I love ordering the music CDs for the library – getting the inside scoop on all the new albums coming out is great fun for me. The only thing I like better is sharing the cool new music with other people! Today I’ve got another two albums, recently ordered for the library, which give us a great opportunity to think about how the artist’s work has changed and matured over the course of their career.

Violet Bent Backwards Over the Grass by Lana Del Rey is another unique installment in already unusual body of work. Her music is hard to classify in my mind, with old Americana glamour (think 1950s and 1960s) fatalistically described in hypnotic, narcotic vocals. I’ve heard it described as a red rose smoking a cigarette. Another word people use is “sadcore”, which describes a moodier, alternative musical style featuring depressive themes, bleak lyrics, and/or downbeat melodies. It’s perfect music for thinking about doomed love or the flaws in the American dream. She has continually evolved over the course of her career: her first album, Born to Die, was a breakout hit, heavy with American nostalgia but influenced by hip-hop and indie pop. A subsequent album, Ultraviolence, was more guitar-based, sounding like psychedelic or desert rock, and was followed by Honeymoon, which had a thick, crooning sound that felt like a time warp, according to one reviewer. Her next album, Lust for Life, was for her fans, and it was followed by her biggest success, Norman Fucking Rockwell, which delved deep into twisted and sordid American fantasies and was called “massive and majestic” by reviewers. In Violet Bent Backwards Over the Grass, she has created a spoken word album, putting a series of original poems over musical accompaniment. Another studio album is anticipated in early 2021, titled Chemtrails over the Country Club.

Love Goes by Sam Smith is another artist that I’ve always felt stands apart from the crowd. They first rose to fame in 2012 and 2013 performing on other artists’ tracks, before releasing their first studio album In the Lonely Hour in 2014. This album rocketed to the top of the charts and won them 4 Grammy awards. They continued to release individual tracks, including Writing’s On The Wall, a very atmospheric song for a James Bond film in 2015, Promises with Calvin Harris, and Dancing with a Stranger with Normani. In 2017 they released a second studio album, The Thrill of It All, which was also a big success, especially the lead single Too Good At Goodbyes. This third album features another string of wildly successful singles including How Do You Sleep, To Die For, and I’m Ready with Demi Lovato. The beauty of Smith’s music is that it has grown increasingly personal and intimate over the course of their career; In The Lonely Hour had a crooner, R&B sound that was familiar, though extremely catchy, and the lyrics told age-old stories of love and loss reminiscent of music by Adele. With The Thrill of It All and subsequent singles, Smith became more vulnerable, putting more personal truth into their songs and developing a more meditative, unique sound. This album promises to be the most authentic record yet, featuring tracks that already popular as well as new unknown songs. Early reviews are positive, saying that with this album Smith celebrates freedom and self-expression in a way they haven’t before.