Love is for Losers by Wibke Brueggemann

I like YA books, but no other narrator has ever felt as authentically fifteen as Phoebe, the voice of Love is for Losers by Wibke Brueggemann. Slang, text-speak, cringe, angst, and a heaping helping of dense obliviousness all combine for a laugh-out-loud, queer, teen, and generally updated retelling of Bridget Jones’ Diary.

Phoebe is living in London with her mum’s best friend Kate (a Persian cat mom who runs a charity shop), AGAIN, since her mum is a doctor with Medecins Internationale and has run off (AGAIN) to help disaster victims. Adding to Phoebe’s feelings of abandonment is a rift with her best friend Polly after Polly finally gets a boyfriend (Tristan, who’s so useless he can’t even ride a bike) and won’t talk about anything else (when she even remembers Phoebe at all). Phoebe has vowed to never get emotionally attached, since falling in love is such a degrading loss of sanity (and frankly gross to look at – who makes out in public?). And that could’ve been the end of it, until one of Kate’s designer Persians escapes while in heat, costing Kate a lot of money she could’ve charged for full pedigree Persian kittens. Determined to pay her back, Phoebe goes out to get a job, ending up working at Kate’s charity shop (humiliating) where she comes face-to-face with Emma, who’s got the bluest eyes Phoebe has ever seen, not to mention beauty and class…

Not only is this book funny, but it delves into a ton of tough topics including loss, grief, selfishness, community, how to be a good friend, emotions, heritage, and what makes a family. The short-form diary entry structure makes the book more addictive by being quick and immersive to read. Heartwarming, hopeful, and inclusive, this is a book for anyone who’s tried to shut away their feelings to keep from being hurt, AND a good readalike for Fredrik Backman’s many fans (A Man Called Ove is a similar vibe).

My Dearest Darkest by Kayla Cottingham

YA feminist horror is one of my new favorite genres – there’s nothing like a squad of friends battling the forces of evil (and the patriarchy) in between classes. My Dearest Darkest by Kayla Cottingham is a Pretty Little Liars-style journey into peer pressure, manipulation, and gaslighting through a paranormal lens, and with a heartwarming sapphic love story to balance out the scares.

Finch has wanted to attend Ulalume, an elite private school on a remote and sinister peninsula, ever since she heard of it, despite the expense. Luckily her piano audition goes well, but scholarships are the least of her concerns when she and her parents are in a catastrophic car accident on the way home, after veering to avoid what looked like (though couldn’t have been) an eight-eyed stag in the road. Finch could have sworn she drowned when the car went in the lake, but she recovers, although finds herself changed – pale, cold, with a weak heartbeat. When she starts at Ulalume, more odd things start happening including strange new feelings for the local queen bee, Selena. But new love may be no match for what’s waiting for Finch in tunnels under the school…

I really enjoyed the romance between openly bi Selena and newly-out lesbian Finch. Their growth from enemies to friends to girlfriends is a realistic journey that is easy to root for, and Selena’s supportive advice as Finch fumbles through coming out is tender and respectful. In some ways the author prioritizes the romance over the horror plot, so readers will have to decide if a happy ending is worth a plot hole or two. The horror plot is an original take on the deal-with-the-devil or cult narratives, adding in an insightful element of gradual, insidious manipulation. The setting also contributes a Gothic atmosphere, complete with creepy forest, bleak lighthouse, and dank tunnels. In short, while some plot elements could be stronger, this female-centered ghost story compellingly asks what it’s worth losing to find the power and belonging you’ve always wanted.

A worthy addition to the realm of progressive horror novels, this is a good read for those who loved Plain Bad Heroines or other queer love stories where things go bump in the night.

This title is also available on Overdrive.

Trouble in the Stars by Sarah Prineas

When life gets you down… read a middle-grade novel. These books tackle serious issues without the angst of YA or the bleak cynicism of adult fiction, and that’s something everyone needs sometimes. My latest recommendation is Trouble in the Stars by Sarah Prineas.

