Category: Read-a-likes

My Favorite Books as Taylor Swift’s New Album

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Recently Taylor Swift’s new album Midnights snagged all top ten spots on the US Billboard charts, a major and unprecedented coup. On a more personal note, I’ve had at least one of the songs from the album stuck in my head on and off since I first listened to the album — and you probably have too, if you’ve listened to it. So I decided to make lemonade from lemons and tell you how my English major brain has associated songs from Midnights with different books. All the books (and very soon the album) are available for checkout from our library, so you can double-check my findings for yourself.

“So real, I’m damned if I do give a damn what people say / No deal, the 1950s shit they want for me / I just wanna stay in that lavender haze”

When I listen to Lavender Haze I hear love that pushes against expectations and conventions for what a relationship should look like, and therefore think immediately of The Love Study by Kris Ripper, which is only the first of a trilogy all about relationships outside of conventional norms, and about customizing your relationship to what works for you.

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“The burgundy on my t-shirt when you splashed your wine onto me / And how the blood rushed into my cheeks, so scarlet, it was / The mark you saw on my collarbone, the rust that grew between telephones / The lips I used to call home, so scarlet, it was maroon”

Maroon to me is about a vivid, passionate love that ended, and is remembered, as vividly as it lived. For sheer emotional power, and the strength of love and memory, this song has to be The King of Infinite Space by Lyndsay Faye. This book is an unforgettable Hamlet retelling with a powerful (and, spoilers, doomed) love at its core.

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“It’s me / Hi! / I’m the problem, it’s me / At teatime / Everybody agrees / I’ll stare directly at the sun but never in the mirror / It must be exhausting always rooting for the anti-hero”

Antihero is the song I (and many others) can’t get out of our heads — it’s catchy, self-aware, self-destructive, and self-deprecating, with paranoid fear of losing relationships and (for me anyway) a hint of glamour. What it made me think of is my favorite romance book of all time, Boyfriend Material by Alexis Hall (the sequel, Husband Material, works as well) because of its self-deprecating humor, self-destructive tendencies, and an unforgettableness not unlike an earworm.

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“Are we falling like / Snow at the beach / Weird but it was beautiful / Flying in a dream / Stars by the pocketful / You wanting me / Tonight / Feels impossible / But it’s comin’ down, no sound, it’s all around”

Snow on the Beach is all dreamlike, surreal vibes, with a star-crossed type romance running through it, which for me echoes the magical realism in One Last Stop by Casey McQuiston. Our lovable leads in that book find themselves in a similarly bizarre situation which they end up embracing.

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“What’s a girl gonna do? A diamond’s gotta shine / Best believe I’m still bejeweled when I walk in the room / I can still make the whole place shimmer”

Now, I fully believe you’ll have a better pick for this one, but Bejeweled‘s theme of claiming your power from a repressive relationship made me think of In Deeper Waters by FT Lukens, because among other things this book is about the main character embracing his power and identity and breaking free from fear and repression, and I just love to see it.

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“Sweet like honey, karma is a cat / Purring in my lap ’cause it loves me / Flexing like a goddamn acrobat / Me and karma vibe like that”

Okay, another unconventional pick, but the smugness of Karma, waiting for the other shoe to drop, reminded me of An Elderly Lady Is Up To No Good by Helene Tursten. Our elderly protagonist is similarly convinced of the justice of her actions – to very entertaining effect.

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“Everyone’s up to somethin’ / I find myself runnin’ home to your sweet nothings / Outside, they’re push and shovin’ / You’re in the kitchen hummin’ / All that you ever wanted from me was sweet nothin'”

Sweet Nothing is about finding a haven and home in someone who doesn’t burdern you with the expectations and pressure you receive everywhere else, which for me had to be The Bookseller’s Boyfriend by Heidi Cullinan. Also a cautionary tale about celebrity and social media, the romance in this book is all about an overworked, overwhelmed person finding rest in another’s company.

