The Queer Bible edited by Jack Guinness

A beautiful, heartfelt book about inspiration, creation, fame, and feeling less alone, The Queer Bible is a love letter to the celebrities who have given hope to generations of confused kids, scared teens, and lonely adults. Divided roughly into sections, it’s a book of essays, each written by a current LGBTQ public figure about their respective LGBTQ celebrity hero and what the celebrity’s work meant to them. It began as a lovely website, QueerBible.com (which is still going strong, so if you like this book make sure to check it out) but has been well-translated into an illustrated print form.

I learned so much reading this book! There was a ton of history and cult classic media that I never knew about, or didn’t understand in its full context. The essayists in this book did a fantastic job of not only explaining a lot of that history, but also examining why it mattered to them and matters now. More than that, I loved the tone of this book; none of the writers shied away from talking about how hard their experiences were, and how difficult others had it, but at the same time they all circled back to a place of defiant hope in the face of adversity. The grief and horror of the AIDS epidemic figures largely throughout the book, but it doesn’t diminish the joy of community and self-expression that is the other major theme.

The other fantastic aspect of the book as a whole was the introduction of LGBTQ figures, past and present. I knew some of the famous faces that wrote or were written about, but others were completely new to me – making my reading experience a fascinating journey of discovery. Helpfully, every essay ends with a profile of its author, so you not only hear their voice describing their hero, but you also understand who they are and what they’ve done as an LGBTQ icon themselves.

All in all, this is a vital LGBTQ text, and a great read if you’re looking for a memoir omnibus, a cultural history, and/or a meditation on why media and representation matters.

Too Good to be True by Carola Lovering

I’ll admit that I frequently choose books to read based on what the cover looks like and Too Good to be True by Carola Lovering falls under that category. This book caught my attention from the start and had me desperate for a happy ending for all involved at the end.

Skye Starling is bursting with happiness. She has everything. She’s beautiful, smart, and from a rich family. Yet the death of her mother when she was only eleven left Skye to deal with crippling OCD that has led her relationships to suffer. After years of battling social anxiety and OCD, she has finally found a man that loves her truly. Burke Michaels is everyone she could have ever wanted. After dating for a short time, Burke proposes and she can’t wait to be married to him.

Despite her tragic past, Burke wants her. He may be older, but Skye sees that as a positive since he’s very handsome and definitely more emotionally mature than any other men she’s met (and dated). In fact, he may be too perfect. Actually he is. Throughout the novel, readers are privy to letters Burke has written to his therapist that reveal the truth: Burke is already happily married and his relationship with Skye is full of deceptions.

In another perspective thirty years earlier, a young seventeen-year-old named Heather wants out of her relationship. Her boyfriend, Burke, is the local bad boy. If Heather really wants to make a better life for herself, she has realized that she needs to end her relationship with Burke because he’s only holding her back. After all, she wants out of the run-down town they live in. She has big dreams of heading to New York City to make a name for herself.

Skye is blissfully unaware of the scheme that Burke is working behind her back. As she gets to work planning their wedding, Skye lets herself believe that her happiness is right around the corner. Past and present collide the closer they get to the wedding, leaving Burke and Skye stunned with the consequences.

This book is also available in the following format:

Sebastian and Waite: Historical LGBTQ Romances

When we were teenagers, my sister and I loved reading Avon romances. Now that I’m older and want to read more diverse books, I’ve been delighted to find a few authors that provide steamy period pieces for an LGBTQ audience. Here are two entries published in 2021, both involving career criminals transformed by true love.

In The Queer Principles of Kit Webb, a nobleman needs a highwayman’s help retrieve something precious, but the thief is retired and will only help by teaching the man what he knows about stealing. As the lessons go on, though, they each want more than just a business arrangement… Cat Sebastian is a writer with a number of series under her belt, including Seducing the Sedgwicks (featuring Two Rogues Make a Right) and the Turner series (featuring The Soldier’s Scoundrel and The Ruin of a Rake).

The Hellion’s Waltz focuses on a Robin-Hood-style swindler and the swindler-hating woman she must seduce to bring off her heist. But though funding a weaver’s union is a good cause, morality and unexpected love may lead them astray. Olivia Waite has also written The Lady’s Guide to Celestial Mechanics and the Care and Feeding of Waspish Widows in this same universe of historical sapphic feminists.

Though perhaps not going to win any literary awards, everything I’ve read by these authors is funny, heartwarming, poignant, addictively readable, and just generally good romantic escapism. If Downton Abbey, Bridgerton, and other swooning period pieces have captured your heart, you may want to try the work of Cat Sebastian and Olivia Waite. (And if you’re just looking for unconventional bodice-rippers, I can also recommend the Parasol Protectorate series by Gail Carriger, starting with Soulless).

