Looking for a new true crime book to read? Here are some titles that hit the shelves in January, February, and March. If any of these titles interest you, you can use the links below to place a hold in our catalog, or you can always give us a call to put one on hold for you. The following descriptions were provided by the publisher.
At Any Cost: A Father’s Betrayal, a Wife’s Murder, and a Ten-year War for Justice by Rebecca Rosenberg
At Any Cost unravels the twisted story of Rod Covlin, whose unrepentant greed drove him to an unspeakable act of murder and betrayal that rocked New York City.
Wealthy, beautiful, and brilliant, Shele Danishefsky had fulfillment at her fingertips. Having conquered Wall Street, she was eager to build a family with her much younger husband, promising Ivy League graduate Rod Covlin. But when his hidden vices surfaced, marital harmony gave way to a merciless divorce. Rod had long depended on Shele’s income to fund his tastes for high stakes backgammon and infidelity–and she finally vowed to sever him from her will. In late December 2009, Shele made an appointment with her lawyer to block him from her millions. She would never make it to that meeting.
Two days later, on New Year’s Eve, Shele was found dead in the bathtub of her Upper West Side apartment. Police ruled it an accident, and Shele’s deeply Orthodox Jewish family quickly buried her without an autopsy on religious grounds. Rod had a clear path to his ex-wife’s fortune, but suspicions about her death lingered. As the two families warred over custody of Shele’s children—and their inheritance— Rod concocted a series of increasingly demented schemes, even plotting to kill his own parents, to secure the treasure. And as investigators closed in, Rod committed a final, desperate act to frame his own daughter for her mother’s death.
Journalists Rebecca Rosenberg and Selim Algar reconstruct the ten years that passed between the day Shele was found dead and the day her killer faced justice in this riveting account of how one man’s irrepressible greed devolved into obsession, manipulation, and murder.
The Babysitter: My Summers with a Serial Killer by Liza Rodman and Jennifer Jordan
A chilling true story—part memoir, part crime investigation—reminiscent of Ann Rule’s classic The Stranger Beside Me, about a little girl longing for love and how she found friendship with her charismatic babysitter—who was also a vicious serial killer.
Growing up on Cape Cod in the 1960s, Liza Rodman was a lonely little girl. During the summers, while her mother worked days in a local motel and danced most nights in the Provincetown bars, her babysitter—the kind, handsome handyman at the motel where her mother worked—took her and her sister on adventures in his truck. He bought them popsicles and together, they visited his “secret garden” in the Truro woods. To Liza, he was one of the few kind and understanding adults in her life. Everyone thought he was just a “great guy.”
But there was one thing she didn’t know; their babysitter was a serial killer.
Some of his victims were buried—in pieces—right there, in his garden in the woods. Though Tony Costa’s gruesome case made screaming headlines in 1969 and beyond, Liza never made the connection between her friendly babysitter and the infamous killer of numerous women, including four in Massachusetts, until decades later.
Haunted by nightmares and horrified by what she learned, Liza became obsessed with the case. Now, she and cowriter Jennifer Jordan reveal the chilling and unforgettable true story of a charming but brutal psychopath through the eyes of a young girl who once called him her friend.
Blood Gun Money: How America Arms Gangs and Cartels by Ioan Grillo
From the author of El Narco, a searing investigation into the enormous black market for firearms, essential to cartels and gangs in the drug trade and contributing to the epidemic of mass shootings.
The gun control debate is revived with every mass shooting. But far more people die from gun deaths on the street corners of inner city America and across the border as Mexico’s powerful cartels battle to control the drug trade. Guns and drugs aren’t often connected in our heated discussions of gun control-but they should be. In Ioan Grillo’s groundbreaking new work of investigative journalism, he shows us this connection by following the market for guns in the Americas and how it has made the continent the most murderous on earth.
Grillo travels to gun manufacturers, strolls the aisles of gun shows and gun shops, talks to FBI agents who have infiltrated biker gangs, hangs out on Baltimore street corners, and visits the ATF gun tracing center in West Virginia. Along the way, he details the many ways that legal guns can cross over into the black market and into the hands of criminals, fueling violence here and south of the border. Simple legislative measures would help close these loopholes, but America’s powerful gun lobby is uncompromising in its defense of the hallowed Second Amendment. Perhaps, however, if guns were seen not as symbols of freedom, but as key accessories in our epidemics of addiction, the conversation would shift. Blood Gun Money is that conversation shifter.
The Haunting of Alma Fielding: A True Ghost Story by Kate Summerscale
Internationally bestselling and Edgar Award-winning author Kate Summerscale follows a ghost hunter in 1938 London in a case that illuminates changing social attitudes toward psychoanalysis, sexuality, and the supernatural
London, 1938. In the suburbs of the city, a young housewife has become the eye in a storm of chaos. In Alma Fielding’s modest home, china flies off the shelves and eggs fly through the air; stolen jewellery appears on her fingers, white mice crawl out of her handbag, beetles appear from under her gloves; in the middle of a car journey, a turtle materializes on her lap. The culprit is incorporeal. As Alma cannot call the police, she calls the papers instead.
After the sensational story headlines the news, Nandor Fodor, a Hungarian ghost hunter for the International Institute for Psychical Research, arrives to investigate the poltergeist. But when he embarks on his scrupulous investigation, he discovers that the case is even stranger than it seems.