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“So I told you none of it was accidental / And the first night that you saw me, nothing was gonna stop me / I laid the groundwork and then saw a wide smirk / On your face, you knew the entire time / You knew that I’m a mastermind / And now you’re mine”

Not exactly the same vibe, but Mastermind‘s ending, when the singer realizes that though they thought they were being subtle, they were actually transparent to their partner, reminded me of Love is for Losers by Wibke Brueggemann, in which another scheming narrator discovers the joy of being known and accepted for all your faults.

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Let us know, do you agree with my associations? Which books would you pick?

They Drown Our Daughters by Katrina Monroe

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If you like feminist, multi-generational sagas of mothers and daughters struggling to love and trust each other across an abyss of misunderstandings and generational trauma — with a hint of ghost story mixed in for the bargain, you should try reading They Drown Our Daughters by Katrina Monroe.

It starts with Regina in 1881, a woman scorned, and a terrible accident in the dead of night. Then, in the present, we meet Meredith, a woman stinging from the split from her wife, and her young daughter Alice. With the end of her relationship Meredith has been drawn irresistibly back to her childhood home and to her troubled, distant mother Judith, who is now forgetful and more convinced than ever that evil is waiting in the ocean for them. As the little family struggles against what seems like their inevitable doom, the reader meets their ancestors: Grace, who can’t give up hope that her mother Regina will return; Beth, crushed by depression and grief, even in pregnancy; Diana, who wishes it would all just go away; and finally Judith as she was, a child desperate to understand all the heartbreak around her. And there’s another woman – a mysterious red-haired girl who appears around every corner as disaster after disaster rocks Meredith’s conviction that the curse isn’t real. Finally, at the end of her rope, Meredith has had enough and declares that one way or another, the curse ends with her – but so have all the women before her…

For the most part, this is a deeply unhappy book, and that can be very hard to read. But the determination of women is always inspiring, and the author is kind enough to give a ray of hope at the end. The book it most reminded me of is The Mermaid’s Daughter by Ann Claycomb (a superb retelling of The Little Mermaid story featuring the power of music) with its themes of mothers and daughters, a curse passed down the line, and the irresistible call of the ocean. In this case, however, it’s more of a ghost story with a hint of witches thrown in. The multiple time jumps add a sense of history and fate to the central conflict of Meredith vs. the curse, and honestly the chance to meet so many women that are all distinct and different and complicated, and deal with the curse in their own ways, is fascinating to read and shows the author’s skill.

That said, while the characters are vivid and realistic, they’re not necessarily your favorite people. Meredith for instance, with whom we spend the most time, is stubborn, close-minded, and hopelessly out of her depth in a supernatural conflict, not to mention a conflicted parent. Even Judith, who we root for as someone fighting the curse, is cold and distant to her daughter and generally does poorly in her personal relationships – which for me at least was not endearing to read. But again, this is partly the mark of a skilled writer showing that people are not always heroic or villainous but shades of gray; the inclusion of a lesbian main character in a nuanced and complicated family relationship is also refreshing to see.

Don’t miss They Drown Our Daughters for a complicated family saga, a slow-burning horror story, and a meditation on home and belonging.

House of Hunger by Alexis Henderson

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If you like Dracula, Rebecca, Mexican Gothic, Plain Bad Heroines, or Priory of the Orange Tree, you’ll probably want to read House of Hunger by Alexis Henderson. This sapphic take on vampire lore is a lush, gory, hedonistic roller coaster with a dash of social commentary to boot, and it will definitely take your breath away.

Marion Shaw’s world is strictly divided — there’s North and South, haves and have-nots. She has always been strictly in the “have-nots” camp, struggling to survive in the slums of Prane, a city in the South. When she gets the chance for a different life, she jumps for it. The only people who move from South to North, from poor to rich, are the bloodmaids: young women (always young, always women) who are employed specifically so their wealthy patrons can drain and drink their blood to protect their health. In exchange, bloodmaids get generous pensions at the end of their tenure. Marion is lucky enough to be employed by the noble House of Hunger, to bleed for the Countess Lisavet, who is beautiful, enigmatic, alluring… and desperately in need of blood to prop up her failing health. Even as Marion falls hard (and bleeds hard) for her magnetic employer, she can’t deny the signs that something is wrong; household members are disappearing, the bloodmaids are becoming ill to the point of madness, and Lisavet keeps disappearing somewhere at night. If Marion doesn’t figure out what’s going on soon, she’ll lose more than a little blood in the House of Hunger.

