Light from Uncommon Stars by Ryka Aoki

It’s proven that reading fiction about people different from us helps us build empathy and understanding – Light from Uncommon Stars by Ryka Aoki was a powerful example of this for me. I feel I know so much more about trans women’s experiences and Asian culture in California after reading this book. It’s also a genre-bending, compassionate, hopeful look at Faustian bargains, intergalactic refugees, and family of all kinds.

Violinist Shizuka Satomi has a deal with Hell – she’ll win back her soul and her ability to play music if she delivers seven souls to Hell. After years of work she’s carefully selected, molded, and delivered six, with just enough time before her deadline for the last one. But her final student isn’t what she expected – Katrina Nguyen is an abused, terrified runaway, a trans girl with no confidence, no hope, and nowhere to go. But when she plays her violin, the music is indescribable. Shizuka takes Katrina into her home and starts to teach her, only to find her own world and heart irrevocably changed by this unexpected and gentle girl. At the same time, she finds herself growing closer to the enigmatic Lan Tran, owner of a donut shop, mother of four, and alien refugee in disguise. All three women have battles to fight, and will have to lean on each other and learn to let go of their pasts to find a new way forward.

There are so many reasons to love this book, from the descriptive prose to the vivid characters. It’s an unflinching portrait of a trans girl’s experiences, but hopeful at every turn, flouting tropes, conventions, and the expectations you might have for a book about trauma and deals with the devil. There’s all kinds of families on offer here, including found family helping each other heal from their old wounds, choosing kindness, connection, and tender care over fear and conflict. The blend of genres is innovative and mostly effective, as the supernatural melds with sci-fi and contemporary fiction, with a hint of sapphic romance. Aoki not only makes these elements stand together, but also uses the combination to hold up a mirror to our complex, diverse society that struggles to see, understand, and respect the myriad experiences being lived around us. Perhaps most powerful is the strong thread of feminism running through the story as multiple women grapple with generational trauma and patriarchy that has been harming them, and find their own way out and into a place of power and self-trust.

If you like stories of classical musicians finding their voice, urban sci-fi, Good Omens-style fantasy, pacifist themes, the young and old teaching each other valuable lessons, and/or queer romances and coming of age stories, this would be a great book for you.

As Brave As You by Jason Reynolds

Jason Reynolds is a New York Times bestselling author who writes poetry and novels for young adult and middle-grade readers. Reynolds’ books are also multiple award winners. My latest read, As Brave as You, was a Kirkus Award Finalist, Schneider Family Book Award Winner, and Coretta Scott King Author Honor Book.

As Brave as You is the story of a multigenerational family and their ideas of love and bravery across those generations. Genie and his big brother, Ernie, are spending the summer with her grandparents all the way in Virginia. Their parents are driving them from Brooklyn all the way down to the country in Virginia. Genie has never done anything like this before, so he’s both excited and nervous. When the family finally arrives in Virginia, Genie is surprised. His grandpa is blind! Grandpop can’t see, but he covers it so well, especially by wearing a pair of cool Ray-Bans.

Being an ever-curious kid, Genie has so many questions for Grandpop so he just starts asking whatever pops into his head. The more Genie learns, the more he thinks that Grandpop is the bravest person he knows. The only flaw: Grandpop NEVER leaves the house. Grandpop finally allows Genie to go into his secret room: a place filled to the brim with songbirds and plants. It’s a wonderful room that looks like the outside has been pulled inside. Genie starts to think if Grandpop is actually as brave as he presents.

Genie deals with complicated thoughts around bravery the closer it gets to Ernie’s fourteenth birthday. Grandpop has a tradition for all the men who turn fourteen: in order to become a man, you have to learn how to shoot a gun. Genie thinks this is incredibly cool, but Ernie isn’t really interested at all. That also throws Genie’s idea of bravery into freefall. Is being a man really about proving something? Or is it about being responsible for your own decisions?

