Conventionally Yours by Annabeth Albert

Spoiler alert: as far as romance novels go, I’m not a huge fan of what’s called the “enemies to lovers” storyline. To me, strong dislike is an odd and unlikely foundation for a relationship, so the story always feels implausible and vaguely annoying (yes, this includes Beauty and the Beast). That preference of mine still holds true in the case of Conventionally Yours by Annabeth Albert: the protagonists start off as enemies, and I don’t really care for it. However, the book has a lot of other things going for it which balance that part out.

Conventionally Yours is the story of Conrad and Alden, who have been playing the card game Odyssey in the same group for several years. They don’t get along: Conrad thinks Alden is arrogant and uptight, Alden thinks Conrad is a bit of a slob skating by on charisma. It doesn’t help that they’re the group’s two best players, constantly butting heads over the game. Unbeknownst to each other, they’re both going through a hard time when the book opens, each in great need of a miracle. The miracle comes when they’re given the chance to go to a big convention for Odyssey fans and play in a tournament which gives the winner a big boost of fame and a cash prize, not to mention the chance to become a professional player. The only catch: the convention is on the other side of the country, and to get there, they have to drive…together. As the miles roll on, they find themselves getting a better understanding of each other, and a genuine connection blooms. But the tournament can only have one winner, and the stakes are high for both of them – can their fragile new relationship survive?

Even though I don’t care for “enemies-to-lovers” romances, this book does include lots of other things I love: lots of diverse representation, realistic emotional stakes, cute illustrations, and homages to the world of fandom and fanfiction (where “there was only one bed” remains a beloved plot device). The characters are well-rounded and likeable, the romance is sweet, and the portrayal of gaming, fandom, and LGBTQ friendship is loving and on-point. If you’re looking for a feel-good read, and like some of these tropes more than I do, I definitely recommend trying Conventionally Yours.

Checkmate: Queen’s Gambit Readalikes

Did you catch chess fever when The Queen’s Gambit came out on Netflix? If you did, you’re not alone! If not, it’s never too late to start! Here’s a few ways you can discover more of the amazing world of chess through books.

First up, read The Queen’s Gambit by Walter Tevis to see where it all began. In this page-to-screen story, an orphaned girl finds skill and passion when she learns how to play chess. She enters tournaments and becomes a rising star in the game… but is the pressure too much?

Next, check out a few real-life versions of the story with All The Wrong Moves by Sasha Chapin and The Queen of Katwe by Tim Crothers. Sasha Chapin’s memoir takes you behind the scenes of ultra-competitive chess matches all around the world, by turns highlighting his humiliating defeats and celebrating a beautiful game. In another famous page-to-screen story, The Queen of Katwe tells the story of a young girl from Uganda who, through the support of her community, becomes determined to follow her skill and become an international chess champion.

Then, try How To Become A Candidate Master by Alex Dunne to build your own skills. Based on real games, this book will help amateur chess players gradually build their skills through a series of matches, with the goal of eventually achieving master status. If you’re not yet looking to become a master, you could read How To Beat Your Kids At Chess, a guide specifically for adult beginners, or try a Great Course on How To Play Chess, good for players of all levels.

Finally, get philosophical with The Moves That Matter by Jonathan Rowson. In this case, a real-life grandmaster demonstrates how the complexities and strategies of the game also contain lessons for living life, including about sustaining focus, making hard decisions, overcoming failure, and much more. Using chess, Rowson shows how to gain a new perspective and appreciate the meaning and beauty in life.

Whatever kind of chess fan you may be, rest assured there’s a book out there for you!

The Cousins by Karen M. McManus

Karen McManus has done it again; the author of best-selling One of Us is Lying has another addictive showstopper with The Cousins, released in 2020. This standalone book tells the saga of an estranged wealthy family and their dark secrets, through the eyes of the youngest generation. Cousins Jonah, Aubrey, and Milly don’t really know each other, and they’ve never met their wealthy and mysterious grandmother Mildred, because she disowned their parents long before they were born, for reasons unknown. Now, she’s invited the three teens to spend the summer living and working at her resort as a chance to get to know them better – or so she says. Their parents insist they go, eager for a chance to get back in their mother’s good graces. However, once they arrive, the cousins quickly discover nothing is as it seems, as their family’s many secrets start to come to light.

