Tag: pop music

MUSIC AND MUSICIANS

- Jill Leave a comment

If you enjoy listening to music, singing it, or creating it, October is your month!  International or Universal Music Day is celebrated on October 1. If that’s not enough to dig out your collection of musical favorites, the entire month of October is dedicated to the celebration of Country Music as a beloved genre. There’s even “Hug a Drummer Day” celebrated on October 10th, which the percussionist in your life might appreciate. Music is one of the most universal ways to express ideas and emotions, making it an integral part of every culture around the world. It is a shared, common language that has the power to bring people together.

As you find ways to celebrate music this month, you may be interested in some of these “musical” books, including books about music genres, the music industry, musicians, and songwriting. The best music books can give you a new insight, inspire new conversations, and hopefully encourage you to give another listen. Music has evolved over the course of history into many different forms. Some of the most listened to genres of today, such as Rock, Country, and Classical, can be further divided into sub-genres such as country-pop, alternative rock, etc. A variety of music genres are included in the music book displays that are up this month at the Fairmount and Eastern branches. Here are a few to get you started:

In The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music, the author, Tom Breihan, looks at twenty of Billboard Hot 100s number one songs and uncovers their historical context demonstrating how they played a pivotal role in changing pop music. Breihan includes some of the greatest pop artists of all time.  But, just as important, he also includes some musicians who never hit the number one spot, but who are now legendary because of their whole body of work. Some reviewers have suggested to read this book while listening to the selected songs in order to achieve a more immersive experience. Pop culture and music lovers will appreciate this book, especially if they have watched the Billboard Hot 100 or have read the author’s Stereogum column called, what else? “The Number Ones”.

Declassified: a low-key guide to the high-strung world of classical music is authored by Arianna Warsaw-Fan Rauch, a Juilliard grad and world-class violinist and veteran of symphony halls and international concert tours. In the book, she expresses her lifelong love-hate relationship with classical music and musicians. There is such variety in the “classical music” genre, that spans centuries of composers, that she argues you can find enough diversity to encompass the gamut of emotions. The author covers the 7 main compositional periods, offering a breakdown of the instruments and their “personalities”.  She invites her reader on a backstage tour of the industry to see what it is like to be a professional musician at conservatory auditions, competitions, and during grueling practice routines, ultimately making the case that classical music matters.

As a long-time writer in the country music industry – especially versed on the careers of women – Marissa R. Moss demonstrates her insider knowledge of the music scene in Nashville with her book, Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be. She writes about some of the most celebrated female artists, but brings into sharpest focus the three main subjects of her book, Kacey Musgraves, Maren Morris, and Mickey Guyton. These women are heroines in their own right and have carved out their own paths to success despite the huge obstacles of a “good ‘ol boy” mentality, sexism, and even racism in the country music industry. This book isn’t just for Country music fans, but also for those interested in seeing women singers, songwriters, producers, and executives, succeed in an industry where much is stacked against them.

Tony Brown’s “coffee table” book, Elvis, Strait, to Jesus: An Iconic Producer’s Journey with Legends of Rock ‘n’ Roll, Country, and Gospel Music features exclusive photographs and stories about his more than 40-year career as one of Nashville’s leading producers and executives. The book is a photographic journey depicting how Brown rose to the top of the Nashville music industry to take his spot in country music history.  It illuminates his rise to fame and his industry relationships; from pianist for Elvis Presley to the president of MCA Records in Nashville and producing over 100 country songs that hit #1 on the charts. The book showcases people who have played an important role in Brown’s career. A few of the many music artists included in the book show the diversity of music genres he was instrumental in creating: Lionel Richie, Vince Gill, Reba McEntire, Cyndi Lauper, Billy Joel, Joe Cocker, Jimmy Buffett, Barbra Streisand, George Strait, Brooks & Dunn, Lyle Lovett, and many more. The book is touted as a special tribute that no fan of music or artistic photography should be without.

If you are interested in other musical genres, several other books of interest are: Dangerous Rhythms: Jazz and the Underworld; Hip-Hop (and other things): a collection of questions asked, answered, illustrated; Anatomy of a Song: the oral history of 45 iconic hits that changed rock, R & B, and pop; Shine Bright: a very personal history of black women in pop; and Folk Music: A Bob Dylan Biography in Seven Songs. These books and many others are on display during the month of October at both the Eastern and Fairmount branch libraries. You might also be interested in this DVD: Hip Hop the songs that shook America.

