Author: Callen

Grasshopper Jungle by Andrew Smith

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I recently read Grasshopper Jungle by Andrew Smith, a modern classic of YA queer fiction, originally published in 2014. Delightfully, it reads like what would happen if Alice Oseman collaborated with Terry Pratchett on Alien fanfiction- authentic teenage confusion meets a dryly humorous take on apocalyptic mayhem. And as a nice bonus, it’s set in Iowa! Whether or not it’s a loving portrait of growing up in Iowa is something you’ll have to judge for yourself…

Grasshopper Jungle is the story of Austin, his girlfriend Shann, his best friend Robby, the interconnectedness of history, and how Austin’s bisexual awakening inadvertently leads to the end of the world via giant murderous insects. Austin narrates using mostly simple, declarative sentences stating the facts, because his ultimate passion is history – how it’s reported, how it’s preserved, how it continues to impact the present. The main history he has to relate is about his town’s legacy of secret science experiments, hidden bunkers, and dangerous plagues that produce 6-foot-tall, unstoppable, carnivorous insects. But while these secrets are being uncovered and the end of humanity draws closer and closer, Austin still can’t stop thinking about sex. He’s always known his best friend Robby is gay, and he’s also always known that he loves Shann Collins. So why can’t he stop thinking about kissing Robby? Is he gay too? How can he know? And how in the world is he going to get it figured out without hurting either of the two people he loves the most?

An accurate, awkward, ultimately endearing portrayal of what being a teenage boy is like, complete with lots of sexual thoughts, angst, and uniquely profound thoughts about family, history, and heritage, this is a good read for those who like coming-of-age stories, coming-out stories, or stories of terrible events ending the world as we know it (not a typical combination, but here it really works in balance).

And good news: its sequel, Exile from Eden, is also available in Rivershare.

Now on Freegal: 2023 Grammy Nominees

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The Grammy nominations are here and you can experience the contenders today on Freegal with your library card! The full list of nominees was posted on grammy.com November 15, with the 65th annual Grammy Awards scheduled to air February 5. This year new categories have been added: Songwriter of the Year, Best Video Game Soundtrack, Best Alternative Music Performance, Best Americana Performance, Best Spoken Word Poetry Album, and a special merit award for Best Song for Social Change.

Here’s a peek at the playlist on our digital music streaming platform, Freegal, with some artists you’ll probably recognize:

Unfortunately not everything is included as Freegal is a limited catalog, but if you (like me) haven’t managed to hear songs from Beyonce’s Renaissance, DJ Khaled’s God Did, or songs from Camila Cabello’s Familia, the 2023 Grammy Nominees playlist is a great place to start. The list includes all musical genres and offers a great snapshot of what’s hot in music today.

Luckily for you, if you’re looking to hear songs not included on this playlist, you can find most of them in our music CD collection, including Lizzo’s Special (About Damn Time is one of the nominees for Record of the Year), ABBA’s Voyage, Mary J. Blige’s Good Morning Gorgeous, Brandi Carlile’s In These Silent Days, and more.

Was your favorite artist or song included in this year’s Grammy’s? Let us know below!

A Prayer for the Crown-Shy by Becky Chambers

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The sequel to A Psalm for the Wild-Built is here, and it’s just as tender and pleasant as its predecessor. A Prayer for the Crown-Shy takes Sibling Dex and the robot Mosscap on travels through towns, villages, and beautiful scenery, all to ask Mosscap’s essential question: what do humans need?

These books are the ultimate gentle read for me; it’s all calm atmosphere and descriptive detail, focused on everyday tasks mixed with meditative questions about purpose and fulfillment. We see lots of hospitality and manners, painting society as a cooperative, curious, and practical enterprise that has room for many types of people. Sibling Dex’s career as a traveling tea monk contributed to this in the last book – where tea and small comforts help all kinds of ailments – and in this book Mosscap’s tour of human society serves the same purpose, but with a focus on making connections and friendships, and the way helping others in society makes a positive atmosphere. Through Mosscap’s eyes we also see the wonder of everyday life, as the robot takes great delight in every beautiful tree and the personal possessions and trappings of everyday life. At the same time, the story makes room for weariness, rest, and feeling lost; Dex wrestles with feelings of emptiness and disconnection from their tea service, and neither Mosscap or anyone else shames them for it, choosing instead to be supportive of them whatever their emotional state.