As before, McManus’ characters sparkle as realistic, well-rounded individuals, and the plot is mostly relatable, though shot through with drama and glamour. Aubrey is an athlete reeling from a family betrayal, Milly is chasing a glamorous life but struggling for her mother’s approval, and Jonah is angry about his plans for summer science camp being derailed…among other things. Despite their vastly different personalities, they forge a strong bond as they team up against the summer’s mysteries and dangers. What I really liked was the interspersed chapters set in 1996 and told from Milly’s mother Allison’s perspective; these chapters tell of the events leading up to the disowning of Mildred’s children, make Allison and her brothers real and relatable, and help the main plot build to its climax in an unexpected way. It’s unclear from the ending if a sequel will be forthcoming, but personally, I wouldn’t be opposed.

If you’re looking for a thoroughly modern YA mystery with an Agatha Christie vibe, or if you’ve loved McManus’ other mysteries, or both, I definitely recommend you try reading The Cousins.

Montague Siblings Series by Mackenzi Lee

The Montague Siblings series by Mackenzi Lee is an adventurous romp that has surpassed my every expectation, and I’m thrilled that the third volume is supposed to come out in April.

The first book is The Gentleman’s Guide to Vice and Virtue, and tells the story of Henry “Monty” Montague, a nobleman’s son embarking on his “grand tour” of Europe before he settles down to work on the family estate. Monty would rather party and have fun than do the serious, cultured work of a nobleman, so he’s excited to get one last hurrah with his beloved best friend Percy (and, to a lesser degree, his younger sister) before the drudgery begins. Unfortunately for Monty, his impulsive, fun-loving nature quickly gets him into trouble, and his respectable “grand tour” turns into a disaster-filled chase across the continent, featuring pirates, vengeful nobles, alchemy, danger, kidnapping, and lots of romantic misunderstandings.

The sequel is The Lady’s Guide to Petticoats and Piracy, featuring Monty’s younger sister Felicity. A powerhouse of intelligence, backbone, and independence, Felicity wants two things:  to be a doctor, and avoid getting married. Regrettably, university administrators unanimously believe only men can be the guardians of science and medicine. Her last chance is to meet with a renowned doctor in Germany and convince him to change her fate, but finances are a problem… until a mysterious woman offers to foot the bill, in exchange for traveling as her maid. With no other options, Felicity agrees, launching her on yet another perilous quest across the European continent in pursuit of life-altering secrets.

The final installment is The Nobleman’s Guide to Scandal and Shipwrecks, set some years later and featuring Monty and Felicity’s much younger brother, Aiden. As sole heir, Aiden is set to take over the Montague estate, but with a diagnosis of hysteria and an embarrassing breakdown on the public record, he’s not viewed as terribly fit for the job. In desperation, Aiden sets out on a journey to find his long-lost older siblings and convince them to take over the estate in his place. To his frustration, Monty refuses point-blank, agreeing only to help him claim the last of their late mother’s possessions in the Caribbean. But in true Montague fashion, this seemingly simple errand turns into a race across the world to chase down an mysterious artifact with links to a family curse.

I love these books because they’re packed with action and adventure, period details, and modern sensibilities – especially in the portrayal of well-rounded, realistically diverse characters. Not all historical fiction (or fiction published in the period) acknowledges disabilities, racism, sexism, LGBTQ identities, or mental health, but this series acknowledges all those things, and still presents happy or hopeful endings for the affected characters. I recommend this series as a perfect escapist read.

The Invisible Life of Addie LaRue by V.E. Schwab

A life no one will remember. A story you will never forget.

