Underground Books: American War by Omar El Akkad

Underground Books is a monthly book club that meets at 6:00 pm on the second Monday of the month at Main. We’re readers of books that are not typical book club fare – the subversive, the under-the radar, and the controversial. Every month, I’ll give a preview of what we’re reading, questions the book raises and start a discussion online for those who can’t make in person. Welcome to The Underground!

Hello readers! This month’s book is the 2017 novel American War by Omar El Akkad. Set roughly 60 years in the future in an America ravaged by climate change and a second civil war, it’s a story about the destruction of a nation, a family and a person by war. A cautionary tale that raises serious issues about our current national and global state of affairs, and what the future may hold. A heavy subject, yes, but worth the journey.

Opening in 2075,  the earth has warmed, the oceans have enveloped the coasts and submerged what little is left after increasingly severe storms batter the land. In response to multiple environmental disasters across the continent, the federal government – now based in Columbus, Ohio – bans the use of fossil fuels. The southern states defy the ban, and after a series of terrorist attacks culminating in the assassination of the president, the U.S. is again plunged into civil war.  This is a war of modern times –  out-of-control drones, homicide bombers, guerilla warfare, detainment camps and biological weapons deployed against an entire state.

The novel follows the Chestnut family of flood-prone Louisiana, displaced from their home by the Battles of East Texas to an overcrowded refugee camp on the border of Tennessee. Here Sarat Chestnut comes of age among the mundane cruelties of war.  She and her family – her older brother Simon, twin sister Dana, and mother Martina – try to make a life for themselves while waiting for the end of the war.  Sarat, already considered an outsider because of her tall and awkward build, grows rebellious and is befriended by a mysterious older man who once fought overseas for the North, or, at least, the North when the country was whole. He feeds her a steady diet of Southern mythos, sending her on a path to become an instrument of revenge.  As the narrator says in the prologue, “This isn’t a story about war. It’s about ruin.”

Assorted musings:

  • When I chose this book, I based it on, of course, the numerous good reviews it had received, and I was intrigued by concept. Given the current political climate, the possibility of another civil war in the U.S. has been raised more than once. What surprised me, however, was that the crux of the war was fossil fuels. I can understand the idea of Southern states objecting to the exercise of broad federal power, and a desire to protect mining and off-shore drilling, but what I noticed most was the absence of any mention of race or ethnicity. At the start of the novel, Sarat is described as having “fuzzy” hair, and that her father had immigrated from Mexico, but that’s the only mention of race in the entire novel. I suppose the argument could be made that by 2075, race is no longer an issue, but if we’re still arguing about red vs. blue and states’ rights vs. federal authority, I have a hard time suspending that disbelief.
  • The author is an award-winning journalist born in Egypt, raised in Qatar, now living in Oregon, and he reported extensively on Afghanistan, Guantanamo Bay and the Arab Spring. El Akkad’s journalistic expertise is apparent in this novel, as major aspects of the wars in Afghanistan and Iraq are transported to America. In many cases, it’s a note-for-note transcription. I wonder if that works for everyone? While the purpose of the novel is, arguably, to create empathy for the very real wars happening now and to also serve as a cautionary tale, could the novel have taken more liberties? I don’t mean that it should have been a Hunger Games-esque battle royale, but something more adapted to the setting.

Quotes I would have underlined if it wasn’t a library book:

“How long ago was this?” she asked.
“Must have been around ’21 or ’22,” said Gaines.  “Around the time they sent us over there for the third time, right around the Fifth Spring.”
Joe leaned close to Sarat; he looked at the photograph again. “That’s right,” he said. “I remember, I remember when it was still your guns and our blood.” (p. 139)

She remembered something Albert Gaines once told her all those years ago in Patience. He said when a Southerner tells you what they’re fighting for, you can agree or disagree, but you can’t ever call it a lie. Right or wrong, he said, a man from our country always says exactly what he means , and stands by what he says.
Even that, it turned out, was a lie. (p. 278)

You fight the war with guns, you fight the peace with stories. (p. 280)

What do you think? Let me know in the comments! And join us on April 9th at 6:00 at Main to discuss in real life! Next month, we’ll be reading Difficult Women by Roxane Gay – copies available at Main, or pick one up wherever convenient!

Online Reading Challenge – March Wrap-Up

Hello Fellow Reading Fans!

How was your month? What fabulous book or movie did you discover in March? Or was it an “off” month for you? Tell us about your experience!

This month I read Station Eleven by Emily St John Mandel and it was a winner! I really enjoyed this book – thoughtful, complex, sometimes terrifying and ultimately hopeful. Brilliant.

Station Eleven takes place in the near future after a flu epidemic has wiped out 99% of the population and civilization as we know it has collapsed. No electricity, no running water, no food production, no (gasp!) Internet. Survivors are scattered and isolated, suspicious and wary of anyone they may come across.

In the midst of this landscape of the struggle to survive, the Traveling Symphony moves from one tiny settlement to another, along a circular route through what was once Michigan, bringing a reminder of life before the epidemic by performing Shakespeare and classical music to small but appreciative groups.

However, not everyone is welcoming. A radical group forms, headed by the mysterious Prophet, who proclaims that the Flu was divine intervention. Anyone unfortunate enough to run across him and disagree is ruthlessly hunted down. The Traveling Symphony at first manages to escape, but the Prophet isn’t far behind.

The book moves back and forth through time, showing life before the Flu and life after. There are connections between several characters, from “before” to “after”, which are fascinating to watch unfold and the origin of the title of the book is unexpected, devastating and fitting.

There are a lot of themes and emotions in Station Eleven. Fear, sometimes overwhelming, is often present. Grief, for the world that no longer exists and the loved ones that didn’t survive, is never far away. The grim, constant battle for survival is wearing. And yet, as the years after the Flu pass, people are drawn together, to create families and communities, to share resources and stories. The Traveling Symphony’s motto (taken from an episode of Star Trek) is “survival is not enough”. Humans need stories and history and art and connection. Even in the worst of times, humans will strive for something more.

Yes, this book depicts a dystopian world that is devastated and life is hard, but it also argues that humanity manages to rise above. (It helps that humans only destroyed themselves; Earth and nature have not been laid to waste). Yes, at times it is scary difficult to read – a devastating flu epidemic is not beyond imagination. But ultimately the feeling I came away with after reading this book was of hope and possibility. Highly recommended.

Now it’s your turn – what did you read this month?