A theme that seems to be present in most of the materials I have been reading recently is the apocalypse and the end of the world. ApocalyptiGirl: An Aria for the End Times is no exception. Aria is stuck alone on the planet at the end of the world with only a cat named Jelly Beans as her companion. She discovered tunnels under this overgrown city and has transformed them into her living chambers. Although Aria is by herself, she has a mission to complete and one important part of this is to find working parts to transform Gus, a giant robot machine, back into working order.
Aria’s main mission? To find an ancient relic with immeasurable power called the Grand Photon. This gift from above is perfect energy because of its ability and power to transform an entire planet into a veritable Garden of Eden. History says, though, that the inhabitants of this planet had used the Grand Photon for evil, harnessing its power and weaponizing it, which eventually led to the scorching of the planet and the killing of almost every living thing. Aria was sent to this planet for what she thought would be three months, armed with a tracking device on her arm, to find the Grand Photon. Those three months turned into six years.
Andrew MacLean has put together a beautifully illustrated story about a young woman’s struggle in an action-packed adventure comic about the extremes of humanity and how even in a world that has been completely ravaged by war, we still long for a place to call our home. The artwork is bright and reminiscent of manga with woodblock art and a very-detailed, almost old American comic feel to it. Through the first few pages, it definitely becomes apparent that this story takes place not in this time period, but the art has you wanting to pay close attention to the vividness of each color and the different story lines. This graphic novel is not overly filled with back story; MacLean chooses instead to give us glimpses of history through Aria’s streaming consciousness, in essence she is talking to herself and through this talking, readers are privy to a much-needed-to-know history. With no one to talk to on this planet, Aria would naturally keep a running commentary in her head and also with her cat, Jelly Beans. This graphic novel was both serious and humorous; two things that if done right, work perfectly together.
Have you ever watched a show that had you continuously scratching your head and wondering what was going on and how any of it could possibly be happening? My latest head-scratching television show is Wayward Pines, a Fox television show that premiered its first season in May of 2015 . This show stars Matt Dillon as Secret Service agent Ethan Burke who is sent to investigate the disappearance of two fellow agents. On his way to investigate, Burke is in a serious car accident and wakes up in a hospital in Wayward Pines, a creepily idyllic town in the picturesque mountains of Idaho.
After breaking out of the hospital, Burke begins the investigation into his missing colleagues and also into what actually happened to him before he woke up in the hospital in Wayward Pines. Burke soon realizes that crazy things are happening when he stumbles upon one of his missing colleagues and she tells him she has been in Wayward Pines for years, when she disappeared from DC five weeks prior. Burke tries to leave, tries to get in contact with his wife and son, and tries to pry answers from the sheriff and the townspeople, only to be rebuffed and in danger no matter what he tries. When his family comes looking for him, Burke takes matters into his own hands and desperately searches for a way to free them all for the walled city of Wayward Pines. This television show can be confusing at times, but the giant conspiracy around the whole endeavor had me clamoring for more once I watched the season finale.
This television show is based on the Wayward Pines novels by Blake Crouch. The order of the trilogy is Pines, Wayward, and The Last Town. You can find all three at the Davenport Public Library.
In The True Lives of the Fabulous Killjoys, Better Living Industries, a megacorporation with a ruthless and tyrannical leader, is working to take over more of the world and to cut off the freedoms and emotions of everyone living on the planet. This has been going on for years with revolutionaries and groups popping up every now and then trying to save what they can of the life they used to live and the people that they used to know. A group of four said revolutionaries became THE group of revolutionaries in this world with their likenesses splattered all over the news. Sadly over ten years ago, they were all killed while trying to save the life of a mysterious young girl that Better Living Industries, aka BLI, was trying to kill. This young girl becomes one of the main subject lines of The True Lives of the Fabulous Killjoys. Follow along as the Girl works to figure out why BLI tried to kill her, what BLI is doing to all the defunct robots around the world, how these rogue groups are surviving and getting their news, and how the system BLI has set up is really affecting the civilized people in the world and how BLI is able to control the world and its employees.
The writers, Gerard Way and Shaun Simon, along with artist Becky Cloonan, have crafted a very strange, mysterious, and science fiction heavy graphic novel that is rich in details and colors that pop into your subconscious as you follow along with the characters. This graphic novel does not have a traditional linear structure, in the sense that readers will have to pay attention to context and art clues to figure out the difference between the past and the present, but the ideas presented are so intriguing and seemingly plausible that the quick transitions between past and present and also between different characters’ storylines only serve to add to the complex and supremely creative nature of this graphic novel. I highly recommend reading through this graphic novel more than once.
A list of excellent things about World War Z:
- Author Max Brooks (progeny of Mel Brooks) uses the word “decimate” appropriately – it means to kill one out of every ten people, usually as a show of force or intimidation and it is NOT a synonym for rampant destruction. The grammar nerd in me squealed with delight when I read that!
- Interview-style storytelling means a focus on plot that’s both exciting and quick to read (Corollary: if there’s a chapter that you don’t like, it’s over quickly and the next one won’t be about the same person, the same event, or even the same country)
- Rapid pacing keeps you on the edge of your seat. I couldn’t put this down!
- Plausible and thoroughly reasoned geopolitical scenarios and global reactions to the zombie apocalypse
- It’s the zombie apocalypse. So it’s awesome.
There are only two “bad” things about it, really. First, there’s a hefty helping of military action and associated jargon; if that isn’t to your taste, be prepared to skim or skip those paragraphs. Second, the interview-style format means that there is 0 character development, so if you rely on relatable characters to draw you into a narrative, that’s not going to happen here. But these aren’t really weaknesses as much as they are features of the book – for every reader who hates those features, there’s one who finds them fascinating. If that’s you, this book is sure to please.