults who read YA.

Some more novels based on fairy tales:

Flight Behavior by Barbara Kingsolver

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flightbehavior

Set in rural Appalachia, Flight Behavior introduces readers to fiery haired Dellaboria Turnbow, a 28-year-old mother of two and wife of sweet, but dull Cub. After getting pregnant at 17, she traded college for rural poverty — helping her in-laws on their sheep farm.  We meet Dellaboria as she makes her way toward an adulterous rendezvous, which she skips after seeing what “looked like the inside of joy” that she interprets as a sign from God.  Her vision turns out to be a sea of Monarch butterflies that arrive in rural Tennessee after changing weather patterns disturb their flight behavior.  The butterflies bring in a cast of characters — from environmental activists to scientists to tourists to journalists — that push Dellaboria to challenge her expectations of herself and those around her.

This book reads as deeply personal, with Kingsolver’s fondness for these characters only matched by the urgency in her description of possible near-future effects of climate change.  Kingsolver lives in rural Appalachia (and has a background in ecology and biology), and you can tell that she looks on her home with a mix of affection and frustration.  She writes Dellaboria and her family and friends with enough respect to make them complicated, thoughtful, intelligent, and flawed.  Readers that enjoyed Kingsolver’s other forays into family and politics in  The Poisonwood Bible and Animal, Vegetable, Miracle will enjoy this beautifully written novel.  

 

 

The Middlesteins by Jami Attenberg

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middlesteinsMore often than not, I feel like I read books about people that I either love or hate — heroes (or anti-heroes) or villains. But in life it is rarely that easy.  People surprise you, disappoint you, make you frustrated, make you laugh, bore you, excite you — sometimes all in the same day.  No person is always valiant and even Saddam Hussein probably told a good joke once in a while.  So it is often those books that show people being human that really appeal to me.  In The Middlesteins, Jami Attenberg did just that.

The Middlesteins centers around Edie, the family matriarch who has always loved food.  Her lifelong memories are tied to liverwurst and rye bread, and she has been able to consume large quantities of food in one sitting since childhood.  As she goes from plump to fat to morbidly obese, she marries Richard, raises her children – Benny and Robin, and builds a mediocre career.  Her family and career did not meet the high expectations she had as a whip-smart child, and now around 60-years-old, food has become the consistent comfort in her disappointing life.  Edie, Benny, Robin, Richard, Benny’s wife Rachelle, and a few additional characters each contribute to this family’s narrative.  We see how Edie’s dissatisfaction and deteriorating health effect the family, and how they all deal with trauma and turmoil in their own way.

Just like the characters, the book is imperfect.  There are some editing and consistency issues and some of the plot devices feel a little forced, but I would recommend this book for anyone interested in character-driven novels about families.

Bad Monkey by Carl Hiaasen

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badmonkeyI have an embarrassing admission…

I’ve never read anything by Carl Hiaasen before.  I’ve never read Hoot or Skinny Dip or Native Tongue.  And I honestly didn’t know what I was getting myself into when I picked up his newest novel, Bad Monkey.  With reviewers calling the novel a “misadventure” and described Hiaasen as a “premier humorist”,  my expectations were high.  I was not disappointed.

Bad Monkey introduces Andrew Yancy, a former Miami Police detective and soon to be former Monroe County sheriff’s officer, who now spends his days counting the cockroaches in local restaurants as a restaurant inspector.  Wanting to leave behind his “roach patrol” duties, Yancy believes he may have found his way back onto the force when a tourist fisherman pulls in a human arm and the scandal adverse county sheriff declares the arm’s loss an accident.  Yancy believes that there is more going on than meets the eye, so he begins his own investigation.

There is a lot going on in this book, but it never feels weighted down or overly ambitious.  The stories weave together in a way that feels natural, and Yancy is perfectly imperfect in the way of all the best anti-heroes.   Employing a dark sense of humor, Bad Monkey is moralistic without ever coming off as preachy and weird without forgetting reality.  Revenge fantasy at it’s best, Bad Monkey, is a seriously fun read.  I feel kind of lucky that I have such a backlog of Hiaasen books to read until his next book is released.

 

The Cabin In The Woods

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I can’t believe I’m about to recommend a horror movie. This feels weird. But The Cabin in the Woods is the kind of movie that creates a lot of confusing emotions, and I bet that’s the kind of praise that producer and co-writer Joss Whedon would hope for. Five college kids enjoy a road trip to an isolated mountaintop cabin, complete with a peaceful lake, sinister locals, and a cellar full to bursting with creepy memorabilia. If it sounds too much like a stereotypical slasher, that’s because it is: this cabin is being controlled remotely by a full staff of suited, vaguely government-looking people who are manipulating the kids’ behavior the way the Gamemakers manipulated The Hunger Games (Push the red button for more fire, pull the green handle to unleash monsters, that kind of thing).

This film was shot in 2009 – well before the success of Thor and The Avengers made Chris Hemsworth bigger than his small but hilarious role as the not-so-stereotypical jock – but it wasn’t released until 2012. If you’ve remained unspoiled since then, somehow, I won’t ruin your fun in watching this movie unspoiled. But I will say: it’s darned surprising. Every time you think you have this film figured out, you find out it goes just a little bit further, and gets a little bit better, than you’d imagined. But this recommendation comes with a warning: The Cabin in the Woods is funny, and smart, and satirical, and downright fun, but the fun of lampooning horror movies can’t be had without actually showing a horror movie, so there are lots of seriously graphic scenes here – definitely stay away if you can’t handle on-screen violence. But if you can, and if you’ve ever wondered: “why?! Why on earth do people like these dumb slasher flicks? What are we, as a society, and as an artistic culture, getting out of it?!” here’s a well-made movie that will offer some interesting answers.