This book is also available in the following format:

Under the Banner of Heaven by Jon Krakauer

If you, too, are interested in all things true crime I recommend Jon Krakauer’s Under the Banner of Heaven: A Story of Violent Faith

In the last couple months, a few television series were released that depict the dangers of extreme and fundamental religious faith, most notably Netflix’s docuseries Keep Sweet: Pray and Obey and Hulu’s adaptation of Under the Banner of Heaven. Amidst my viewing of these revealing and disturbing episodes about Fundamental Latter Day Saints, I felt it necessary to read Krakauer’s narrative exposé of the gruesome murders of a mother and her baby at the hands of her brothers-in-law. Ron and Dan Lafferty, the brothers who committed this evil act, rooted their reasoning in their Mormon Fundamentalist faith, and more specifically in some of the incredibly dark and violent origins of the religion. 

Krakauer situates his book somewhere in-between a history lesson about Latter Day Saints and a journalistic account of this double homicide. His reports are researched and informed by several interviews, notably from Dan Lafferty (one of the murderers). What I found to be particularly captivating about the book are the interviews leading up to the murders of Brenda and Erika Lafferty, and how Krakauer weaves them together with the historical narrative of the Mormon Church. So many of the Lafferty friends and family members knew that the brothers were planning to “remove” Brenda and her baby from this world, but no one stopped them. The “why” to this question is what ultimately fuels Krakauer’s book. 

Though I would not use this book for academic research about the modern LDS church–none of the historical information is explicitly his own, nor is he himself Mormon–Krakauer’s examination of how damaging religious faith can be when it is blind and unrelenting is superbly executed. 

Krakauer proves to be an expert non-fiction writer who can illuminate reality without supplementing fact with fabrications. I highly recommend Under the Banner of Heaven if you are in any way interested in true-crime, or if you are falling down the rabbit hole of religious-extremist media coverage like myself. 

 

The Marvelous by Claire Kann

If you’re ever curious what to read next, ask a librarian! My last read came courtesy of a conversation I had with our teen librarian, who gave me lots of recommendations of what to read next. The Marvelous by Claire Kann is the story of six teens locked together in a mansion, forced to compete for a life-changing cash prize in a competition run by a young, yet reclusive, heiress.

Jewel Van Hanen is a celebrity that everyone thinks they know everything about. She recently created the immensely popular video-sharing app called Golden Rule. You see – Jewel is an heiress turned actress turned social media princess who created a platform free of bullying. Her motives seem pure. Everything changes when Jewel mysteriously disappears for a year. No one has heard from her or seen her.  Her activity on the app stops.

Now all of a sudden Jewel is back with an announcement: she will be holding one more Golden Weekend. She has chosen a few Golden Rule used to join her for a weekend at her private estate, all expenses paid. The chosen have an idea what to expect as there have been nine Golden Weekends before (even though not much is known about those). When they show up, Jewel shatters their expectations. The guests are now players in a competition that takes place all over the estate. They will face challenges and obstacles the likes of which the players have never seen. Jewel has designed this last Golden Weekend to test them to see how far they are willing to go to win.

This book is also available in the following format:

The Latest from Pop Punk Princess Avril Lavigne

Love Sux is Avril Lavigne’s latest album, and if you grew up like I did yelling along with her angsty bops, this is the perfect album for you.

Her first album was smash hit Let Go, containing tracks like Sk8er Boi and Complicated which rocketed her to fame. Next was Under My Skin, a darker grunge-inspired album whose most lasting track was My Happy Ending. The Best Damn Thing was album number three, and had several good tracks including Hot, Keep Holding On, and the yearning When You’re Gone, but most notable was Girlfriend, possibly her most popular song to date. Number four was Goodbye Lullaby, which has some of my personal favorite songs on it, including What The Hell and Smile. After that came self-titled album Avril Lavigne which is bursting with catchy tracks like Sippin’ On Sunshine and Here’s To Never Growing Up, alongside the controversial j-pop inspired Hello Kitty and the ballad Let Me Go with then-husband Chad Kroeger. After her battle with lyme disease she released Head Above Water in 2019, a bit of a departure in style as she processed the pain of her experiences; the main song with her signature rebelliousness is Dumb Blonde with Nicki Minaj, while the rest are slower, ballad-style tracks about helplessness and struggle to break free.

