It’s an age-old story: I was flipping through a streaming service and started watching something new, only to do a search later and realize it’s based on a book! In this case, the show is Ragdoll, from AMC+, based on a book of the same name by Daniel Cole. If you’re like me and love comparing page to screen adaptations to their original source material, here’s the breakdown of this grisly murder mystery, then and now.
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We meet Willam-Oliver Layton-Fawkes (nickname Wolf, for obvious reasons) at the trial of the Cremation Killer, where due to irregularities in Wolf’s investigation and chain of evidence, the suspect is acquitted. When the verdict comes down, Wolf drags the accused out of the defendant’s box and almost beats him to death on the courtroom floor. The book then flashes several years into the future, when a demoted Wolf goes with his friend and former partner Emily Baxter to a bizarre crime scene, where one corpse is made of parts from six different people. Thanks to the maneuverings of Wolf’s ex-wife Andrea, the press runs with the case and turns it into a sensational firestorm after a list is uncovered – with six new victims predicted, along with the dates they’ll be killed, the last being Wolf himself. Wolf works to solve the case alongside a troubled Baxter dealing with alcoholism and a buried attraction to Wolf, as well as Andrea, struggling to navigate the pressures of the news team and her own ambition continually driving her to violate privacy and sensationalize a horrifying event. Meanwhile, rookie Edmunds has his own theories about the killer, which he chases despite the damage it’s doing to his marriage to pregnant Tia. Along for the ride are Wolf’s good friend and current partner Finlay and unit boss Simmons, who discovers he doesn’t like being in charge while his people are thrust again and again into danger.
Our main character’s name is now Nathan Rose, and he does attack the acquitted Cremation Killer on the courtroom floor. In the show, however, more time is devoted to the direct result of that attack: Rose’s time at a mental hospital. His confused memories of that time, and of his friend there, Joel (on his own quest for justice) suddenly rise to the surface when Rose and Baxter (sober, witty, fighting for respect as a woman in the police) come to a crime scene where one corpse is made up of six different people. When the list of upcoming victims comes to light, delivered mysteriously to the police station, Rose quickly realizes that it’s all connected to the Cremation Killer, and that shadowy time in Rose’s past. He launches his own secret investigation to try and avert more murders (and atone for his own role in the ones that have occurred) as the police try to protect the victims on the list. Matters are complicated by frenemy Andrea (Rose’s on again, off again lover) in the media, and the resistance of the listed victims to accept protection. One very important change: intrepid rookie Edmunds has been transformed into a young American transplant named Lake Edmunds, an extremely young and liberal lesbian who struggles to fit in with the old boys’ club which Simmons and Finlay have been reduced to represent – though she remains determined to unravel the mystery, even if she has to do it on her own.
Without giving too much away, the changes made in the show (specifically what’s revealed and when) work really well to ratchet up tension and heighten the drama for the viewer, including a deeper sense of Rose’s emotional life. In the book there’s a greater emphasis on the puzzle and trying to make it all fit together, using the dates the murders are predicted for to make it a race against time. While Andrea is less prominent in the show, which means less exploration of the pressure inherent in media work, the Ragdoll show still attempts to show the struggles of professional women through its focus on police procedure; Baxter and Edmunds have a number of conversations about the double standards women are held to. On a less serious note, I personally appreciated Rose’s name change; invoking a rose makes him seem complex and sensitive where, for me at least, “William-Oliver Layton-Fawkes, nickname Wolf” is a bit on-the-nose for an aggressive British police detective.
If you’re looking for a new crime thriller, serial killer story, or addictive binge-watch, I definitely recommend Ragdoll for an intricate puzzle that dives into questions of guilt, responsibility, justice, friendship, memory and identity.