Cozy Up with These Picture Books!

small cartoon child under a grey blanket

January to me is always a time to snuggle up with a good book under an ultra-soft blanket. With great amounts of snow currently falling and more forecasted for our region the next few days, I am excited to share some cozy books with you!  Below are some picture books in our collection that celebrate the cozy season!

The Lumberjack’s Beard by Duncan Beedie

Big Jim Hickory begins his day with exercises and a large stack of pancakes before heading out to chop down trees. After a long day of chopping, Jim is home resting when someone begins pecking at his door. Upon opening, Jim discovers that his job has sent some animal neighbors into a flurry of frustration. Ever the problem-solver, Jim is ready for the challenge of creating a safe home for his disgruntled neighbors.

This book is an absolute delight!

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small cartoon child under a grey blanket

Blanket: Journey to Extreme Coziness by Loryn Brantz

You may be wondering how to reach maximum level coziness. Your wait is over my friend, all you need is this book and your favorite blanket to achieve the blanket cocoon – epic level of cozy!

The artwork is delightful as is the content of this title, I hope that you enjoy!

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Narwhal with a yellow blanketBlankie by Ben Clanton

If you have decided to climb out of your blanket cocoon and looking for fun activities with your blanket. This book will give you some suggestions! Will you turn your blanket into a cape or take it on a living room picnic with waffles? The sky is the limit!

This adorable board book is fun for littles and bigs alike!

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Black hairy monster holding a small child

Wilfred by Ryan T. Higgins

Wilfred was a humungous, hairy, monster who only wanted one thing, a friend. One day, Wilfred discovers a peculiar town full of bald townspeople. With hope in his heart, Wilfred hopes to find friendship on a playground but sends most of the children running in fear. One brave child remained and thus began a beautiful friendship until the townspeople came up with a nasty plan.

This story teaches children empathy while making grownups cry. If you read this title, be sure to have your tissues ready. That said, it is one of my favorites and I share it every year when performing storytimes.

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cartoon child pulling a baby in a red sweater across a room.

That’s My Sweater! by Jessika von Innerebner

There are few things that Olivia loves more than her red sweater. This is why when Olivia comes to find that she has grown out of her beloved garment, she has some things to say. To add to her dismay, Olivia’s baby sibling inherits the sweater and is covering it in unspeakable bodily fluids! On a hunt for justice, Olivia makes a discovery, her parents love a hand-me-down.

For all of the older siblings out there, this is the perfect read!

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2 cartoon pirates and o monkey in a boat next to a sea monster

Ned the Knitting Pirate by Diana Murray and Illustrated by Leslie Lammle

Pirates are a fierce and rugged lot. As they sing their pirate song, it is ruined (made better) each time by Ned the knitting pirate.

Written in rhyme, this book is an absolute blast to read aloud! I enjoy singing and donning a Scottish accent as I read aloud. Like Wilfred, this is a yearly read teaches young people to be proud of who they are and that heroes come in all shapes and forms!

New Essay Collections

Have you ever read an essay collection? I turn to essay collections when I want to read, but need something shorter than a novel or a nonfiction book. I also find them helpful when I’m not in the mood for fiction, but want to read something. There’s a time and place for any type of reading and sometimes you just need an essay collection to cleanse your palate (at least I do)!

When reading essays, I have noticed that each one is self-contained. They take a special type of craft and discipline to cultivate a book theme and essays that surround it. Each collection of essays is its own work of art.

Below I have gathered a list of essay collections published in 2023. The descriptions have been provided by the publisher and/or author.

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Quietly Hostile: Essays by Samantha Irby

Samantha Irby’s career has taken her to new heights. She dodges calls from Hollywood and flop sweats on the red carpet at premieres (well, one premiere). But nothing is ever as it seems online, where she can crop out all the ugly parts.

Irby got a lot of weird emails about Carrie Bradshaw, and not only is there diarrhea to avoid, but now—anaphylactic shock. She is turned away from restaurants for being inappropriately dressed and looks for the best ways to cope, i.e., reveling in the offerings of QVC and adopting a deranged pandemic dog. Quietly Hostile makes light as Irby takes us on another outrageously funny tour of all the gory details that make up the true portrait of a life behind the screenshotted depression memes. Relatable, poignant, and uproarious, once again, Irby is the tonic we all need to get by.

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Monsters: A Fan’s Dilemma by Claire Dederer

Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience’s relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?

Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

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Black on Black: On Our Resilience and Brilliance in America by Daniel Black

“There are stories that must be told.”

Acclaimed novelist and scholar Daniel Black has spent a career writing into the unspoken, fleshing out, through storytelling, pain that can’t be described.

Now, in his debut essay collection, Black gives voice to the experiences of those who often find themselves on the margins. Tackling topics ranging from police brutality to the AIDS crisis to the role of HBCUs to queer representation in the black church, Black on Black celebrates the resilience, fortitude, and survival of black people in a land where their body is always on display.

As Daniel Black reminds us, while hope may be slow in coming, it always arrives, and when it does, it delivers beyond the imagination. Propulsive, intimate, and achingly relevant, Black on Black is cultural criticism at its openhearted best.

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Black and Female: Essays by Tsitsi Dangarembga

The first wound for all of us who are classified as “black” is empire.

In Black and Female, Tsitsi Dangarembga examines the legacy of imperialism on her own life and on every aspect of black embodied African life.

This paradigm-shifting essay collection weaves the personal and political in an illuminating exploration of race and gender. Dangarembga recounts a painful separation from her parents as a toddler, connecting this experience to the ruptures caused in Africa by human trafficking and enslavement. She argues that, after independence, the ruling party in Zimbabwe only performed inclusion for women while silencing the work of self-actualized feminists. She describes her struggles to realize her ambitions in theater, film, and literature, laying out the long path to the publication of her novels.

At once philosophical, intimate, and urgent, Black and Female is a powerful testimony of the pervasive and long-lasting effects of racism and patriarchy that provides an ultimately hopeful vision for change. Black feminists are “the status quo’s worst nightmare.” Dangarembga writes, “our conviction is deep, bolstered by a vivid imagination that reminds us that other realities are possible beyond the one that obtains.”

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Ordinary Notes by Christina Sharpe

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages—sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.

At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of “beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

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Superfan: How Pop Culture Broke my Heart by Jen Sookfong Lee

For most of Jen Sookfong Lee’s life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables promised her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams. Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her—the child of Chinese immigrant parents who looked for safety in the invisibility afforded by embracing model minority myths.

Ranging from the unattainable perfection of Gwyneth Paltrow and the father-figure familiarity of Bob Ross, to the long shadow cast by The Joy Luck Club and the life lessons she has learned from Rihanna, Jen weaves together key moments in pop culture with stories of her own failings, longings, and struggles as she navigates the minefields that come with carving her own path as an Asian woman, single mother, and writer. And with great wit, bracing honesty, and a deep appreciation for the ways culture shapes us, she draws direct lines between the spectacle of the popular, the intimacy of our personal bonds, and the social foundations of our collective obsessions.

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Do you have a favorite essay collection? Let us know in the comments.

 

Did You Know It Was a Book First? The Witcher series by Andrzej Sapkowski

I love comparing books to their TV or movie adaptations – ask me about The Devil Wears Prada sometime. Right now, as the new season of The Witcher launches on Netflix, I’m reflecting on my recent read of The Last Wish by Andrzej Sapkowski, the book which first introduced Geralt of Rivia to the world – and eventually rocketed him to fame in video games and now as played by Henry Cavill. Here’s my breakdown of this iconic fantasy franchise, then and now.

ON THE PAGE

I expected a much darker, gritter fantasy than this actually turned out to be. This first book, The Last Wish, acts as a series of short vignettes as highly-trained and lightly superpowered Geralt goes on his adventures fighting monsters for money, and in fact most of these vignettes read as retellings of classic fairy tales. I identified, among others, one like Snow White and one like Beauty and the Beast, both of which seem to echo the source material with wry humor and a good dose of feminist reality check. Along the way, interspersed chapters start to hint at a larger story to come, linked to Geralt’s history with sorceress Yennefer – who’s finally introduced in the book’s final story revealing how Geralt and Yennefer first met. Important themes include what makes a monster, lesser vs. greater evils, and the losses in lifestyle and belonging that happen as society changes. While obviously standing apart from the rest of society, Geralt is very human and sympathetic, and his good friend Dandelion adds even more lightness and humor.

ON THE SCREEN

The show (currently only available on Netflix, and not on DVD or Blu-Ray) takes full advantage of its medium to expand as much as possible – Yennefer gets her own dose of screen time instead of only being seen from Geralt’s perspective, and Geralt’s backstory including his childhood is explored in much more detail. Geralt himself, however, is much less talkative in the show than in the books, which may be because in a visual medium, more nonverbal communication is possible. Another obvious change is one in translation – in the books Geralt’s troubadour friend is identified as Dandelion, but on the show they kept his Polish name, Jaskier, which actually literally translates to ‘buttercup’ in English. And of course, because The Last Wish functions more as an introductory book than a plot-driven one, the stories in the show are also from later books than the one I read, and expand more on various battles and events. In the interest of full disclosure, I drew most of these insights from others’ perspectives, as at the time of writing I haven’t yet seen enough of the show to comment.

Speaking for myself, I think I’ll enjoy both equally as each uses their medium to full advantage; I prefer a chatty, relatable Geralt but I love the idea of showing Yennefer’s perspective and keeping Dandelion’s original name. I’m definitely looking forward to reading more books in this series and catching up with the show. If you’re into fantasy that’s exciting but not too heavy, I recommend reading The Last Wish for a bit of adventure, or at least background context for your next binge-watching session.