   

If these recommendations inspire you to explore the music, we have a large collection of music CD’s in many genres and also offer free digital music content with Freegal Music and QC Beats.

At the risk of sounding like a late night infomercial, I will further entice you to explore our collection with… “But, wait, there’s MORE!”  At all three branches, you can check out a Common Chord or Quad City Symphony Orchestra Community Experience Pass to receive FREE entry to local music events. We even have a Jensen turntable and portable cassette player/recorder that you can check out at the Main branch to listen to some of your old vinyl or cassette recordings.

 

Or, perhaps you’ve always wanted to learn to play an instrument. Checking out a ukulele at the Main branch is a great way to start.  Whether you read, listen, attend an event, or make your own music – be sure to include music in your life during the month of October – and every month!

Music Selector’s Choice: Indie Pop Old and New

- Callen Leave a comment

Many people of taste disdain mainstream, Top 40 pop music in favor of equally talented but less famous independent musicians. If that describes you, you may already know about the artists I’ll share here. But if you are like me, you may be delighted to discover them and their music – and hopefully it will open our horizons to seeking out other lesser-known artists. There’s no shame in enjoying top 40 hits, of course, but smaller creators deserve love too, especially (as you’ll read below) when their work plumbs a deep well of meaning.

Back in 2016, most everyone heard the song “HandClap” by Fitz and the Tantrums, and it may have been the first and last time they thought about the indie pop / neo soul band. It wasn’t the band’s first release, coming on their self-titled album after three previous albums (Songs for a Breakup vol. 1, Pickin’ Up the Pieces, and More Than Just A Dream). It was, however, their most notable hit. Me personally, I remember that song and “The Walker”, as well as “I Just Wanna Shine” from their next album All The Feels (this last because it was also on the soundtrack for delightful Netflix movie Yes Day). I confess I haven’t thought of them much, but I can now, because their latest release, Let Yourself Free, is out now. By all accounts it showcases what the band does best: upbeat tracks with strong hooks. If this is your thing (it definitely is mine) you’ll probably enjoy it, even though the content is strictly surface-level sentiments.

Obviously, the field of indie pop today is pretty wide and filled with talented performers, especially lately as TikTok helps with publicity. Through social media I’ve discovered talents like Gayle, Wet Leg, Against Me!, Brockhampton, and many more. One such talent is NoSo, whose debut release, Stay Proud of Me, is now on library shelves for your perusal. Interesting performer name, right? Well, apparently “NoSo is shorthand for North/South: A nod to their Korean heritage, and the inane origin question (“Which Korea are you from?”) that so many Korean Americans inevitably face at some point in their lives.” The same source also names the artist as LA-based singer-songwriter and guitarist Baek Hwong (pronouns he/they). “Their music grapples with the search for a sense of identity, overcoming imposter syndrome, and repressed memory” reports their record label – and NPR agrees, summing up the debut record as a “care package for someone in need –  their younger self.” Try this record if you want to support more queer artists, relate to the search for identity and acceptance, or enjoy “virtuosic, memorable guitar playing… cinematic synths and lush pop sounds…packaging heavy subject matter as a catchy hook or chorus without cheapening its sentiment” (NPR).

Share YOUR favorite indie musicians below!

My Favorite Books as Taylor Swift’s New Album

- Callen Leave a comment

Recently Taylor Swift’s new album Midnights snagged all top ten spots on the US Billboard charts, a major and unprecedented coup. On a more personal note, I’ve had at least one of the songs from the album stuck in my head on and off since I first listened to the album — and you probably have too, if you’ve listened to it. So I decided to make lemonade from lemons and tell you how my English major brain has associated songs from Midnights with different books. All the books (and very soon the album) are available for checkout from our library, so you can double-check my findings for yourself.

