The Latest from Pop Punk Princess Avril Lavigne

Love Sux is Avril Lavigne’s latest album, and if you grew up like I did yelling along with her angsty bops, this is the perfect album for you.

Her first album was smash hit Let Go, containing tracks like Sk8er Boi and Complicated which rocketed her to fame. Next was Under My Skin, a darker grunge-inspired album whose most lasting track was My Happy Ending. The Best Damn Thing was album number three, and had several good tracks including Hot, Keep Holding On, and the yearning When You’re Gone, but most notable was Girlfriend, possibly her most popular song to date. Number four was Goodbye Lullaby, which has some of my personal favorite songs on it, including What The Hell and Smile. After that came self-titled album Avril Lavigne which is bursting with catchy tracks like Sippin’ On Sunshine and Here’s To Never Growing Up, alongside the controversial j-pop inspired Hello Kitty and the ballad Let Me Go with then-husband Chad Kroeger. After her battle with lyme disease she released Head Above Water in 2019, a bit of a departure in style as she processed the pain of her experiences; the main song with her signature rebelliousness is Dumb Blonde with Nicki Minaj, while the rest are slower, ballad-style tracks about helplessness and struggle to break free.

Love Sux is a return to form, with energetic rock-style tracks expressing defiance at every stage of relationships. The energy starts strong with Cannonball and doesn’t let up through a duet with Machine Gun Kelly, two dysfunctional love songs, and the eponymous Love Sux. Things might mellow a little by the end, but the whole effect is vintage Avril – which only fuels the Internet’s speculation that she doesn’t age (or ages very well). I’m always impressed at the way her music naturally matures as she does, while keeping her signature style; Let Go‘s “let’s crash the mall” skater vibe was definitely a teenager’s point of view, but Love Sux listens well from an adult perspective, even though it still probably has youth appeal.

If you’ve ever enjoyed Avril Lavigne or just like rock music with punk vibes and pop appeal, you’ll probably enjoy Love Sux.

July’s Celebrity Book Club Picks

It’s a new month which means that Jenna Bush Hager and Reese Witherspoon have picked new books for their book clubs! Reminder that if you join our Best Sellers Club, these titles will automatically be put on hold for you.

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Jenna Bush Hager has selected The Measure by Nikki Erlick for her July pick.

Curious what The Measure is about? Check out the following description provided by the author:

Eight ordinary people. One extraordinary choice.

It seems like any other day. You wake up, get ready, and head out.

But today, when you open your front door, waiting for you is a small wooden box, holding the answer to the number of years you will live.

Suddenly, everyone on earth is faced with the same shocking choice: Do they wish to know how long they’ll live? And, if so, what will they do with that knowledge?

As society comes together and pulls apart, The Measure charts the dawn of this new world through an unforgettable cast of characters whose paths interweave with one another: best friends whose dreams are forever entwined, pen pals finding refuge in the unknown, a couple who thought they didn’t have to rush, a doctor who cannot save himself, and a politician whose box becomes the powder keg that changes everything.

The Measure is a sweeping, ambitious, uplifting story about family, love, hope, and destiny that encourages us to live life to the fullest.

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Reese Witherspoon has selected Honey and Spice  by Bolu Babalola for her July pick.

Curious what Honey and Spice is about? Check out the following description provided by the publisher.

Introducing internationally bestselling author Bolu Babalola’s dazzling debut novel, full of passion, humor, and heart, that centers on a young Black British woman who has no interest in love and unexpectedly finds herself caught up in a fake relationship with the man she warned her girls about

Sweet like plantain, hot like pepper. They taste the best when together…

Sharp-tongued (and secretly soft-hearted) Kiki Banjo has just made a huge mistake. As an expert in relationship-evasion and the host of the popular student radio show Brown Sugar, she’s made it her mission to make sure the women of the African-Caribbean Society at Whitewell University do not fall into the mess of “situationships”, players, and heartbreak. But when the Queen of the Unbothered kisses Malakai Korede, the guy she just publicly denounced as “The Wastemen of Whitewell,” in front of every Blackwellian on campus, she finds her show on the brink.