I loved that this is a version of the vampire story that blurs the line between monster and victim — Marion is definitely no damsel in distress, and takes action for herself, even to the point of crossing moral lines where need be. Her and Lisavet’s queerness is also clear and unapologetic, refreshingly, but unfortunately the book is still not particularly sex-positive. The lush worldbuilding of the novel — while very atmospheric — is mostly about showing how decadent and corrupt the nobility is, wallowing in every kind of vice, which ends up making any sexuality in the book feel  hedonistic and distasteful, lumped in with the rampant and destructive drug use.

What is very effective about that, however, is the social commentary underlying it; the reader cannot help but come away thinking about how much wealth is wasted on these kinds of activities while workers like Marion can barely make ends meet to survive. It’s an alternate universe version of the Gilded Age, primed for unions, labor laws, and a drastic redistribution of wealth. Pair that unique premise with a tight, fast-moving plot and you’ve got yourself a deeply compelling story.

So if you like your gothic novels bloody, intricate, feminist, sensual, and fighting for basic human rights, this book is for you.

Before the Coffee Gets Cold by Toshikazu Kawaguchi

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If you, like me, wept cleansing tears after reading Under the Whispering Door by TJ Klune, or felt healed playing indie game Coffee Talk, you’ll probably want to try Before the Coffee Gets Cold by Toshikazu Kawaguchi. This is an understated tale of magical realism featuring a small and endearing cast of characters, a wry touch of humor, and a deep well of empathetic human insight.

In the interconnected stories of this book, several people with regrets come to the hidden café where (reportedly) you can travel in time. They learn from the café’s quirky staff that it’s true, although there are some rules:

1- you can only travel to the café, nowhere else.

2- no matter what you do in the past, the present will not change.

3- there’s only one seat where you can travel back.

4- you cannot leave the seat while traveling in time or you’ll snap back to the present.

5- you’ll travel back as your cup of coffee is poured, and the effect will only last until the coffee gets cold.

6- you have to drink the whole cup of coffee, or risk becoming a ghost, stuck forever.

For me, this book did take a second to acclimate to; it’s fairly evident by the syntax that it’s been translated from Japanese. There are also different cultural norms to get used to in the characters’ behavior. However, the stories are relatable, and the elements of difference only serve to accentuate that. Readers are likely to come out of this book feeling they’ve glimpsed something essential and real about human existence — and maybe processed some feelings of their own along the way.

If you’ve heard the hype but weren’t sure if it’s worth it (spoilers: it is!), or if you like translated books, quirky characters on emotional journeys, and cool cafés, you should definitely try this book.

Requiem for the Enslaved by Carlos Simon Jr.

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“Bringing the gifts that my ancestors gave, I am the hope and dream of a slave.” – Maya Angelou

I’m always on the hunt for unique and diverse additions to our music CD collection, especially for less mainstream genres of music. Recently I had the privelege to order Requiem for the Enslaved for our classical music section. Here’s how the creators describe it:

American composer Carlos Simon presents a multi-genre work, Requiem for the Enslaved. This work is a musical tribute to commemorate the stories of 272 enslaved men, women and children sold in 1838 by Georgetown University. Described as a “rap opera,” Carlos infuses his original compositions with African American spirituals and familiar Catholic liturgical melodies. Requiem for the Enslaved explores the sacred and historical, and honors the lives of those bought and sold.

Carlos Simon says: “Since being hired as an Assistant Professor, I have grown to love the Georgetown University community and culture. In learning of the university’s involvement in slavery, I am deeply grateful for the collective efforts taken to understand and attempt to reconcile its tainted past. Now as a member of the Georgetown University community, I wish to join in the journey of expanding the discussion.”