The tagline for V.E. Schwab’s latest book The Invisible Life of Addie LaRue is one of the best I’ve seen at perfectly distilling a book down to its essence. V.E. Schwab is mostly known for her children’s and young adult fiction that she published under the name Victoria Schwab, but The Invisible Life of Addie LaRue  is a wonderful addition to historical fantasy for adults that you’ll want to cozy up and read as soon as you can get a copy.

France, 1714. Addie LaRue is desperate. Growing up in a small town in France, Addie thought she had successfully avoided marriage until she is promised to a man with young children. Knowing if she marries him she will be live and die in this same small town, Addie manages to slip away before her wedding. Stumbling in her desperation, Addie kneels in the woods and prays for freedom to a god who only answers after dark. This god, or is he a devil, answers Addie’s call and makes a deal with her that she so desperately wants. Over time, Addie learns the limits of the deal and regrets it: she will live forever, but she will be forgotten by every single person she meets. Every time they turn away, every time they close a door, Addie will slip from their memory, a person or a thought always just out of reach. She will spend her years traveling the world, never quite feeling at home anywhere, and never able to make her mark on the world. Addie must get creative in order to leave her legacy as she visits artists of all types and notices that the seven freckles that dot her cheeks can be found throughout history, like a scattering of stars.

Flash forward 300 years. Addie is searching for something new, anything new that will shake up what she’s already discovered in her 300 years. Walking the streets of New York, she yearns. Suddenly, Addie finds a bookstore that she has never seen before. In it, a boy named Henry will change her life with three little words, ‘I remember you’.

Those three words. How is it possible? Did Luc, the god who made her deal, mess up? He must have. She yearns to be remembered, yearns to belong to someone. She has found the one her soul has been searching for after 300 years. Both Henry and Addie have been yearning for years to not be alone, though Henry’s life has been considerably shorter than Addie’s, but his desire is just as strong. Wanting to feel that connection while they have been alone for all this time is something pressed deep into their souls. Addie and Henry are fearful of what they’ve discovered, that fear running strong in Addie as the anniversary of her deal approaches. Knowing that Luc may show up at any second, whenever the mood hits him, Addie is desperate that Henry remember as much of her life as he can before Luc makes him forget.

This novel tore me apart. It’s not a thriller or a swift ride through the characters’ lives. Instead Schwab introduces both Addie and Henry’s lives in a wonderfully leisurely way, one where readers get to know the characters as they work through whatever newness they uncover. Schwab mixes the past with the present, switching between long stretches of Addie’s 300 years with Henry’s exquisitely awkward and painful shorter life. These moments are presented in a way that tugs at your heart as you wish for peace and comfort for both Henry and Addie in the end.

This book is also available in the following formats:

Finna by Nino Cipri

Not to be melodramatic, but Finna by Nino Cipri is the book I’ve been waiting for my whole life. It reads in many ways like an American version of Hitchhiker’s Guide to the Galaxy – one of my all-time favorite books. The deceptively thin volume is the story of Ava and Jules, a young couple that just broke up a week ago and now has to find a way to continue working together at a Scandinavian big box furniture store. As if the horrors and indignities of working retail AND a breakup  weren’t enough, they then discover a wormhole to a parallel universe has opened inside the store — and a customer has wandered through it. It falls to Ava and Jules, as the employees with the least seniority, to go through the wormhole and try to bring the customer home. While trying to survive a perilous multiverse, they must also walk the perilous path from breakup back to friendship.

I fell in love with this book almost instantly, and there’s many reasons why. For one thing, it’s a slim and unintimidating 137 pages, and the writing style and brief chapters make it a quick and addictive read. The humor is dry and wry, realistic about the cruelties and frustrations of both working retail and navigating relationships. Both characters are honest about their own good and bad qualities and while the hurt and defensiveness is real, they don’t flinch away from taking a long, hard look at what went wrong in themselves and in their relationship. Moreover, meaningful as the relationship between the characters is, the book doesn’t get bogged down in it, balancing out the heartfelt discussions with lots of frankly wacky adventures in parallel universes both beautiful and sinister. Finally, this book is one of a very rare type: a novel, with a genderqueer protagonist, that doesn’t focus exclusively on that individual’s gender. In fact, Jules’ gender identity and the social difficulties that come with it are treated as established and routine, mundane everyday details compared to the rest of the plot. As a genderqueer person myself, it is so refreshing to read novels where gender-diverse people exist, live their lives, and do things other than obsess about their gender identity.

