Tag: film history

Be Frank With Me by Julia Claiborne Johnson

- Callen Leave a comment

Julia Claiborne Johnson’s works are love letters to the early 1900s, in two very different ways. I recently read her first, Be Frank With Me, and it’s so funny and heartfelt that it gave me high hopes for her second, 2021’s Better Luck Next Time.

In Be Frank With Me, a young New Yorker named Alice Whitley narrates the story of her time working for prickly and reclusive author M.M. Banning in the early 2000s. Alice spends most of her time taking care of Frank, Banning’s nine-year-old son. Frank is a sharp dresser, a destructive force, and a treasure trove of facts, especially about the golden age of film (circa 1910 through around 1960). He has two specific rules: No Touching Frank, and No Touching Frank’s Things. None of this makes it easy for him to connect with other kids (or anyone, really), but through their time together Alice comes to care deeply for him, even as her curiosity grows about who his father is – not to mention all the questions she has about his mother and her enigmatic handyman Xander.

While I’m not sure I’m satisfied with where the book ends (although it’s always a good sign to want more, isn’t it?) I loved smiling and laughing my way through it, particularly as Alice grows and learns along the way. Her dry wit and Frank’s unique voice combined into an unforgettable friendship.

If you like books about authors, quirky kids, or young adults coming of age, you might like Be Frank With Me. If you loved Be Frank With Me, and want a story of love, marriage, divorce, and dude ranches in 1930s Nevada, you might try Better Luck Next Time. Both have a sense of nostalgia and reminiscence about them in different ways.

In the case of Better Luck Next Time, two very different women arrive at The Flying Leap dude ranch in Reno, Nevada, hoping to stay the six weeks that will make them “residents” of Reno and therefore able to take advantage of its quick divorce policy. One is Nina, an heiress and pilot on her third divorce, and the other is Emily, for whom seeking a divorce is the bravest thing she’s ever done. They couldn’t be more different, and yet both strike up friendship with Ward, a handsome ranch hand. Themes include destructive love, healing friendship, and chosen family – and apparently the book is both humorous and heartfelt in good measure.

Five Came Back by Mark Harris

- Ann Leave a comment

five came backFive Came Back gives us the untold story of how Hollywood changed World War II, and how World War II changed Hollywood through the prism of five film directors caught up in the war: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens.

It was the best of times and the worst of times for Hollywood before the war. The box office was booming, and the studios’ control of talent and distribution was as airtight as could be hoped. But the industry’s relationship with Washington was decidedly uneasy – hearings and investigations into allegations of corruption and racketeering were multiplying, and hanging in the air was the insinuation that the business was too foreign, too Jewish, too “un-American” in its values and causes. Could an industry this powerful in shaping America’s mind-set really be left in the hands of this crew? Following Pearl Harbor, Hollywood had the chance to prove its critics wrong and did so with vigor, turning its talents and its business over to the war effort to an unprecedented extent.

No industry professionals played a bigger role in the war than America’s most legendary directors: Ford, Wyler, Huston, Capra, and Stevens. Between them they were on the scene of almost every major moment of America’s war, and in every branch of service – army, navy, and air force; Atlantic and Pacific; from Midway to North Africa; from Normandy to the fall of Paris and the liberation of the Nazi death camps; to the shaping of the message out of Washington, D.C. As it did for so many others, World War II divided the lives of these men into before and after. Even less well understood, the war divided the history of Hollywood into before and after as well. Harris reckons with that transformation on a human level and on the level of the industry and the country as a whole. Like these five men, Hollywood too, and indeed all of America, came back from the war having grown up more than a little. (description from publisher)