The National Book Foundation started the 5 Under 35 prize in 2006 to acknowledge outstanding debut fiction writers under the age of 35. The 2024 honorees are Antonia Angress, Maya Binyam, Zain Khalid, Tyriek White, and Jenny Tinghui Zhang. We have gathered the list of their debut works below.  All titles are currently owned by the Davenport Public Library at the time of this writing. Descriptions have been provided by the publishers.

Antonia Angress – Sirens & Muses

It’s 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarefied bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa’s unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can’t shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Berger—a once-controversial figurehead seeking to regain relevance.

When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now all must struggle to find new identities in art, in society, and among each other. In the process, they must find either their most authentic terms of life—of success, failure, and joy—or risk losing themselves altogether.

With a canny, critical eye, Sirens & Muses overturns notions of class, money, art, youth, and a generation’s fight to own their future. – Ballantine Books

Maya Binyam – Hangman

An enthralling and original first novel about exile, diaspora, and the impossibility of Black refuge in America and beyond.

In the morning, I received a phone call and was told to board a flight. The arrangements had been made on my behalf. I packed no clothes, because my clothes had been packed for me. A car arrived to pick me up.

A man returns home to sub-Saharan Africa after twenty-six years in America. When he arrives, he finds that he doesn’t recognize the country or anyone in it. Thankfully, someone recognizes him, a man who calls him brother—setting him on a quest to find his real brother, who is dying.

In Hangman, Maya Binyam tells the story of that search, and of the phantoms, guides, tricksters, bureaucrats, debtors, taxi drivers, relatives, and riddles that will lead to the truth.

This is an uncommonly assured debut: an existential journey; a tragic farce; a slapstick tragedy; and a strange, and strangely honest, story of one man’s stubborn quest to find refuge—in this world and in the world that lies beyond it. – Farrar, Straus and Giroux

Zain Khalid – Brother Alive

In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio, but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers, except for one secret: he sees a hallucinatory double, an imaginary friend who seems absolutely real, a shapeshifting familiar he calls Brother. Brother persists as a companion into Youssef’s adult life, supporting him but also stealing his memories and shaking his grip on the world.

The boys’ adoptive father, Imam Salim, is known in the community for his stirring and radical sermons, but at home he often keeps himself to himself, spending his evenings in his study with whiskey-laced coffee, reading poetry or writing letters to his former compatriots back in Saudi Arabia. Like Youssef, he too has secrets, including the cause of his failing health and the truth about what happened to the boys’ parents. When, years later, Imam Salim’s path takes him back to Saudi Arabia, the boys, now adults, will be forced to follow. There they will be captivated by an opulent, almost futuristic world, a linear city that seems to offer a more sustainable modernity than that of the West. But this conversion has come at a great cost, and Youssef and Brother too will have to decide if they should change to survive, or try to mount a defense of their deeply-held beliefs.

Stylistically brilliant, intellectually acute, and deft in its treatment of complex themes, Brother Alive is a remarkable debut by a hugely talented writer that questions the nature of belief and explores the possibility of reunion for those who are broken. – Grove

Tyriek White – We Are a Haunting

A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation.

In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization.

In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past.

A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise. – Astra House

Jenny Tinghui Zhang – Four Treasures of the Sky

A dazzling debut novel set against the backdrop of the Chinese Exclusion Act, about a Chinese girl fighting to claim her place in the 1880s American West

Daiyu never wanted to be like the tragic heroine for whom she was named, revered for her beauty and cursed with heartbreak. But when she is kidnapped and smuggled across an ocean from China to America, Daiyu must relinquish the home and future she imagined for herself. Over the years that follow, she is forced to keep reinventing herself to survive. From a calligraphy school, to a San Francisco brothel, to a shop tucked into the Idaho mountains, we follow Daiyu on a desperate quest to outrun the tragedy that chases her. As anti-Chinese sentiment sweeps across the country in a wave of unimaginable violence, Daiyu must draw on each of the selves she has been—including the ones she most wants to leave behind—in order to finally claim her own name and story.

At once a literary tour de force and a groundbreaking work of historical fiction, Four Treasures of the Sky announces Jenny Tinghui Zhang as an indelible new voice. Steeped in untold history and Chinese folklore, this novel is a spellbinding feat. – Flatiron Books

This title is also available as a CD audiobook and in large print.