If you love slice-of-life sci fi, Welcome to Night Vale, Hitchhiker’s Guide to the Galaxy, or are craving some light-hearted LGBTQ representation, I 100% recommend you check out this book.

Plain Bad Heroines by Emily Danforth

I think I’ve already mentioned that Jane Eyre is one of my favorite books. The strong female lead, the fairly unconventional take on romance, the theme of independence all really resonate with me as a reader. I’ve also mentioned that I was trying this fall to read more spooky books to get into the spirit of the season. One such book I read was Plain Bad Heroines by Emily Danforth. I discovered it by chance on the homepage of the library catalog as one of the new books being ordered for the collection, and after reading the synopsis I was hooked. It has similar themes: lots of female characters, unusual and unconventional romances, and a strong theme of struggling for independence.

The book is told in alternating perspectives: first, in 1902, you hear the story of a girls’ boarding school as it’s rocked by a series of grisly deaths, all revolving around a mysterious and inflammatory book. Then, you’re transported to the early 2000s as Hollywood discovers the story of the cursed boarding school and starts to make a movie about it. The movie seeks to capture the horror of the original 1902 events, but succeeds too well as bizarre and frightening events start to happen on set. Caught in the middle are a number of fascinating characters – in 1902, the headmistress Libbie and her lover Alex strive to understand and overcome the boarding school’s sinister atmosphere, and they fail to protect several of their students including Flo and Clara, a bold pair of lovers, and ghostly Eleanor Faderman, who idolizes them. In the modern story, wunderkind writer Merritt, lesbian star Harper, and Audrey, daughter of an iconic scream queen, find themselves thrown together both in fear and mutual attraction as they work on the film.

The appeal of the book is partly its strong characters, complicated and fairly relatable, and partly its wry writing style. Like Jane Eyre, the narrator addresses the reader directly to tell the story (“Reader, I married him”, etc.), and the author really leans into the style, adding lots of footnotes and asides during the narrative. While it’s a fairly thick volume, with lots of story to tell at both points in history, I found that I kept reading without fatigue because of the tense atmosphere and slow-burn action. Typical of horror-style stories, you’re filled with an increasing sense of dread that something awful is going to happen. However (spoiler alert), I was surprised and a bit disappointed that while the 1902 story was full of horrible things happening, and its ending was decently grim, the modern story had a more ambivalent ending, neither grim nor hopeful. I was left with a sense of lingering questions and an uncertain future. As far as I was concerned, the last page could have read The End? (spoiler alert: it didn’t.)

Here’s my theory as to why that is: the underlying theme of both stories is resistance to oppressive norms, expressed particularly in the form of lesbian relationships. This book and its characters are entirely, staggeringly, defiantly sapphic, which comes with certain realities. My guess is the 1902 story had to end grimly, because the outlook for independent women and lesbian love at that time was decently grim. In the modern era, however, things aren’t so final. There’s more freedom and acceptance, but sexism and homophobia still exist, making for an uncertain, cloudy outlook. Therefore, the modern characters couldn’t be said to have completely defeated the curse, but they stand stronger against it. Of course, there’s a lot more going on in the book, especially as the characters struggled for independence in various ways. Some wanted to be independent of everyone, some wanted to be independent from their parents or their past, some wanted to be independent from society’s rules, and some wanted to be independent from their fame. (Their success at achieving independence predictably varied.) Altogether, I thought this was a thought-provoking, engaging book with lots of thrills and chills.

