Tag: women

Erotic Stories for Punjabi Widows by Balli Kaur Jaswal

- Stephanie Leave a comment

Erotic Stories for Punjabi Widows by Balli Kaur Jaswal is a thought-provoking, meaningful, and sexy book that was definitely not what I was expecting. Jaswal pairs funny, light, and lively touches with very serious themes like arranged vs. forced marriages and traditional vs. modern cultures. As I was scrolling through the Libby app, I found this title and checked the author’s website where I found this:

Entertainment Weekly:
Write a movie poster tagline for your Erotic Stories for Punjabi Widows.

Balli Kaur Jaswal:
You’ll never look at root vegetables the same way again.

Nikki and Mindi are sisters who showcase differences between generations and traditions. Mindi is slightly more traditional than her more modern sister Nikki. The daughters of Indian immigrants, both Nikki and Mindi, are working to find their places in life. Needing a change, Nikki applies for and is hired to teach creative writing at the local Sikh community center. When she arrives for the first class though, she learns that the job posting was a lie. Her students are mostly older Punjabi widows who want to learn how to read and write. Quickly adjusting, Nikki starts teaching them English letters, but the widows become bored. The students soon find a book of sexy/erotic short stories that they read to each other before class starts. This devolves into the widows sharing their own stories. Chaos ensues with issues popping up all over the community and within their own class.

Even though the name of this book sounds scandalous, this book is not erotica nor romance. Yes, there are a couple erotic stories, but the stories presented are meant to appear like they are written by women who cannot read or write. Instead they are lived experiences or stories that come from the heart or from loneliness. These stories are presented in ways that show that these women want to feel equal or loved or wanting to feel pleasure or be able to be on equal terms as men. They add meaning to the book by showcasing issues that women have faced for centuries and are still facing today.

There are lots of triggers in this book: violent murders, threats, oppression of women, mention of rape, religious persecution, and social oppression.

This title is also available in spanish fiction and as a Libby eBook.

The Queen of Dirt Island by Donal Ryan

- Lynn Leave a comment

  The Queen of Dirt Island  by Irish author Donal Ryan is a short novel with even shorter two-page chapters.  The brief chapters allow for quick mood changes – bleakness and sad events are followed by the very dark humor of Nana and her daughter-in-law.

The novel follows several generations of women in a housing estate in rural County Tipperary in the 1990s. Seen through the eyes of Saoirse, we get to know Mary (Nana), Eileen (Saoirse’s mother) and Pearl (Saoirse’s daughter).  They are the focus though there are other richly drawn characters, such as Paudie, Saoirse’s uncle who is in prison for his IRA activities.

The vocabulary and idioms are so very authentically Irish that googling is a must (boreen, busht, and cop on). Eileen and Mary, in particular have a very clear-eyed view of the Catholic church – abiding by its traditions but also uncowed by the local clergy. The irreverence of these two women is a very major part of the charm of this book. They squabble with large amounts of profanity but are devoted to each other.

The title refers to a childhood idyll, an island that was part of the farm where Mary grew up and she ultimately inherits it even though her family has disowned her. The untraditional group of women are the objects of gossip but Eileen is fierce and will physically fight anyone who disrespects the little family. The women rely on each other to survive after the men die, are absent, or who have used their power to withhold property and inheritance.

Good Girls Don’t Make History created by Elizabeth Kiehner and Keith Olwell

- Stephanie Leave a comment

In college, I wrote a thesis paper about Elizabeth Cady Stanton, Susan B Anthony, and their quest for women’s suffrage. This is still a topic I am interested in, specifically how authors choose to portray these women in their retellings. My latest find is Good Girls Don’t Make History created by Elizabeth Kiehner and Keith Olwell, written by Elizabeth Kiehner and Kara Coyle, and illustrated/designed by Micaela Dawn and Mary Sanche. This is a graphic novel that covers the history of women’s suffrage from 1840 to the present day. The authors move beyond the well-known female legends and highlight those that may not be widely known.