Love Sux is a return to form, with energetic rock-style tracks expressing defiance at every stage of relationships. The energy starts strong with Cannonball and doesn’t let up through a duet with Machine Gun Kelly, two dysfunctional love songs, and the eponymous Love Sux. Things might mellow a little by the end, but the whole effect is vintage Avril – which only fuels the Internet’s speculation that she doesn’t age (or ages very well). I’m always impressed at the way her music naturally matures as she does, while keeping her signature style; Let Go‘s “let’s crash the mall” skater vibe was definitely a teenager’s point of view, but Love Sux listens well from an adult perspective, even though it still probably has youth appeal.

If you’ve ever enjoyed Avril Lavigne or just like rock music with punk vibes and pop appeal, you’ll probably enjoy Love Sux.

The Batman on DVD

You could probably tell a lot about a person by their answer to the question: “Who’s your favorite Batman?” Me, personally, I’d probably say Michael Keaton from the Tim Burton Batman and Batman Returns movies, with Christian Bale’s Dark Knight a close second (but that’s because of Michael Caine as Alfred). I don’t know what that says about me (escapist nostalgia?), but I have a theory about people whose favorite Batman is now Robert Pattinson in The Batman: they’re probably thoughtful, complex people who know what it’s like to struggle with trauma and anger, and who care about responsibility and accountability.

Here’s why I think that. I’m not going to summarize the plot for you too much, because you’ve probably heard plenty about this movie while it was coming out (I sure did). I wasn’t surprised that a brooding Bruce Wayne faces a brutal Riddler after two years fighting crime as Vengeance. What I was surprised by was how NOT romanticized the Batman figure was. Rather than making him a kooky crimefighter (Adam West style), a pitiable and misguided orphan martyr (like in the Gotham TV series) or a playboy and noble warrior for justice (Christian Bale style), this film makes him (and his Bruce identity) undeniably problematic both as a person and as a symbol to Gotham. Feminists will probably be notably uncomfy with his behavior toward Selina Kyle, Alfred fans (like me) will be startled by how little time and affection Bruce has for his surrogate father, mental health advocates will recognize a truly troubled personality in the unwashed and obsessive Bruce, and by the end of the movie there will be a deep dive into the dark effects a violent vigilante like Batman would really have on the culture and crime rates of Gotham. It’s an important thing to consider in an age of radicalization, polarization, and people pushed to extremes – and it makes a film that really sticks with you.

I know many people were struggling to accept Pattinson’s jump from Twilight mega-fame to tough-guy Bruce, but if you haven’t already you should definitely give this film a watch. If you’re not interested in the philosophical exploration of violence and accountability, try it for the truly wild card atmosphere of this film. For one thing, I promise you are not prepared for the Wayne Manor, and second, I would not be surprised if the casting call for this film stated “must have an unusual or silly-sounding voice”. Moreover, Zoe Kravitz’ Selina Kyle is as tough and sultry as advertised, and ALMOST as good at critiquing Batman’s privileged perspective on the world as Michelle Pfeiffer’s in Batman Returns. Other worthwhile highlights for longtime Batman fans include a clearly retro-inspired Batmobile, an ethnically diverse cast including a particularly effective Jim Gordon, and skillful camera work and orchestration (almost as good a score as The Dark Knight, though not quite at that unsettling level).

Whatever your reason, don’t miss the latest reimagining of The Caped Crusader, now available in DVD and Blu-Ray at the library. Did I miss your favorite Batman? Tell us in the comments!

The Highwomen, feat. Brandi Carlile, Maren Morris, Natalie Hemby, and Amanda Shires

My journey to rediscover country music continues! A modern country sound that honors the roots of the genre, The Highwomen is a unique gift to today’s country music. If you like or have liked country music but are looking for something fresh – or you prefer Outlaw Country to Bro Country or Boyfriend Country – this might be a good album for you.

