Do you like reading screenplays? Poetry? What about novels that aren’t written in the traditional sense? I’ve read many novels-in-verse, but the author has to really bring their A-game if I’m to be impressed with a novel-in-verse. Books written in a different way than I am used to take me a little while to get invested in and as a result, I usually avoid them. My latest listen, however, was not done in a traditional format and I loved it.
The Divorce Papers by Susan Rieger was a whim of a book to listen to. I was searching through OverDrive having just finished my previous book. With none of my holds available for check-out, I honestly picked The Divorce Papers because the title sounded interesting, the cover was intriguing, and I knew it would be ripe with family drama. Had I clicked through and read the blurb provided by the publisher, I probably would have skipped reading it. I’m glad I impulse checked this audiobook out.
The Divorce Papers is not told like your traditional novel. Instead it’s told through a series of office memos, news articles, emails, legal papers, and personal correspondence. While you may think that this storytelling style leaves readers with the task of filling in much of the plot, you would be sadly mistaken. Each section is so detailed that while there may be gaps in dates, there are no gaps in plot and detail. You also benefit from a very precise timeline since everything in the book is dated. I greatly enjoyed that.
This book is the story of a messy divorce of two very high-profile members of a close-knit community. Sophie Diehl, a twenty-nine-year-old criminal law associate at a New England law firm has been dragged into doing her very first civil lawsuit. She was asked to do the intake interview for Mia Meiklejohn Durkheim, the daughter of her firm’s most important client. The only reason Sophie was asked to do the intake interview was because the partner who would have handled it was out of town. Having been promised by her boss that she would only have to do the intake interview and nothing more, Sophie went on with her regular criminal law work.
Nothing is ever quite that simple. Mia requests Sophie to be her lawyer, a request that the partners can’t turn down because she is the daughter of such an important client. Mia is a Mayflower descendant whose father runs a company and whose mother was an heiress. She was served with divorce papers at a popular local restaurant by her husband, Dr. Daniel Durkheim, Chief of the Department of Pediatric Oncology. This will be Daniel’s second divorce, Mia’s first, and Sophie’s first one to handle as well. Despite that fact, Mia is insistent that Sophie be the one to handle her divorce. What follows is a tense battle between Mia and Daniel for custody of their 10-year-old daughter Jane, for control of their assets, for alimony/child support, and a myriad of other issues that pop up in a divorce. While Sophie is handling Mia’s divorce, other letters, emails, and office memos show how this divorce is affecting her specifically. Readers get a look into her relationships with her work colleagues, her family, her friends, and her lovers.
To be honest, my mind faded out through some sections when the narrator read the legal papers. If I want to read this book again, I will definitely pick up a physical copy. Because this book deals with a divorce, there are many sections talking about alimony and the division of assets, aka lots of numbers. Luckily each section of legal documents was usually followed by a personal letter or email that broke down the dense talking into something I actually understood. Don’t let the lawyer talk throw you off reading or listening to this book though. The storyline and interpersonal relationships more than make up for the lawyer speak. I greatly enjoyed this book, more than I expected.
This book is also available in the following formats:
The Dollhouse by Fiona Davis alternates between the present day New York City and 1952 via the lives of the women who live at the Barbizon Hotel. In 1952 it was known as the Barbizon Hotel for Women, catering to young, single women who aspired to be secretaries or models. Darby comes from Ohio to enroll in the Katharine Gibbs College, which taught young ladies business skills and etiquette. Very soon, she becomes friends with Esme, a maid, singer and aspiring actress. When Esme encourages Darby to perform with her at a jazz club downtown, Darby’s world view changes radically; she discovers passion – creatively and romantically. These chapters are tinged with nostalgia and a sense of impending tragedy. Davis does a marvelous job of immersing the reader in a very different era, with different assumptions for women – and she does it with a subtle, realistic way.