They’re soon embroiled in a fake relationship to try and salvage their reputations and save their futures. Kiki has never surrendered her heart before, and a player like Malakai won’t be the one to change that, no matter how charming he is or how electric their connection feels. But surprisingly entertaining study sessions and intimate, late-night talks at old-fashioned diners force Kiki to look beyond her own presumptions. Is she ready to open herself up to something deeper?

A gloriously funny and sparkling debut novel, Honey and Spice is full of delicious tension and romantic intrigue that will make you weak at the knees.

Join our Best Sellers Club to have Oprah, Jenna, and Reese’s adult selections automatically put on hold for you!

The Batman on DVD

You could probably tell a lot about a person by their answer to the question: “Who’s your favorite Batman?” Me, personally, I’d probably say Michael Keaton from the Tim Burton Batman and Batman Returns movies, with Christian Bale’s Dark Knight a close second (but that’s because of Michael Caine as Alfred). I don’t know what that says about me (escapist nostalgia?), but I have a theory about people whose favorite Batman is now Robert Pattinson in The Batman: they’re probably thoughtful, complex people who know what it’s like to struggle with trauma and anger, and who care about responsibility and accountability.

Here’s why I think that. I’m not going to summarize the plot for you too much, because you’ve probably heard plenty about this movie while it was coming out (I sure did). I wasn’t surprised that a brooding Bruce Wayne faces a brutal Riddler after two years fighting crime as Vengeance. What I was surprised by was how NOT romanticized the Batman figure was. Rather than making him a kooky crimefighter (Adam West style), a pitiable and misguided orphan martyr (like in the Gotham TV series) or a playboy and noble warrior for justice (Christian Bale style), this film makes him (and his Bruce identity) undeniably problematic both as a person and as a symbol to Gotham. Feminists will probably be notably uncomfy with his behavior toward Selina Kyle, Alfred fans (like me) will be startled by how little time and affection Bruce has for his surrogate father, mental health advocates will recognize a truly troubled personality in the unwashed and obsessive Bruce, and by the end of the movie there will be a deep dive into the dark effects a violent vigilante like Batman would really have on the culture and crime rates of Gotham. It’s an important thing to consider in an age of radicalization, polarization, and people pushed to extremes – and it makes a film that really sticks with you.

I know many people were struggling to accept Pattinson’s jump from Twilight mega-fame to tough-guy Bruce, but if you haven’t already you should definitely give this film a watch. If you’re not interested in the philosophical exploration of violence and accountability, try it for the truly wild card atmosphere of this film. For one thing, I promise you are not prepared for the Wayne Manor, and second, I would not be surprised if the casting call for this film stated “must have an unusual or silly-sounding voice”. Moreover, Zoe Kravitz’ Selina Kyle is as tough and sultry as advertised, and ALMOST as good at critiquing Batman’s privileged perspective on the world as Michelle Pfeiffer’s in Batman Returns. Other worthwhile highlights for longtime Batman fans include a clearly retro-inspired Batmobile, an ethnically diverse cast including a particularly effective Jim Gordon, and skillful camera work and orchestration (almost as good a score as The Dark Knight, though not quite at that unsettling level).

Whatever your reason, don’t miss the latest reimagining of The Caped Crusader, now available in DVD and Blu-Ray at the library. Did I miss your favorite Batman? Tell us in the comments!

The Highwomen, feat. Brandi Carlile, Maren Morris, Natalie Hemby, and Amanda Shires

My journey to rediscover country music continues! A modern country sound that honors the roots of the genre, The Highwomen is a unique gift to today’s country music. If you like or have liked country music but are looking for something fresh – or you prefer Outlaw Country to Bro Country or Boyfriend Country – this might be a good album for you.

Now, if you’re a longtime country fan, you’ve probably already guessed that this group was inspired by the legendary Highwaymen, composed of Outlaw Country Superstars – Johnny Cash, Waylon Jennings, Kris Kristofferson, and Willie Nelson. The idea was Amanda Shires’, who wanted to bring together a female supergroup partly to combat the low representation of women’s voices in country music radio and festivals. She connected then with Brandi Carlile  and Maren Morris, originally intending to leave the fourth spot open for guest collaborators. When the group debuted in 2019, at Loretta Lynn’s 87th birthday concert, Natalie Hemby was officially announced as the fourth member. The album came out later the same year.