Now, if you’re a longtime country fan, you’ve probably already guessed that this group was inspired by the legendary Highwaymen, composed of Outlaw Country Superstars – Johnny Cash, Waylon Jennings, Kris Kristofferson, and Willie Nelson. The idea was Amanda Shires’, who wanted to bring together a female supergroup partly to combat the low representation of women’s voices in country music radio and festivals. She connected then with Brandi Carlile  and Maren Morris, originally intending to leave the fourth spot open for guest collaborators. When the group debuted in 2019, at Loretta Lynn’s 87th birthday concert, Natalie Hemby was officially announced as the fourth member. The album came out later the same year.

What I really liked about this album was the stories that it told, stories that I haven’t heard a lot in my country listening. Now, I like a good “hell hath no fury like a woman scorned” song as much as anybody else (Before He Cheats by Carrie Underwood, anyone?) but it sure seems like a lot of what makes country music (or most music, honestly) popular is the same story – boy meets girl (Hurt Somebody by Dierks Bentley), boy chases girl (She’s a Girl Ain’t She by Rodney Atkins), the bliss of love (Heaven by Kane Brown), boy wrongs girl or vice versa (Jolene by Dolly Parton, I Hope It Rains by Jana Kramer), messy heartache ensues (Burning House by Cam), both move on (Red High Heels by Kellie Pickler, Bartender by Lady A). And if it’s not that story, it’s the Living In The Country is a Real Good Time story (Where I Come From by Montgomery Gentry, Mud on the Tires by Brad Paisley, Meanwhile Back at Mama’s by Tim McGraw, etc. etc.). Both are good, but repetitive after a while.

The Highwomen sing a new slate of relatable messages – in this album we hear the voices of women wronged by history/society (Highwomen), the struggles and joys of being women (Old Soul, Redesigning Women), a daughter facing the death of her father (Cocktail and a Song), various reasons not to be a mother (My Name Can’t Be Mama), an homage to suburban moms (My Only Child) and, my personal favorite, Heaven is a Honkytonk, which is a very Willie-Nelson-esque homage to country music legends who have passed on. And of course, thrown in are a few romantic journeys including post-breakup Don’t Call Me and the both relatable and subversive If She Ever Leaves Me. The latter is particularly a gem, because it portrays love between women in a positive and unexpected way.

If you missed this album when it first came out and love a modern twist on classic genres, get your country on with The Highwomen.

Unicorn: The Memoir of a Muslim Drag Queen by Amrou Al-Kadhi

As part of my Pride Month reading this year, I tried to pick up books that would help me learn about the diverse experiences of LGBTQ+ people beyond the margins of white, cisgender America. Amrou Al-Kadhi [they/them] expertly does just so in their memoir, Unicorn: The Memoir of a Muslim Drag Queen. This lavish and raw autobiography renders a refreshing peek into the life of a queer Iraqi-British Muslim drag queen- an intersectional identity that demands the careful and nuanced representation Al-Kadhi offers in their memoir. 

In their beautifully written story, Al-Kadhi, or Glamrou as they are known on stage, is a stunning example of the self-expression and self-exploration drag allows. Raised in a socially-conservative, religious household, Al-Kadhi was instilled early on with a torturously rigid sense of shame and self worth. Their journey outlines the beauty and freedom they experienced as a child, as well as the connection they felt to their mother and the world she created for them. “My mother’s middle east was one I felt safe in,” they lovingly recall. 

As they grew through their adolescence, though, they became painfully aware of the Middle East and Islam’s perspective on homosexuality and gender-noncomformity. It would take years of cultural healing and rediscovery for Al-Kadhi to feel connected to their family, heritage, and religion. While simultaneously mending the pain of the past and celebrating a mergence of femininity and faith, it was ultimately through drag that they finally felt at home in both their queerness and their culture. 