“So real, I’m damned if I do give a damn what people say / No deal, the 1950s shit they want for me / I just wanna stay in that lavender haze”

When I listen to Lavender Haze I hear love that pushes against expectations and conventions for what a relationship should look like, and therefore think immediately of The Love Study by Kris Ripper, which is only the first of a trilogy all about relationships outside of conventional norms, and about customizing your relationship to what works for you.

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“The burgundy on my t-shirt when you splashed your wine onto me / And how the blood rushed into my cheeks, so scarlet, it was / The mark you saw on my collarbone, the rust that grew between telephones / The lips I used to call home, so scarlet, it was maroon”

Maroon to me is about a vivid, passionate love that ended, and is remembered, as vividly as it lived. For sheer emotional power, and the strength of love and memory, this song has to be The King of Infinite Space by Lyndsay Faye. This book is an unforgettable Hamlet retelling with a powerful (and, spoilers, doomed) love at its core.

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“It’s me / Hi! / I’m the problem, it’s me / At teatime / Everybody agrees / I’ll stare directly at the sun but never in the mirror / It must be exhausting always rooting for the anti-hero”

Antihero is the song I (and many others) can’t get out of our heads — it’s catchy, self-aware, self-destructive, and self-deprecating, with paranoid fear of losing relationships and (for me anyway) a hint of glamour. What it made me think of is my favorite romance book of all time, Boyfriend Material by Alexis Hall (the sequel, Husband Material, works as well) because of its self-deprecating humor, self-destructive tendencies, and an unforgettableness not unlike an earworm.

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“Are we falling like / Snow at the beach / Weird but it was beautiful / Flying in a dream / Stars by the pocketful / You wanting me / Tonight / Feels impossible / But it’s comin’ down, no sound, it’s all around”

Snow on the Beach is all dreamlike, surreal vibes, with a star-crossed type romance running through it, which for me echoes the magical realism in One Last Stop by Casey McQuiston. Our lovable leads in that book find themselves in a similarly bizarre situation which they end up embracing.

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“What’s a girl gonna do? A diamond’s gotta shine / Best believe I’m still bejeweled when I walk in the room / I can still make the whole place shimmer”

Now, I fully believe you’ll have a better pick for this one, but Bejeweled‘s theme of claiming your power from a repressive relationship made me think of In Deeper Waters by FT Lukens, because among other things this book is about the main character embracing his power and identity and breaking free from fear and repression, and I just love to see it.

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“Sweet like honey, karma is a cat / Purring in my lap ’cause it loves me / Flexing like a goddamn acrobat / Me and karma vibe like that”

Okay, another unconventional pick, but the smugness of Karma, waiting for the other shoe to drop, reminded me of An Elderly Lady Is Up To No Good by Helene Tursten. Our elderly protagonist is similarly convinced of the justice of her actions – to very entertaining effect.

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“Everyone’s up to somethin’ / I find myself runnin’ home to your sweet nothings / Outside, they’re push and shovin’ / You’re in the kitchen hummin’ / All that you ever wanted from me was sweet nothin'”

Sweet Nothing is about finding a haven and home in someone who doesn’t burdern you with the expectations and pressure you receive everywhere else, which for me had to be The Bookseller’s Boyfriend by Heidi Cullinan. Also a cautionary tale about celebrity and social media, the romance in this book is all about an overworked, overwhelmed person finding rest in another’s company.

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“So I told you none of it was accidental / And the first night that you saw me, nothing was gonna stop me / I laid the groundwork and then saw a wide smirk / On your face, you knew the entire time / You knew that I’m a mastermind / And now you’re mine”

Not exactly the same vibe, but Mastermind‘s ending, when the singer realizes that though they thought they were being subtle, they were actually transparent to their partner, reminded me of Love is for Losers by Wibke Brueggemann, in which another scheming narrator discovers the joy of being known and accepted for all your faults.

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Let us know, do you agree with my associations? Which books would you pick?

Key Changes: Machine Gun Kelly and Mainstream Sellout

- Callen Leave a comment

As someone who’s had the song Emo Girl (featuring Willow Smith) stuck in their head on and off for weeks, I think this is a perfect time to explore controversial artist Machine Gun Kelly’s professional journey from hip-hop and rap to pop-punk and mainstream success, culminating in 2022’s appropriately-named album Mainstream Sellout.

