In The Crimson Field, viewers are introduced to the daily lives of doctors and nurses in a tented field hospital right on the front lines of France during World War I. Right at the start, you are introduced to three volunteer nurses, Kathleen, Rosalie, and Flora as they make their way to a field hospital on the coast of France close to the front lines of fighting. At this field hospital, they are the very first volunteer nurses; a fact that rankles the established medical team already in place. Kitty, Rosalie, and Flora must find ways to deal with the new world that they have been thrust into where they quickly realize that the training that they have received is nowhere near adequate for the job they must do. With their addition to camp, everyone’s lives start to shift and clashes quickly crop up between the way that things have always been done, the hierarchal structure within the camp, and a new way of thinking. While the girls quickly find out that they are underprepared for this new way of life, they also discover that they, just like the others around them, are able to use this as a new start and to break away from everything that held them back in their hometowns.
PBS and the BBC have found ways to make interesting a subject that would have been dreadful to read about in a history textbook. By illuminating such topics as World War I, the day-to-day life of people in front-line field hospitals, and the tensions between the Allied and the Central Powers, viewers realize just how tumultuous life was during World War I and how people had to be aware of even their smallest actions. This PBS television show has a unique way of pulling people into the lives of the characters while simultaneously making the events that they are going through a wide and layered character unto itself.
The Unsubstantial Air is the gripping story of the Americans who fought and died in the aerial battles of World War I. Much more than a traditional military history, it is an account of the excitement of becoming a pilot and flying in combat over the Western Front, told through the words and voices of the aviators themselves.
A World War II pilot himself, the memoirist and critic Samuel Hynes revives the adventurous young men who inspired his own generation to take to the sky. The volunteer fliers were often privileged–the sorts of college athletes and Ivy League students who might appear in an F. Scott Fitzgerald novel, and sometimes did. Others were country boys from the farms and ranches of the West. Hynes follows them from the flying clubs of Harvard, Princeton, and Yale and the grass airfields of Texas and Canada to training grounds in Europe and on to the front, where they learned how to fight a war in the air. And to the bars and clubs of Paris and London, where they unwound and discovered another kind of excitement, another challenge. He shows how East Coast aristocrats like Teddy Roosevelt’s son Quentin and Arizona roughnecks like Frank Luke the Balloon Buster all dreamed of chivalric single combat in the sky, and how they came to know both the beauty of flight and the constant presence of death. By drawing on letters sent home, diaries kept, and memoirs published in the years that followed, Hynes brings to life the emotions, anxieties, and triumphs of the young pilots. They gasp in wonder at the world seen from a plane, struggle to keep their hands from freezing in open air cockpits, party with actresses and aristocrats, rest at Voltaire’s castle, and search for their friends’ bodies on the battlefield. Their romantic war becomes more than that–a harsh but often thrilling reality.
Weaving together their testimonies, The Unsubstantial Air is a moving portrait of a generation coming of age under new and extreme circumstances. (description from publisher)
The devastating events of the First World War were captured in myriad photographs on all sides of the front. Since then, thousands of books of black-and-white photographs of the war have been published as all nations endeavour to comprehend the scale and the carnage of the “greatest catastrophe of the 20th century”. Far less familiar are the rare color images of the First World War, taken at the time by a small group of photographers pioneering recently developed autochrome technology.
To mark the centenary of the outbreak of war, this groundbreaking volume, The First World War in Colour, brings together all of these remarkable, fully hued pictures of the “war to end war”. Assembled from archives in Europe, the United States and Australia, more than 320 color photos provide unprecedented access to the most important developments of the period – from the mobilization of 1914 to the victory celebrations in Paris, London and New York in 1919. The volume represents the work of each of the major autochrome pioneers of the period, including Paul Castelnau, Fernand Cuville, Jules Gervais-Courtellemont, Léon Gimpel, Hans Hildenbrand, Frank Hurley, Jean-Baptiste Tournassoud and Charles C. Zoller. Since the autochrome process required a relatively long exposure time, almost all of the photos depict carefully composed scenes, behind the rapid front-line action. We see poignant group portraits, soldiers preparing for battle, cities ravaged by military bombardment – daily human existence and the devastating consequences on the front.
A century on, this unprecedented publication brings a startling human reality to one of the most momentous upheavals in history. (description from publisher)
The United States Congress in 1929 passed legislation to fund travel for mothers of the fallen soldiers of World War I to visit their sons’ graves in France. Over the next three years, 6,693 Gold Star Mothers made the trip. In this emotionally charged, brilliantly realized novel, April Smith breathes life into a unique moment in American history, imagining the experience of five of these women in A Star for Mrs Blake.
They are strangers at the start, but their lives will become inextricably intertwined, altered in indelible ways. These very different Gold Star Mothers travel to the Meuse-Argonne American Cemetery to say final good-byes to their sons and come together along the way to face the unexpected: a death, a scandal, and a secret revealed.
None of these pilgrims will be as affected as Cora Blake, who has lived almost her entire life in a small fishing village off the coast of Maine, caring for her late sister’s three daughters, hoping to fill the void left by the death of her son, Sammy, who was killed on a scouting mission during the final days of the war. Cora believes she is managing as well as can be expected in the midst of the Depression, but nothing has prepared her for what lies ahead on this unpredictable journey, including an extraordinary encounter with an expatriate American journalist, Griffin Reed, who was wounded in the trenches and hides behind a metal mask, one of hundreds of “tin noses” who became symbols of the war.
With expert storytelling, memorable characters, and beautiful prose, April Smith gives us a timeless story, by turns heartwarming and heartbreaking, set against a footnote of history––little known, yet unforgettable. (description from publisher)
This is the 11th in the Inspector Ian Rutledge Mystery series, but the first one I’ve read. As a historical mystery, it makes for an interesting genre, but what I found even more intriguing was that the author, Charles Todd, is a pseudonym for a mother-son team who don’t even live in the same state! Even in this high-tech world, I still marvel at that kind of skill, but for now, let’s focus on the story.
A Matter of Justice takes place in 1920’s England, and the main character, Rutledge, is an inspector for Scotland Yard. He is called to the rural village of Somerset to investigate the brutal murder of a successful London financier, Harold Quarles. There are no shortages of suspects, as many of the villagers openly admit to totally despising the man. Even Quarles’ wife and the town’s police officer are under suspicion.
In what turns out to be a very effective technique, the reader is clued in to the real killer early on, and as the pages kept turning, I began to fear that Rutledge would arrest the wrong person or never literally bring the “matter to justice.” Another useful ploy was the voice of Hamish in Rutledge’s head. Hamish, a soldier who died under Rutledge’s command in the trenches of WWI, serves as a sort of guilty conscience for the inspector. This contributes greatly to making him a fully human character and not just some singular sleuth. Though some will find this similar to an Agatha Christie mystery, I found it refreshingly superior.