You may know I’m a big fan of classic retellings, and of Jane Eyre and Rebecca. The Wife Upstairs by Rachel Hawkins is the ultimate retelling of both Jane Eyre and Rebecca, with modern feminist sensibilities.

Jane is the new dog walker in Thornfield Estates and resents the casual privilege her extremely wealthy clients display, while she’s struggling to make ends meet and living with a creepy church musician for a roommate. It seems a huge stroke of luck when she hits it off with reclusive widower Eddie Rochester and embarks on a whirlwind romance. But her sense that something isn’t right only grows as they start to talk about marriage, since the spectre of Eddie’s late wife Bea is never far away, in the neighborhood, in Eddie, and in the house. To make matters worse, then the police start asking Eddie more questions about the night Bea went missing and her best friend Blance died, and Blanche’s husband has plenty of unpleasant insinuations to make. Not to mention Jane’s own past is threatening to rear its ugly head…

I love that this book uses all the Jane Eyre names, but makes the original characters make sense in the modern world – John Rivers for example is perfectly drawn as an unsettling religious figure who wants Jane for himself and treats her badly. The plot is also optimized for modern readers as strategic flashbacks, confessions, and slow reveals avoid the boggy parts of Jane Eyre by mixing past with present. Gone Girl, The Girl on the Train, and other unreliable-narrator thrillers are clear influences, and The Wife Upstairs easily joins their canon of feminist thrillers where realistic women earn their victories the hard way.