The Golden Compass by Philip Pullman is the first in a trilogy of fantasy novels, but don’t worry: since they’re written for a YA/mature child audience, it’s not nearly the kind of time commitment that most fantasy series are. The first novel follows Lyra Belacqua, a precocious 12 year old girl who lives in a universe parallel to our own: in her world, each human is accompanied at all times by an animal daemon – a physical manifestation of their soul and a lifelong companion. For children like Lyra, the form of the daemon is in flux, taking the shapes of different animals depending on the person’s mood or circumstances. Lyra is a wonderful fantasy heroine: she’s tough and smart and relatable, and her journey isn’t just an adventure but a moving tale of growing up. She sets out to rescue a friend who’s been kidnapped by the mysterious, possibly malevolent Magisterium; on the way, she meets gypsies and witches and powerful Magisterium officials, and learns how to use a device called an Alethiometer that can answer any question with absolute truth.
The next two novels, The Subtle Knife and The Amber Spyglass, follow Lyra’s further journey to fulfill her destiny. The trilogy has been banned or challenged on the grounds of Political Viewpoint, Religious Viewpoint, and Violence. To learn more about this book, censorship, and Banned Books Week, check out the ALA Banned Books Week website.
If you adore Harry Potter, do yourself a favor and check out Harry Potter: Page to Screen, the Complete Filmmaking Journey. It’s a big, heavy, hardcover behemoth absolutely stuffed with photographs and text from all 8 Harry Potter films. Interviews with the cast and crew give insider information, and viewpoints from the set designers, costume designers, directors and actors show how meticulously the details of these movies were planned. From the small things – Hermione doesn’t wear red or green, as “those are Ron colors,” the story behind Harry’s blue eyes (a controversial change from the books’ oft-referenced bottle green), and the talon design of Bellatrix’s wand – to the big things: hours of makeup for dozens of actors cast as goblins; the complex design of the set for Snape’s final scene; the massive miniatures built to stand in for Hogwarts castle, and the equally massive undertaking of covering those miniatures with “snow” for the winter scenes (and then meticulously brushing and cleaning that “snow” away before the salt it was made of could corrode the material beneath).
Whether you’re into the boy wizard or just into movie magic, you’ll adore this book. It inspired me to re-read the novels and re-watch the movies, which of course launched a relapse of full-on Potter mania at my house! These are some of the other library items I’ve been checking out:
His Majesty’s Dragon by Naomi Novik is a lighthearted, escapist novel, and part one of a series. I downloaded it from WILBOR and read it on my kindle, though many Rivershare libraries own paper or audio copies. If you enjoy alternate history or dragons, the Temeraire series is your new best friend! In Novik’s world, the Napoleonic wars are fought on the backs of dragons, sentient aerial warships that are manned by not just a single rider, but a crew of trained aviators. Throw in a bit of Austenian comedy-of-manners, a touch of Serious Military Jargon (it’s much pleasanter when it’s applied to a dragon instead of a ship or some other boringly realistic war machine), and finish with a sharply interesting main character and you have a summertime winner.
That sharply interesting main character is not Laurence, the human whose point of view we read: it’s Temeraire, the dragon he befriends and rides. Temeraire is vastly intelligent, aloof, regal, and enigmatic, but he’s also kind, deliberate, and deeply loyal. His motivations are largely a mystery, as Novik chooses to spend more time on aerial action, b-stories, and descriptive passages than on the depths of the dragon’s psyche. Why would a dragon, with immense strength and intelligence and free will – not to mention the occasional ability to spit acid or breathe fire – choose to remain subservient to humans and fight in their wars? Why would a species capable of creating its own society lack almost any interest in doing so? These are the questions His Majesty’s Dragon leaves hanging. There are five additional novels in this series to tackle them!
Headed to London for the Olympics? First of all : jealous! Second : I hope you have tickets/hotel/transportation already arranged – the grand old city is bound to be bursting at the seams. Still looking for some tips on how to occupy your time between watching the handball semi-finals and the whitewater rafting qualifying? Here are some books that will give you lots of ideas, whether you’re in town for the Games or just dreaming of visiting someday.