He rose to fame with a series of rap and hip-hop mixtapes (generally acclaimed) before releasing studio albums, starting with Lace Up in 2012, General Admission in 2015, and Bloom in 2017. Notable features included rapid-fire flow and pride in an unattractive underdog image. Then in 2020 he made a dramatic shift from rap to pop/punk with the release of Tickets to My Downfall – a shocking, impressive, and fluid album still with rap-inspired elements.

Why did he make the move? Without knowing details, it reminds me of Lady Gaga’s professional journey (which is a blog post in itself) in which she made mostly loud statement pieces until she’d captured public attention and then, fame established, moved to a more stripped-down mainstream sound in albums like Joanne. (Lady Gaga, of course, has now moved back to her outlandish roots with the flashier album Chromatica, but I digress.) Sometimes musicians want to try something different and explore their other interests, but don’t have the freedom to do so until they’ve reached a certain level of success.

Whatever the reason he seems satisfied with his new career track, since he continued with pop/punk in 2022’s album, Mainstream Sellout. The reviews have been mixed, but the album has had big commercial success debuting high on the Billboard 200 charts. Emo Girl ft. Willow is particularly good track (though I may be biased in saying that) — it’s a good example of the overall pop punk revival going on in the 2020s, partly because it’s extremely self-aware of how it’s referencing a scene more than participating in it. Rolling Stone called it “gleefully derivative” and on the whole the feeling is of playing a part and having a ton of fun with it.  Willow Smith’s vocals shine, her gen Z energy a good balance to Kelly’s so-called “buzzsaw bubblegum”.

For myself, I haven’t heard the whole album yet, but I enjoy Machine Gun Kelly better in pop-punk, which is one of my favorite genres. I know I may be in the minority; what are your thoughts on Machine Gun Kelly, Willow, or the pop-punk revival? Let us know in the comments!

The Latest from Pop Punk Princess Avril Lavigne

- Callen Leave a comment

Love Sux is Avril Lavigne’s latest album, and if you grew up like I did yelling along with her angsty bops, this is the perfect album for you.

Her first album was smash hit Let Go, containing tracks like Sk8er Boi and Complicated which rocketed her to fame. Next was Under My Skin, a darker grunge-inspired album whose most lasting track was My Happy Ending. The Best Damn Thing was album number three, and had several good tracks including Hot, Keep Holding On, and the yearning When You’re Gone, but most notable was Girlfriend, possibly her most popular song to date. Number four was Goodbye Lullaby, which has some of my personal favorite songs on it, including What The Hell and Smile. After that came self-titled album Avril Lavigne which is bursting with catchy tracks like Sippin’ On Sunshine and Here’s To Never Growing Up, alongside the controversial j-pop inspired Hello Kitty and the ballad Let Me Go with then-husband Chad Kroeger. After her battle with lyme disease she released Head Above Water in 2019, a bit of a departure in style as she processed the pain of her experiences; the main song with her signature rebelliousness is Dumb Blonde with Nicki Minaj, while the rest are slower, ballad-style tracks about helplessness and struggle to break free.

Love Sux is a return to form, with energetic rock-style tracks expressing defiance at every stage of relationships. The energy starts strong with Cannonball and doesn’t let up through a duet with Machine Gun Kelly, two dysfunctional love songs, and the eponymous Love Sux. Things might mellow a little by the end, but the whole effect is vintage Avril – which only fuels the Internet’s speculation that she doesn’t age (or ages very well). I’m always impressed at the way her music naturally matures as she does, while keeping her signature style; Let Go‘s “let’s crash the mall” skater vibe was definitely a teenager’s point of view, but Love Sux listens well from an adult perspective, even though it still probably has youth appeal.

If you’ve ever enjoyed Avril Lavigne or just like rock music with punk vibes and pop appeal, you’ll probably enjoy Love Sux.

Super Monster by Claud

- Callen Leave a comment

Support a non-binary artist and discover some catchy new music on Super Monster by Claud.  How to describe their style? Well, here’s what they say on their website: “claud mintz (they/them) makes the kind of pop that goes well with a late night snack.”