Unicorn is one of the best memoirs I have ever read. Beyond Al-Kadhi’s personal narrative of self-acceptance and perseverance, the story is heavy with complex understanding of how culture and faith belong to a people, not an individual. Al-Kadhi’s revelations of gender, sexuality, and belonging are inspiring and beautifully rendered. 

I would sincerely recommend this to anyone hoping to immerse themselves in a piece of nonfiction, at the heart of which is a story of the human search for acceptance and home.  

The Agathas by Kathleen Glasgow and Liz Lawson

The Agathas by Kathleen Glasgow and Liz Lawson is a young adult novel described as a mix between Veronica Mars and Agatha Christie. I agree! This book is rumored to be the first in a new series and honestly, I hope that is true.

Alice Ogilve is having a rough go of it. Last summer, her boyfriend Steve dumped her. After that, she disappeared for five days. Alice eventually showed back up, but where she went and what happened to her during those five days is a mystery, mostly because Alice refuses to talk about it. To add insult to injury, Steve started dating one of Alice’s best friends, Brooke, last summer. Well Brooke is now Alice’s EX-best friend. Alice’s ex-friends aren’t talking to her, the entire Castle Cove community is upset, and Alice is marched into her home on house arrest and can’t leave due to her actions.

Flash forward to the present: Brooke is missing. She’s vanished and people are saying that she’s doing the same thing that Alice did last summer, only Alice knows Brooke would NEVER just disappear. There must be a sinister reason behind her sudden disappearance.

Enter Iris Adams, Alice’s tutor. She would love to disappear like Alice did, except she would take her mom with her and escape Castle Cove forever. Unlike Alice though, Iris doesn’t have the money or the means to disappear. When Brooke’s grandmother comes into town offering a large reward for any information about Brooke’s whereabouts, Iris decides to figure out the truth about what happened to Brooke. Iris and Alice begin investigating on their own, fueled by the police’s belief that Steve is the culprit. The two have doubts, so they set out to discover who is really responsible.

In order to get justice, and to secure the reward money, they must figure out who is behind Brooke’s disappearance. Alice has a secret weapon: she spent her house arrest reading the complete works of Agatha Christie, so she has the master to help her solve this mystery. The more the two dig, the more they realize that Castle Cove is full of secrets, but the amount of danger the two have put themselves in is worse than they could imagine.

Love is for Losers by Wibke Brueggemann

I like YA books, but no other narrator has ever felt as authentically fifteen as Phoebe, the voice of Love is for Losers by Wibke Brueggemann. Slang, text-speak, cringe, angst, and a heaping helping of dense obliviousness all combine for a laugh-out-loud, queer, teen, and generally updated retelling of Bridget Jones’ Diary.

Phoebe is living in London with her mum’s best friend Kate (a Persian cat mom who runs a charity shop), AGAIN, since her mum is a doctor with Medecins Internationale and has run off (AGAIN) to help disaster victims. Adding to Phoebe’s feelings of abandonment is a rift with her best friend Polly after Polly finally gets a boyfriend (Tristan, who’s so useless he can’t even ride a bike) and won’t talk about anything else (when she even remembers Phoebe at all). Phoebe has vowed to never get emotionally attached, since falling in love is such a degrading loss of sanity (and frankly gross to look at – who makes out in public?). And that could’ve been the end of it, until one of Kate’s designer Persians escapes while in heat, costing Kate a lot of money she could’ve charged for full pedigree Persian kittens. Determined to pay her back, Phoebe goes out to get a job, ending up working at Kate’s charity shop (humiliating) where she comes face-to-face with Emma, who’s got the bluest eyes Phoebe has ever seen, not to mention beauty and class…

Not only is this book funny, but it delves into a ton of tough topics including loss, grief, selfishness, community, how to be a good friend, emotions, heritage, and what makes a family. The short-form diary entry structure makes the book more addictive by being quick and immersive to read. Heartwarming, hopeful, and inclusive, this is a book for anyone who’s tried to shut away their feelings to keep from being hurt, AND a good readalike for Fredrik Backman’s many fans (A Man Called Ove is a similar vibe).