DK Eyewitness Travel London – Offers maps, history, and general features, detailed guides through the various areas of the city. and suggestions for specific walks. Also provides a street finder and hints on shops and markets, entertainment, children’s interests, transportation. Colorful photographs adorn every page.
Britain and Ireland’s Best Wild Places by Christopher Somerville – Storm-battered headlands, hidden waterfalls, tumbledown cottages, the ruins of haunted chapels deep in forgotten woods, medieval Green Men, old mines and quarries being recaptured by nature, rusting sea-forts tottering on sandbanks. Britain and Ireland are full of wild places, some remote, many often astonishingly close to civilization.
Berlitz Handbook of Great Britain – What sets this guide apart is the illuminating Unique Experiences section which are packed full of practical advice on how to make the most of all the opportunities unique to Britain – from visiting royal residences to watching a soccer match, or exploring Brontë country in Yorkshire.
Frommer’s 24 Great Walks in London– Features walking tours of London including the Royal Parks, Jack the Ripper’s trail in the East End, a walk along the Thames, literary themed walks that feature the inspirational settings ranging from Charles Dickens A Christmas Carol to Harry Potter’s Diagon Alley.
These true tales range from the funny and flippant to the gritty and gruesome. Give nonfiction audio a try! You may find that nonfiction (which doesn’t always have a strong narrative thread you need to follow) is ideal for listening in stops and starts.
- Devil in the White City by Erik Larson; this gripping tale of a serial killer at the 1893 World’s Fair in Chicago is so spellbinding, you’ll want to extend your commute to hear more!
- Bossypants by Tina Fey, read by the author: this book is shriekingly funny. Truly one of the best audio books around – Fey is witty and direct, never sappy, and always gut-bustingly hilarious.
- The Immortal Life of Henrietta Lacks by Rebecca Skloot; a universally praised book that mixes science with history and family drama.
- Is Everyone Hanging Out Without Me? And Other Concerns by Mindy Kaling Lexie reviewed the book, and I agree with her: this book is FUNNY. You’ll want to be best friends with Mindy by the end.
- I Feel Bad About My Neck by Nora Ephron: Ephron’s candid observations on life and getting older are enjoyable and crisply humorous.
- Zeitoun by Dave Eggers: The gritty true story of the tribulations of Abduhlraman Zeitoun and his family in the aftermath of Hurricane Katrina.
- At Home by Bill Bryson, read by the author: see my review for a longer rant on the excellence of this very excellent book.
- The Partly Cloudy Patriot by Sarah Vowell, read by the author: You know Sarah Vowell’s voice already – she vocalized for Violet in Pixar’s The Incredibles. You’ll also recognize the many luminaries/musicians/comedians/TV personalities who make cameos in her delectable book – Conan O’Brien and Stephen Colbert, for example. Oh, and it’s full of intelligent and interesting essays about history and American culture, too.
For this segment of Amazing Audiobooks, I’m focusing on the behemoth novels that fill up disc after disc of listening material. These exciting, immersive *bugcrushers will eat up time spent on the road, on the treadmill, or doing chores – listen while you cook dinner or fold the laundry; listen when your knitting needles click or break out your headphones when you want to keep reading but your partner insists on lights out!
The Pillars of the Earth by Ken Follett, read for you by John Lee: A beloved gargantuan novel of the people building a cathedral in 1100s England – filled with mystery, suspense, rich historical detail, and captivating characters. This 32-disc novel is a winner! Its sequel, World Without End, is similarly enthralling.
A Game of Thrones, written by George R.R. Martin and masterfully performed by Roy Dotrice. This single novel takes up 28 CDs, or 33.5 hours. More than enough for the usual road trip! The four sequels to this novel are each around 30 discs of listening material, which would supply your listening needs long enough to drive from Davenport to Orlando Florida and back – three times!
