The first thing that drew me to Wytches by Scott Snyder was the cover, it did such a great job of grabbing my attention while also letting me know what the tone of the novel was going to be before I even opened the book. Dark, stylized art that was personal and small in scope. No world-ending apocalypse in this horror novel, just a family struggling to cope with their past and trying to accommodate to a new home. Little do they know that the woods that surround them holds an evil more sinister then they could imagine.
The horror in this novel comes from how little we see. As a fan of horror I always appreciate when a writer is able to show restraint in showing too much of the monster. Snyder does a fantastic job of only showing the wytches in little chunks throughout the story. It helps to preserve the mystery of the monster and horror is largely anchored in fear of the unknown, once the monster is explained to us, it ceases being as scary. Snyder knows this and does a fantastic job of showing the reader just enough of the wytches so that the reader knows to fear them.
Jock’s art is stylized, chaotic, yet also clearly defined. Some artists that draw in a similar style to Jock border on abstract art but Jock is able to draw these fantastically beautiful and dark settings and characters while grounding them as well. Jock is able to take the extremes of this chaotic art style, with bright and dark colors contrasting all across the frames with paint splatter and exaggerated figures and balance that style with a more grounded style and the two styles mesh wonderfully throughout the story and add to the tone and presentation of the work as a whole. Typically, the extreme exaggerated borderline abstract art is used when the supernatural is occurring, and this contrasts with the clearer more-traditional sections of the work where the protagonists aren’t being confronted by tree-wytches.
Overall, Wytches doesn’t go out and do anything that transcends the trappings of the horror genre, but it isn’t trying to. It is a very well-executed horror story about a family coming to terms their traumatic past, and in the process having to fight off supernatural wytches. It is a spooky story that nails it all where it counts. Atmosphere, art, writing and scares.
For other spooky scary stories, look no further than the Davenport Public Library’s Halloween Libguide! If you are looking for more graphic novels to dive into, our Comics Libguide is the one for you!
The Grand Dark by Richard Kadrey is a standalone dark fantasy novel that takes place in the dystopian eastern-European inspired steampunk city of Proszawa. This novel follows the escapades of Largo, a drug-addicted bike messenger from the slums of Lower Proszawa as he tries to ascend out of the slums and into the ranks of the elite of Upper Proszawa. Kadrey is a master at worldbuilding, with every delivery and errand that Largo goes on, the reader is given clues and information about the world of Proszawa. As Largo attempts to ascend the socioeconomic ranks of his world, he begins to discover a plot that could unravel the very fabric of the city and plunge his world into another Great War.
The city of Proszawa is dark and gritty. Drugs, sex and hedonism run rampant. The city parties as robots called Mara take the jobs of the working class. The world is one that is recovering from the effects of a massive industrialized Great War. This setting seems one that is vaguely reminiscent of the German Weimar Republic after the First World War except with Stempunk Androids and genetically engineered creatures littering the streets. The plot is an engaging one but my opinion is the strength of this novel is the world that Kadrey builds. Proszawa has a lot of the trappings that we have come to expect from Urban Dark Fantasy but it is utterly unique in execution. The discovery of the world is almost just as important as the progression of the plot.
Another huge strength of this story is the romance between Largo and the actress Remy. Remy is an actress for the Grand Dark, a theater in Lower Proszawa that serves as the home for Remy and Largo. The Grand Dark theater is also where the mysterious antagonist of the book Una Herzog is a regular patron who plays a key role in unraveling the fabric of Proszawa and laying the groundwork for war. Kadrey’s excellent world building can be seen in the portrayal of the Grand Dark theater as well. The pacing of this novel is a slow burn, this serves another level to the character development and world building. We as the reader get to experience Largo’s world through his eyes.
This story is one that gives a very particular view of a dystopian society, starting from Largo’s street-level perspective and eventually elevating it so that we get glimpses of the entire city. Kadrey does a fantastic job of having the reader experience his world through the eyes of his protagonist and I highly recommend The Grand Dark for any reader looking for a dark fantasy world to plunge in to. Though the pacing of this book can be slow, especially in the first third of the novel, I would argue that this pacing adds to the story, and doesn’t take away from it.