This graphic nonfiction is told through flashbacks. Each different section starts with a present-day interaction between a few women and then flashes back to a point in history that applies to that modern situation. To begin, modern young women are preparing to vote with a few frustrated at having to wait in line. It flashes back to the start of what it took for women to get the vote. This book goes beyond the normal and focuses on what it took not just for white women to get the vote, but also what Black and indigenous women went through. As the writers note at the beginning of this book, the history of women’s suffrage has been distilled down to a short paragraph in some text books. It’s glossed over, a historical footnote, when in reality, this history is not that far in the past. The fight for the Equal Rights Amendment is discussed with Virginia becoming the 38th state to ratify the ERA in 2020. I would recommend this book to anyone interested in learning more about women’s suffrage. This history is full of protests, marches, multiple imprisonments, deaths, and a long fight for equity and equality spanning generations. This book can serve as an easy jumping off point to more research or even more important conversations. History is told from a woman’s point of view here, a necessary journey through time.

No Kidding by Vero Cazot and Madeline Martin

- Stephanie Leave a comment

Whether or not you want to have children is a decisive topic. No Kidding by writer Vero Cazot, with art & colors by Madeline Martin, tackles this serious subject with humor and gravitas. Martin and Cazot examine what it means to be childless and how difficult it can be to find supportive people when you are childless, whether it be your choice or not. In addition to a section at the end of the book dedicated to people fighting for a woman’s right to choose, the author also intersperses random history nuggets throughout their book.

No Kidding is a modern feminist graphic novel that tackles a woman’s right to choose by highlighting the lives of two women. Jane is a 35 year old woman who doesn’t want to be a mother. She has been with her partner for eight years and thought that he felt the same way. All of a sudden, he is having doubts, leading the two to do some major soul-searching. Lucy was just accepted to the school of her dreams. Her current plans do not involve having a child, but she became pregnant. She knows that she wants to terminate the pregnancy, but finding help, getting an appointment, and even finding supportive people to talk to proves to be incredibly hard.

Jane isn’t afraid to speak her opinions to everyone around her. As she speaks her truth, she fights against pushback at every single turn. Jane refuses to bow down to the societal and political pressures to have children and demands that her opinions be heard on all levels. When she meets Lucy, the two bond over their mutual decisions to be childfree.  No Kidding is the story of women who don’t want to do what society expects them to do. I appreciated that the author respected all viewpoints presented within the book, but also that she pushed hard to present how being childfree needs to be more accepted in society. Cazot presents her point of view with humor and sarcasm. She also loads her story full of examples of women making choices for their own bodies, whether it be having children or being childfree.

Boy Parts by Eliza Clark

- Claire Leave a comment

Eliza Clark’s debut novel Boy Parts is disturbing, but also heartbreaking in a really uncomfortable, visceral way. This read is truly a sucker-punch of mixed emotions. 

The story follows Irina, a cut-throat erotic photographer who is obsessed with making unconventionally attractive men model for her. Though the men’s initial agreement to be the subject of Irina’s photos is consensual, what they eventually partake in is hardly in accordance with a typical photo shoot.  

My favorite stories are the ones with protagonists who are almost completely horrible, but at the last second reveal something that reels me back in. That is absolutely Boy Parts, with an obscured critique of our male-dominated world at the heart of Clark’s novel. While Irina is mostly an awful human, I can’t help but understand her frustration with being perpetually held under the patriarchal thumb.

As the plot unfolds, we discover much more about what makes Irina’s psyche, and art, so twisted. We are ultimately plunged into what makes her tick through her relationships with her border-line obsessive best friend, Flo, and a homely young man who works at the local Tesco grocery store.

The entire novel begs the question: What if Irina were a man? Much of her attitude towards the male body is a very crude and concentrated imitation of how women’s bodies are often considered by men. The fact that the main character in Boy Parts is a woman behaving as the worst kind of man is cutting and intentional. Clark picks apart the vulgarities we often expect from men, but are horrified by when we experience them from women.

I highly recommend for fans of Ottessa Moshfegh’s My Year of Rest and Relaxation and Eileen.

Eileen by Ottessa Moshfegh

- Claire Leave a comment

Ottessa Moshfegh’s Eileen is a wintery noir set in an anonymous town, and follows Eileen Dunlop and her miserable existence. If you are familiar with Moshfegh’s My Year of Rest and Relaxation, you will appreciate the tonal and characteristic similarities of Eileen. This author does not write likable characters, but rather ones that are deeply flawed, often disturbed, and always challenge the reader’s tolerance for abnormality.

It’s Christmas time in X-Ville, the anonymous city in which Eileen spends her dreary days, but that does little to lift the darkness shrouding her life. Eileen is stuck, and is only coaxed along by bottles of gin shared in the kitchen with her drunk, nasty father and the prospect of escaping X-Ville. Beyond her job as a secretary at the boy’s prison, she has and is nothing–except for the proud new owner of her father’s gun.