If you like historical fiction, horror fiction, dramedies, or feminist histories, I recommend you try this book. (Although, if you’re afraid of wasps, bees, and yellow jackets, you might want to think twice. They’re EVERYWHERE.)

Leave Only Footprints by Conor Knighton

“It was always possible to trace my experience in a park to the experiences of those who had walked the land long before I ever set foot on it.”

I’ve always been more of an armchair traveler than a globe-trotter (luckily for me in this year of canceled plans). I prefer living vicariously through books by people like Bill Bryson and David Sedaris, who can portray the joys and headaches of their various travels with gentle humor. My latest read in this category was Leave Only Footprints by Conor Knighton, published earlier this year.

In this non-fiction read, Knighton (a CBS correspondent) tells the story of the year he spent visiting 59 of America’s National Parks. He undertook this ambitious project in 2016 after a broken engagement left him desperately in need of a change of scene, and over the course of the year crisscrossed the country from Maine to Arizona to American Samoa to North Dakota and back again. In the process, he met park rangers, locals, and other travelers who gave him the inside scoop on the beautiful landscapes and ecosystems, and he also had lots of solitude to reflect on the meaning of nature, community, history, God, and more. With the book, he seeks to describe the lifechanging effects both of the individual awe-inspiring parks and of his journey as a whole, making a case for humility, unity, exploration, and conservation.

As a nature lover, I adored this book. His description of the cathedral-like Redwood forest and the wilds of Michigan’s Upper Peninsula sparked my imagination and increased my longing to see them for myself someday, and his appreciation for desert landscapes in the Southwest gave me a greater appreciation for their unique beauty. I especially appreciated his taking the time to delve into the unique cultures of parks in more remote locations like American Samoa, Hawaii, and Alaska; the history and peoples in these places are just as important as the landscapes. All in all I thought this book was a beautiful introduction to both our National Parks and to the wide scenic diversity of the United States as a whole.

That said, it took me a little while to get used to the book’s structure. Rather than taking a strictly chronological, “travel diary” approach to his journey like I expected, Knighton divides the book into topical chapters, grouping together similar parks under one heading; these headings can be as straightforward as “Volcanoes” or “Mountains”, or as unexpected as “Love” or “People”. For me, it felt like the individual parks and his time in them weren’t necessarily described in much detail. Instead, each park was given a broad overview before being compared to another one, interspersed with Knighton’s epiphanies and inspiration from his experiences. The book was still effective, but it seemed like the ambitious scope of the project sacrificed a sense of narrative in order to keep things concise.

However, the humor is on-point and Knighton is relatable, with an infectious enthusiasm for our national scenic heritage. If you like travel narratives, hiking, the National Parks, or historical figures like Teddy Roosevelt, I recommend you try this book.

The Roads to Rebecca

Daphne Du Maurier’s Rebecca is a classic novel for very good reason — the suspenseful tone, the clever writing style, and compelling characters all make it a story for the ages. The original novel was published in 1938, and was turned into first a play in 1939, a film in 1940, and most recently a Netflix film released this year. If you’re not already aware (and let’s be honest, obsessed) with this story, here are some details about it and some different ways to experience it.

First, the basics: a young woman falls in love with an older man, Maxim De Winter, while working as a companion to a rich American woman in Monte Carlo. After a whirlwind romance, they marry and return to his estate, Manderley. Once they arrive, the young woman discovers the house is a monument to her husband’s deceased first wife, the Rebecca from the title. The house’s habits, decoration, and staff all bear her stamp, including a sinister housekeeper who undermines our insecure narrator at every turn, bullying her with stories of the glamorous Rebecca. In mounting distress, the narrator struggles both to escape Rebecca’s shadow and to uncover the dark secrets her husband is keeping from her about his past. Eventually, he confides in her, but that may only cause them more problems…

What I love about this book is how the writing style underscores the plot — the narrator is given no name other than Mrs. De Winter, while her predecessor Rebecca is not only named but is the book’s title. The narrator’s identity is literally erased, insignificant compared to Rebecca. Also, the story is told as a flashback, giving the reader enigmatic hints of the book’s ending long before it arrives – much as the narrator learns about Rebecca in mysterious bits and pieces.