Jonathan Strange & Mr. Norrell, written by Susanna Clarke and performed by Simon Prebble, is a fantasy novel that answers the question: what if a society of proper London magicians were around to magically assist the armies of England in the Napoleonic wars? And what if the leaders of that group were fighting against each other as well as taking on malevolent forces from the realm of Faerie? And what if all of this was written in a superb Jane-Austen-esque style that evokes all the sparkling wit and manners of the times without sacrificing the edge-of-your-seat action that modern audiences expect? Or, to put it more simply: This is an amazing novel and you should listen to it or read it right away. 32 hours of listening pleasure on 26 discs.
Some more excellent, lengthy novels:
*Bugcrusher: A book that is so big and heavy, you’d like to have it in hand to squish a scary bug.
The titular beauty of Beguiling the Beauty is Venetia Easterbrook, a young widow widely regarded as the most beautiful woman in London society, who vows revenge against the Duke of Lexington when he slanders her good name. Since he knows her by her famously stunning face, she wears a veil to seduce the Duke, London’s most eligible bachelor, while crossing the Atlantic on a luxurious steamer, planning to ditch him at the end of the journey and teach him a lesson about love gone wrong. Little does she know that their shared love of fossil-hunting and study of dinosaurs will cement their intellectual compatibility even as their physical chemistry sizzles.
Sherry Thomas’ newest novel, first in a planned trilogy, is a delight: it’s absurd, it’s sensual, and it’s great fun! In what other novel is the gift of exquisitely preserved tetrapodichnites (fossilized dinosaur tracks) fraught with emotional significance?! Where else in literature does a veil that blocks the wearer from seeing, eating, and kissing seem like a glamorous accessory with only the addition of a few paillettes? Nowhere!
With the exception of the denouement (which is silly) and the groundwork laid for the two planned sequels (which is distracting), this romance is a pure, unadulterated delight. The historical setting feels genuine rather than slapdash, and Thomas’s writing is smart and snappy. A flat-out perfect beach read for any romance reader, though it doesn’t stand up to vigorous literary scrutiny: after all, the Beauty is the one doing all the Beguiling here, and if even the title doesn’t take this book too seriously, how can readers? Despite that, the conceit of the masked seductress combined with the interest in paleontology makes this romance uniquely entrancing – or even beguiling.
Don’t judge this wonderful book by its covers, which are egregious. Laura Kinsale’s Flowers from the Storm is, by a wide margin, the most intelligent and engaging romance I’ve ever read. It proves what romance readers have known for generations: a love story with a happy ending can be just as powerful and thoughtful as any other literary novel. The heroine, Maddy Timms, is a devout Quaker: she speaks in a thee-thou manner that other characters remark upon as often you inevitably will. It’s infuriating, it’s different, it’s overly pious and hard to understand. It marks Maddy as a person who lives apart, in a smaller and humbler world than her Anglican peers. Her religion is restrictive and judgmental, but it’s also warm and forgiving and kind – just like Maddy herself. Christian Langland is a standard romantic hero (a strapping, handsome, fabulously wealthy Duke who happens to be a well-known rake), until a neurological illness strikes out of nowhere, shattering his ability to communicate. Only Maddy recognizes that he is not incompetent, an idiot, a savage struck down by God for his immoral ways: he is a sick man. And she is led by God to restore him to health.
There are layers upon layers in this book. Christian is mad; Maddy is a Christian. Flowers and storms pop up in significant junctures throughout the story, bolstering the plot as well as reminding you of the central theme: there is always a way to find something beautiful, something wonderful, even in the darkest and most harrowing times. The point of view alternates between Christian and Maddy, and Ms. Kinsale does an absolutely phenomenal job of illustrating Christian’s rapid mental decline and slow recovery both from inside and outside his fuddled mind. She very rarely writes the same moment from both characters’ perspectives, so you only know what Christian can piece together or what Maddy has been present to see. The scenes inside the lunatic asylum in the immediate aftermath of Christian’s illness are heartwrenching, as we watch him struggle to make even the simplest thought understood by his doctors. Maddy is the first and only person to truly understand him, to know that his intelligence is as fierce as ever but his ability to speak and to understand has been compromised. As their love blossoms, Maddy struggles with her religious convictions and Christian struggles with his illness, his family, and his legal obligations. I’ve never been moved to root for a romance novel couple as I was for these two.
