Four fiction picks are available for you to choose from: diverse debuts, graphic novel, historical fiction, and international fiction. Our fiction picks are chosen quarterly and are available in regular print only. If you would like to update your selections or are a new patron who wants to receive picks from any of those four categories, sign up for Simply Held through our website!
Below you will find information provided by the publishers and authors on the titles we have selected for October from the following categories: Diverse Debuts, Graphic Novel, Historical Fiction, and International Fiction.
Diverse Debuts:
Diverse Debuts: Debut fiction novel by a BIPOC author, LGBTQ+ author or an author from another marginalized community.
Masquerade by O.O. Sangoyomi
Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman’s fight for freedom and self-discovery, and the lengths she’ll go to secure her future.
Òdòdó’s hometown of Timbuktu has been conquered by the warrior king of Yorùbáland, and living conditions for the women in her blacksmith guild, who were already shunned as social pariahs, grow even worse.
Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife.
In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, she finds the power that saturates this world of battle and political savvy too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by reforging the shaky loyalties of the court in her favor, or risk losing everything—including her life.
Loosely based on the myth of Persephone, O.O. Sangoyomi’s Masquerade takes you on a journey of epic power struggles and political intrigue which turn an entire region on its head. – Forge Books
Graphic Novel:
Graphic Novel: Fiction novel for adults of any subgenre with diverse characters depicted by color illustrations, sketches, and photographs.
Pumpkinheads by Rainbow Rowell
In Pumpkinheads, beloved #1 New York Times bestselling author Rainbow Rowell and Eisner Award–winning artist Faith Erin Hicks have teamed up to create this tender and hilarious story about two irresistible teens discovering what it means to leave behind a place—and a person—with no regrets.
Deja and Josiah are seasonal best friends.
Every autumn, all through high school, they’ve worked together at the best pumpkin patch in the whole wide world. (Not many people know that the best pumpkin patch in the whole wide world is in Omaha, Nebraska, but it definitely is.) They say good-bye every Halloween, and they’re reunited every September 1.
But this Halloween is different—Josiah and Deja are finally seniors, and this is their last season at the pumpkin patch. Their last shift together. Their last good-bye.
Josiah’s ready to spend the whole night feeling melancholy about it. Deja isn’t ready to let him. She’s got a plan: What if—instead of moping and the usual slinging lima beans down at the Succotash Hut—they went out with a bang? They could see all the sights! Taste all the snacks! And Josiah could finally talk to that cute girl he’s been mooning over for three years . . .
What if their last shift was an adventure? – First Second
Historical Fiction:
Historical Fiction: Historical fiction novel written by a BIPOC author, LGBTQ+ author or an author from another marginalized community, with main character(s) from a marginalized community.
The Unicorn Woman by Gayl Jones
Marking a dramatic new direction for Jones, a riveting tale set in the Post WWII South, narrated by a Black soldier who returns to Jim Crow and searches for a mythical ideal
Set in the early 1950s, this latest novel from Pulitzer Prize and National Book Award finalist Gayl Jones follows the witty but perplexing army veteran Buddy Ray Guy as he embodies the fate of Black soldiers who return, not in glory, but into their Jim Crow communities.
A cook and tractor repairman, Buddy was known as Budweiser to his army pals because he’s a wise guy. But underneath that surface, he is a true self-educated intellectual and a classic seeker: looking for religion, looking for meaning, looking for love.
As he moves around the south, from his hometown of Lexington, Kentucky, primarily, to his second home of Memphis, Tennessee, he recalls his love affairs in post-war France and encounters with a variety of colorful characters and mythical prototypes: circus barkers, topiary trimmers, landladies who provide shelter and plenty of advice for their all-Black clientele, proto feminists, and bigots. The lead among these characters is, of course, The Unicorn Woman, who exists, but mostly lives in Bud’s private mythology.
Jones offers a rich, intriguing exploration of Black (and Indigenous) people in a time and place of frustration, disappointment, and spiritual hope. – Beacon Press
International Fiction:
International Fiction: Fiction novel originally written in another language with main character(s) from marginalized communities.
Aednan by Linnea Axelsson, translated by Saskia Vogel
In Northern Sámi, the word Ædnan means the land, the earth, and my mother. These are all crucial forces within the lives of the Indigenous families that animate this groundbreaking book: an astonishing verse novel that chronicles a hundred years of change: a book that will one day stand alongside Halldór Laxness’s Independent People and Sigrid Undset’s Kristin Lavransdatter as an essential Scandinavian epic.
The tale begins in the 1910s, as Ristin and her family migrate their herd of reindeer to summer grounds. Along the way, forced to separate due to the newly formed border between Sweden and Norway, Ristin loses one of her sons in the aftermath of an accident, a grief that will ripple across the rest of the book. In the wake of this tragedy, Ristin struggles to manage what’s left of her family and her community.
In the 1970s, Lise, as part of a new generation of Sámi grappling with questions of identity and inheritance, reflects on her traumatic childhood, when she was forced to leave her parents and was placed in a Nomad School to be stripped of the language of her ancestors. Finally, in the 2010s we meet Lise’s daughter, Sandra, an embodiment of Indigenous resilience, an activist fighting for reparations in a highly publicized land rights trial, in a time when the Sámi language is all but lost.
Weaving together the voices of half a dozen characters, from elders to young people unsure of their heritage, Axelsson has created a moving family saga around the consequences of colonial settlement. Ædnan is a powerful reminder of how durable language can be, even when it is borrowed, especially when it has to hold what no longer remains. “I was the weight / in the stone you brought / back from the coast // to place on / my grave,” one character says to another from beyond the grave. “And I flew above / the boat calling / to you all: // There will be rain / there will be rain.” – Knopf
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