Tag: graphic novel

Love Everlasting Volume 1 by Tom King

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Love Everlasting: Volume One is a graphic novel that was published in 2023. It contains Love Everlasting #1-5 and was written by Tom King, artist Elsa Charretier, colorist Matt Hollingsworth, letterer Clayton Cowles, and editor Marla Eizik. This book caught my eye as the cover reminded me of Jamie S. Rich and Joelle Jones’s Lady Killer. (The familiar cover is Issue #1 and an image can be found on the Dark Horse website.)

‘Love is everlasting.’ That is what Joan Peterson is told immediately before she is murdered. Shocking, right?! In Joan’s world though, being murdered is a frequent occurrence. She has been caught in a never-ending cycle of deadly romance for as long as she can remember. After each death, Joan wakes up in another timeline with a new, yet somehow the same, problem: a man wants to marry her. Every time she falls in love, says yes to marriage, she is dramatically torn from that world and catapulted into another one with more disastrous love on her horizon. Joan is confused about how she even started on this path, wanting to break free, but unsure of how. Readers are at a loss right alongside her. Towards the end of this first volume, Joan starts her journey to escape this maddening cycle of love and death. Will she escape? Only time will tell.

It’s Lonely at the Centre of the Earth: an auto-bio-graphic-novel by Zoe Thorogood

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TW for this book: suicidal ideation

“that’s the problem with flirting with the idea of something, sometimes you fall in”
― Zoe Thorogood, It’s Lonely at the Centre of the Earth

Zoe Thorogood’s 2022 graphic novel, It’s Lonely at the Centre of the Earth, destroyed me. It was messy and confusing and utterly desperate for help. Basically, it was perfect and fit what Zoe wrote it to be: an auto-bio-graphic-novel about her life as it falls apart.

Over a six month period, Zoe Thorogood tries to put her life back together even when the universe, and her own mind, conspires to destroy her. Zoe doesn’t have a choice about whether or not she wants to create. She must create something in order to survive.

This isn’t a light read. It’s destructive and heavy. Zoe writes about her depression and suicidal ideation, alongside other negative emotions. Her art is sharp and cuts you to the quick as she introduces readers to her other selves (animal-like and people-like). Zoe pulls in the people that she interacted with during those six months and how they impact her story and journey of survival. Her story takes place during the isolation of the pandemic, which in turn informs even more of her decisions. This graphic novel/memoir hit me right in the chest. Zoe is incredibly honest about her depression. She isn’t afraid to share how it affects her life and, in turn, her relationships with others. While her words pick you apart, the artwork isn’t idle, instead it intrigues you and pulls you in. She uses different drawing styles and colors depending on what the focus is. It’s Lonely at the Centre of the Earth may be messy, but it’s a relatable mess that I’m glad I stumbled on.

Hummingbird Heart by Travis Dandro

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Trigger warning: suicide, drug addiction, cancer, and death

Travis Dandro illustrates his teenage confusion during family tragedy in his graphic memoir, Hummingbird Heart. This graphic memoir was published in 2022 by Drawn and Quarterly. His first graphic novel,  King of King Court, was published in 2019 and won the Lynd Ward Prize for graphic novel of the year.

Hummingbird Heart chronicles Dandro’s life from right before he learned about his grandmother’s illness to when he moved away for college. This was a messy time in Dandro’s life. His drug-addicted father had just passed away by suicide. Still processing his death, Dandro is shocked to learn that his grandmother has cancer. While in high school, he moves in with his grandmother to be her caretaker. These changes takes place all while Dandro is a teenager. This doesn’t stop him from doing typical teenager things though: shoplifting, pranking, dating, and going on drives with his friends through town. After all, he’s a teenage boy trying to figure out his place.

One Halloween night, Dandro and two of his friends hatch a prank on one of their drives that backfires badly. Two of the boys bear the brunt of the punishment, while the other is left dealing with the fallout. This prank forces Dandro to realize that he needs to grow up. He can’t keep acting like a child. He needs to take responsibility and figure out his future. Dandro and his friends are sure to grow apart the older they get, especially when they move away. Throughout this memoir, Dandro examines the difficulties that teenagers go through as they fight for independence. His writing and drawings highlight the resiliency and his ability to find a way through all the traumas that were happening in his family.

This graphic memoir tugged at my heart through its incredibly detailed illustrations. His drawings switch from intricate drawings of random objects or animals to intensely emotional confrontations between characters. Pages of his work are densely drawn only to be abruptly interrupted by pages of minimal drawing. It keeps readers on the edge of their seats, similar to how Dandro felt during that difficult time in his life.

