Category: Read-a-likes

The Latest from Pop Punk Princess Avril Lavigne

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Love Sux is Avril Lavigne’s latest album, and if you grew up like I did yelling along with her angsty bops, this is the perfect album for you.

Her first album was smash hit Let Go, containing tracks like Sk8er Boi and Complicated which rocketed her to fame. Next was Under My Skin, a darker grunge-inspired album whose most lasting track was My Happy Ending. The Best Damn Thing was album number three, and had several good tracks including Hot, Keep Holding On, and the yearning When You’re Gone, but most notable was Girlfriend, possibly her most popular song to date. Number four was Goodbye Lullaby, which has some of my personal favorite songs on it, including What The Hell and Smile. After that came self-titled album Avril Lavigne which is bursting with catchy tracks like Sippin’ On Sunshine and Here’s To Never Growing Up, alongside the controversial j-pop inspired Hello Kitty and the ballad Let Me Go with then-husband Chad Kroeger. After her battle with lyme disease she released Head Above Water in 2019, a bit of a departure in style as she processed the pain of her experiences; the main song with her signature rebelliousness is Dumb Blonde with Nicki Minaj, while the rest are slower, ballad-style tracks about helplessness and struggle to break free.

Love Sux is a return to form, with energetic rock-style tracks expressing defiance at every stage of relationships. The energy starts strong with Cannonball and doesn’t let up through a duet with Machine Gun Kelly, two dysfunctional love songs, and the eponymous Love Sux. Things might mellow a little by the end, but the whole effect is vintage Avril – which only fuels the Internet’s speculation that she doesn’t age (or ages very well). I’m always impressed at the way her music naturally matures as she does, while keeping her signature style; Let Go‘s “let’s crash the mall” skater vibe was definitely a teenager’s point of view, but Love Sux listens well from an adult perspective, even though it still probably has youth appeal.

If you’ve ever enjoyed Avril Lavigne or just like rock music with punk vibes and pop appeal, you’ll probably enjoy Love Sux.

July’s Celebrity Book Club Picks

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It’s a new month which means that Jenna Bush Hager and Reese Witherspoon have picked new books for their book clubs! Reminder that if you join our Best Sellers Club, these titles will automatically be put on hold for you.

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Jenna Bush Hager has selected The Measure by Nikki Erlick for her July pick.

Curious what The Measure is about? Check out the following description provided by the author:

Eight ordinary people. One extraordinary choice.

It seems like any other day. You wake up, get ready, and head out.

But today, when you open your front door, waiting for you is a small wooden box, holding the answer to the number of years you will live.

Suddenly, everyone on earth is faced with the same shocking choice: Do they wish to know how long they’ll live? And, if so, what will they do with that knowledge?

As society comes together and pulls apart, The Measure charts the dawn of this new world through an unforgettable cast of characters whose paths interweave with one another: best friends whose dreams are forever entwined, pen pals finding refuge in the unknown, a couple who thought they didn’t have to rush, a doctor who cannot save himself, and a politician whose box becomes the powder keg that changes everything.

The Measure is a sweeping, ambitious, uplifting story about family, love, hope, and destiny that encourages us to live life to the fullest.

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Reese Witherspoon has selected Honey and Spice  by Bolu Babalola for her July pick.

Curious what Honey and Spice is about? Check out the following description provided by the publisher.

Introducing internationally bestselling author Bolu Babalola’s dazzling debut novel, full of passion, humor, and heart, that centers on a young Black British woman who has no interest in love and unexpectedly finds herself caught up in a fake relationship with the man she warned her girls about

Sweet like plantain, hot like pepper. They taste the best when together…

Sharp-tongued (and secretly soft-hearted) Kiki Banjo has just made a huge mistake. As an expert in relationship-evasion and the host of the popular student radio show Brown Sugar, she’s made it her mission to make sure the women of the African-Caribbean Society at Whitewell University do not fall into the mess of “situationships”, players, and heartbreak. But when the Queen of the Unbothered kisses Malakai Korede, the guy she just publicly denounced as “The Wastemen of Whitewell,” in front of every Blackwellian on campus, she finds her show on the brink.

