Restitution claims resulting in the Nazi seizure of artwork, jewelry, money, furniture, etc., are upwards of billions of dollars with successful returning of stolen materials becoming more of the exception than the norm. Settlement agreements or restitution of any kind was opposed by many governments and sometimes even neglected until after the Cold War when the extent of both the worth and amount of objects seized became more widely known. The signing of the Washington Principles on Nazi-Confiscated Art in 1998 by over forty countries set into motion the identification of confiscated art pieces and the subsequent restitution of the art pieces to the pre-war owners.
Having said this, I found Woman in Gold to be a dynamic and intriguing portrayal of an actual art restitution claim that began in the late 1990s. This movie stars Helen Mirren as Maria Altmann, a Jewish woman who was forced to flee Vienna during World War II and who left with nothing more than the clothes on her back. Sixty years later, she began the arduous journey to get back her own family possessions that the Nazis seized, even while they were still living in their apartment in Vienna. Among these possessions, and arguably the one that created the most scandal in Austria, was the painting by Gustav Klimt called “Adele Bloch-Bauer I” (aka “Woman in Gold”) that is a painting done of Maria Altmann’s aunt Adele. The Austrian government was not keen, to say the least, to just hand over the painting to Miss Altmann as it had become part of Austria’s heritage, even though it had been stolen from their family and not gifted as the government believes.
Ryan Reynolds plays as Maria Altmann’s attorney, Randy Schoenberg, a man who at first writes Altmann off and then becomes increasingly involved in this case, risking his job and family, and ultimately taking her case all the way to the Supreme Court. This movie is a fascinating look into the tangled and confusing web of restitution claims, governmental politics, and legal processes. It also perfectly highlights how the actual process of reclaiming something that was illegally taken from you can be incredibly difficult. Woman In Gold is only one story of successful art restitution, but with the release of this movie, the public is made more aware of the atrocities committed and objects stolen by the Nazis and just how complicated it is to get back something that is rightfully yours!
Interested in learning more about art restitution? Check out the following items below!
Paris Letters