For similar items like this, try Dreams of a new day : songs by black composers with Will Liverman OR Songs of our native daughters with Rhiannon Giddens.

The Jane Lawless Series: Vital Lies by Ellen Hart

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Published in 1993, Vital Lies is the return of Ellen Hart’s restaurateur and sleuth Jane Lawless, featuring a remote island setting, wolves (real and imaginary), an escalating pattern of pranks and sabotage, and a motley cast of suspects. Come for the Murder, She Wrote vibes, and stay for the thoughtful insights into homophobia and coexistence.

Jane’s old friend Leigh has opened up the inn of her dreams – or it would be a dream, if someone wasn’t intent on sabotaging it. There’s been broken glass in the parking lot, gruesome surprises in the guest rooms, and the kitchen has even been ransacked. Leigh is starting to show the strain, just as Jane and Cordelia arrive for a stay. Jane suspects these attacks are deeply serious, a feeling confirmed by a death in the hotel. Now it’s up to Jane to figure out the who, how, and why before anyone else dies. It’s not going to be easy, either, considering the hotel’s current head count includes Leigh’s money-strapped partner Stephen, her quirky aunts, one of whom may have a secret romance brewing, Leigh’s troubled cousin Ruthie, a father and son with skeletons in the closet and a desire to own the inn themselves, a Wiccan practitioner, and her lover Tess, a woman definitely keeping something back — not to mention the new waiter, the cook with his young son always underfoot, and the grouchy handyman. Oh, and her melodramatic best friend Cordelia, stricken with an apparently dreadful cold. Jane’s got her work cut out for her on multiple fronts, as a determined and methodical killer gets ever closer…

I’m biased in this case because Murder, She Wrote is one of my comfort TV shows, but I found this very enjoyable. It’s very plot-focused, so we don’t see a lot of Jane’s internal life (though we do get some, including more information about her late partner Christine) and it’s more like a classic Golden Era whodunit or a stage play murder mystery. At the same time, there’s also honest portrayals of life as an LGBTQ person including parental rejection AND, more importantly, queer joy. After the rampant homophobia Jane runs up against in Hallowed Murder, it’s refreshing in this case to see Jane, Cordelia, and Winifred and Tess just living their lives as lesbians unapologetically and mostly unchallenged. I’m especially glad to be reading this series because it reminds me that LGBTQ authors have always existed and have been working for positive representation for a long time.

For me it falls in the cozy genre (which I don’t like quite as much), but book 2 in the Jane Lawless series still gets my thumbs-up, and you may like it too if you’re a fan of: Murder She Wrote, country house murder mysteries, vintage LGBTQ reads, or determined amateur sleuths unearthing long-buried secrets.

The Jane Lawless Series: Hallowed Murder by Ellen Hart

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After loving Devil’s Chew Toy by Rob Osler (you should read it!!) I was on the lookout for more LGBTQ mysteries, and discovered that Ellen Hart created a cult classic lesbian detective in Hallowed Murder, published 1989. Best of all, most of this series is still available through Rivershare at our local libraries.

In Hallowed Murder, we meet restaurateur Jane Lawless (and her theatrical friend Cordelia Thorne) and learn that she has started volunteering at her old college sorority, against the objections of Cordelia, who feels that Jane gives the sorority too much loyalty, considering it would have rejected her outright if it had known Jane’s sexuality. But then one of the senior students at the sorority dies suddenly, and while the police are dismissive (especially after the girl’s relationship with another woman comes out), Jane feels there’s more to the story and starts to investigate. Soon she finds herself drawn into a world of religious fanatics, blackmail, and fear, but remains determined to find out the truth.