They’re soon embroiled in a fake relationship to try and salvage their reputations and save their futures. Kiki has never surrendered her heart before, and a player like Malakai won’t be the one to change that, no matter how charming he is or how electric their connection feels. But surprisingly entertaining study sessions and intimate, late-night talks at old-fashioned diners force Kiki to look beyond her own presumptions. Is she ready to open herself up to something deeper?

A gloriously funny and sparkling debut novel, Honey and Spice is full of delicious tension and romantic intrigue that will make you weak at the knees.

Join our Best Sellers Club to have Oprah, Jenna, and Reese’s adult selections automatically put on hold for you!

The Batman on DVD

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You could probably tell a lot about a person by their answer to the question: “Who’s your favorite Batman?” Me, personally, I’d probably say Michael Keaton from the Tim Burton Batman and Batman Returns movies, with Christian Bale’s Dark Knight a close second (but that’s because of Michael Caine as Alfred). I don’t know what that says about me (escapist nostalgia?), but I have a theory about people whose favorite Batman is now Robert Pattinson in The Batman: they’re probably thoughtful, complex people who know what it’s like to struggle with trauma and anger, and who care about responsibility and accountability.

Here’s why I think that. I’m not going to summarize the plot for you too much, because you’ve probably heard plenty about this movie while it was coming out (I sure did). I wasn’t surprised that a brooding Bruce Wayne faces a brutal Riddler after two years fighting crime as Vengeance. What I was surprised by was how NOT romanticized the Batman figure was. Rather than making him a kooky crimefighter (Adam West style), a pitiable and misguided orphan martyr (like in the Gotham TV series) or a playboy and noble warrior for justice (Christian Bale style), this film makes him (and his Bruce identity) undeniably problematic both as a person and as a symbol to Gotham. Feminists will probably be notably uncomfy with his behavior toward Selina Kyle, Alfred fans (like me) will be startled by how little time and affection Bruce has for his surrogate father, mental health advocates will recognize a truly troubled personality in the unwashed and obsessive Bruce, and by the end of the movie there will be a deep dive into the dark effects a violent vigilante like Batman would really have on the culture and crime rates of Gotham. It’s an important thing to consider in an age of radicalization, polarization, and people pushed to extremes – and it makes a film that really sticks with you.

I know many people were struggling to accept Pattinson’s jump from Twilight mega-fame to tough-guy Bruce, but if you haven’t already you should definitely give this film a watch. If you’re not interested in the philosophical exploration of violence and accountability, try it for the truly wild card atmosphere of this film. For one thing, I promise you are not prepared for the Wayne Manor, and second, I would not be surprised if the casting call for this film stated “must have an unusual or silly-sounding voice”. Moreover, Zoe Kravitz’ Selina Kyle is as tough and sultry as advertised, and ALMOST as good at critiquing Batman’s privileged perspective on the world as Michelle Pfeiffer’s in Batman Returns. Other worthwhile highlights for longtime Batman fans include a clearly retro-inspired Batmobile, an ethnically diverse cast including a particularly effective Jim Gordon, and skillful camera work and orchestration (almost as good a score as The Dark Knight, though not quite at that unsettling level).

Whatever your reason, don’t miss the latest reimagining of The Caped Crusader, now available in DVD and Blu-Ray at the library. Did I miss your favorite Batman? Tell us in the comments!

The Highwomen, feat. Brandi Carlile, Maren Morris, Natalie Hemby, and Amanda Shires

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My journey to rediscover country music continues! A modern country sound that honors the roots of the genre, The Highwomen is a unique gift to today’s country music. If you like or have liked country music but are looking for something fresh – or you prefer Outlaw Country to Bro Country or Boyfriend Country – this might be a good album for you.

Now, if you’re a longtime country fan, you’ve probably already guessed that this group was inspired by the legendary Highwaymen, composed of Outlaw Country Superstars – Johnny Cash, Waylon Jennings, Kris Kristofferson, and Willie Nelson. The idea was Amanda Shires’, who wanted to bring together a female supergroup partly to combat the low representation of women’s voices in country music radio and festivals. She connected then with Brandi Carlile  and Maren Morris, originally intending to leave the fourth spot open for guest collaborators. When the group debuted in 2019, at Loretta Lynn’s 87th birthday concert, Natalie Hemby was officially announced as the fourth member. The album came out later the same year.