Other scenes to warm the heart include Dex’s romance with a blue-bearded craftsman and a visit to Dex’s family farm filled with a huge number and range of loving, bickering relatives, again with positivity, inclusion, respect and acceptance as themes. If you’re looking for a utopian read where things go well and everyone works together to take care of each other – with a heaping helping of inclusion, love, and responsibility – definitely give the Monk & Robot books a read.

My Favorite Books as Taylor Swift’s New Album

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Recently Taylor Swift’s new album Midnights snagged all top ten spots on the US Billboard charts, a major and unprecedented coup. On a more personal note, I’ve had at least one of the songs from the album stuck in my head on and off since I first listened to the album — and you probably have too, if you’ve listened to it. So I decided to make lemonade from lemons and tell you how my English major brain has associated songs from Midnights with different books. All the books (and very soon the album) are available for checkout from our library, so you can double-check my findings for yourself.

“So real, I’m damned if I do give a damn what people say / No deal, the 1950s shit they want for me / I just wanna stay in that lavender haze”

When I listen to Lavender Haze I hear love that pushes against expectations and conventions for what a relationship should look like, and therefore think immediately of The Love Study by Kris Ripper, which is only the first of a trilogy all about relationships outside of conventional norms, and about customizing your relationship to what works for you.

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“The burgundy on my t-shirt when you splashed your wine onto me / And how the blood rushed into my cheeks, so scarlet, it was / The mark you saw on my collarbone, the rust that grew between telephones / The lips I used to call home, so scarlet, it was maroon”

Maroon to me is about a vivid, passionate love that ended, and is remembered, as vividly as it lived. For sheer emotional power, and the strength of love and memory, this song has to be The King of Infinite Space by Lyndsay Faye. This book is an unforgettable Hamlet retelling with a powerful (and, spoilers, doomed) love at its core.

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“It’s me / Hi! / I’m the problem, it’s me / At teatime / Everybody agrees / I’ll stare directly at the sun but never in the mirror / It must be exhausting always rooting for the anti-hero”

Antihero is the song I (and many others) can’t get out of our heads — it’s catchy, self-aware, self-destructive, and self-deprecating, with paranoid fear of losing relationships and (for me anyway) a hint of glamour. What it made me think of is my favorite romance book of all time, Boyfriend Material by Alexis Hall (the sequel, Husband Material, works as well) because of its self-deprecating humor, self-destructive tendencies, and an unforgettableness not unlike an earworm.

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“Are we falling like / Snow at the beach / Weird but it was beautiful / Flying in a dream / Stars by the pocketful / You wanting me / Tonight / Feels impossible / But it’s comin’ down, no sound, it’s all around”

Snow on the Beach is all dreamlike, surreal vibes, with a star-crossed type romance running through it, which for me echoes the magical realism in One Last Stop by Casey McQuiston. Our lovable leads in that book find themselves in a similarly bizarre situation which they end up embracing.

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“What’s a girl gonna do? A diamond’s gotta shine / Best believe I’m still bejeweled when I walk in the room / I can still make the whole place shimmer”

Now, I fully believe you’ll have a better pick for this one, but Bejeweled‘s theme of claiming your power from a repressive relationship made me think of In Deeper Waters by FT Lukens, because among other things this book is about the main character embracing his power and identity and breaking free from fear and repression, and I just love to see it.

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“Sweet like honey, karma is a cat / Purring in my lap ’cause it loves me / Flexing like a goddamn acrobat / Me and karma vibe like that”

Okay, another unconventional pick, but the smugness of Karma, waiting for the other shoe to drop, reminded me of An Elderly Lady Is Up To No Good by Helene Tursten. Our elderly protagonist is similarly convinced of the justice of her actions – to very entertaining effect.

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“Everyone’s up to somethin’ / I find myself runnin’ home to your sweet nothings / Outside, they’re push and shovin’ / You’re in the kitchen hummin’ / All that you ever wanted from me was sweet nothin'”

Sweet Nothing is about finding a haven and home in someone who doesn’t burdern you with the expectations and pressure you receive everywhere else, which for me had to be The Bookseller’s Boyfriend by Heidi Cullinan. Also a cautionary tale about celebrity and social media, the romance in this book is all about an overworked, overwhelmed person finding rest in another’s company.