What I really liked about this album was the stories that it told, stories that I haven’t heard a lot in my country listening. Now, I like a good “hell hath no fury like a woman scorned” song as much as anybody else (Before He Cheats by Carrie Underwood, anyone?) but it sure seems like a lot of what makes country music (or most music, honestly) popular is the same story – boy meets girl (Hurt Somebody by Dierks Bentley), boy chases girl (She’s a Girl Ain’t She by Rodney Atkins), the bliss of love (Heaven by Kane Brown), boy wrongs girl or vice versa (Jolene by Dolly Parton, I Hope It Rains by Jana Kramer), messy heartache ensues (Burning House by Cam), both move on (Red High Heels by Kellie Pickler, Bartender by Lady A). And if it’s not that story, it’s the Living In The Country is a Real Good Time story (Where I Come From by Montgomery Gentry, Mud on the Tires by Brad Paisley, Meanwhile Back at Mama’s by Tim McGraw, etc. etc.). Both are good, but repetitive after a while.

The Highwomen sing a new slate of relatable messages – in this album we hear the voices of women wronged by history/society (Highwomen), the struggles and joys of being women (Old Soul, Redesigning Women), a daughter facing the death of her father (Cocktail and a Song), various reasons not to be a mother (My Name Can’t Be Mama), an homage to suburban moms (My Only Child) and, my personal favorite, Heaven is a Honkytonk, which is a very Willie-Nelson-esque homage to country music legends who have passed on. And of course, thrown in are a few romantic journeys including post-breakup Don’t Call Me and the both relatable and subversive If She Ever Leaves Me. The latter is particularly a gem, because it portrays love between women in a positive and unexpected way.

If you missed this album when it first came out and love a modern twist on classic genres, get your country on with The Highwomen.

Unicorn: The Memoir of a Muslim Drag Queen by Amrou Al-Kadhi

As part of my Pride Month reading this year, I tried to pick up books that would help me learn about the diverse experiences of LGBTQ+ people beyond the margins of white, cisgender America. Amrou Al-Kadhi [they/them] expertly does just so in their memoir, Unicorn: The Memoir of a Muslim Drag Queen. This lavish and raw autobiography renders a refreshing peek into the life of a queer Iraqi-British Muslim drag queen- an intersectional identity that demands the careful and nuanced representation Al-Kadhi offers in their memoir. 

In their beautifully written story, Al-Kadhi, or Glamrou as they are known on stage, is a stunning example of the self-expression and self-exploration drag allows. Raised in a socially-conservative, religious household, Al-Kadhi was instilled early on with a torturously rigid sense of shame and self worth. Their journey outlines the beauty and freedom they experienced as a child, as well as the connection they felt to their mother and the world she created for them. “My mother’s middle east was one I felt safe in,” they lovingly recall. 

As they grew through their adolescence, though, they became painfully aware of the Middle East and Islam’s perspective on homosexuality and gender-noncomformity. It would take years of cultural healing and rediscovery for Al-Kadhi to feel connected to their family, heritage, and religion. While simultaneously mending the pain of the past and celebrating a mergence of femininity and faith, it was ultimately through drag that they finally felt at home in both their queerness and their culture. 

Unicorn is one of the best memoirs I have ever read. Beyond Al-Kadhi’s personal narrative of self-acceptance and perseverance, the story is heavy with complex understanding of how culture and faith belong to a people, not an individual. Al-Kadhi’s revelations of gender, sexuality, and belonging are inspiring and beautifully rendered. 

I would sincerely recommend this to anyone hoping to immerse themselves in a piece of nonfiction, at the heart of which is a story of the human search for acceptance and home.  

The Agathas by Kathleen Glasgow and Liz Lawson

The Agathas by Kathleen Glasgow and Liz Lawson is a young adult novel described as a mix between Veronica Mars and Agatha Christie. I agree! This book is rumored to be the first in a new series and honestly, I hope that is true.