One, Two Three by Laurie Frankel

Laurie Frankel’s new book, One Two Three  examines love and loyalty, how to let go of the past and how to move toward a new future, all through the eyes and actions of three sisters (triplets) in this lovely, bittersweet story of one family and how they cope with disaster.

17 years ago, the tiny town of Bourne became briefly famous when its water turned green and was declared unfit for use.  Belsum Chemical Plant was forced to close but was never held responsible. High concentrations of cancer, birth defects and neurological disorders wasn’t considered enough to convict the company in court. Belsum disappeared, leaving the town and it’s citizens broken, to cope with the lingering damage on their own.

Three sisters are born here as the disaster is unfolding. Mab, Monday and Mirabel are very different from each other but understand each other on an almost telepathic level. When Belsum Chemical makes plans to return to Bourne, promising jobs but no further regulations, the sisters and their mother fight back. But what can a girl in love with the son of the family who owns the chemical plant, a neuro-diverse girl with autism and a girl confined to a wheelchair who cannot speak do? Each are brilliant in their own way and together they create a fearsome opponent.

I really enjoyed this book. There is a lot of humor and heart in the story, from the way the townspeople support and accept each other to the way the girls’ mother loves and tends to each one. The sisters are amazing – it’s fun to watch them blossom and become their own person, yet stay connected to each other. Each girl has a voice in the book, with the multiple chapters rotating between them, One, Two and Three (their names for each other) which gives you different viewpoints of what is happening as they campaign for the chemical plant to do right by them and the town. Highly recommended.

Doctor Who in Books

I can’t be the only one who got into Doctor Who after the 2005 series reboot and is now completely overwhelmed by the prospect of trying to get into the original series. I know some of the basics of course, but where (and how) to start watching the original stories?? Well, there are some DVDs available, BUT I found another loophole / fun avenue to explore: Doctor Who novelizations. Here’s two I’ve read recently to get started with:

The Dinosaur Invasion, published 1976, stars the Third Doctor (think gentleman scientist) and superstar companion Sarah Jane Smith (journalist, legend, icon) attempting to unravel a mysterious plot to bring live dinosaurs across time into modern-day London, assisted of course by Brigadier Lethbridge-Stewart and UNIT. I adore Sarah Jane (pro tip for parents: The Sarah Jane Adventures is a fun and kid-friendly introduction into the Doctor Who universe) and I love that this book showed her off in all her determination and resourcefulness. I also enjoyed the informative, no-nonsense writing style because it felt like a good immersion into 1970s sci-fi / spy culture.

Shada, by comparison, is much more tongue-in-cheek because it was developed from a script written by Douglas Adams (definite sci-fi icon, humorist extraordinaire  and one of my all-time favorite authors). Here, the Fourth Doctor (Mr. Being Eccentric is my Job and I’m Good At It) and Romana (Paragon of Dignity) travel with K-9 (Surprisingly Sassy Robot Dog) to Cambridge to meet up with an old friend, Professor Chronotis. Once there, they get entangled with a mysterious Gallifreyan relic, a megalomaniac with a mind-stealing orb, and a pair of hapless almost-romantically-involved scientists. The humorous tone is absolutely perfect, the stakes are high, the action is well-paced, and most importantly the characters are sympathetic and well-made. This one was published later, so it captures the spirit of the character while fleshing out some underdeveloped elements.

If you like Doctor Who, 60s and 70s sci-fi, Douglas Adams, or novelizations of famous TV series, you may enjoy one or the other of these books.

The Last Bookshop in London by Madeline Martin

“Books are what have brought us together. A love of the stories within, the adventures they take us on, their glorious distraction in a time of strife.”

Published just this past April, The Last Bookshop in London by Madeline Martin is a historical fiction novel set during World War II, offering a candid glimpse into life in London during the Blitz. While I have read several excellent novels in this time period before (as I’m sure you have, too!) , I don’t recall one exclusively focusing on the Blitz in London, so this title was a unique perspective I had not yet afforded!

After losing her mother and essentially being disowned by her uncle in a rural town in England, Grace and her best friend, Viv, journey to London to live with her mother’s best friend. While both women had long dreamed of coming to London, neither expected it to happen forcibly, let alone on the brink of a second great war. While Viv quickly finds a job at the glamorous Harrods, Grace is offered a position at a local bookshop which, as someone who didn’t read, was a less-than-ideal assignment. With the intention of working just six months to gain a letter of recommendation to find a better position, Grace begins working in a disheveled, dusty, and dingy bookstore with a seemingly irritable owner who barely tolerates her presence.