Everything is Fine by Mike Birchall

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Have you ever read anything from WEBTOON? WEBTOON is a website, home to thousands of diverse comics, manga, webcomics, and more.  Some years ago, I was introduced to this website and have been reading a couple comics steadily. One of my favorites in Everything is Fine by Mike Birchall. Imagine my joy when I discovered that Mike Birchall had made this comic into a print book: Everything is Fine: Volume One. I was able to check it out from the library and reread part of this webcomic again, but in print!

“I want you to know, Tom. Even through that mask… I saw it on your face. We’re all in the same boat here, but that doesn’t mean you have to enjoy it. Like you do.” – Mike Birchall, Everything is Fine: Volume One

Everything is Fine: Volume One is a horror dystopian graphic novel definitely not for the faint of heart (or for a younger audience). Sam and Maggie are perfectly normal. They live in a perfectly normal neighborhood, have a perfectly normal relationship, and have a perfectly normal dog named Winston. The houses all look the same; the people all look and sound the same. Everything is fine in their world.

Look at them for a bit longer and the facade starts to crack. Sam and Maggie have been struggling for a while. Winston is dead. Their idyllic suburban life is monitored by outside surveillance cameras and red eyes pop to life in their heads sometimes. They and their neighbors question every decision, yet also are disconnected from the world. Emotions are pushed to the side, leading to serious repression that puts Maggie on the brink of lashing out. Something very sinister lurks beneath the surface of every interaction. One wrong move could disrupt the delicate balance they live in.

This is a strangely manipulative and creepy book that lives to make you uncomfortable. The pacing may seem measured, but that’s because the themes are heavy, the plot is tense, and the story is a slow burn. Readers are left wondering what is actually happening as an eerie weirdness permeates. Despite the title, everything is not fine. The people are too nice, the jokes aren’t that funny despite their hard laughter, and an undercurrent of ‘not-rightness’ runs through each conversation and interaction. This book was intriguing, ends on a cliff hanger, and left me wanting more.

We Are On Our Own: A Memoir by Miriam Katin

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Miriam Katin was born in Hungary during World War II. She doesn’t remember much about the war except that this war reminded people of other wars and that other wars were going to also come. War was expected, intruders to the land were a given, and upheaval was just how she lived. Her young childhood was a jumble.

In an attempt to gather all she remembers, she wrote We Are On Our Own, a memoir about a mother and her daughter’s survival in World War II. Miriam writes and illustrates the story of her and her mother’s escape from the Nazis in Budapest, Hungary from 1944-1945. It’s compiled from her memories, her parents’ memories, as well as whatever primary source material she could find.

Miriam’s father was off fighting for the Hungarian army when she and her mother were forced out of their home. Desperate to survive, the two faked their deaths and fled to the countryside on foot with few possessions. Miriam was understandably confused and distraught about what was happening: where is her beloved dog, Rexy, after all? He would never leave her. Disguising themselves as illegitimate child and peasant servant woman, the two manage to stay steps ahead of the German soldiers. Miriam’s mother managed to hold onto hope that her husband would survive and that they would one day all be reunited.

Miriam was only a toddler when her world dissolved. Her childhood memories were fragmented, full of chocolate, forests, snow, strange men, and the noise and brutality of war. This memoir is her way of gathering those fragments and forming something that makes sense. Besides their physical crises, Miriam and her family go through a crisis of faith. The two contemplate God, His decisions, and why He would allow devastation and destruction across the world. This is a constant crisis for the two and for many other survivors of the Shoah/Holocaust. Miriam merges her broken pieces into a beautifully told story of her childhood innocence amidst unbelievable violence.

In Limbo by Deb JJ Lee

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“I love you when you’re at your lowest just as much as at your best.” – In Limbo, Deb JJ Lee

TW for suicide and abuse.

Deb Lee’s powerful new memoir explores coming of age in New Jersey as a Korean-American teenager. Deb examines the Korean-American diaspora and mental illness as she mines her history for answers. Deb left Seoul to come to America with her family when she was only three years old.  Ever since she arrived in the United States, she has been excruciatingly aware of her otherness. Her teachers couldn’t, and still can’t very well, pronounce her Korean name. Her English wasn’t perfect, she spoke Korean, but after some time, she slowly lost her Korean and spoke more and more English. Adjusting to the United States was difficult as her face and her eyes pointed her out as different. She felt wrong.

When Deb started high school, her life became harder. She started to feel increasing pressure at home, while dealing with high school changes. Her classes were more difficult than she expected, plus her friendships changed and ended. Deb struggles with finding a safe place to be herself, but luckily she has orchestra (even though that doesn’t last forever either). Her home life becomes increasingly chaotic as fights with her mom become more frequent, violent, and emotionally abusive. Deb has no idea what to do, feeling like she is stuck in limbo with nowhere to go and no one to turn to for help. Her mental health crashes, which results in a suicide attempt. Her healing process after is slow and methodical, but she is resilient, courageous, and willing to start the process. Art, self-care, and therapy help her start to understand herself and her heritage.

