GRAPHIC NOVELS – TAKE ANOTHER LOOK!

Have you ever read a graphic novel? You might have noticed a greater number of them on display in the library in recent years. If you’ve never read one, maybe you dismissed them as “just for kids” or just “comic books”. They’re not!  I’d invite you to take another look. While some graphic fiction selections do look like the more traditional comic books and even have superhero themes, there are many more with fully fleshed out stories with engaging dialogue and compelling artistic renderings. While they do use sequential art to tell their stories, they are not the serial comics of old. They are typically longer, more substantial, and convey a complete narrative.

Graphic novels have a unique ability to blend a complex narrative with visual aesthetics. They can cover mature themes and convey emotions in a unique way offering the reader a multi-dimensional experience that appeals to a wide range of ages. And, the accessibility of graphic novels makes them a great medium for adults to engage with literature in a format that is both immersive as well as intellectually stimulating. Ultimately, this fosters a deeper appreciation for the art of storytelling in all its forms.

There are graphic novels of all fictional genres including everything from action and adventure to mystery, romance, and science fiction. However, graphic novels are not just fictional. You’ll find nonfiction works including biographies, memoirs, and true historical accounts. There are even cookbooks… truly something for everyone! Take a fresh look at graphic novels the next time you’re in the library. Here are some titles to get you started. Hope you enjoy checking some of these out!

Some of the Graphic Novel standouts in the last year or so are:

   

Roaming by Mariko Tamaki
The Human Target by Tom King
Shubeik Lubeik by Dīnā Muḥammad
A Guest in the House by Emily Carroll
Majnun and Layla : Songs from beyond the grave by Yann Damezin

Or, you might like to experience a Classic book in a new way with one of these retellings in graphic form:

   

To Kill a Mockingbird : a graphic novel by Fred Fordham
Dune : the graphic novel by Brian Herbert
The Great Gatsby : the graphic novel by Fred Fordham
A Wrinkle in Time : the graphic novel by Hope Larson
Octavia E. Butler’s Kindred : a graphic novel adaptation by Damian Duffy
Ray Bradbury’s Fahrenheit 451 : the authorized adaptation by Tim Hamilton

Here are some Non-Fiction titles to try:

  
 

The Middle Ages : a graphic guide by Eleanor Janega
Billie Holiday : the graphic novel by Ebony Gilbert
Ronan and the Endless Sea of Stars : a graphic memoir by Rick Louis
Run for It : stories of slaves who fought for their freedom by Marcelo D’Salete
Cook Korean! : a comic book with recipes by Robin Ha

And for those of you who prefer the more traditional Comic Book themes, here are some of our newer selections:

Daredevil by Chip Zdarsky
Captain America by J. Michael Straczynski
Batman One Bad Day. Catwoman : No Small Scores by G. Willow Wilson
The Amazing Spider-Man. Beyond by Zeb Wells

Advocate: A Graphic Memoir of Family, Community, and the Fight for Environmental Justice by Eddie Ahn

Eddie Ahn has crafted Advocate: A Graphic Memoir of Family, Community and the Fight for Environmental Justice as a way to highlight his life from childhood to adulthood and all the steps in between that led to his work as an environmental justice lawyer and activist.

Eddie was born in Texas to Korean immigrants. His parents opened a store where Eddie grew up working behind the counter and stocking shelves. As he went through school, his parents outlined their expectations for his future. They wanted him to achieve the “American Dream”. Eddie wasn’t sure what he wanted, but he knew that what they wanted for him was different than what he wanted for himself. Eddie eventually moved to San Francisco and earned his law degree. After graduating with his law degree, he had difficulty finding a job in the legal field. He chose instead to opt for experience and entered into the world of nonprofits where he currently still works.

This decision is confusing for his parents, especially after they lose their store and end up divorcing. Describing his work to his parents is time consuming and a let-down as they struggle to understand what exactly he does for work, focusing instead on his monetary wealth. Eddie works hard to make a life for himself, but finds that he may be doing too much. He has too many balls in the air: family expectations, community dreams, professional goals, racial prejudice, burnouts, and economic inequality, amongst a plethora of others. Eddie knows he wants to live a life of service, helping his community with whatever they need. In his nonprofit work as an environmental justice attorney, Eddie spends his days fighting immediate issues as they pop up, ones that have consequences for all from ravaging wildfires to economic and social inequality.

This graphic memoir was profound. Eddie weaves together a narrative involving his personal life and family history with the historical and present fights for environmental justice in communities across the globe, but specifically his work in his local California area. The artwork is incredibly detailed. I appreciated the humorous bits mixed with moments of sadness and victory. All in all, this graphic memoir left me thinking about what more I could be doing with my life.

