Experience Native American music with these albums recently added to the collection!
Northern Cree Singers’ Drums in the Pines
Joe Rainey’s Niineta
R. Carlos Nakai’s Nocturne: Music for Native American Flute
Pow Wow: Round Dances & Sacred Ceremonies by various artists
What kind of folk or world music do YOU enjoy? If you don’t know, stop in and check out the Global genre music CDs to discover something new!
I love the band name Snarky Puppy. Like all good band names it’s a great hook to get you to check out the music, and see if it measures up.
Snarky Puppy is an instrumental group (no vocals here) founded in Texas which has now won five Grammy awards for its blend of jazz, world, rock, and funk music styles. Around forty musicians have played in the group over the course of its existence but on any given album the number of musicians is between ten and twenty, drawn from a rotating roster that still includes founder Michael League.
If you want to trace this group’s development through its albums, you can find these through our Rivershare consortium:
Culcha Vulcha (2016)
We Like It Here (2018)
Immigrance (2019)
Empire Central (2022)
Other albums including their first, 2006’s The Only Constant, are available through Spotify and YouTube. What’s your favorite cool band name?
As a big music person, I’ve heard more and more about artist Bad Bunny in recent years, and I finally decided to do some digging to find out what the story is and why he’s so popular.
If you’re like me, you first heard the name Bad Bunny as a contributor on the song I Like It, from Cardi B’s album Invasion of privacy in 2018. When the song exploded Bad Bunny’s star began to rise, and debut album X 100pre was released in 2019. Later that same year, however, a collaborative album Oasis was released with J Balvin. Most recently Bad Bunny came out with another solo album, Un verano sin ti in 2022, which has done very well on the charts.
But why should he have been so successful, and be so beloved? Well, as it turns out Bad Bunny’s public image is positive and nuanced; as the first non-English language act to be Spotify‘s most streamed artist of the year in 2020 and 2021 he has made a massive contribution to Spanish-language music becoming popular in the US and worldwide markets. In terms of his visual look, Vanessa Rosales of CNN has opined that “in pink, florals and short shorts, Bad Bunny champions a new masculinity”. Moreover, in a 2020 interview with the Los Angeles Times, Bad Bunny stated he sees sexuality as fluid. He said, “At the end of the day, I don’t know if in 20 years I will like a man. One never knows in life. But at the moment I am heterosexual and I like women.”
He has been an LGBTQ advocate in other ways as well. During a performance on The Tonight Show Starring Jimmy Fallon in February 2020, he called attention to the murder of transgender woman Alexa Negrón Luciano in Puerto Rico by wearing a shirt with the words “They Killed Alexa. Not a Man in a Skirt.”, referencing news reports that had misgendered the victim. Ricky Martin has stated that Bad Bunny “has become an icon for the Latin queer community” due to his outspoken support of gay and transgender Latinos as well as his embrace of drag culture. And he’s also been a general activist for his native Puerto Rico. Bad Bunny was openly critical towards the lack of humanitarian aid in the wake of Hurricane Maria, which devastated the island of Puerto Rico. He established the Good Bunny Foundation, which distributes toys to children living in poverty in Puerto Rico.
Studies have shown that Gen Z and younger listeners care not just about musical style and content but also ethics and accountability, which means the answer to my question is that Bad Bunny is so popular because his lifestyle and activism back up his catchy and infectious musical work. Whether you’re a longtime fan, or newly curious about this international icon, you should give his albums a try, available today from your Rivershare library.
Oftentimes music genres can get painted as monoliths, when in fact there’s more going on if you know where to look for it. Country music, for example, often seems like it’s mostly “bro country” like Florida Georgia Line (“Cruise”) or “boyfriend country” like Dan + Shay (famous recently for “10,000 Hours” feat. Justin Bieber) or love letters to small-town life and the USA (Brad Paisley covers all three on album Time Well Wasted). But country music has a long history of activism and messages about social equality and the need for change, in addition to all of the above. Here are some artists you can check out from our music CD collection today, and the issues they care about.
Johnny Cash was known for many things, among which were his “politics of empathy“, manifesting in advocacy for Native Americans and for prison reform. For a sample, try Johnny Cash at San Quentin.
Kacey Musgraves’ songs are all for inclusion and deviating from the norm, including songs about gay love, weed, and casual hookups. Listen to Same Trailer Different Park for her hit “Follow Your Arrow”.
Tim McGraw’s Machine Hits 2013-2019 are a good overview of his democrat country vibe, though it may not capture his work for an anti-gun violence initiative supporting Sandy Hook.
Loretta Lynn was not just an icon of country music, she also shocked audiences with a song about the pill. Her album Still Woman Enough may not openly advocate for birth control but it is pro-women all the way.