As a longtime Agatha Christie reader I loved that this book paired a vintage tone and writing style with LGBTQ-inclusive characters. Like Christie’s work, it’s a product of its time, but in this case its time was the 1980s and 1990s, so it’s more aware of modern sensibilities and ethics. Unlike other modern cozy  mysteries, however, it doesn’t have that (apparently compulsory) formulaic storyline of the feisty heroine getting drawn into a turbulent relationship with a strong but sensitive local man or two — yawn! Instead there are slow hints of a relationship in Jane’s past that still haunts her, which is truer to Christie’s Poirot (as most recently shown in the recent Poirot films Murder on the Orient Express and Death on the Nile by Kenneth Branagh) than to a modern cozy detective.

It’s definitely fascinating to read a work of 80s queer literature in 2022 and see how the language has changed around identity, not to mention social perception. The religious abuse and general scandal that the LGBTQ characters face in this book paints a stark picture of what it was like to be queer at that time, and remind us that some places still feature this kind of social and religious persecution toward LGBTQ people. At the same time, Hart also chooses to have one toxic character begin to realize how flawed religious ideas are, which lends the whole thing a hopeful air.

I’m excited to see where this series goes and how Jane Lawless develops as a character – if you’re looking for an inclusive cozy mystery series to try, come along with me on this journey!

The Daughter of Doctor Moreau by Silvia Moreno-Garcia

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Cover of the novel bearing the text "New York Times Bestselling Author of Mexican Gothic, The Daughter of Doctor Moreau, Silvia Moreno Garcia" over a photorealistic scene: an orange wooden doorway set in a pink ivy-covered wall; a smaller door is set into the larger one, and offset with a green border; A woman in an old-fashioned green dress stands superimposed on a blue background in the smaller arched doorway.Perspective matters: that’s what I kept thinking while reading The Daughter of Doctor Moreau by Silvia Moreno-Garcia. Whose voice tells the story has a huge impact on the story’s effect. In this retelling of HG Well’s original classic science fiction novel, a change of perspective shows us that “monsters” are much more likely to be arrogant white men of power than animal-human hybrids.

In the original story, the narrator was a man shipwrecked on the island of Doctor Moreau, a man who was horrified to see the doctor’s creations: animals he had attempted to turn into humans. The hybrids in that case were obsessive and easily turned to violence as their animal natures inevitably reasserted themselves. In this case, the Doctor’s house is a peaceful haven in the jungle of the Yucatan for the doctor’s daughter Carlota, who knows no other home. Through her eyes we see the beauty of the natural setting and the easy community of the hybrids she has grown up with and loves like family. The handsome city men, sent by the doctor’s patron Hernando Lizalde, who come knocking one day are, by contrast, strange, alien, frightening, thrilling, and soon pose a great danger to her peaceful life. Alternating with her voice is that of the man hired to oversee the estate, the alcoholic Montgomery who is all too aware of his failings and is struggling to find a better sense of meaning. Gradually his growing bond with the hybrids and with Carlota drives him to take action for their protection.

Rather than focusing on the concept of human nature as opposed to, or entwined with, “animal savagery” as HG Wells did (which frankly reads now like eugenics and racism), this book meditates on who has power and how they harm others by using it and/or withholding it. One example of this – and of the power of perspective – is Carlota’s romantic storylines. Both Montgomery and the younger Lizalde are attracted to Carlota, and how they handle that (do they give Carlota any voice or power in that situation, do they act on the attraction, what action do they take) is very revealing about their respective characters’ values, motivations, and views on authority.

For myself, I didn’t find it quite as compelling as Mexican Gothic, but I love its improvements on the original source material and how it makes an iconic story accessible for modern audiences. I also think the questions it raises – questions the original raised as well, about the reasonable boundaries of science and innovation – are important ones to think about. If you like thoughtful retellings, chosen family, women’s empowerment, or the lush, entrancing prose of Silvia Moreno-Garcia, you’ll want to try reading this book.

The Women of Def Jam

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I love ordering music, partly because of how much I learn from it! For example, I was fascinated by The Smithsonian Anthology of Hip-Hop and Rap and its pretty comprehensive look at the growth and development of the genre. In a similar vein, recently I was able to order The Women of Def Jam, which “features the female artists that dominated hip-hop and R&B from the ’90s to the present day” (from publisher).