That is until the synthetically joyous Rebecca Saint John takes a counseling position at the prison. Rebecca is clean, polished, and poised–a stark difference from the quietly unsettled and perverted Eileen. Rebecca unearths something inside her: Attraction? Maybe. Infatuation? Undoubtedly. The events after Rebecca descends upon Eileen’s life are catastrophic, though eventually lead to Eileen’s permanent release from the psychological grip X-Ville has on her mind and body. 

Moshfegh is truly a literary master. Her ability to create a character wrought with flaws and failings and still make her readers feel a twinge of empathy for them is incredible. Eileen is more than just an eerie story: It’s a portrait of how poisonous loneliness can be and how it can warp our realities. A refreshingly strange, and sometimes uncomfortable read. I’m looking forward to reading more from Moshfegh.

The Arctic Fury by Greer Macallister

- Stephanie Leave a comment

“Women can do far more than the narrow lens of society deems fitting. I suspect there is nothing, literally nothing, of which women are not capable.”
― Greer Macallister, The Arctic Fury

Greer Macallister is an author who frequently pops up in review journals, but admittedly an author that I have never read. When I saw her latest book, The Arctic Fury, on the shelves, I decided to give it a try. The premise was fascinating: a group of women explorers heads to the Arctic in search of missing men. Yes please.

1855 – Lady Jane Franklin is gathering women to travel to the Arctic to find the ships of her husband’s lost expedition. Virginia Reeve has been summoned by her with the enticing offer to lead these dozen women. Every other expedition she has sent has failed. At her wit’s end, Lady Franklin has decided to send all women and to let the women, specifically Virginia, make all the decisions. The catch: if the women fail, she will deny any knowledge of said expedition. If they succeed, she will pay handsomely. The women just need to bring back Lady Franklin’s husband if alive, and if not, they should bring back word of what they have discovered.

Virginia Reeve believes she knows why she has chosen, all thanks to an article written by a woman journalist. She has led over 400 people to safety across the west, but this voyage will be her first trip to the Arctic. All preparations for the journey have been made by/through Lady Franklin’s envoy, Brooks. Virginia is allowed to select a handful of women to round out the crew selected by Lady Franklin herself. When the women meet up to start their expedition, none of them have any idea what awaits them on the ice.

This story is told through flashbacks. In present, Virginia is on trial for one count of kidnapping and murder. Through flashbacks, readers learn more about the women’s perilous trek north, what led Virginia to lead this mission, as well as a look into various expedition members’ backgrounds. I found some of the sections to be dull, while others had me on edge wondering what would happen next. Overall, I enjoyed this book and can’t wait to see what the author writes next.

This book is also available in the following format:

The Highwomen, feat. Brandi Carlile, Maren Morris, Natalie Hemby, and Amanda Shires

- Callen Leave a comment

My journey to rediscover country music continues! A modern country sound that honors the roots of the genre, The Highwomen is a unique gift to today’s country music. If you like or have liked country music but are looking for something fresh – or you prefer Outlaw Country to Bro Country or Boyfriend Country – this might be a good album for you.

Now, if you’re a longtime country fan, you’ve probably already guessed that this group was inspired by the legendary Highwaymen, composed of Outlaw Country Superstars – Johnny Cash, Waylon Jennings, Kris Kristofferson, and Willie Nelson. The idea was Amanda Shires’, who wanted to bring together a female supergroup partly to combat the low representation of women’s voices in country music radio and festivals. She connected then with Brandi Carlile  and Maren Morris, originally intending to leave the fourth spot open for guest collaborators. When the group debuted in 2019, at Loretta Lynn’s 87th birthday concert, Natalie Hemby was officially announced as the fourth member. The album came out later the same year.

What I really liked about this album was the stories that it told, stories that I haven’t heard a lot in my country listening. Now, I like a good “hell hath no fury like a woman scorned” song as much as anybody else (Before He Cheats by Carrie Underwood, anyone?) but it sure seems like a lot of what makes country music (or most music, honestly) popular is the same story – boy meets girl (Hurt Somebody by Dierks Bentley), boy chases girl (She’s a Girl Ain’t She by Rodney Atkins), the bliss of love (Heaven by Kane Brown), boy wrongs girl or vice versa (Jolene by Dolly Parton, I Hope It Rains by Jana Kramer), messy heartache ensues (Burning House by Cam), both move on (Red High Heels by Kellie Pickler, Bartender by Lady A). And if it’s not that story, it’s the Living In The Country is a Real Good Time story (Where I Come From by Montgomery Gentry, Mud on the Tires by Brad Paisley, Meanwhile Back at Mama’s by Tim McGraw, etc. etc.). Both are good, but repetitive after a while.