By unravelling Alma’s peculiar history, Fodor finds a different and darker type of haunting, a tale of trauma, alienation, loss and revenge. He comes to believe that Alma’s past has bled into her present, her mind into her body. There are no words for processing her experience, so it comes to possess her. As the threat of a world war looms, and as Fodor’s obsession with the case deepens, Alma becomes ever more disturbed.
With characteristic rigor and insight, Kate Summerscale brilliantly captures the rich atmosphere of a haunting that transforms into a very modern battle between the supernatural and the subconscious.
The gripping true story, told here for the first time, of the Last Call Killer and the gay community of New York City that he preyed upon.
The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, the crowd belts out the lyrics to their favorites, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable.
He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim.
Nor will he be his last.
The Last Call Killer preyed upon gay men in New York in the ‘80s and ‘90s and had all the hallmarks of the most notorious serial killers. Yet because of the sexuality of his victims, the skyhigh murder rates, and the AIDS epidemic, his murders have been almost entirely forgotten.
This gripping true-crime narrative tells the story of the Last Call Killer and the decades-long chase to find him. And at the same time, it paints a portrait of his victims and a vibrant community navigating threat and resilience.
Two Truths and a Lie: A Murder, A Private Investigator, and Her Search for Justice by Ellen McGarrahan
In 1990, Ellen McGarrahan was a young reporter for the Miami Herald when she covered the execution of Jesse Tafero, a man convicted of murdering two police officers. When it later emerged that Tafero may have been innocent, McGarrahan was appalled by her unquestioning acceptance of the state’s version of events. The revelation propelled her into a new career as a private investigator.
Decades later, McGarrahan finally decides to find out the truth of what really happened in Florida. Her investigation plunges her back into the Miami of the 1960s and 1970s, a dangerous world of nightclubs, speed boats, and cartels, all awash in violence. She combs through stacks of court files and interviews everyone involved in the case. But even as McGarrahan circles closer to the truth, the story of guilt and innocence becomes more complex, and she gradually discovers that she hasn’t been alone in her need for closure. Because whenever a human life is forcibly taken—by bullet, or by electric chair—the reckoning is long and difficult for all.
A fascinating glimpse into the mind of a private investigator, Two Truths and a Lie is ultimately a deeply personal exploration of one woman’s quest to find answers in a chaotic world.
You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn’t let you forget.
1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard’s Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.
Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she’d threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a ‘cowboy culture’ among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims.
We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman’s past onto another’s present, and a love story for a girl who was lost to history.
We Own This City: A True Story of Crime, Cops, and Corruption by Justin Fenton
Baltimore, 2015. Riots were erupting across the city as citizens demanded justice for Freddie Gray, a twenty-five-year old black man who had died while in police custody. At the same time, drug and violent crime were surging, and that year, Baltimore would reach its deadliest year in over two decades: 342 homicides in a city of six hundred thousand people. Under intense scrutiny–and a federal investigation over Gray’s death–the Baltimore police department turned to a rank-and-file hero, Sergeant Wayne Jenkins, and his elite unit, the Gun Trace Task Force, to help get guns and drugs off the street.
And yet, despite intense scrutiny, what The New York Times would call “one of the most startling police corruption scandals in a generation” was unfolding. Entrusted with fixing the city’s drug crisis, Jenkins and his posse of corrupt cops were instead stealing from its citizens–skimming from the drug busts they made, pocketing thousands in cash found in private homes, and planting fake evidence to throw Internal Affairs off their scent. Their brazen crime spree would go unchecked for years, and would result in countless wrongful convictions, the death of an innocent person–and the mysterious death of one cop who was shot in the head the day before he was scheduled to testify against the Force.
Award-winning investigative journalist Justin Fenton has been relentlessly exposing the scandal since 2017, conducting hundreds of interviews and poring over thousands of court documents. The result is an astounding feat of reportage about a rogue police unit, and the American city they held hostage.
The extraordinary life and crimes of heiress-turned-revolutionary Rose Dugdale, who in 1974 became the only woman to pull off a major art heist.
In the world of crime, there exists an unusual commonality between those who steal art and those who repeatedly kill: they are almost exclusively male. But, as with all things, there is always an outlier – someone who bucks the trend, defying the reliable profiles and leaving investigators and researchers scratching their heads. In the history of major art heists, that outlier is Rose Dugdale.
Dugdale’s life is singularly notorious. Born into extreme wealth, she abandoned her life as an Oxford-trained PhD and heiress to join the cause of Irish Republicanism. While on the surface she appears to be the British version of Patricia Hearst, she is anything but.
Dugdale ran head-first towards the action, spearheading the first aerial terrorist attack in British history and pulling off the biggest art theft of her time. In 1974, she led a gang into the opulent Russborough House in Ireland and made off with millions in prized paintings, including works by Goya, Gainsborough, and Rubens, as well as Lady Writing a Letter with her Maid by the mysterious master Johannes Vermeer. Dugdale thus became – to this day – the only woman to pull off a major art heist. And as Anthony Amore explores in The Woman Who Stole Vermeer, it’s likely that this was not her only such heist.
The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle. Her life of crime and activism is at turns unbelievable and awe-inspiring, and sure to engross readers.