Intrigued? Check out the book or the film version (or any one of the several available) from the library. But wait, there’s more!

Also released this year was a YA novel which retells the Rebecca story in a modern setting, to chilling effect. I Killed Zoe Spanos by Kit Frick echoes Du Maurier’s twisty plot full of drama, chills, and unexpected revelations. In this case, the story is about Anna, who comes to the Hamptons to spend the summer working as a nanny. She’s hoping for a fresh start but finds herself instead overshadowed by Zoe Spanos, a local girl who recently went missing, and who looks a LOT like Anna… Slowly, the mystery of Zoe Spanos takes over Anna’s life until she’s sure they’re linked by a dark connection. But did Anna really kill her? And how can she find the truth?

This is far from the only retelling of or companion to this iconic story, of course. There’s also Rebecca’s Tale, The Winters, Mrs. De Winter, In Her Shadow, and more. If you like atmospheric mysteries, thrillers, or marriage stories, check out any of these titles from the Rebeccaverse.

There’s Someone In Your House by Stephanie Perkins

This fall, I’ve made a real effort to read more scary or creepy books, just to get in the spirit of things. Honestly, I really liked most of them, but so far I think my favorite is There’s Someone In Your House by Stephanie Perkins. For an author whose previous work had been mostly light-hearted romances, this 2017 book was a bit of a departure. It tells the story of Hawaii-born Makani Young, who was transplanted to Osborne, Nebraska after a shocking incident in her junior year of high school. Now a senior, Makani is trying to focus on the future, especially a future involving Ollie, the mysterious loner with whom she shared a brief summer romance. Everything changes, however, when her classmates begin to die, brutally murdered in horribly personal ways. Makani, her two best friends, and her maybe-boyfriend must scramble to survive and expose the Osborne Slayer before it’s too late — and Makani finds herself forced to confront her darkest secrets along the way.

There’s a few reasons this book really stuck with me. First, the characters were thoughtfully diverse and believably well-rounded. For each character, the author gives you insight into their character, their talents and insecurities, and what kind of person they are, so you can’t help but empathize with them. This happens not only for the main characters, Makani and her friends, but for minor characters as well. In an extremely effective writing tactic for the genre, Perkins begins alternate chapters by focusing on a different one of Makani’s classmates, describing their thoughts and feelings as they go about their everyday routine, becoming increasingly uneasy as unusual things begin to happen around them until finally, the killer emerges, completing his terrifying work. I personally thought Perkins did an amazing job making the victims real and sympathetic to the reader in just enough pages to make their deaths devastating. At the same time, no character is simple. Reading it, I was left very aware of the complex inner life hiding in every individual, no matter how put-together or straightforward they appear. In the same way, no one is purely good or purely evil; Perkins explores the ways that circumstances, chance, stress, and other pressures bring out the darkness in different people.

Second, the writing style and strategy was simply fantastic. The structure and order of the chapters kept the suspense building, with bursts of action raising the stakes and advancing the story. What I really liked was the interludes where Makani and Ollie slowly got to know each other and developed their relationship. Since I’m not a huge romance reader, I appreciated that these interludes weren’t distracting from the overarching story, but provided both a respite from the terror and hope for a future beyond the Osborne Slayer. As romances go, this one was believable and sweet for me, with both parties mostly communicating well, confronting their demons, and making an effort to be there for each other in friendship and in romance.

In short, while this book rings true both in the slasher genre and the YA romance genre, it didn’t feel cookie-cutter or standard. For me, Perkins created a rich world in Osborne, where there was a lot more going on than just the Osborne Slayer. I fell in love with the characters, I got addicted to the action, and I was pleased with the ending. I definitely recommend this book to any newbie or veteran reader of thrillers and horror.