Superman: The Unity Saga Vol. 1 by Brian Michael Bendis

Superman: the Unity Saga Vol. 1 is the first run written by Brian Michael Bendis away from Marvel Comics. If you have ever wanted to get into reading comic books but the giant wall of backstory and previous issues makes jumping in to a run seem daunting? Fear not! Brian Michael Bendis is here to save the day! All you need to know to enjoy this run is Rogol Zaar is a bad guy who doesn’t like Kryptonians, Supermans son Jon and wife Lois Lane are away on an intergalactic field trip, and the Phantom Zone is a space prison for space bad guys. That is it! All you need to know to enjoy this book.

If anyone has read anything from Bendis before this run (if you haven’t read anything from Bendis, you should, he’s great!) you should know that he is known for his compelling and well-written dialogue and this book is no exception. Every character has a distinct voice and the witty dialogue doesn’t stop from page one to the cliffhanger ending.

Power and responsibility are the themes that Bendis plays with in this story. Is Superman doing enough with the powers that he has or is he wasting his potential on extinguishing fires and saving cats from trees? Bendis expertly weaves this question throughout the story, putting Superman in more and more compromising positions and making Superman confront his place in the world.

Ivan Reis does fantastic penciling as always, he really gets to shine in the full page splash panels later on in the action set pieces. Ivan also does a fantastic job of capturing the look and feel of a Superman comic.

I also never knew how much I would love seeing Superman as a father either but Bendis does a fantastic job writing the scenes with Clark and his son. Some of the best writing in the entire volume is in those scenes where Clark is teaching lessons to his son that Superman learned from his father.

Batgirl: Volume 1 Batgirl of Burnside by Cameron Stewart and Brenden Fletcher

batgirlIn 2011, DC relaunched their comic lines as the “New 52” after the “Flashpoint incident” when the Flash went back in time to try to alter the events of the present. This changed the storylines of other DC characters, resulting in DC discontinuing some titles, starting new ones, starting the old series over at #1, but also keeping the continuity of some of the more popular series. All in all, DC debuted 52 new titles, hence the name: the “New 52”. (A lot of other things have changed with DC since the New 52 was released, but that’s for another day and another blog post..)

Batgirl was one of these reboots. Before the Flashpoint event, Barbara Gordon, the original Batgirl, had been shot and paralyzed by the Joker as revenge against Batman. She goes on to be the Oracle, becoming the information access queen for the entire DC superhero community, and further joins forces with the Huntress and Dinah to become the Birds of Prey. The important thing to remember about pre-New 52 Batgirl is that she remains paralyzed.

In Batgirl: Volume 1: Batgirl of Burnside, Barbara is no longer paralyzed. She has moved to Burnside, considered the trendiest neighborhood in Gotham City, to go to college and work on the algorithm she designed after she was horribly injured. Right after she moves in, her friend Dinah, aka the Black Canary, comes and lives with her after a fire destroys all of her belongings, PLUS all of Barbara’s Batgirl gear. This gives Barbara the opportunity to reinvent her costume, but also forces her to get creative to find new weapons sources.

What really hooked me into this graphic novel is that the content and the art style are made to hook into a newer generation. Barbara lives in the hip neighborhood, is going to college, has friends that are working with new computer tech, and is able to attend a wide variety of new concerts and events. Barbara and her friends are all over social media and the majority of the characters in this book are either all in college or in that young up-start community. With hashtags galore and an imposter Batgirl popping up all over various social media platforms, Barbara is forced to “re-brand” the Batgirl image in order to prove that Batgirl is not a nuisance, while also struggling to figure out where the lines are between what she should do as a super hero and what she should let the police handle. Barbara clearly struggles with a lot of the issues that young adults face when they are going away to college and the fact that she is a superhero doesn’t detract from her problems, it instead adds a necessary level of perspective and understanding that people of all ages can benefit from.