If, like me, you’ve only got a vague sense of what Def Jam is, here’s the breakdown I found from The Guardian’s “25 Years of Def Jam” piece back in 2011: “From humble beginnings in student digs, the record label Def Jam is credited with bringing New York’s street culture and music to the masses – and even helping to elect a president… Although not the only label to export the music and culture of inner-city America to the world, Def Jam is the most significant, artistically and commercially. Key signings have altered the art form, among them LL Cool J, Public Enemy, Beastie Boys, Jay-Z and Kanye West.” There’s a lot more to Def Jam now than hip-hop and rap, but it retains its reputation as helping to promote the cutting edge of the genre, especially at critical points in recent history.

The Women of Def Jam focuses on a specific part of that legacy which is not as evident in the stories told about Def Jam’s origins: what it owes to women. The album announcement in Variety explains that this album was put together for Women’s History Month, not least because “over half of the Def Jam staff are women, including seven women of color in senior executive positions. Two of the three executive leaders are women. Of ten department heads, eight are women” (Tunji Balogun, CEO). It’s an encouraging sign as in some genres of music, including arguably hip-hop and country music, women have had to fight against cultural conceptions of what their role ought to be to find success.

This album celebrates how far we’ve come in that journey by paying homage to the greats. Even for someone like me for whom hip-hop and R&B are not my top genres, this album is star-studded; both household names and lesser-known gems are represented for a voyage of nostalgia, discovery, or both. Explore this blast from the past today!

Vital Books for Polarized Times

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Today I’d like to share three books I’ve recently ordered for our library collections which feel like they have something very important to say about living in modern times. These authors have taken up their pens to encourage all of us to approach the world with more open minds and an understanding that people are varied, complex, and not ours to change.

See No Stranger: a Memoir and Manifesto of Revolutionary Love by Valarie Kaur

Valarie Kaur is a renowned Sikh activist and in this book, she argues that Revolutionary Love is the call of our times. When we practice love in the face of fear or rage, it has the ability to transform an encounter, a relationship, a community, a culture, even a country. Drawing from her personal experiences, Sikh wisdom, and the work of civil rights leaders of all kinds, Kaur has reenvisioned love as a public ethic: a commitment to loving others, opponents, and ourselves. She argues that this type of love is not a passing feeling; it is an act of will. It is an active, political, and moral response to violence, hate, and otherness.

Conversations With People Who Hate Me: 12 Things I Learned From Talking to Internet Strangers by Dylan Marron

Dylan Marron’s work has racked up millions of views and worldwide support. From his acclaimed Every Single Word video series highlighting the lack of diversity in Hollywood to his web series Sitting in Bathrooms with Trans People, Marron has explored some of today’s biggest social issues. Yet, according to some strangers on the internet, Marron is a “moron,” a “beta male,” and a “talentless hack.” Rather than running from this online vitriol, Marron began a social experiment in which he invited his detractors to chat with him on the phone–and those conversations revealed surprising and fascinating insights. Now, Marron retraces his journey through a project that connects adversarial strangers in a time of unprecedented division. 

The Believer: Encounters with The Beginning, The End, and Our Place in the Middle by Sarah Krasnostein

Some of the people Krasnostein interviews believe in things many people do not: ghosts, UFOs, the literal creation of the universe in six days. Some believe in things most people would like to: dying with dignity and autonomy; facing up to our transgressions with truthfulness; living with integrity and compassion. By turns devastating and uplifting, and captured in snapshot-vivid detail, these six profiles of a death doula, a geologist who believes the world is six thousand years old, a lecturer in neurobiology who spends his weekends ghost hunting, the fiancée of a disappeared pilot and UFO enthusiasts, a woman incarcerated for killing her husband after suffering years of domestic violence, and Mennonite families in New York will leave you convinced that the most ordinary-seeming people are often the most remarkable and that deep and abiding commonalities can be found within the greatest differences.