As rumblings of the war draw closer to home, however, Grace slowly finds herself becoming more and more committed and interested in her work at the bookshop. This is in no small part due to George Anderson, a particularly attractive and frequent patron who shares his authentic love of reading with Grace before leaving to serve as a Royal Air Force (RAF) pilot. Although initially doubtful about the impact reading would have on her own life, Grace becomes enraptured with The Count of Monte Cristo (one of George’s recommendations) and quickly becomes a voracious reader herself. With her newly found love of reading, Grace naturally begins to develop special relationships with several patrons, as well as with the owner himself, as she works to make the bookshop as accessible as possible. Not long after this, though, London itself becomes suspended in the throes of war, putting everything Grace loves at risk.

All in all, this is a wonderful story about someone who comes to learn the value of reading and eventually helps others in the community not only survive, but thrive in the stories of others during the unbearably difficult circumstances of wartime; it is truly an ode to the power of literature, and there were many lovely and moving quotes that warmed my heart as a librarian. I also really appreciated reading about a female protagonist who not only immerses herself, but thrives in a wartime position typically reserved for men; on top of working at the bookshop, Grace volunteers as an Air Raid Protection (ARP) warden to help those impacted by the daily bombings that would occur overnight. Lastly, I reveled in the obvious research Martin did on the Blitz to portray a captivating account of life in London during this time in history.

While there were some moments toward the conclusion that seemed to tie up a little too conveniently, I would still highly recommend this novel to anyone looking to dip their toes in a new perspective on WWII or just for a new historical fiction read in general! I would also like to note that, while Martin is a well-known historical romance author, this novel was not primarily focused on romantic themes or aspects.

 

Key Changes: Gen Z Hitmakers

I don’t know about you, but I’m hugely vulnerable to earworms: those songs that stick in your head and just never leave. Now, I fall squarely in the “millennial” camp, but in my experience lately, there are some Generation Z (born 1995-2015) pop artists that are making really catchy songs that spread like wildfire on social media and everyone finds themselves singing. Here are three top-rated Gen Z artists whose new albums we’ve recently purchased for the library, full of new earworms for you to love and hate – you’re welcome!

Billie Eilish became iconic for her oversized fashion and green-and-black hair alongside her homemade, whisper-sung tracks. I always found her work atmospheric and spooky, leaning into the dark side of humanity and growing up. For her new album, Happier than Ever, Eilish has changed her image to blonde hair and a nude color palette – but her softly sung, otherworldly musical style and lightly cynical lyrics remain largely unchanged. You might have heard her hit song Bad Guy from debut album When We All Fall Asleep, Where Do We Go? This time around, watch out for Therefore I Am, which has a similar sound but revolves around defying bullies and haters.

Tones and I, AKA Toni Watson of Australia, rocketed to fame on the song Dance Monkey in 2019. Like Billie Eilish, she has a unique vocal sound, which in her iconic track is paired with danceable beats (evidence: the song is my favorite from the game Just Dance 2021). Dance Monkey was released on the 6-song EP The Kids Are Coming in late 2019. The new album, Welcome to the Madhouse, may have grown in scope as a result of the COVID-19 pandemic: Watson added 5 more songs and took extra time to do most of the production work herself. According to critics, the songs on this album are Watson being really vulnerable and exploring her mental health and the cruelty of haters, through clever lyrics and strong vocals.

This last entry was added to our collection a few months back, but it’s too popular not to be mentioned in this group. Olivia Rodrigo was originally known for her acting work on Disney shows, including High School Musical: The Musical: The Series, but with the release of her smash hit album Sour, her fame has definitely shifted. The earworm (for me, anyway) in this case is Good 4 U, an energetic and danceable take on the anger after a breakup, especially when an ex-partner moves on quickly. The album as a whole is very centered on the teenage experience, especially falling in (and out of) love: the other popular track is Driver’s License, about getting a license but losing a partner. Guaranteed to knock around your brain for a while, this is not an album to miss – even if you’re not a teenager anymore.

The House at Riverton by Kate Morton

“It is a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to be evaporate into the past; should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down….”

Have you ever reread a book you love when you feel in a rut and need an escape from the stresses of daily life? I recently did this with The House at Riverton by Kate Morton. Originally released in 2007 as her debut novel, this enthralling plot simmers with family secrets, doomed love, and the ruthless influences of war to create a beautifully tragic story that will captivate you from the first page to the last.

Set in England and alternating between the historical backdrop of WWI and 1999, ninety-eight-year-old protagonist Grace Bradley relates her past as a young housemaid for an aristocratic family at Riverton Manor as she reaches the end of her life. It isn’t long, however, before you realize this reminiscing is not just for nostalgia’s sake. Upon receiving a visit from a young filmmaker planning to produce a movie about the dramatic and devastating events that eventually befell this renowned family, Grace begins to relive her past and experience her own role in the harrowing affairs that unfolded, tearing open a wound and exacerbating a guilt she has carried her entire life.