What I really liked about this album was the stories that it told, stories that I haven’t heard a lot in my country listening. Now, I like a good “hell hath no fury like a woman scorned” song as much as anybody else (Before He Cheats by Carrie Underwood, anyone?) but it sure seems like a lot of what makes country music (or most music, honestly) popular is the same story – boy meets girl (Hurt Somebody by Dierks Bentley), boy chases girl (She’s a Girl Ain’t She by Rodney Atkins), the bliss of love (Heaven by Kane Brown), boy wrongs girl or vice versa (Jolene by Dolly Parton, I Hope It Rains by Jana Kramer), messy heartache ensues (Burning House by Cam), both move on (Red High Heels by Kellie Pickler, Bartender by Lady A). And if it’s not that story, it’s the Living In The Country is a Real Good Time story (Where I Come From by Montgomery Gentry, Mud on the Tires by Brad Paisley, Meanwhile Back at Mama’s by Tim McGraw, etc. etc.). Both are good, but repetitive after a while.

The Highwomen sing a new slate of relatable messages – in this album we hear the voices of women wronged by history/society (Highwomen), the struggles and joys of being women (Old Soul, Redesigning Women), a daughter facing the death of her father (Cocktail and a Song), various reasons not to be a mother (My Name Can’t Be Mama), an homage to suburban moms (My Only Child) and, my personal favorite, Heaven is a Honkytonk, which is a very Willie-Nelson-esque homage to country music legends who have passed on. And of course, thrown in are a few romantic journeys including post-breakup Don’t Call Me and the both relatable and subversive If She Ever Leaves Me. The latter is particularly a gem, because it portrays love between women in a positive and unexpected way.

If you missed this album when it first came out and love a modern twist on classic genres, get your country on with The Highwomen.

Love is for Losers by Wibke Brueggemann

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I like YA books, but no other narrator has ever felt as authentically fifteen as Phoebe, the voice of Love is for Losers by Wibke Brueggemann. Slang, text-speak, cringe, angst, and a heaping helping of dense obliviousness all combine for a laugh-out-loud, queer, teen, and generally updated retelling of Bridget Jones’ Diary.

Phoebe is living in London with her mum’s best friend Kate (a Persian cat mom who runs a charity shop), AGAIN, since her mum is a doctor with Medecins Internationale and has run off (AGAIN) to help disaster victims. Adding to Phoebe’s feelings of abandonment is a rift with her best friend Polly after Polly finally gets a boyfriend (Tristan, who’s so useless he can’t even ride a bike) and won’t talk about anything else (when she even remembers Phoebe at all). Phoebe has vowed to never get emotionally attached, since falling in love is such a degrading loss of sanity (and frankly gross to look at – who makes out in public?). And that could’ve been the end of it, until one of Kate’s designer Persians escapes while in heat, costing Kate a lot of money she could’ve charged for full pedigree Persian kittens. Determined to pay her back, Phoebe goes out to get a job, ending up working at Kate’s charity shop (humiliating) where she comes face-to-face with Emma, who’s got the bluest eyes Phoebe has ever seen, not to mention beauty and class…

Not only is this book funny, but it delves into a ton of tough topics including loss, grief, selfishness, community, how to be a good friend, emotions, heritage, and what makes a family. The short-form diary entry structure makes the book more addictive by being quick and immersive to read. Heartwarming, hopeful, and inclusive, this is a book for anyone who’s tried to shut away their feelings to keep from being hurt, AND a good readalike for Fredrik Backman’s many fans (A Man Called Ove is a similar vibe).

My Dearest Darkest by Kayla Cottingham

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YA feminist horror is one of my new favorite genres – there’s nothing like a squad of friends battling the forces of evil (and the patriarchy) in between classes. My Dearest Darkest by Kayla Cottingham is a Pretty Little Liars-style journey into peer pressure, manipulation, and gaslighting through a paranormal lens, and with a heartwarming sapphic love story to balance out the scares.