Full of Myself: A Graphic Memoir About Body Image by Siobhán Gallagher

“To be a girl is to go from being an observer to being observed.”
― Siobhán Gallagher, Full of Myself: A Graphic Memoir About Body Image

Content warnings for this book: anxiety, depression, self-harm, and eating disorders/bulimia, fatphobia, sexual harassment

Siobhán Gallagher has had a complicated relationship with her body since a young age. She explores this relationship in her graphic memoir, Full of Myself: A Graphic Memoir About Body ImageHer journey to self-acceptance and self-love goes through many highs and lows, a roller coaster of emotions and actions that all influenced the person she has become today.

As a teenager, Siobhán struggles with anxiety and diet culture. Constantly comparing herself to others, Siobhán decides all her issues will be solved if she could just be beautiful and smaller. She struggles with her body for years, feeling alone and unwanted, slipping into long periods of depression and anxiety. As an adult, Siobhán isn’t any nicer to herself, but eventually realizes that the person her younger self wanted to be isn’t possible. She starts an arduous process of self-reflection, self-love, and understanding that she acknowledges will never fully end.

This book was eye-opening.  Seeing Siobhán put all of her emotions, inner thoughts, and experiences out for the world to read was heartwarming, helpful, and accessible. She takes readers through the mind of her teenage self, laying out her desperate thoughts and wishes to be tiny, happy, and not alone. While Siobhán’s story is unique to her, some readers may still find content to relate to as they read. This graphic memoir was engaging, the writing was frank, and the illustrations’ cartoon style was cute. The ending tied the book together as Siobhán spoke gently to her younger selves, giving them hope, while also being realistic that her body issues will never fully disappear. Anyone who grew up surrounded by diet culture will relate to Siobhán’s journey in some way.

“i’m proud of the person i’ve become because i fought to become her.”

Gaytheist: Coming Out of My Orthodox Childhood by Lonnie Mann, art by Lonnie Mann and Ryan Gatts

Gaytheist: Coming Out of My Orthodox Childhood by Lonnie Mann with art by Lonnie Mann and Ryan Gatts is a coming-of-age graphic memoir about discovering that you are gay while growing up in an Orthodox Jewish community.

Lonnie has always been told that it’s not okay to be gay in his Orthodox Jewish community. This was never an issue for Lonnie until one day it was. Lonnie grew up in a devout family. He went to school at a yeshiva, a traditional Orthodox Jewish school. As a result, he learned the rules of the Orthodox Jewish community, at times even loving and strictly following them.

Eventually, Lonnie realizes that he likes boys. This puts him into a crisis of identity and religion, as he has always been told that being gay is a sin. When he learns that ‘having those feelings’ is fine but acting on them is the sin, Lonnie is even more confused. He’s lost. He wonders about what kind of life he will be able to live within the Orthodox Jewish community, which turns to him wondering if he even wants to stay within the community as an adult. Once Lonnie expands his life beyond yeshiva and his family, the world and more possibilities open up. He attends a theater camp, takes college classes in the city, and has movie nights with friends he meets. These new experiences open his eyes to the type of life available to him. The caveat: the life he wants isn’t possible within the world of his parents or his religious community. Not wanting to deny his identity, Lonnie embraces his true self, builds his own chosen family, and defies everything that he has been told his entire life to find his true happiness. This struggle to separate identity and religion consumes Lonnie, something that still lingers.

This graphic novel memoir was great, leaving me hoping for a sequel. The ending was a bit abrupt. I was left wanting to learn more about Lonnie’s experience separating himself from his Orthodox Jewish community. How did attending college influence him? How did his friendships and romantic relationships shape him? How did he become an atheist? I was also interested in hearing about his relationships with his parents and other family members, if he has any at all. While I have all of these questions, I recognize that the author doesn’t owe me any answers. They shared what they are comfortable sharing. What helped bridge this gap for me was the list of resources available at the end. In the author’s note, he lists books, documentaries, television shows, and websites where readers can learn more about other people who have escaped from Orthodox Jewish communities, as well as resources for people who may need help or a welcoming community.

Memento Mori by Tiitu Takalo

Content warning for this title: blood, surgery, hospitals, and depression.

The brain and how it works has always fascinated me. Lately I have been looking for information that focuses on what happens to your body and brain after your brain suffers trauma. Through my research, I found Memento Mori by Tiitu Takalo, a graphic memoir. The author suffered a cerebral hemorrhage in early December 2015 at the age of 38. One night while home alone, she had a sudden and unexpected cerebral hemorrhage, something that felt like a bad headache. Scared, she eventually made her way to the hospital where doctors and nurses rushed to find out what happened to her.