If you’re a romance reader and you’ve never read Flowers from the Storm, do so right away! You won’t regret it. Then, pass it on to a skeptical friend who thinks romances are cheap, tawdry, worthless, or sub-literary: I’ve never read a book more likely to change their mind.
Inspired by a glowing review on NPR and the gorgeous cover design, I snapped up The Dark Rose as quickly as I could. It’s a mild thriller-cum-literary novel that tangles with the questions of morality and guilt. If you intend to do harm but fail, are you guilty of the crime? If you intend to do good, but fall into the wrong side of the law, are you morally at fault? Yes and yes, according to Erin Kelly, an author who hands out death and disaster with a free hand; hers is a universe where even minor crimes don’t go unpunished, and the result is oddly satisfying (if a bit bleak). The story follows two central characters – Louisa and Paul – and three timelines: Louisa’s volatile relationship with rocker Adam Glasslake as an 18 year old in 1989 London, Paul’s troubled upbringing in a suburban slum under the wing of his illiterate best friend Daniel, and the present day, where the two characters meet and work together restoring a sixteenth-century garden in the British countryside. Louisa is immediately drawn to Paul, a doppelganger of her long gone lover Adam, and Paul – vulnerable in the aftermath of agreeing to testify against his best friend in a murder trial – is drawn to her as well. Each of them is flawed in interesting and unique ways, and they have coping methods and personalities that feel genuine as well as compelling.
Juggling multiple timelines is a feat successfully maneuvered by few authors, but Kelly does a respectable job matching the pacing and tone between her segments and blending them together the right way. Unfortunately, she’s much better at characterization than plotting, as her attempt isn’t without flaws: the present day story starts off running and only picks up speed, while the back stories start off slower and eventually grind to a crawl near the 2/3 mark. It’s frustrating to have to leave the exciting, sensual present to revisit teenaged Louisa and Paul flailing in 1989 and 2009, respectively, as they cope with circumstances and guilt that will haunt them going forward. That aside, the language in this book is splendid and the gardening subplot is a rich source of metaphor and a tidy frame for the story.
We are all guilty of something; this book is about what happens when that guilt catches up to you.
Death Comes to Pemberley by P.D. James is a mystery set 6 years after Pride & Prejudice, when Lizzie’s disgraced sister Lydia comes to the Darcy estate screaming that her husband – the notorious rogue George Wickham – has been murdered. Everyone has a different opinion on Pride & Prejudice sequels. “Glorified fanfiction,” some say. “Total crap,” or “completely wonderful,” say others. I think the line between success and failure depends not only on good writing, setting, plotting, and characters, but on a critical distinction: no one but Jane Austen should write Jane Austen’s characters. Elizabeth’s wit and Darcy’s mysterious motives are the critical features that make Pride & Prejudice such an enduring classic, and any other authors trying to inhabit these characters inevitably struggle to do as well as Austen did. P.D. James, although an accomplished and talented author by any definition, is regrettably no exception. Her Darcy is wooden and boring, her Elizabeth does little but turn up every 25 pages and agree with her husband, and her speculation on Colonel Fitzwilliam’s future and character is hardly in line with the lovable, friendly man we know from P&P. The characters she invents – a dashing suitor for Georgiana, the staff of Pemberley – are much more vivid and entertaining.
James can turn a phrase admirably; even in its most stilted information-dumping passages (lots of early 19th century criminal law needs to be explained – feel free to skim these parts), the writing isn’t at fault here. It’s revealing that the best chapter of the entire book is the first one, where James neatly summarizes the events of Pride & Prejudice and weaves in the 6 years of additional plot she’s invented. You would expect a summary to be boring, but this one’s remarkably engaging; it’s the plodding mystery that stalls this book.
If you love mysteries and you love Austen continuations, give Death Comes to Pemberley a try. Although truth be told, you might be happier re-reading the original, especially if you’re an Austen purist or a demanding mystery fan. Despite a few good ideas, this book doesn’t satisfy on either end of that spectrum.