Readers are plunged headlong into a journey of discovery when a young shapeshifter (who enters the story as a blob of goo) goes on the run from StarLeague (dystopian government type) soldiers. After stowing away aboard a freighter, the shifter takes human form and is christened Trouble by the crew. Trouble learns what it means to be a human (from food to friendship) while trying to earn the crew’s trust. But eventually StarLeague will catch up, so it’s up to Trouble and the ship’s crew to chase down the truth about where Trouble came from and why StarLeague wants so badly to find them.

New readers of sci-fi will appreciate learning the lingo alongside Trouble, and similarly diversity (of many stripes) is explained in clear, matter-of-fact terms. Fans of Firefly (or parents who want to expose their kids to the concept but not the actual show) will appreciate the outlaw vibes, complete with a mysterious, coveted individual who doesn’t know their own power. This is a good read for all ages, balancing a quick and interesting plot with thoughtful characterization and moral considerations.

See also its sequel, Asking for Trouble for the continued adventures of your new favorite shapeshifter. Trouble in the Stars is also available on Overdrive.

The Wife Upstairs by Rachel Hawkins

You may know I’m a big fan of classic retellings, and of Jane Eyre and Rebecca. The Wife Upstairs by Rachel Hawkins is the ultimate retelling of both Jane Eyre and Rebecca, with modern feminist sensibilities.

Jane is the new dog walker in Thornfield Estates and resents the casual privilege her extremely wealthy clients display, while she’s struggling to make ends meet and living with a creepy church musician for a roommate. It seems a huge stroke of luck when she hits it off with reclusive widower Eddie Rochester and embarks on a whirlwind romance. But her sense that something isn’t right only grows as they start to talk about marriage, since the spectre of Eddie’s late wife Bea is never far away, in the neighborhood, in Eddie, and in the house. To make matters worse, then the police start asking Eddie more questions about the night Bea went missing and her best friend Blance died, and Blanche’s husband has plenty of unpleasant insinuations to make. Not to mention Jane’s own past is threatening to rear its ugly head…

I love that this book uses all the Jane Eyre names, but makes the original characters make sense in the modern world – John Rivers for example is perfectly drawn as an unsettling religious figure who wants Jane for himself and treats her badly. The plot is also optimized for modern readers as strategic flashbacks, confessions, and slow reveals avoid the boggy parts of Jane Eyre by mixing past with present. Gone Girl, The Girl on the Train, and other unreliable-narrator thrillers are clear influences, and The Wife Upstairs easily joins their canon of feminist thrillers where realistic women earn their victories the hard way.

Sourdough by Robin Sloan

Thanks to Ann’s “food and friendship” June Online Reading Challenge, I finally read Sourdough by Robin Sloan, and it surpassed all my expectations and MAY have been better than Mr. Penumbra’s 24-hour Bookstore

We meet Lois as she moves to San Francisco, wooed by a tech company’s promises of a glamorous, meaningful, and lucrative career programming robots. And then we see her weighed down by a monotonous, workaholic life where the only food that doesn’t upset her stressed stomach is the company’s nutrition gel, Slurry. Until, that is, she discovers a family-owned business that will deliver soup (“double spicy”) and sourdough bread (homemade) at all hours – and she knows peace again. All too soon, the brothers have visa issues and have to leave. But they leave Lois their sourdough starter, and she’s forced to learn how to feed it and bake with it. Somehow this leads her down a path of smiling loaves, reading hipster baking books, building her own brick oven, auditioning for farmers’ markets, butting heads with food gurus, and teaching robotic arms to crack eggs. And maybe she’ll figure out the life she wants along the way.

This book was addictive to read, tugging gently on the heartstrings and written with dry, matter-of-fact humor. Lois’ journey is a heartwarming climb out of dystopia toward contentment and fulfillment by working with her hands. Surprisingly, it’s almost a retelling of Voltaire’s Candide, with a relative innocent swept into unexpected adventures, inadvertently examining the cost of ambition and what really makes a happy life.

If you need a tasty, hopeful read where light shenanigans ensue and many friends are made, you should read this book.

Super Monster by Claud

Support a non-binary artist and discover some catchy new music on Super Monster by Claud.  How to describe their style? Well, here’s what they say on their website: “claud mintz (they/them) makes the kind of pop that goes well with a late night snack.”