Willie Nelson, of course, is a beloved and complicated character who hasn’t been shy about advocating for marijuana legalization. Try his latest, A Beautiful Time, or Band of Brothers.
LeAnn Rimes has long been an advocate for equality and LGBTQ rights, speaking out for the It Gets Better video movement. From our collection, try 2017’s Remnants.
And finally, we can’t forget Garth Brooks’ longstanding message of understanding and compassion, best seen in country anthem “We Shall Be Free,” featured on The Chase.
Of course there’s still more fascinating music lurking under the country umbrella, not least of all is the “Southern Gothic” subgenre, inspired by authors like Flannery O’Connor and V.C. Andrews, and full of death, ghosts, betrayal, religion, violence, and much more… but that’s a story for another post.
What’s YOUR favorite lesser-known music subgenre?
Like most aging people I’m starting to realize just how long my favorite artists have been around. For example the iconic band Tegan and Sara have been making music since 1995, recording on cassette tapes. If you don’t know them, Canadian twins Tegan and Sara Quin have been vitally important to building a more mainstream LGBTQ music scene. Their music has the earworm elements of pop music and an unapologetically sapphic core – and recently they’ve grown more reflective about their public image.
Their early music, starting in about 2002, quickly gained popularity in Canada and with teen listeners, featuring albums The Con and Sainthood. Both albums were generally acclaimed as their sound both matured and experimented. It was the seventh album that was perhaps the most successful, and the one I know best: Heartthrob in 2013, followed by Love You to Death in 2016. This is where their indie pop sound really hit its stride with songs like Boyfriend and Closer, featuring danceable beats mixed with melancholy feelings. Incidentally this is also where I heard I’m Not Your Hero, whose hook will forever live in my head rent-free: “I’m not their hero / but that doesn’t mean that I wasn’t brave”.
This is a band that doesn’t forget its past: in 2017 their big tour and promotion was celebrating 10 years since the release of The Con (including the creation of an album of other artists’ versions called The Con X: Covers) and in 2019 they released Hey I’m Just Like You, which shares recordings of songs they initially wrote as teenagers. The influence of rock and punk bands like Nirvana, Hole, or the Smashing Pumpkins is more apparent here, and the album as a whole reads more pop-punk than their more recent compositions. In the same spirit they made an all-acoustic version of their 2004 album, So Jealous, which was released as Still Jealous in February.
But the big news of recent years was the release of High School, a memoir about their experiences coming-of-age, which was adapted into a TV series on Amazon Freevee. Viewers are offered a glimpse into a teenager’s life in the early 2000s including the pains of exploring your sexuality and deciding who you want to be. This is definitely a band for you if you’re someone into memoir, legacy, and writing your own history. They’re also politically engaged, passionate activists for causes including cancer research and LGBTQ rights.
This year they released the all-new Crybaby with a new record label. Written during the pandemic, this is the album that nearly wasn’t: originally they were recording standalone singles I Can’t Grow Up and All I Wanted, but were inspired to spin the two into a whole album — luckily for all of us that need more T&S in our lives.
If you like indie music, are a longtime fan, or want exposure to more LGBTQ music artists, definitely listen to some Tegan and Sara today.
The Grammy nominations are here and you can experience the contenders today on Freegal with your library card! The full list of nominees was posted on grammy.com November 15, with the 65th annual Grammy Awards scheduled to air February 5. This year new categories have been added: Songwriter of the Year, Best Video Game Soundtrack, Best Alternative Music Performance, Best Americana Performance, Best Spoken Word Poetry Album, and a special merit award for Best Song for Social Change.
Here’s a peek at the playlist on our digital music streaming platform, Freegal, with some artists you’ll probably recognize:
Unfortunately not everything is included as Freegal is a limited catalog, but if you (like me) haven’t managed to hear songs from Beyonce’s Renaissance, DJ Khaled’s God Did, or songs from Camila Cabello’s Familia, the 2023 Grammy Nominees playlist is a great place to start. The list includes all musical genres and offers a great snapshot of what’s hot in music today.
Luckily for you, if you’re looking to hear songs not included on this playlist, you can find most of them in our music CD collection, including Lizzo’s Special (About Damn Time is one of the nominees for Record of the Year), ABBA’s Voyage, Mary J. Blige’s Good Morning Gorgeous, Brandi Carlile’s In These Silent Days, and more.
Was your favorite artist or song included in this year’s Grammy’s? Let us know below!
Recently Taylor Swift’s new album Midnights snagged all top ten spots on the US Billboard charts, a major and unprecedented coup. On a more personal note, I’ve had at least one of the songs from the album stuck in my head on and off since I first listened to the album — and you probably have too, if you’ve listened to it. So I decided to make lemonade from lemons and tell you how my English major brain has associated songs from Midnights with different books. All the books (and very soon the album) are available for checkout from our library, so you can double-check my findings for yourself.
“So real, I’m damned if I do give a damn what people say / No deal, the 1950s shit they want for me / I just wanna stay in that lavender haze”
When I listen to Lavender Haze I hear love that pushes against expectations and conventions for what a relationship should look like, and therefore think immediately of The Love Study by Kris Ripper, which is only the first of a trilogy all about relationships outside of conventional norms, and about customizing your relationship to what works for you.
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“The burgundy on my t-shirt when you splashed your wine onto me / And how the blood rushed into my cheeks, so scarlet, it was / The mark you saw on my collarbone, the rust that grew between telephones / The lips I used to call home, so scarlet, it was maroon”
Maroon to me is about a vivid, passionate love that ended, and is remembered, as vividly as it lived. For sheer emotional power, and the strength of love and memory, this song has to be The King of Infinite Space by Lyndsay Faye. This book is an unforgettable Hamlet retelling with a powerful (and, spoilers, doomed) love at its core.
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“It’s me / Hi! / I’m the problem, it’s me / At teatime / Everybody agrees / I’ll stare directly at the sun but never in the mirror / It must be exhausting always rooting for the anti-hero”
Antihero is the song I (and many others) can’t get out of our heads — it’s catchy, self-aware, self-destructive, and self-deprecating, with paranoid fear of losing relationships and (for me anyway) a hint of glamour. What it made me think of is my favorite romance book of all time, Boyfriend Material by Alexis Hall (the sequel, Husband Material, works as well) because of its self-deprecating humor, self-destructive tendencies, and an unforgettableness not unlike an earworm.
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“Are we falling like / Snow at the beach / Weird but it was beautiful / Flying in a dream / Stars by the pocketful / You wanting me / Tonight / Feels impossible / But it’s comin’ down, no sound, it’s all around”
Snow on the Beach is all dreamlike, surreal vibes, with a star-crossed type romance running through it, which for me echoes the magical realism in One Last Stop by Casey McQuiston. Our lovable leads in that book find themselves in a similarly bizarre situation which they end up embracing.
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“What’s a girl gonna do? A diamond’s gotta shine / Best believe I’m still bejeweled when I walk in the room / I can still make the whole place shimmer”
Now, I fully believe you’ll have a better pick for this one, but Bejeweled‘s theme of claiming your power from a repressive relationship made me think of In Deeper Waters by FT Lukens, because among other things this book is about the main character embracing his power and identity and breaking free from fear and repression, and I just love to see it.
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“Sweet like honey, karma is a cat / Purring in my lap ’cause it loves me / Flexing like a goddamn acrobat / Me and karma vibe like that”
Okay, another unconventional pick, but the smugness of Karma, waiting for the other shoe to drop, reminded me of An Elderly Lady Is Up To No Good by Helene Tursten. Our elderly protagonist is similarly convinced of the justice of her actions – to very entertaining effect.
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“Everyone’s up to somethin’ / I find myself runnin’ home to your sweet nothings / Outside, they’re push and shovin’ / You’re in the kitchen hummin’ / All that you ever wanted from me was sweet nothin'”
Sweet Nothing is about finding a haven and home in someone who doesn’t burdern you with the expectations and pressure you receive everywhere else, which for me had to be The Bookseller’s Boyfriend by Heidi Cullinan. Also a cautionary tale about celebrity and social media, the romance in this book is all about an overworked, overwhelmed person finding rest in another’s company.
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“So I told you none of it was accidental / And the first night that you saw me, nothing was gonna stop me / I laid the groundwork and then saw a wide smirk / On your face, you knew the entire time / You knew that I’m a mastermind / And now you’re mine”
Not exactly the same vibe, but Mastermind‘s ending, when the singer realizes that though they thought they were being subtle, they were actually transparent to their partner, reminded me of Love is for Losers by Wibke Brueggemann, in which another scheming narrator discovers the joy of being known and accepted for all your faults.
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Let us know, do you agree with my associations? Which books would you pick?
“Bringing the gifts that my ancestors gave, I am the hope and dream of a slave.” – Maya Angelou
I’m always on the hunt for unique and diverse additions to our music CD collection, especially for less mainstream genres of music. Recently I had the privelege to order Requiem for the Enslaved for our classical music section. Here’s how the creators describe it:
American composer Carlos Simon presents a multi-genre work, Requiem for the Enslaved. This work is a musical tribute to commemorate the stories of 272 enslaved men, women and children sold in 1838 by Georgetown University. Described as a “rap opera,” Carlos infuses his original compositions with African American spirituals and familiar Catholic liturgical melodies. Requiem for the Enslaved explores the sacred and historical, and honors the lives of those bought and sold.