If that doesn’t clear it up for you, here’s my take: this is a pop sound similar to twin icons Tegan and Sara, and the California band Muna, but also with shades of Olivia Rodrigo and Billie Eilish. With simple hooks and honest lyrics, Claud combines soft, musing ballads with more fast-paced, playful tracks for a mix that is overall optimistic, affectionate, vulnerable, and proudly queer. Listeners will be drawn in by bright, quirky album art and intriguing song titles including “Cuff Your Jeans” and “That’s Mr. Bitch to You”.

Incidentally, “That’s Mr. Bitch To You” is probably my favorite track for its light-hearted energy in response to hate (definitely my new personal anthem) – but most tracks are relaxing and enjoyable to listen to. I also recommend “Overnight” and “Falling with the Rain” for more romantic vibes, and “Ana” for a lost-love story.  Most tracks will leave you humming for the rest of the day, and the lack of cynicism will keep you coming back for more.

Music Buzz: International

- Callen Leave a comment

Travel around the world (including the heart of the USA)  with these hit albums from international musicians!

Italy: Teatro d’Ira by Måneskin

This is the second album from the wildly successful, Eurovision-winning Italian band, and features the hit that Americans will recognize the most: I Wanna Be Your Slave.  The band originally formed in Rome, Italy in 2016, and – fun fact – the band name is drawn from the Danish word for moonlight. You may also have heard their rendition of the song Beggin’, which was originally popularized by the band The Four Seasons in 1967. That song doesn’t feature on this album, but you can hear the song that won them the 2021 Eurovision Song Contest – Zitti e buoni.

Colombia: Dharma by Sebastián Yatra

If you’re a Disney fan or have kids, you may have seen the Disney film Encanto – and if you have, you’ll remember the pivotal song Dos Oruguitas. Sebastián Yatra is the performer of that song, both in the Spanish and English versions, but he’s also a highly successful musician in Latin America, known for romantic ballads and reggaeton influences. Born in Medellín, Colombia and raised in Miami, he released two previous albums and has collaborated with artists including Daddy Yankee, Ricky Martin, and the Jonas Brothers.

Puerto Rico: LA 167 by Farruko

Farruko first broke into music as a collaborator to J Balvin, Bad Bunny, Nicki Minaj, and others, before launching his solo career his first studio album, El Talento del Bloque. This most recent album features his wildly popular song, Pepas, which is in his signature Reggaeton style mixed with an electronic dance style called Tribal guarachero. You won’t want to miss this album particularly because it may be the last of this kind – at an event in February he announced his retirement from urban music in an emotional speech.

USA: Run Rose Run by Dolly Parton

Both Dolly Parton and James Patterson are juggernauts of mainstream American culture, and now they’ve pooled their talents in a special project that feels uniquely American. Run Rose Run is both an album and a novel, and in both cases it tells the story of a young country music star trying to make it big despite a dangerous past catching up to her.  The album doesn’t require you to read the book, since the tracks are universally appealing statements in a number of styles, from bluegrass to ballads, pop and more.

Upcoming Albums from LGBTQ Artists

- Callen Leave a comment

Don’t miss these albums from iconic artists of the LGBTQ community, coming soon!

The Lockdown Sessions by Elton John is a collection of collaborations that the British singer recorded remotely during the COVID-19 pandemic, featuring Miley Cyrus, Lil Nas X, Stevie Nicks, and many more. The tracks cover a variety of genres and moods for a truly eclectic mix. Personally, I can vouch for this album because I’ve already heard a few of the tracks, including Chosen Family (absolutely gorgeous track with a great message) and Nothing Else Matters (gives me chills every time). If you, like me, spent time in quarantine singing along to everything and making playlists, you might relate to this album!

Broken Hearts and Beauty Sleep by Mykki Blanco is the new album from non-binary boundary pusher Mykki Blanco, melding hip hop and rap with club and trap sounds as well as experimental elements. I’m excited for this one because I love more publicity for non-binary artists, AND I just recently discovered this artist through their essay in The Queer Bible (an excellent book!).

 

To discover other LGBTQ artists, try:

Halsey’s If I Can’t Have Love, I Want Power – their most recent album which was accompanied by a film released on HBO Max, and which wrestles with the suffocating side of love, pregnancy, creation, destruction and how we claim and use power.