The Highwomen sing a new slate of relatable messages – in this album we hear the voices of women wronged by history/society (Highwomen), the struggles and joys of being women (Old Soul, Redesigning Women), a daughter facing the death of her father (Cocktail and a Song), various reasons not to be a mother (My Name Can’t Be Mama), an homage to suburban moms (My Only Child) and, my personal favorite, Heaven is a Honkytonk, which is a very Willie-Nelson-esque homage to country music legends who have passed on. And of course, thrown in are a few romantic journeys including post-breakup Don’t Call Me and the both relatable and subversive If She Ever Leaves Me. The latter is particularly a gem, because it portrays love between women in a positive and unexpected way.

If you missed this album when it first came out and love a modern twist on classic genres, get your country on with The Highwomen.

When We Believed in Mermaids by Barbara O’Neal

- Stephanie Leave a comment

“This happens all the time. Anyone who has lost somebody they love has experienced it—the head in the crowd on a busy street, the person at the grocery store who moves just like her. The rush to catch up, so relieved that she is actually still alive . . . Only to be crushed when the imposter turns around and the face is wrong. The eyes. The lips.”
― Barbara O’Neal, When We Believed in Mermaids

When We Believed in Mermaids by Barbara O’Neal is the story of a family ripped apart by tragedy and how the ones left behind try to pick up the shattered pieces.

The Bianci women are the only ones left. Josie, the older sister, was killed fifteen years ago during a terrorist attack while on a train overseas. Her younger sister Kit works as an ER doctor in Santa Cruz. She was left to help their mother as the two worked through their grief. Kit’s steady life comes to a crashing halt when she sees Josie on the TV news during a broadcast from New Zealand. Her mother saw Josie too. Doubt comes creeping in. In the background of television news coverage of a club fire in Auckland, the two saw a woman walking through smoke who bears an uncanny resemblance to Josie. It has to be her.

Kit is slammed by a flood of emotions: anger, grief, and loss. How could Josie lie to them for the past fifteen years? How could she abandon them? She let them believe she was dead. Kit has to find Josie and get answers. She has to go to Auckland.

After landing in New Zealand, Kit is unsure where to start. Once she is in the country where she thinks Josie is, she isn’t even sure if she really wants to search for her. As she begins the physical process of looking for Josie, Kit allows herself to fall into past memories. Josie and Kit’s childhood was far from idyllic, but there were some good parts: days (and nights) spent on the beach and a lost teenage boy who showed up one day and then never left. Among the good lie the bad: multiple tragedies and traumas that scarred the girls and left their family in ruins. Each family member carries their own baggage, their own secrets from long ago that they have carried for years.

Dava Shastri’s Last Day by Kirthana Ramisetti

- Stephanie Leave a comment

Domestic fiction is one of my favorite subgenres, especially novels that are set in situations that are different than my normal life. Domestic fiction is usually written by, for, and about women. It is also usually told through multiple viewpoints. My latest read fits all the above criteria!

Dava Shastri’s Last Day tells the story of Dava Shastri and her family. Dava Shastri is one of the world’s wealthiest women. Devastated by a brain cancer diagnosis at the age of seventy, Dava is determined to approach her death like she approaches everything else in her life – with planning and determination.

Dava’s reputation has always been important to her. She wants her name to live on for generations. Both her public and private legacies are of utmost importance, but her family members don’t feel quite as strong about keeping the Shastri name alive.

Dava summons her four adult children, their spouses, and children to her private island where she tells them her news. In addition to having a terminal illness, Dava has also arranged for the news of her death to be released early, so that she can read the obituaries and articles written about her before she dies. Since she spent her life dedicated to the arts and to the empowerment of women, Dava expected that the articles written after her death would focus on those topics. Instead she finds the articles to be significantly more scandalous, focusing on two secrets that have the power to destroy her life, secrets she hoped would stay buried forever.

Now that her secrets are published, her children know and the fallout is not great. Dava must use what little time she has left to come to terms with the life she has lived and the various decisions that have led her to this point.  Most importantly she must use that time to talk it out with her family and make peace with their past, present, and future.

This book is also available in the following format: