It’s so lovely when a novel can turn a well-worn trope into a fresh, lively story. Just as she did with time travel in The Time Traveler’s Wife, Audrey Niffenegger turns cliches into something more in Her Fearful Symmetry. The story follows 21 year old twins Julia and Valentina, who inherit their aunt Elspeth’s London flat and fortune on the condition that they live in the dwelling, without their parents or any other chaperone, for one year. The catch: Elspeth, mute and invisible, has clung to her flat and haunts it – and she’s getting stronger every day. Don’t groan! It sounds horribly cliched – identical twins; an inheritance contingent upon ridiculous demands; London; ghosts – but it’s so much more than it seems. Elspeth is the estranged twin sister of Julia and Valentina’s mother, Edie; the elder sisters have a history of secrets that Niffenegger unravels throughout the tale. Even more impressive is the host of delightful secondary characters: Martin, an obsessive-compulsive neighbor who writes crossword puzzles for a living, and his estranged wife Marijke (pronounced Mah-RYE-Kuh); Robert, a cemetery historian and Elspeth’s former lover; even the white kitten the twins adopt has personality and verve. They call him “The Little Kitten of Death.”
It’s a beautiful, unusual tale that unfolds slowly and doesn’t pander to the reader. Both of Niffenegger’s novels tell the stories of ordinary, although perhaps quite unusual, people who must find a way to navigate a frightening, supernatural situation. She tells the tale at the pace she wants, rather than dropping in action sequences and extra dialog where they don’t belong. If you liked the style of The Time Traveler’s Wife, you’ll be pulled in by this ghostly, ethereal tale. I listened to this as an audiobook, and it was excellent in that format; a perfect companion for rainy springtime commutes!
It’s not very often that a new genre comes down the pike for arts and literature. You may have heard the term “steampunk” bandied about but didn’t investigate. It’s kind of like Goth only without the sad faces, black (the only color fit to adorn a tormented soul) and boo-hoo defeatist music.