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“So I told you none of it was accidental / And the first night that you saw me, nothing was gonna stop me / I laid the groundwork and then saw a wide smirk / On your face, you knew the entire time / You knew that I’m a mastermind / And now you’re mine”

Not exactly the same vibe, but Mastermind‘s ending, when the singer realizes that though they thought they were being subtle, they were actually transparent to their partner, reminded me of Love is for Losers by Wibke Brueggemann, in which another scheming narrator discovers the joy of being known and accepted for all your faults.

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Let us know, do you agree with my associations? Which books would you pick?

They Drown Our Daughters by Katrina Monroe

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If you like feminist, multi-generational sagas of mothers and daughters struggling to love and trust each other across an abyss of misunderstandings and generational trauma — with a hint of ghost story mixed in for the bargain, you should try reading They Drown Our Daughters by Katrina Monroe.

It starts with Regina in 1881, a woman scorned, and a terrible accident in the dead of night. Then, in the present, we meet Meredith, a woman stinging from the split from her wife, and her young daughter Alice. With the end of her relationship Meredith has been drawn irresistibly back to her childhood home and to her troubled, distant mother Judith, who is now forgetful and more convinced than ever that evil is waiting in the ocean for them. As the little family struggles against what seems like their inevitable doom, the reader meets their ancestors: Grace, who can’t give up hope that her mother Regina will return; Beth, crushed by depression and grief, even in pregnancy; Diana, who wishes it would all just go away; and finally Judith as she was, a child desperate to understand all the heartbreak around her. And there’s another woman – a mysterious red-haired girl who appears around every corner as disaster after disaster rocks Meredith’s conviction that the curse isn’t real. Finally, at the end of her rope, Meredith has had enough and declares that one way or another, the curse ends with her – but so have all the women before her…

For the most part, this is a deeply unhappy book, and that can be very hard to read. But the determination of women is always inspiring, and the author is kind enough to give a ray of hope at the end. The book it most reminded me of is The Mermaid’s Daughter by Ann Claycomb (a superb retelling of The Little Mermaid story featuring the power of music) with its themes of mothers and daughters, a curse passed down the line, and the irresistible call of the ocean. In this case, however, it’s more of a ghost story with a hint of witches thrown in. The multiple time jumps add a sense of history and fate to the central conflict of Meredith vs. the curse, and honestly the chance to meet so many women that are all distinct and different and complicated, and deal with the curse in their own ways, is fascinating to read and shows the author’s skill.

That said, while the characters are vivid and realistic, they’re not necessarily your favorite people. Meredith for instance, with whom we spend the most time, is stubborn, close-minded, and hopelessly out of her depth in a supernatural conflict, not to mention a conflicted parent. Even Judith, who we root for as someone fighting the curse, is cold and distant to her daughter and generally does poorly in her personal relationships – which for me at least was not endearing to read. But again, this is partly the mark of a skilled writer showing that people are not always heroic or villainous but shades of gray; the inclusion of a lesbian main character in a nuanced and complicated family relationship is also refreshing to see.

Don’t miss They Drown Our Daughters for a complicated family saga, a slow-burning horror story, and a meditation on home and belonging.

House of Hunger by Alexis Henderson

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If you like Dracula, Rebecca, Mexican Gothic, Plain Bad Heroines, or Priory of the Orange Tree, you’ll probably want to read House of Hunger by Alexis Henderson. This sapphic take on vampire lore is a lush, gory, hedonistic roller coaster with a dash of social commentary to boot, and it will definitely take your breath away.

Marion Shaw’s world is strictly divided — there’s North and South, haves and have-nots. She has always been strictly in the “have-nots” camp, struggling to survive in the slums of Prane, a city in the South. When she gets the chance for a different life, she jumps for it. The only people who move from South to North, from poor to rich, are the bloodmaids: young women (always young, always women) who are employed specifically so their wealthy patrons can drain and drink their blood to protect their health. In exchange, bloodmaids get generous pensions at the end of their tenure. Marion is lucky enough to be employed by the noble House of Hunger, to bleed for the Countess Lisavet, who is beautiful, enigmatic, alluring… and desperately in need of blood to prop up her failing health. Even as Marion falls hard (and bleeds hard) for her magnetic employer, she can’t deny the signs that something is wrong; household members are disappearing, the bloodmaids are becoming ill to the point of madness, and Lisavet keeps disappearing somewhere at night. If Marion doesn’t figure out what’s going on soon, she’ll lose more than a little blood in the House of Hunger.