The artwork in this graphic memoir is amazing. Deb has drawn pages of evocative, grayscale artwork that give you the feel of memory. Some of their drawings are sharp while others are hazy, fuzzing out and fading to black. If you’re a fan of Tillie Walden, you will enjoy this art style. Deb worked on this for years before she finally was at a place where it was ready for the world. Their desire to wait makes this memoir feel polished and rewarding. This is a realistic depiction of a teen working through mental health experiences. Add in that this is a memoir and this is sure to be helpful to others.

Graphic Novel Series: Heartstopper by Alice Oseman

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“You can’t tell whether people are gay by what they look like. And gay or straight aren’t the only two options.”
― Alice Oseman, Heartstopper: Volume One

It’s been a long time since a book has hit me hard in the feelings, leaving me gasping for air. Alice Oseman’s Heartstopper: Volume One left me wrecked and immediately grabbing for the other published volumes. Oseman has written an incredibly cute story that deals with heavy topics respectfully while being simultaneously gorgeously written and drawn. The romance is a slow burn, but so relatable. This LGBTQ+ series is a must read as it represents people of all genders and sexualities in an adorable, wholesome, and sweet way, while still presenting tough issues that teens and adults go through on a daily basis. If I could make this required reading, I would!

Charlie Spring is in Year 10 at Truham Grammar School for Boys. He is a highly-strung overthinker who was accidentally outed as gay last year. Last year was incredibly hard for him, but thank goodness for the older boys who stepped in and stopped the worst of the bullying. People still say unkind things to him, but it’s not nearly as bad as it was the year before.

Nick Nelson is in Year 11 at the same school. He is a soft-hearted rugby lad, not afraid to fight for the underdog, while simultaneously being cheerful and affable. He doesn’t know Charlie very well, except as the kid who was outed last year and was bullied for a couple months. They haven’t even talked to each other.

When a chance meeting pushes the two boys together, Nick and Charlie quickly become friends. They discover things that they have in common, even more compounded when Charlie joins the school rugby team on Nick’s behest. It doesn’t take long for Charlie to start falling for Nick. Charlie thinks he doesn’t have a chance since Nick is straight and he’s heard rumors of a girl he has a crush on. As time goes on, love works its magic on the boys, showing them that good things come to those who wait.

So far, there are four published volumes in the Heartstopper series with the fifth volume set to be published in November 2023 and a sixth volume is in the works as announced by the author.

Want to talk about Heartstopper: Volume One with others? Join See YA! See YA is our adult book club with a teen book twist. See why so many teen books are being turned into movies and are taking over the best seller lists. Registration is not required. Books are available on a first-come, first-served basis at the Eastern Avenue library. We meet the first Wednesday of the month at Eastern at 6:30pm.  Our next four months of books are listed below:

August 2nd – Heartstopper: Volume One by Alice Oseman​​​​​​​

September 6th –  How Moon Fuentez Fell in Love with the Universe by Raquel Gilliland Vasquez​​​​​​​

October 4th – Cuban Girl’s Guide to Tea and Tomorrow by Laura Taylor Namey​​​​​​​

November 1st – Firekeeper’s Daughter by Angeline Boulley

Flung Out of Space by Grace Ellis and Hannah Templer

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This is a story I believe is worth telling. That being said, I want to be clear: The protagonist of this story is not a good person. In fact, Patricia Highsmith was an appalling person. – Grace Ellis, author’s note in the beginning of Flung Out of Space

Flung Out of Space: Inspired by the Indecent Adventures of Patricia Highsmith by Grace Ellis and illustrated by Hannah Templer was a book that had my feelings twisted multiple directions. Patricia Highsmith is problematic. She was a comic book writer and a lesbian during a time when those things were very much frowned upon and seen of as wrong and immoral. Pat’s own feelings towards herself are not positive – she goes through conversion therapy during the book. She is portrayed more as an antihero that readers aren’t sure how they should feel towards. Throughout this book, she is portrayed as bitter, caustic, and lashes out to anyone who gets too close. Pat is deeply flawed. This graphic novel is full of casual sexism, a male-dominated hierarchy, antisemitism, and prejudice against homosexuality. The swirling issues surrounding homosexuality are never really called attention to, but instead are present in Pat’s intense self-loathing of herself amongst other things. Hence my twisty feelings.

This graphic novel begins with Pat working as a writer of low-brow comics. She knows she can do better, but doesn’t do so. She drinks, smokes, and generally goes about life with an immensely surly attitude. As she goes about her day to day, Pat is consumed with thoughts of the novel she should be writing, which will eventually become Strangers on a Train, which will then be adapted into a film by Alfred Hitchcock in 1951.