Takalo learned that she had a ruptured cerebral aneurysm, plus two others that had not ruptured yet. She needed surgery and then time in an intensive care unit. Her total recovery time would be long, but no one could give her a definite time frame or any idea of what to expect. During her recovery, Takalo found that things that came easy to her before her hemorrhage were incredibly hard for her now. When she reached out to her doctors, she wasn’t given the help she needed, forcing her to fight for the help she deserved. Her search for happiness through life and art is documented in this graphic memoir with stark honesty and compassion.

Graphic medicine is a genre of graphic memoirs that I have enjoyed recently. These stories are intriguing, insightful, and moving. I highly recommend you check out this genre of graphic medicine memoirs if you haven’t read any before.

Everything is Ok by Debbie Tung

Debbie Tung has created a graphic memoir full of comforting comics about anxiety and depression in Everything is Ok. Debbie’s words and drawings are relaxing, gentle, and relatable, as she walks you through her own anxiety and depression.

Debbie shares her struggles and relationships with her own anxiety and depression. She digs deep and shows how normal it is to find getting out of bed incredibly hard. Her stories of overthinking, intrusive negative thoughts, and the nearly constant switches between highs and lows are incredibly important as it breaks down the stigma of not sharing mental health struggles with the world.

Debbie’s stories are deeply personal, yet very relatable. Her twisty road to recovery is long and hard, but when she finally vocalizes her need for help, readers can see how her drawings and attitude start to change. Debbie even details her conversations with her therapist, something I found deeply moving. She didn’t need to invite readers into her deepest and most personal spaces, but she did, and I will forever be grateful she is illustrating and sharing her mental health struggles. Her journey to be more mindful and caring to herself and her mental health was enlightening. Debbie is merciful with herself and in doing so, gives readers permission to treat themselves with kindness and to open up. Seeing someone who also struggles with mental health issues shows readers that they are not alone and that it is okay to have dark places as long as you are being kinder to yourself and learning how to love yourself on your road to recovery.

When Stars are Scattered by Victoria Jamieson and Omar Mohamed

“But we are not one star. We are millions. Not one background, but millions.

To the untrained eye, the night sky is a scattering of stars, a chaos of light and dark across the universe.

And yet, the stars are not lost.
They form patterns. Constellations. If you know how to look, there are stories woven into the very essense of stars.

Be like a star. Shine your light. Shine your story. For stories will lead us home.”
― Victoria Jamieson and Omar Mohamed, When Stars Are Scattered

Omar Mohamed and Victoria Jamieson worked together to create When Stars are Scattered, a graphic memoir telling the story of Omar and his younger brother’s lives as refugees. Omar and his younger brother, Hassan, have spent most of their lives in a refugee camp in Kenya called Dadaab. Separated from their mother at a tender age, the two young boys are taken in by an older woman in the camp who becomes their foster mother/legal guardian. Life in the camp is boring. Hassan has complex medical needs that the doctors in the camp don’t know how to treat. There is never enough food. Straying too far past their camp could result in bullies taking their clothes.

When Omar is offered the chance to go to school, he is torn. He would love to go to school. He wants to learn. School would also add some liveliness into his day. If he went, he would have to stay away from Hassan for longer periods of time, something that he isn’t quite sure Hassan would understand given that they are the only family the other has left. The balance between family duty and the chance to change their future weighs on Omar the entire time they live in the refugee camp.

This graphic memoir was heartbreaking, yet full of so much tender hope. Victoria captures Omar’s story so expressively and manages to inject humor into a difficult situation. While the art style is simple, it doesn’t detract from the point the authors are making. This retelling of Omar’s story pulls on your hearstrings and will bounce your feelings all over the place. Even though this is categorized as a juvenile graphic novel, this story is applicable to readers of any age.

This title is also available as a Libby eBook and Libby eAudiobook.

Banned Book Club by Kim Hyun Sook, Ko Hyung-Ju, and Ryan Estrada

“But you can learn a lot about history by figuring out what people wanted to hide.”
― Kim Hyun Sook, Banned Book Club

I read Banned Book Club by Kim Hyun Sook and Ryan Estrada and illustrated by Ko Hyung-Ju right before Banned Book Week 2023 began. This week celebrates the freedom to read and the opposition to censorship. Banned Book Club couldn’t have been a more appropriate book to start off this year’s Banned Book Week. To boil it down, this book tells the story of a group of students who form a book club that reads banned books during the reign of South Korea’s Fifth Republic. They put their lives and the lives of their family and friends in danger in order to read censored and banned books, amongst other forms of protest.

In 1983, Kim Hyun Sook was finally able to convince her mother to let her go to college. She was beyond excited to start college, to expand her world, and to study Western Literature. Kim was ready for the break of working in her family’s restaurant. She couldn’t have known that her literature class would send her down a road that she never saw coming; it would be a massive turning point that would alter her life in a way she couldn’t imagine.