If that doesn’t clear it up for you, here’s my take: this is a pop sound similar to twin icons Tegan and Sara, and the California band Muna, but also with shades of Olivia Rodrigo and Billie Eilish. With simple hooks and honest lyrics, Claud combines soft, musing ballads with more fast-paced, playful tracks for a mix that is overall optimistic, affectionate, vulnerable, and proudly queer. Listeners will be drawn in by bright, quirky album art and intriguing song titles including “Cuff Your Jeans” and “That’s Mr. Bitch to You”.

Incidentally, “That’s Mr. Bitch To You” is probably my favorite track for its light-hearted energy in response to hate (definitely my new personal anthem) – but most tracks are relaxing and enjoyable to listen to. I also recommend “Overnight” and “Falling with the Rain” for more romantic vibes, and “Ana” for a lost-love story.  Most tracks will leave you humming for the rest of the day, and the lack of cynicism will keep you coming back for more.

Never Been Kissed by Timothy Janovsky

Film buffs rejoice! Timothy Janovsky has written the ultimate romance for you in Never Been Kissed, featuring summer at the drive-in, a cranky and reclusive legendary film director, and second-chance romance with a childhood crush.

Wren has never been kissed – not only a big regret for him as a lover of rom-coms, but also a major source of teasing from his friends. Considering he’s also graduating college without a plan beyond his regular summer job at the drive-in, it’s especially hard for Wren to feel like a grownup. After a few too many at his 22nd birthday he decides there IS something he can do about one of his problems – he can send out all the emails he’s written to the boys he almost kissed over the years, and launch a quest to get himself kissed. In the morning, this was obviously a terrible idea, but it did reopen communications with childhood friend (and major crush) Derrick, who just so happens to be ALSO working at the drive-in this summer… awkward! Not to mention he’s juggling being a manager at the drive-in, for the first time, with also trying to save it from shutting down by hosting a big event featuring the the local film legend, reclusive director Alice Kelly. Through it all there’s Derrick, and some uncomfortable conversations about what happened to them in high school that need to be faced if there’s a future for them now.

At first I wasn’t sure about the 90s rom-com vibes of this book, or about how immature Wren seemed, dodging his problems and clinging to the past. But over the course of the book, while the film nostalgia stayed strong, Wren started to change, to learn and grow and face his uncomfortable truths. By the end his confidence has grown and he’s acting like a real adult — making the book not only satisfying but relatable, as we all face that moment of growing up and taking responsibility sooner or later. In general, this book was strongly Gen Z, both in terms of lingo, film references, and openly affirming things like mental health, found family, and a wide spectrum of identities. It’s a major milestone for the romance genre that this book openly discusses being demi (which means only feeling certain attractions once a strong emotional bond has been formed) and how important it is to have words to understand yourself. In fact, the atmosphere of acceptance was strong and unquestioned, which was refreshing to read.

This is the 90s romantic comedy movie rewrite I didn’t know I always needed — if you like New Adult coming-of-age stories, second chance romances, or just jump at the chance to go to the movies, I definitely recommend you read this book and then take a trip out to your nearest drive-in theater to keep tradition alive.

Even If We Break by Marieke Nijkamp

Sick of horror stories where able-bodied straight people are the only ones smart and strong enough to survive? Try Even if We Break by Marieke Nijkamp. This deeply inclusive YA thriller is a love letter to RPGs, a Breakfast Club vibe (with shades of One of Us is Lying), and a typical “remote-cabin-on-haunted-mountain” campfire story.

It’s been three years of high school since disabled goth Finn (he/him), cash-strapped game master Ever (they/them), autistic former athlete Maddy (she/her), hardworking “new money” Carter (he/him), and wealthy aspiring seamstress Liva (she/her) first started playing their role-playing game in the mythical land of Gonfalon. Once, the game made them inseparable. Now, they’re barely speaking, and all hiding secrets. Carter is bitterly resentful, Maddy is lost and desperate, Finn is consumed with anger and mistrust, Liva feels disrespected, and Ever is just desperate to keep the friendship going a little longer. They’ve gathered, one last time, at Liva’s mountain cabin to play an immersive game. But soon, strange things start happening, and then in the darkness, someone vanishes, leaving a pool of blood behind…

This book is priceless because of its effort to accurately and compassionately portray the lives of queer, disabled, and trans teens, through their own voices. Touching on chronic pain, the opioid epidemic, poverty, bullying, neurodivergence, and more, this is a thoughtful portrayal of a group of friends and how their circumstances can drive wedges between them. What this book does best is show the friends’ processing of trauma and secrets in order to get back to a place of trust and honesty. While slightly less effective, the thriller plot unravels at just the right rate to keep readers on the edge of their seats wondering what will happen next and who’s behind it.