I loved that this is a version of the vampire story that blurs the line between monster and victim — Marion is definitely no damsel in distress, and takes action for herself, even to the point of crossing moral lines where need be. Her and Lisavet’s queerness is also clear and unapologetic, refreshingly, but unfortunately the book is still not particularly sex-positive. The lush worldbuilding of the novel — while very atmospheric — is mostly about showing how decadent and corrupt the nobility is, wallowing in every kind of vice, which ends up making any sexuality in the book feel  hedonistic and distasteful, lumped in with the rampant and destructive drug use.

What is very effective about that, however, is the social commentary underlying it; the reader cannot help but come away thinking about how much wealth is wasted on these kinds of activities while workers like Marion can barely make ends meet to survive. It’s an alternate universe version of the Gilded Age, primed for unions, labor laws, and a drastic redistribution of wealth. Pair that unique premise with a tight, fast-moving plot and you’ve got yourself a deeply compelling story.

So if you like your gothic novels bloody, intricate, feminist, sensual, and fighting for basic human rights, this book is for you.

Before the Coffee Gets Cold by Toshikazu Kawaguchi

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If you, like me, wept cleansing tears after reading Under the Whispering Door by TJ Klune, or felt healed playing indie game Coffee Talk, you’ll probably want to try Before the Coffee Gets Cold by Toshikazu Kawaguchi. This is an understated tale of magical realism featuring a small and endearing cast of characters, a wry touch of humor, and a deep well of empathetic human insight.

In the interconnected stories of this book, several people with regrets come to the hidden café where (reportedly) you can travel in time. They learn from the café’s quirky staff that it’s true, although there are some rules:

1- you can only travel to the café, nowhere else.

2- no matter what you do in the past, the present will not change.

3- there’s only one seat where you can travel back.

4- you cannot leave the seat while traveling in time or you’ll snap back to the present.

5- you’ll travel back as your cup of coffee is poured, and the effect will only last until the coffee gets cold.

6- you have to drink the whole cup of coffee, or risk becoming a ghost, stuck forever.

For me, this book did take a second to acclimate to; it’s fairly evident by the syntax that it’s been translated from Japanese. There are also different cultural norms to get used to in the characters’ behavior. However, the stories are relatable, and the elements of difference only serve to accentuate that. Readers are likely to come out of this book feeling they’ve glimpsed something essential and real about human existence — and maybe processed some feelings of their own along the way.

If you’ve heard the hype but weren’t sure if it’s worth it (spoilers: it is!), or if you like translated books, quirky characters on emotional journeys, and cool cafés, you should definitely try this book.

Requiem for the Enslaved by Carlos Simon Jr.

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“Bringing the gifts that my ancestors gave, I am the hope and dream of a slave.” – Maya Angelou

I’m always on the hunt for unique and diverse additions to our music CD collection, especially for less mainstream genres of music. Recently I had the privelege to order Requiem for the Enslaved for our classical music section. Here’s how the creators describe it:

American composer Carlos Simon presents a multi-genre work, Requiem for the Enslaved. This work is a musical tribute to commemorate the stories of 272 enslaved men, women and children sold in 1838 by Georgetown University. Described as a “rap opera,” Carlos infuses his original compositions with African American spirituals and familiar Catholic liturgical melodies. Requiem for the Enslaved explores the sacred and historical, and honors the lives of those bought and sold.

Carlos Simon says: “Since being hired as an Assistant Professor, I have grown to love the Georgetown University community and culture. In learning of the university’s involvement in slavery, I am deeply grateful for the collective efforts taken to understand and attempt to reconcile its tainted past. Now as a member of the Georgetown University community, I wish to join in the journey of expanding the discussion.”

For similar items like this, try Dreams of a new day : songs by black composers with Will Liverman OR Songs of our native daughters with Rhiannon Giddens.

The Jane Lawless Series: Vital Lies by Ellen Hart

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Published in 1993, Vital Lies is the return of Ellen Hart’s restaurateur and sleuth Jane Lawless, featuring a remote island setting, wolves (real and imaginary), an escalating pattern of pranks and sabotage, and a motley cast of suspects. Come for the Murder, She Wrote vibes, and stay for the thoughtful insights into homophobia and coexistence.