Carlos Simon says: “Since being hired as an Assistant Professor, I have grown to love the Georgetown University community and culture. In learning of the university’s involvement in slavery, I am deeply grateful for the collective efforts taken to understand and attempt to reconcile its tainted past. Now as a member of the Georgetown University community, I wish to join in the journey of expanding the discussion.”
For similar items like this, try Dreams of a new day : songs by black composers with Will Liverman OR Songs of our native daughters with Rhiannon Giddens.
I love ordering music, partly because of how much I learn from it! For example, I was fascinated by The Smithsonian Anthology of Hip-Hop and Rap and its pretty comprehensive look at the growth and development of the genre. In a similar vein, recently I was able to order The Women of Def Jam, which “features the female artists that dominated hip-hop and R&B from the ’90s to the present day” (from publisher).
If, like me, you’ve only got a vague sense of what Def Jam is, here’s the breakdown I found from The Guardian’s “25 Years of Def Jam” piece back in 2011: “From humble beginnings in student digs, the record label Def Jam is credited with bringing New York’s street culture and music to the masses – and even helping to elect a president… Although not the only label to export the music and culture of inner-city America to the world, Def Jam is the most significant, artistically and commercially. Key signings have altered the art form, among them LL Cool J, Public Enemy, Beastie Boys, Jay-Z and Kanye West.” There’s a lot more to Def Jam now than hip-hop and rap, but it retains its reputation as helping to promote the cutting edge of the genre, especially at critical points in recent history.
The Women of Def Jam focuses on a specific part of that legacy which is not as evident in the stories told about Def Jam’s origins: what it owes to women. The album announcement in Variety explains that this album was put together for Women’s History Month, not least because “over half of the Def Jam staff are women, including seven women of color in senior executive positions. Two of the three executive leaders are women. Of ten department heads, eight are women” (Tunji Balogun, CEO). It’s an encouraging sign as in some genres of music, including arguably hip-hop and country music, women have had to fight against cultural conceptions of what their role ought to be to find success.
This album celebrates how far we’ve come in that journey by paying homage to the greats. Even for someone like me for whom hip-hop and R&B are not my top genres, this album is star-studded; both household names and lesser-known gems are represented for a voyage of nostalgia, discovery, or both. Explore this blast from the past today!
As someone who’s had the song Emo Girl (featuring Willow Smith) stuck in their head on and off for weeks, I think this is a perfect time to explore controversial artist Machine Gun Kelly’s professional journey from hip-hop and rap to pop-punk and mainstream success, culminating in 2022’s appropriately-named album Mainstream Sellout.
He rose to fame with a series of rap and hip-hop mixtapes (generally acclaimed) before releasing studio albums, starting with Lace Up in 2012, General Admission in 2015, and Bloom in 2017. Notable features included rapid-fire flow and pride in an unattractive underdog image. Then in 2020 he made a dramatic shift from rap to pop/punk with the release of Tickets to My Downfall – a shocking, impressive, and fluid album still with rap-inspired elements.
Why did he make the move? Without knowing details, it reminds me of Lady Gaga’s professional journey (which is a blog post in itself) in which she made mostly loud statement pieces until she’d captured public attention and then, fame established, moved to a more stripped-down mainstream sound in albums like Joanne. (Lady Gaga, of course, has now moved back to her outlandish roots with the flashier album Chromatica, but I digress.) Sometimes musicians want to try something different and explore their other interests, but don’t have the freedom to do so until they’ve reached a certain level of success.
Whatever the reason he seems satisfied with his new career track, since he continued with pop/punk in 2022’s album, Mainstream Sellout. The reviews have been mixed, but the album has had big commercial success debuting high on the Billboard 200 charts. Emo Girl ft. Willow is particularly good track (though I may be biased in saying that) — it’s a good example of the overall pop punk revival going on in the 2020s, partly because it’s extremely self-aware of how it’s referencing a scene more than participating in it. Rolling Stone called it “gleefully derivative” and on the whole the feeling is of playing a part and having a ton of fun with it. Willow Smith’s vocals shine, her gen Z energy a good balance to Kelly’s so-called “buzzsaw bubblegum”.
For myself, I haven’t heard the whole album yet, but I enjoy Machine Gun Kelly better in pop-punk, which is one of my favorite genres. I know I may be in the minority; what are your thoughts on Machine Gun Kelly, Willow, or the pop-punk revival? Let us know in the comments!
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