While she works to write Strangers on a Train, Pat is consumed with self-hatred as she battles the fact that she is a lesbian. She tries conversion therapy, which instead provides her with more women to love and leave. One of those encounters plants the seed of another book in Pat’s head: a story of homosexual love that would give the lesbian protagonists a happy ending – a first! (this would eventually become the book, The Price of Salt).

As I talking about before, this title gave me conflicting emotions. Pat became an unintentional queer icon, but also held incredibly problematic views on multiple topics which made her legacy controversial. It’s a good read, but please read with care.

Murder Book: A Graphic Memoir of a True Crime Obsession by Hilary Fitzgerald Campbell

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I am a lover of true crime. This isn’t much of a surprise to my family and friends. For years, true crime has taken over the media I consume(podcasts, tv shows, movies, books, etc). When I stumbled upon Murder Book: A Graphic Memoir of a True Crime Obsession by Hilary Fitzgerald Campbell, I knew this was something I needed to read. I wasn’t disappointed.

Hilary Fitzgerald Campbell is obsessed with true crime. Ever since she can remember, true crime has been prevalent in her life. Hilary believes that she inherited her interest in crime from her mother, but has questions about the psychology surrounding why people find true crime to be so entertaining. In her quest to answer that question, Hilary examines her past, does research, and starts combining what she learns into this graphic memoir. Hilary talks about high profile cases(Zodiac, Ted Bundy, etc) that impacted her life and moves onto other not as high profile cases and the often overlooked victims that are also etched into her memory (Anne Marie Fahey for example). For those of us that enjoy true crime, Hilary also lists authors she loves, the crime shows she watches, and the podcasts she listens to. This graphic novel made me feel normal – she outlines her obsession of love and true crime, while also saying that outsiders may see some weirdness in people loving/enjoying true crime. This is definitely an unconventional book/topic, but there is an audience who will appreciate it.

While I enjoyed this graphic novel, it does jump around a lot (the author acknowledges this). It didn’t bother me much as it made sense to me and followed the jumpy way my own brain works. Reading about how the author tries to figure out why she loves true crime and why she started down this path made me think about why I too love true crime. Hilary highlighted some cases that I hadn’t heard about and some that I had already explored. It was validating to read something that talked about my own anxieties, love of true crime, etc.

Tokyo Rose – Zero Hour by Andre Frattino and Kate Kasenow

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As a librarian, I like to tell people that I know a little about a lot with some deep wells of specific knowledge. If I don’t know the answer, I can find the resources to answer your question. As I was shelving graphic novels, I found Tokyo Rose – Zero Hour: A Japanese American Woman’s Persecution and Ultimate Redemption after World War II with story by Andrew Frattino and illustrated by Kate Kasenow. This book immediately caught my eye as propaganda artists of any kind during wars have been an interst of mine for years, but I had never heard of Tokyo Rose. It was time for a dive. This graphic story was the perfect place to start.

The term ‘Tokyo Rose’ was a nickname given to female English-speaking radio broadcasters of Japanese propaganda during World War II. Allied servicemen in the South Pacific coined this name. This book is not a broad look at World War II, but instead is a focused deep dive into the life of one woman who was branded the legendary infamous Tokyo Rose, even though there were actually many Tokyo Roses.

Iva Toguri was a Japanese American woman born in the States who was sent to visit relatives in Tokyo shortly before the attack on Pearl Harbor. After the attack, Iva was trapped in Japan, unable to get back to the United States. Visited by officials, Iva was pressured to renounce her American citizenship and fully become a Japanese citizen. She refused this deal whole-heartedly, saying she was an American citizen and would never denounce her country. This caused issues with her family in Tokyo, forcing Iva to move out and forge a new life for herself.

A friend got her a job at Radio Tokyo, where she was eventually forced to become the host of ‘Zero Hour’, a propaganda broadcast that was created to destroy morale of American troops. She became the infamous Tokyo Rose, ‘The Siren of the Pacific’. Her role made her a target of angry Americans. She was arrested, released, and then eventually made her way back to the United States where after public outcry she was arrested again and prosecuted for treason. Her trial was a joke, the prosecrutors were incredibly dishonest, and the judge skewed not in her favor. She spent time in prison, but was eventually pardoned by President Ford in 1977. Iva’s experience is something not discussed much in the history books, but is something that should be taught.

This book was a good introduction to the Tokyo Rose phenomenon, but remember this is only the story of one woman who was targetted as Tokyo Rose in the media. All in all, I enjoyed this graphic novel, but it was a tad uneven for me. The plot and story is necessary to learn however because after all, those that fail to learn from history are doomed to repeat it.