These calamitous events began with the apparent suicide of a young poet at Riverton Manor during a summer party in 1924. According to newspapers and official records, the only witnesses were sisters Hannah and Emmeline Hartford, who never spoke to each other again, and the family was seemingly cursed with several additional misfortunes thereafter. What the official records don’t show, however, is that there was a third witness and much more to the story than the public eye will ever know. As Grace tells some of her story to the filmmaker, the biggest secrets of all are only revealed in recordings she makes for her grandson, Marcus, as both grandmother and grandson carry guilt of a tragedy in their lives in which they feel at fault, despite truly extenuating circumstances.

One of the things I love most about Kate Morton’s novels are the ways in which she creates authentically complex characters who display such genuine portrayals of the human condition. While I have read several books with phenomenal character development in the past, Morton does so in such a masterful and poignant way I feel no other author does; this is especially true when considering the innocuous ways in which tragedy strikes in her novels. These tragedies truly create a haunting aura in which characters live with scars and guilt, but also often come full-circle when their struggles are used to help others get through similar hurdles, which often span generations. I also absolutely love the ways in which Morton effortlessly and seamlessly moves back-and-forth in time within her storylines.

Overall, I would recommend this book to anyone who enjoys well-developed fiction with rich, complex character development; historical ties, especially to WWI and the English aristocracy; and a suspenseful, haunting storyline that will leave you guessing until the very last page!

This book is also available in the following formats:

OverDrive eBook

The Venice Sketchbook by Rhys Bowen

Rhys Bowen’s newest is another skillfully told, impeccably researched tale of World War II.  A tale in which wartime secrets come to light 60 years later.

Bowen’s forte is creating a sense of place and time. The city of Venice really is the main character- the book comes to vivid life when Juliet and Caroline arrive in Venice. The reader, through the wanderings of these two women – separated by generations –  comes to know its labyrinthian  canals and bridges.  Water (tides and rain and waterways) dictate when, how and where one goes in any given moment. More than once, boat and bridge accidents illustrate the danger of living on a watery lagoon.

Juliet travels to Italy as a teenager, then as a teacher and finally as an art student in 1938. When Juliet dies in 2001, her great-niece travels to Venice just after 9-11.  Caroline’s aunt gives her a sketchbook and  keys and points her in the direction of her beloved city.

Juliet’s maturity and self-discovery is defined by her growing knowledge of Italian and  the Venetian dialect as well as her ability to traverse the lagoons and canals.  Her encounters with other students, teachers, and  patrons of the arts are a highlight and offer a glimpse into the art world of the time.  Their camaraderie  is shadowed by the news coming out of Poland and Germany. The sorrow and tragedy of the war is made made personal when we see how it affects one city – its people and those who’ve made their way to Venice and its priceless treasures.

A Good Girl’s Guide to Murder by Holly Jackson

You might or might not remember, but I adore Karen McManus’ work, especially One of Us is Lying. I became interested in A Good Girl’s Guide to Murder by Holly Jackson partly because it sounded similar in theme and character. If you like teen investigators or liked One of Us is Lying, you might like Jackson’s work too.

Here’s the story: Pippa has spent the last 5 years hearing about Andie Bell’s murder, and every time it’s the same story: her boyfriend Sal met her at night, killed her, hid her body, and within a few days was so overcome with guilt that he took his own life. But Pippa knew Sal, and she’s never quite believed it. When she gets a chance to do a senior capstone project on a topic of her choice, she jumps at the opportunity to investigate the case for herself, hoping to cast doubt on the official version. With help from Sal’s younger brother Ravi she digs into everything she can find, requesting records, interviewing Andie’s friends, and just generally turning over rocks that her suspects would rather she not look under. Slowly they put together a much darker picture of who Andie Bell was and why she died, and as anonymous threats arrive Pippa has to wonder if she’s taken on more risk than she can handle.

I liked this book a lot, for the skilled writing and the well-drawn characters; I rooted for Pippa, Ravi, and their friends and I mourned their losses along with them. I especially liked that Pippa had devoted friends, despite being the hardworking bookworm, and that she was compassionate as well as determined as she investigated such a sensitive topic. Jackson adds in realities of life, such racial prejudice, sexuality, blended families, and death. And, with no spoilers, the resolution was as unexpected as you’d want it to be after all that buildup. All in all, very effective, but at the same time it didn’t really compete with One of Us is Lying for my favorite YA mystery – mostly because Jackson stuck solely to one character’s perspective instead of alternating voices like McManus; as a writing style I prefer the breadth of viewpoints you get from an ensemble cast.

If you’re a mystery reader, a reader of young adult books, or a McManus fan like me, don’t miss out on A Good Girl’s Guide to Murder, or its sequels Good Girl, Bad Blood and As Good as Dead, expected this fall.

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