Both the frequent heart-to-heart talks and inconsistent serial-killer-stalking stretch the limits of believability to some degree and, combined, make for a somewhat anticlimactic ending, but as a pioneer of inclusion in the genre – and a nuanced portrayal of disability – this is a tour de force.  Recommended for fans of Stephanie Perkins’ horror work and Karen McManus’ multi-perspective whodunits.

This title is also available on Overdrive.

Magic for Liars by Sarah Gailey

One of Sarah Gailey’s older works (relatively speaking – after this 2019 volume came a flurry of hits including 2020’s Upright Women Wanted and 2021’s The Echo Wife), Magic for Liars is a feminist gumshoe detective story set in the American version of Harry Potter’s world. While highly original, the story pays homage to a number of tropes: magic abounds in an impossible high school (complete with a boy convinced he’s the Chosen One of prophecy), our cynical narrator spends lots of time brooding in bars even while investigating a grisly murder that has shocked the community, and two estranged sisters forced together must finally face what has divided them. Best of all, a sapphic thread runs through the characters – women loving women is common and routine in this world, though it may have been a motive for murder…

Ivy Gamble is almost successful as a private investigator. She’s almost got a handle on her drinking. And she’s almost definitely not jealous of her magically-gifted sister Tabitha. When a suspicious death rocks the school where Tabitha is a professor of Theoretical Magic, Ivy is called in to investigate. Out of her depth in the investigation and in the world of magic, Ivy quickly starts to question everything she thought she knew about magic, the world, her sister, and herself.

Gailey has created such a unique character in Ivy – she’s a mix of Stephanie Plum’s flawed detective and Petunia Evans Dursley’s bitter resentment, but fully lucid of her flaws, and able to grow, change, and face her mistakes. Tabitha, meanwhile, has the charm of Lily Evans and the haughty emotional distance of Minerva McGonagall (if either of those icons had been lesbians) but the obsessive, secretive temperament of Severus Snape. Spoilers — this is a risky combination. I don’t know that I was totally convinced by the book as a whole — between the mystery, the sibling tension, the high school drama, facing personal demons, AND an unlikely romance, it seemed like the book was trying to do too much and didn’t do each component full justice — but as a reinvention of classic tropes it’s very clever and original, and the normalization of queer identities is very refreshing.

More than that, the pace of the book was addictive, and ended in a way that leaves the reader wondering whether the book was supposed to be part of a bigger, as yet unfinished, story. Will Ivy ever get a sequel to continue her journey? Only time will tell; for now I do recommend this book to all those who enjoy books with gumshoe murder mysteries, high school drama, estranged siblings, bizarre modern magic, and all the dark sides of love.

Silver Lining Suite by Hiromi

The Silver Lining Suite by Hiromi is a fascinating set of original pieces by a rising Japanese star of piano and jazz composition, which come together in a suite that defies categorization. Here’s how a publisher describes it:

Hiromi’s latest album pairs her virtuosic and emotive piano with a string quartet assembled by violinist Tatsuo Nishie, concertmaster of the New Japan Philharmonic. Devised for a series of live-streamed concerts at the Blue Note Tokyo during the Covid pandemic, the results blur the lines between classical music and jazz, crafting a vibrant hybrid possessed of the fervent, rock-inspired energy and cinematic beauty that Hiromi has always instilled in her music.”

I found this an engaging album with appealing and melodic instrumentals, executed with energy and thoughtfulness. The quintet was well-balanced, giving enough focus to the piano but not skimping on the strings. Best of all it really is a genre-blender, both dignified and playful, classical and jazzy, but all-around an original.

You can experience this CD as a discovery of a skillful modern jazz and classical composer, or use it as an interesting background to your everyday activities (not recommended for car trips, because road noise makes it a challenge to fully experience the nuances).

Don’t miss this clever and relaxing jazz fusion album!