Jane’s old friend Leigh has opened up the inn of her dreams – or it would be a dream, if someone wasn’t intent on sabotaging it. There’s been broken glass in the parking lot, gruesome surprises in the guest rooms, and the kitchen has even been ransacked. Leigh is starting to show the strain, just as Jane and Cordelia arrive for a stay. Jane suspects these attacks are deeply serious, a feeling confirmed by a death in the hotel. Now it’s up to Jane to figure out the who, how, and why before anyone else dies. It’s not going to be easy, either, considering the hotel’s current head count includes Leigh’s money-strapped partner Stephen, her quirky aunts, one of whom may have a secret romance brewing, Leigh’s troubled cousin Ruthie, a father and son with skeletons in the closet and a desire to own the inn themselves, a Wiccan practitioner, and her lover Tess, a woman definitely keeping something back — not to mention the new waiter, the cook with his young son always underfoot, and the grouchy handyman. Oh, and her melodramatic best friend Cordelia, stricken with an apparently dreadful cold. Jane’s got her work cut out for her on multiple fronts, as a determined and methodical killer gets ever closer…

I’m biased in this case because Murder, She Wrote is one of my comfort TV shows, but I found this very enjoyable. It’s very plot-focused, so we don’t see a lot of Jane’s internal life (though we do get some, including more information about her late partner Christine) and it’s more like a classic Golden Era whodunit or a stage play murder mystery. At the same time, there’s also honest portrayals of life as an LGBTQ person including parental rejection AND, more importantly, queer joy. After the rampant homophobia Jane runs up against in Hallowed Murder, it’s refreshing in this case to see Jane, Cordelia, and Winifred and Tess just living their lives as lesbians unapologetically and mostly unchallenged. I’m especially glad to be reading this series because it reminds me that LGBTQ authors have always existed and have been working for positive representation for a long time.

For me it falls in the cozy genre (which I don’t like quite as much), but book 2 in the Jane Lawless series still gets my thumbs-up, and you may like it too if you’re a fan of: Murder She Wrote, country house murder mysteries, vintage LGBTQ reads, or determined amateur sleuths unearthing long-buried secrets.

The Jane Lawless Series: Hallowed Murder by Ellen Hart

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After loving Devil’s Chew Toy by Rob Osler (you should read it!!) I was on the lookout for more LGBTQ mysteries, and discovered that Ellen Hart created a cult classic lesbian detective in Hallowed Murder, published 1989. Best of all, most of this series is still available through Rivershare at our local libraries.

In Hallowed Murder, we meet restaurateur Jane Lawless (and her theatrical friend Cordelia Thorne) and learn that she has started volunteering at her old college sorority, against the objections of Cordelia, who feels that Jane gives the sorority too much loyalty, considering it would have rejected her outright if it had known Jane’s sexuality. But then one of the senior students at the sorority dies suddenly, and while the police are dismissive (especially after the girl’s relationship with another woman comes out), Jane feels there’s more to the story and starts to investigate. Soon she finds herself drawn into a world of religious fanatics, blackmail, and fear, but remains determined to find out the truth.

As a longtime Agatha Christie reader I loved that this book paired a vintage tone and writing style with LGBTQ-inclusive characters. Like Christie’s work, it’s a product of its time, but in this case its time was the 1980s and 1990s, so it’s more aware of modern sensibilities and ethics. Unlike other modern cozy  mysteries, however, it doesn’t have that (apparently compulsory) formulaic storyline of the feisty heroine getting drawn into a turbulent relationship with a strong but sensitive local man or two — yawn! Instead there are slow hints of a relationship in Jane’s past that still haunts her, which is truer to Christie’s Poirot (as most recently shown in the recent Poirot films Murder on the Orient Express and Death on the Nile by Kenneth Branagh) than to a modern cozy detective.

It’s definitely fascinating to read a work of 80s queer literature in 2022 and see how the language has changed around identity, not to mention social perception. The religious abuse and general scandal that the LGBTQ characters face in this book paints a stark picture of what it was like to be queer at that time, and remind us that some places still feature this kind of social and religious persecution toward LGBTQ people. At the same time, Hart also chooses to have one toxic character begin to realize how flawed religious ideas are, which lends the whole thing a hopeful air.

I’m excited to see where this series goes and how Jane Lawless develops as a character – if you’re looking for an inclusive cozy mystery series to try, come along with me on this journey!