Finch has wanted to attend Ulalume, an elite private school on a remote and sinister peninsula, ever since she heard of it, despite the expense. Luckily her piano audition goes well, but scholarships are the least of her concerns when she and her parents are in a catastrophic car accident on the way home, after veering to avoid what looked like (though couldn’t have been) an eight-eyed stag in the road. Finch could have sworn she drowned when the car went in the lake, but she recovers, although finds herself changed – pale, cold, with a weak heartbeat. When she starts at Ulalume, more odd things start happening including strange new feelings for the local queen bee, Selena. But new love may be no match for what’s waiting for Finch in tunnels under the school…

I really enjoyed the romance between openly bi Selena and newly-out lesbian Finch. Their growth from enemies to friends to girlfriends is a realistic journey that is easy to root for, and Selena’s supportive advice as Finch fumbles through coming out is tender and respectful. In some ways the author prioritizes the romance over the horror plot, so readers will have to decide if a happy ending is worth a plot hole or two. The horror plot is an original take on the deal-with-the-devil or cult narratives, adding in an insightful element of gradual, insidious manipulation. The setting also contributes a Gothic atmosphere, complete with creepy forest, bleak lighthouse, and dank tunnels. In short, while some plot elements could be stronger, this female-centered ghost story compellingly asks what it’s worth losing to find the power and belonging you’ve always wanted.

A worthy addition to the realm of progressive horror novels, this is a good read for those who loved Plain Bad Heroines or other queer love stories where things go bump in the night.

This title is also available on Overdrive.

Trouble in the Stars by Sarah Prineas

- Callen 1 Comment

When life gets you down… read a middle-grade novel. These books tackle serious issues without the angst of YA or the bleak cynicism of adult fiction, and that’s something everyone needs sometimes. My latest recommendation is Trouble in the Stars by Sarah Prineas.

Readers are plunged headlong into a journey of discovery when a young shapeshifter (who enters the story as a blob of goo) goes on the run from StarLeague (dystopian government type) soldiers. After stowing away aboard a freighter, the shifter takes human form and is christened Trouble by the crew. Trouble learns what it means to be a human (from food to friendship) while trying to earn the crew’s trust. But eventually StarLeague will catch up, so it’s up to Trouble and the ship’s crew to chase down the truth about where Trouble came from and why StarLeague wants so badly to find them.

New readers of sci-fi will appreciate learning the lingo alongside Trouble, and similarly diversity (of many stripes) is explained in clear, matter-of-fact terms. Fans of Firefly (or parents who want to expose their kids to the concept but not the actual show) will appreciate the outlaw vibes, complete with a mysterious, coveted individual who doesn’t know their own power. This is a good read for all ages, balancing a quick and interesting plot with thoughtful characterization and moral considerations.

See also its sequel, Asking for Trouble for the continued adventures of your new favorite shapeshifter. Trouble in the Stars is also available on Overdrive.

The Wife Upstairs by Rachel Hawkins

- Callen Leave a comment

You may know I’m a big fan of classic retellings, and of Jane Eyre and Rebecca. The Wife Upstairs by Rachel Hawkins is the ultimate retelling of both Jane Eyre and Rebecca, with modern feminist sensibilities.

Jane is the new dog walker in Thornfield Estates and resents the casual privilege her extremely wealthy clients display, while she’s struggling to make ends meet and living with a creepy church musician for a roommate. It seems a huge stroke of luck when she hits it off with reclusive widower Eddie Rochester and embarks on a whirlwind romance. But her sense that something isn’t right only grows as they start to talk about marriage, since the spectre of Eddie’s late wife Bea is never far away, in the neighborhood, in Eddie, and in the house. To make matters worse, then the police start asking Eddie more questions about the night Bea went missing and her best friend Blance died, and Blanche’s husband has plenty of unpleasant insinuations to make. Not to mention Jane’s own past is threatening to rear its ugly head…

I love that this book uses all the Jane Eyre names, but makes the original characters make sense in the modern world – John Rivers for example is perfectly drawn as an unsettling religious figure who wants Jane for himself and treats her badly. The plot is also optimized for modern readers as strategic flashbacks, confessions, and slow reveals avoid the boggy parts of Jane Eyre by mixing past with present. Gone Girl, The Girl on the Train, and other unreliable-narrator thrillers are clear influences, and The Wife Upstairs easily joins their canon of feminist thrillers where realistic women earn their victories the hard way.

Sourdough by Robin Sloan

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Thanks to Ann’s “food and friendship” June Online Reading Challenge, I finally read Sourdough by Robin Sloan, and it surpassed all my expectations and MAY have been better than Mr. Penumbra’s 24-hour Bookstore…

We meet Lois as she moves to San Francisco, wooed by a tech company’s promises of a glamorous, meaningful, and lucrative career programming robots. And then we see her weighed down by a monotonous, workaholic life where the only food that doesn’t upset her stressed stomach is the company’s nutrition gel, Slurry. Until, that is, she discovers a family-owned business that will deliver soup (“double spicy”) and sourdough bread (homemade) at all hours – and she knows peace again. All too soon, the brothers have visa issues and have to leave. But they leave Lois their sourdough starter, and she’s forced to learn how to feed it and bake with it. Somehow this leads her down a path of smiling loaves, reading hipster baking books, building her own brick oven, auditioning for farmers’ markets, butting heads with food gurus, and teaching robotic arms to crack eggs. And maybe she’ll figure out the life she wants along the way.

This book was addictive to read, tugging gently on the heartstrings and written with dry, matter-of-fact humor. Lois’ journey is a heartwarming climb out of dystopia toward contentment and fulfillment by working with her hands. Surprisingly, it’s almost a retelling of Voltaire’s Candide, with a relative innocent swept into unexpected adventures, inadvertently examining the cost of ambition and what really makes a happy life.

If you need a tasty, hopeful read where light shenanigans ensue and many friends are made, you should read this book.

Never Been Kissed by Timothy Janovsky

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Film buffs rejoice! Timothy Janovsky has written the ultimate romance for you in Never Been Kissed, featuring summer at the drive-in, a cranky and reclusive legendary film director, and second-chance romance with a childhood crush.

Wren has never been kissed – not only a big regret for him as a lover of rom-coms, but also a major source of teasing from his friends. Considering he’s also graduating college without a plan beyond his regular summer job at the drive-in, it’s especially hard for Wren to feel like a grownup. After a few too many at his 22nd birthday he decides there IS something he can do about one of his problems – he can send out all the emails he’s written to the boys he almost kissed over the years, and launch a quest to get himself kissed. In the morning, this was obviously a terrible idea, but it did reopen communications with childhood friend (and major crush) Derrick, who just so happens to be ALSO working at the drive-in this summer… awkward! Not to mention he’s juggling being a manager at the drive-in, for the first time, with also trying to save it from shutting down by hosting a big event featuring the the local film legend, reclusive director Alice Kelly. Through it all there’s Derrick, and some uncomfortable conversations about what happened to them in high school that need to be faced if there’s a future for them now.

At first I wasn’t sure about the 90s rom-com vibes of this book, or about how immature Wren seemed, dodging his problems and clinging to the past. But over the course of the book, while the film nostalgia stayed strong, Wren started to change, to learn and grow and face his uncomfortable truths. By the end his confidence has grown and he’s acting like a real adult — making the book not only satisfying but relatable, as we all face that moment of growing up and taking responsibility sooner or later. In general, this book was strongly Gen Z, both in terms of lingo, film references, and openly affirming things like mental health, found family, and a wide spectrum of identities. It’s a major milestone for the romance genre that this book openly discusses being demi (which means only feeling certain attractions once a strong emotional bond has been formed) and how important it is to have words to understand yourself. In fact, the atmosphere of acceptance was strong and unquestioned, which was refreshing to read.

This is the 90s romantic comedy movie rewrite I didn’t know I always needed — if you like New Adult coming-of-age stories, second chance romances, or just jump at the chance to go to the movies, I definitely recommend you read this book and then take a trip out to your nearest drive-in theater to keep tradition alive.