I love reading fiction that I can tell has roots in nonfiction. Girl in Dior, a graphic novel by Annie Goetzinger, falls into this category. Girl in Dior tells the fictionalized story of Clara Nohant, a fashion-journalist-turned-model who ends up working and forming a friendship with Christian Dior in the last ten years of his life. In this graphic novel, readers get to see the stunning colors and designs that went into forming the House of Dior, as well as the behind the scenes work that Dior, his seamstresses, and models did in order to launch his New Look in 1947. By presenting this as a graphic novel, Goetzinger is able to showcase the different types of collections Dior put together, as well as the historical changes in fashion that the world was going through as Dior prepared to rock the world with his New Look.
Goetzinger takes great care to include the likenesses and back stories of influential people that would have been in the fashion and movie industry around the time when Dior was designing. She also includes back matter in the book along the lines of chronological reference points, a list of Christian Dior’s 22 collections, what the author calls “Christian Dior’s entourage”, as well as definitions of the different careers you can have in the fashion world and the different types of fabrics and accessories that were used. Goetzinger also includes a bibliography of works. The additional material she provided enhanced the book for me, giving me something to turn to besides an outside source when I wasn’t sure of what a certain term meant. Flip to this book if you’re interested in learning more about the creation of the Dior house, if you’re curious about how Clara went from a fashion chronicler to a model, or if you’re looking to learn more about how Christian Dior was able to change the world of fashion in the short ten years that he ran the house of Dior.
Christian Dior. Chanel. Givenchy. These names are only some of the legendary haute couture houses. Haute couture has a strict definition, but literally means high or elegant sewing. The Paris Chamber of Commerce protects haute couture by law and says that in order to be haute couture, you MUST follow a set of rules, rules that are clearly delineated by the Chambre Syndicale de la Haute Couture, the association that approves you to be haute couture.
In Dior and I, viewers watch as, in 2012, the newly hired Artistic Director for Dior, Raf Simons, is given a short eight weeks to pull together his very first haute couture line. This documentary goes behind the scenes to show all of the intense labor and work that goes into making haute couture and how the introduction of a new Artistic Director, especially one with more of a ready-to-wear fashion background, added another level of difficulty to make sure the fitting for this new line would go smoothly. Dealing with a new Artistic Director who has his own ideas to bring to the table, juggling completing the line in time with the existing clients and their commissions, and working right up until the fitting brings stress and complications to the many pieces of the Dior fashion house that make sure everything runs smoothly.
Dior and I proves to be a stunningly beautiful documentary that provides a look into the history of Christian Dior through readings of his journals and also snapshots and film of the designer at work. This film is as much a homage to the fashion houses of old and the multi-talented seamstresses who have worked for Dior for years and who strive to bring the founder’s image and standards to life through every inch of fabric they touch on a day-to-day basis as it is also a glimpse into the future for the fashions to come. The combination of the classic and the new is a topic that runs throughout this documentary.
Watch along as all of the style elements from fashion to show design come together to introduce Raf Simons as the new Artistic Director of Christian Dior. (Interesting tidbit I found: Simons just announced he is leaving Dior leading to much speculation about why and who will replace him!)