Kim’s decision to go to college happened in the midst of the South Korea’s Fifth Republic. This military regime found its way to power through torture, censorship, and the murder of protestors. When Kim started school, she was met with a wall of protestors hurling insults and molotov cocktails. Not interested in getting involved, she throws herself into her books. After meeting the editor of the school newspaper who invites her to join his book club, she is shocked to see that the group is actually an underground book club reading banned and illicit literature that the military regime has forbidden. Unsure of what to do, but wanting to read these books, Kim stays in the club and finds herself drawn into the dangerous activities that the other members are involved in. Soon she will be swept up in a torrent of fear and violence as the people of power close ranks on the protestors.

“Do they ban books because they see danger in their authors, or because they see themselves in their villains?”
― Kim Hyun Sook, Banned Book Club

Wake: The Hidden History of Women-Led Slave Revolts by Rebecca Hall

“History written by the victors always erases the resistance. And those of us who live in the wake/ruins learn that we’re inferior and needed to be conquered and enslaved. This is the afterlife of slavery that the victors need us to inhabit. One in which we have always already lost and have accepted our fate a handed to us.”
― Rebecca Hall, Wake: The Hidden History of Women-Led Slave Revolts

Over the last couple months, I have been actively searching for information about hidden histories: the histories of people, places, objects hidden just below the surface that people don’t think about (or know about). These hidden histories can also be the histories of a people that weren’t deemed to be known by the winners of a conflict. During my latest deep dive, I found Wake: The Hidden History of Women-Led Slave Revolts. Rebecca Hall has, with the help of illustrator Hugo Martínez and lettered by Sarula Bao, written about the lives of enslaved black women warriors. This is a mix between a graphic novel and memoir, as Rebecca acknowledges during her flashbacks that she doesn’t know the full truth, so she has taken some liberties in discussing what actually happened.

During this book, Rebecca is a scholar working on her dissertation to find the truth about the black women warriors involved in slave revolts. Her research takes her across the globe as she works to fill in the holes in their histories. She is the granddaughter of slaves and has forever been haunted by their history and legacy. Wanting to know more about enslaved women, Rebecca heads to archives, courts, businesses, museums, and libraries to dig up their histories. She finds deteriorating correspondence, slave ship captain’s logs, old court records, and forensic reports/evidence that lead her to the truth of these women warriors.

Wake is illustrated gorgeously/hauntingly in black and white, pushing the boundaries of the history of these black women, while showcasing what Rebecca finds in the historical records and then her reconstruction of the past when no records can be found. In addition to the look at the past, Rebecca also shows how her own life is impacted by her research into slavery through her work as an attorney and a historian.

“We reach the final stage of healing from trauma when we integrate the past into who we are. It becomes a part of us that we acknowledge and provides understanding of our world […] Our memories must be longer than our lifetimes.”
― Rebecca Hall, Wake: The Hidden History of Women-Led Slave Revolts

“When we go back and retrieve our past, our legacy of resistance through impossible odds, our way out of no way, we redress the void of origin that would erase us. We empower and bring joy to our present. This is ancestry in progress, and it is our superpower.”
― Rebecca Hall, Wake: The Hidden History of Women-Led Slave Revolts

It’s Lonely at the Centre of the Earth: an auto-bio-graphic-novel by Zoe Thorogood

TW for this book: suicidal ideation

“that’s the problem with flirting with the idea of something, sometimes you fall in”
― Zoe Thorogood, It’s Lonely at the Centre of the Earth

Zoe Thorogood’s 2022 graphic novel, It’s Lonely at the Centre of the Earth, destroyed me. It was messy and confusing and utterly desperate for help. Basically, it was perfect and fit what Zoe wrote it to be: an auto-bio-graphic-novel about her life as it falls apart.

Over a six month period, Zoe Thorogood tries to put her life back together even when the universe, and her own mind, conspires to destroy her. Zoe doesn’t have a choice about whether or not she wants to create. She must create something in order to survive.

This isn’t a light read. It’s destructive and heavy. Zoe writes about her depression and suicidal ideation, alongside other negative emotions. Her art is sharp and cuts you to the quick as she introduces readers to her other selves (animal-like and people-like). Zoe pulls in the people that she interacted with during those six months and how they impact her story and journey of survival. Her story takes place during the isolation of the pandemic, which in turn informs even more of her decisions. This graphic novel/memoir hit me right in the chest. Zoe is incredibly honest about her depression. She isn’t afraid to share how it affects her life and, in turn, her relationships with others. While her words pick you apart, the artwork isn’t idle, instead it intrigues you and pulls you in. She uses different drawing styles and colors depending on what the focus is. It’s Lonely at the Centre of the Earth may be messy, but it’s a relatable mess that I’m glad I stumbled on.