Alice Ogilve is having a rough go of it. Last summer, her boyfriend Steve dumped her. After that, she disappeared for five days. Alice eventually showed back up, but where she went and what happened to her during those five days is a mystery, mostly because Alice refuses to talk about it. To add insult to injury, Steve started dating one of Alice’s best friends, Brooke, last summer. Well Brooke is now Alice’s EX-best friend. Alice’s ex-friends aren’t talking to her, the entire Castle Cove community is upset, and Alice is marched into her home on house arrest and can’t leave due to her actions.

Flash forward to the present: Brooke is missing. She’s vanished and people are saying that she’s doing the same thing that Alice did last summer, only Alice knows Brooke would NEVER just disappear. There must be a sinister reason behind her sudden disappearance.

Enter Iris Adams, Alice’s tutor. She would love to disappear like Alice did, except she would take her mom with her and escape Castle Cove forever. Unlike Alice though, Iris doesn’t have the money or the means to disappear. When Brooke’s grandmother comes into town offering a large reward for any information about Brooke’s whereabouts, Iris decides to figure out the truth about what happened to Brooke. Iris and Alice begin investigating on their own, fueled by the police’s belief that Steve is the culprit. The two have doubts, so they set out to discover who is really responsible.

In order to get justice, and to secure the reward money, they must figure out who is behind Brooke’s disappearance. Alice has a secret weapon: she spent her house arrest reading the complete works of Agatha Christie, so she has the master to help her solve this mystery. The more the two dig, the more they realize that Castle Cove is full of secrets, but the amount of danger the two have put themselves in is worse than they could imagine.

Love is for Losers by Wibke Brueggemann

I like YA books, but no other narrator has ever felt as authentically fifteen as Phoebe, the voice of Love is for Losers by Wibke Brueggemann. Slang, text-speak, cringe, angst, and a heaping helping of dense obliviousness all combine for a laugh-out-loud, queer, teen, and generally updated retelling of Bridget Jones’ Diary.

Phoebe is living in London with her mum’s best friend Kate (a Persian cat mom who runs a charity shop), AGAIN, since her mum is a doctor with Medecins Internationale and has run off (AGAIN) to help disaster victims. Adding to Phoebe’s feelings of abandonment is a rift with her best friend Polly after Polly finally gets a boyfriend (Tristan, who’s so useless he can’t even ride a bike) and won’t talk about anything else (when she even remembers Phoebe at all). Phoebe has vowed to never get emotionally attached, since falling in love is such a degrading loss of sanity (and frankly gross to look at – who makes out in public?). And that could’ve been the end of it, until one of Kate’s designer Persians escapes while in heat, costing Kate a lot of money she could’ve charged for full pedigree Persian kittens. Determined to pay her back, Phoebe goes out to get a job, ending up working at Kate’s charity shop (humiliating) where she comes face-to-face with Emma, who’s got the bluest eyes Phoebe has ever seen, not to mention beauty and class…

Not only is this book funny, but it delves into a ton of tough topics including loss, grief, selfishness, community, how to be a good friend, emotions, heritage, and what makes a family. The short-form diary entry structure makes the book more addictive by being quick and immersive to read. Heartwarming, hopeful, and inclusive, this is a book for anyone who’s tried to shut away their feelings to keep from being hurt, AND a good readalike for Fredrik Backman’s many fans (A Man Called Ove is a similar vibe).

Like A Sister by Kellye Garrett

Like A Sister is the story of a woman demanding answers and fighting those who are determined to keep the truth hidden.

Desiree Pierce is a reality TV star whose fame plays out on social media amongst her many followers. When Desiree falls from grace, not many are surprised, especially not her half-sister Lena Scott. When Desiree’s body is found on a playground in the Bronx the morning after her 25th birthday party, police, media, and her fans quickly decide that her death must be an overdose. Lena doesn’t believe the official story and starts digging for the truth.

Lena grew up far from the spotlight. As a graduate student at Columbia, Lena has spent the last decade making a name for herself separate from her family. Just because she doesn’t place herself directly in the spotlight doesn’t mean that Lena doesn’t know her sister though. Lena knows that Desiree would never overdose and most importantly she would have never traveled alone to where she was found dead. Despite her truth, no one will listen to her.