 

 

Brandi Carlile’s In These Silent Days : the 2021 offering from a country and folk rock staple. Encompassing both intimate contemplation and defiantly rollicking tunes, it’s an album exploring the full breadth of Carlile’s skill and power, with echoes of Elton John and Joni Mitchell, according to critics.

Music Hype: Human by OneRepublic

- Callen Leave a comment

This album has been hovering on the horizon for months now, as I waited to order it until a release date was officially announced. Now, it’s finally here! So let’s talk about OneRepublic: who they are, how they got here, and how we feel about their latest offering: Human.

OneRepublic is an American pop band formed in 2002. I know many of us in the millennial and maybe Gen X camps grew up listening to Apologize and Stop and Stare from their first album Dreaming Out Loud – both of which became massive hits around the world. Apologize in particular became iconic after being remixed by Timbaland.

All the Right Moves was the big hit from their second album, Waking Up, from 2009. Other earworms included Secrets and Good Life. More recently a lot of people found they’d accidentally memorized all the words to Counting Stars, the hit song from 2013’s album, Native. Their fourth album was Oh My My in 2016 and it was a major departure in their sound, producing singles Wherever I Go and Kids.

Human has been delayed a number of times (and I’m sure COVID was part of it), but there have been singles released from it to build hype, including Rescue Me and Wanted. According to some critics, this makes the album feel more like a time capsule than a new release: Rescue Me came out in 2019, which as we all know was a very different emotional moment than 2021. But there’s still a lot to love including the upbeat anthem Run and yearning track Distance, which echoes some of the band’s classic vibes. Speaking for myself, a band than can do soulful, emotional, and danceable all equally well is definitely worth following, and OneRepublic has a very strong track record to recommend them.

If you’re looking for a solid pop album that captures some nostalgia and some optimism, you might want to try OneRepublic’s Human, finally available for checkout.

Key Changes: Gen Z Hitmakers

- Callen Leave a comment

I don’t know about you, but I’m hugely vulnerable to earworms: those songs that stick in your head and just never leave. Now, I fall squarely in the “millennial” camp, but in my experience lately, there are some Generation Z (born 1995-2015) pop artists that are making really catchy songs that spread like wildfire on social media and everyone finds themselves singing. Here are three top-rated Gen Z artists whose new albums we’ve recently purchased for the library, full of new earworms for you to love and hate – you’re welcome!

Billie Eilish became iconic for her oversized fashion and green-and-black hair alongside her homemade, whisper-sung tracks. I always found her work atmospheric and spooky, leaning into the dark side of humanity and growing up. For her new album, Happier than Ever, Eilish has changed her image to blonde hair and a nude color palette – but her softly sung, otherworldly musical style and lightly cynical lyrics remain largely unchanged. You might have heard her hit song Bad Guy from debut album When We All Fall Asleep, Where Do We Go? This time around, watch out for Therefore I Am, which has a similar sound but revolves around defying bullies and haters.

Tones and I, AKA Toni Watson of Australia, rocketed to fame on the song Dance Monkey in 2019. Like Billie Eilish, she has a unique vocal sound, which in her iconic track is paired with danceable beats (evidence: the song is my favorite from the game Just Dance 2021). Dance Monkey was released on the 6-song EP The Kids Are Coming in late 2019. The new album, Welcome to the Madhouse, may have grown in scope as a result of the COVID-19 pandemic: Watson added 5 more songs and took extra time to do most of the production work herself. According to critics, the songs on this album are Watson being really vulnerable and exploring her mental health and the cruelty of haters, through clever lyrics and strong vocals.

This last entry was added to our collection a few months back, but it’s too popular not to be mentioned in this group. Olivia Rodrigo was originally known for her acting work on Disney shows, including High School Musical: The Musical: The Series, but with the release of her smash hit album Sour, her fame has definitely shifted. The earworm (for me, anyway) in this case is Good 4 U, an energetic and danceable take on the anger after a breakup, especially when an ex-partner moves on quickly. The album as a whole is very centered on the teenage experience, especially falling in (and out of) love: the other popular track is Driver’s License, about getting a license but losing a partner. Guaranteed to knock around your brain for a while, this is not an album to miss – even if you’re not a teenager anymore.