Determined even more to find answers after she receives pushback, Lena looks into Desiree’s recent past. The two haven’t spoken in the last two years, but at the core of her, Desiree is the same sister Lena has known her entire life. Desiree may have loved to party hard, but her death deserves to be investigated fully. What Lena doesn’t expect is resistance from their father, Mel, a hip-hop mogul with vast fame and influence. If he wanted, Mel could snap his fingers and make the police jump to do his bidding. Instead Lena finds herself alone digging up family secrets on a journey that might even lead to her own death.

This book is also available in the following formats:

Talk Bookish to Me by Kate Bromley

“You never have to forget him, you just have to release the pieces that hurt. Love is the part of him you get to keep.”
― Kate Bromley, Talk Bookish to Me

Talk Bookish to Me is Kate Bromley’s debut romance novel that is hilarious, yet also sexy. It’s also a book within a book: one of the main characters is an author and excerpts of the current book she is writing are sprinkled throughout. This emotional second-chance love story has a premise that, while I have read something similar before, I felt was unique in its presentation.

Kara Sullivan is a romance author stuck in a rut. Her current book deadline is fast approaching, but she hasn’t written a single word. To add to her stress, Kara’s best friend is getting married in a week and Kara is in the wedding! While at the pre-wedding party, Kara is shocked and infuriated to see her first love, Ryan Thompson, walking in. It turns out Ryan is a childhood friend of the groom and is also one of the groomsmen. His abrupt arrival is the jolt that Kara’s creative writing processs needs. As soon as the two break apart for the night, Kara begins working on her steamy historical romance and is surprised to see that she has actually written workable material.

Kara admits to herself that being around Ryan may be the only way that she will actually finish her book on time (and pay her bills)! Ryan is her unexpected muse and Kara decides to throw herself directly in his path. Even though she needs Ryan to finish her book, Kara isn’t sure if she can stand to be in his presence, given their troubled, murky past. The two push each others’ buttons, but their rekindled romance may be the saving grace she needs in all aspects of her life.

My Dearest Darkest by Kayla Cottingham

YA feminist horror is one of my new favorite genres – there’s nothing like a squad of friends battling the forces of evil (and the patriarchy) in between classes. My Dearest Darkest by Kayla Cottingham is a Pretty Little Liars-style journey into peer pressure, manipulation, and gaslighting through a paranormal lens, and with a heartwarming sapphic love story to balance out the scares.

Finch has wanted to attend Ulalume, an elite private school on a remote and sinister peninsula, ever since she heard of it, despite the expense. Luckily her piano audition goes well, but scholarships are the least of her concerns when she and her parents are in a catastrophic car accident on the way home, after veering to avoid what looked like (though couldn’t have been) an eight-eyed stag in the road. Finch could have sworn she drowned when the car went in the lake, but she recovers, although finds herself changed – pale, cold, with a weak heartbeat. When she starts at Ulalume, more odd things start happening including strange new feelings for the local queen bee, Selena. But new love may be no match for what’s waiting for Finch in tunnels under the school…

I really enjoyed the romance between openly bi Selena and newly-out lesbian Finch. Their growth from enemies to friends to girlfriends is a realistic journey that is easy to root for, and Selena’s supportive advice as Finch fumbles through coming out is tender and respectful. In some ways the author prioritizes the romance over the horror plot, so readers will have to decide if a happy ending is worth a plot hole or two. The horror plot is an original take on the deal-with-the-devil or cult narratives, adding in an insightful element of gradual, insidious manipulation. The setting also contributes a Gothic atmosphere, complete with creepy forest, bleak lighthouse, and dank tunnels. In short, while some plot elements could be stronger, this female-centered ghost story compellingly asks what it’s worth losing to find the power and belonging you’ve always wanted.

A worthy addition to the realm of progressive horror novels, this is a good read for those who loved Plain Bad Heroines or other queer love stories where things go bump in the night.

This title is also available on Overdrive.

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