Online Reading Challenge – August Wrap-Up

Hello Fellow Challenge Readers!

How did your reading go this month? Did you read something set in Japan that you enjoyed? Share in the comments!

“After all the years I’ve spent with him not seeing me, I don’t see him anymore either. We exist like two blind fish, sliding past each other cordially in our parallel universes.”
― Emily Itami, Fault Lines

I read our main title: Fault Lines by Emily Itami. This was a very quick read and honestly, I wasn’t quite sure what I thought of it as I was reading. At the end, I found myself wanting to know more about the lives of the characters and their own justifications for their actions.

Mizuki is a Japanese housewife. She has everything she could ever want: a hardworking husband, a beautiful apartment in Tokyo, and two adorable children. She should be happy, right? Wrong. Sometimes Mizuki finds herself standing on her high-rise balcony wanting to throw herself off and end it all. Her husband spends what little time he has with them glued to his phone, plus he is constantly being pulled away to work. All she does is clean up after her kids and hang up endless laundry.

One night while out with friends, Mizuki meets Kiyoshi and her whole life changes. Kiyoshi is a successful restaurateur. As the two get to know each other, Mizuki’s world starts to expand. She feels alive again and starts to rediscover all of the things that she has lost through the years. He is a breath of freedom, bringing her a new friendship she greatly needed. The two dive into exploring Tokyo, becoming closer. Their relationship changes overtime, illuminating for Mizuki that she is actually living two lives. In the end, Mizuki has to choose one: her family or Kiyoshi.

All in all, this debut novel was relatable and discussed choices, adulthood, and the dichotomy between freedom and tradition in ways that actually made sense. A mother’s desire cannot be ignored. Watching Mizuki battle with herself while she tried to figure out what she wanted was riveting. Her discussion of the morals and mores of Japan and how they butt up against those of people from outside Japan was enlightening. The warring cultural expectations complicated Mizuki’s life as she tried to find a balance between her past and present, her life as a sexual being and her life as a dutiful mother. This was a refreshing read and I have high hopes for the author’s next book!

In September, we’re headed to New York City!

It Won’t Always Be Like This: A Graphic Memoir by Malaka Gharib

Malaka Gharib has been on my radar ever since I saw her debut graphic memoir, I Was Their American Dream, on the shelves at the library. In that book, she discusses being first-generation Filipino Egyptian American. Three years later, she published It Won’t Always Be Like This, which talks about her summers in the Middle East visiting family.  Graphic memoirs are one of my favorite forms of nonfiction, specifically when authors write about their childhoods and their families growing up. Watching the authors come to realizations about their lives is riveting, yet also heartbreaking. I was excited to start It Won’t Always be Like This to see what Malaka Gharib had to say.

Malaka Gharib’s childhood was a bit rocky. Her mother is Filipino and her father Egyptian making Malaka Filipino Egyptian American, plus first generation! Her parents divorced when she was young. Her father eventually left the United States and moved back to Egypt. Sha always thought that her father would eventually come back to the States, but every time she visited, he seemed to have settled into his new life even more.

Her annual summer vacation trip to Egypt when she was nine changed everything. On this trip, her father announced that he had remarried. Malaka now has to navigate her space in her father’s new family. She spends the next fifteen years traveling back to Egypt to visit her father and his growing family. Those years are rough. She is navigating adolescence both in America and in a country where she doesn’t fully understand the religion, language, or culture. She is constantly reevaluating how she fits into her father’s new life. Malaka doesn’t look anything like her siblings (they are fair-haired) and she sticks out. The longer she spends with them, the more Malaka starts to adapt. She opens up to new experiences, new food, new music, and starts to see that Hala, her new stepmother, isn’t actually that different as she thought. She’s actually a bit like Malaka. Seeing Malaka’s childhood memories expressed through an adult lens shows how powerful our memories are in helping form ourselves and our relationships with other. It is all messy and complicated, yet necessary.

Vera Wong’s Unsolicited Advice for Murderers by Jesse Q Sutanto

“In her experience, it’s best to nod and agree with what people say before doing exactly what you wanted from the very beginning.”
― Jesse Q. Sutanto, Vera Wong’s Unsolicited Advice for Murderers

Jesse Q Sutanto proves herself a master of character sketches in Vera Wong’s Unsolicited Advice for Murderers. Instead of telling her story from one character’s perspective, Sutanto has crafted five characters to share secrets from their own points of view: Sana, Riki, Julia, Oliver, and the title-mentioned Vera Wong. This is a story of found family and the love, friendship, and kindness that can be spread by serving tea.

Vera Wong is a lonely shopkeeper, well really a lonely little old lady, who lives above her tea shop in San Francisco’s Chinatown. Her shop, aptly named Vera Wong’s World-Famous Teahouse, sadly isn’t doing as well as she would hope. She only has one customer. Her husband is dead and her son Tilbert hardly ever visits. Granted, Tilly is a successful lawyer, but that doesn’t mean he can’t answer her daily texts. She is his mother after all!

Vera enjoys nothing more than designing new tea combinations and trying to figure out just what Tilly is doing that is more important than talking to his mother.  That and waking up at 4:30am and starting her day by going on a power walk. One morning, Vera discovers a dead man lying in the middle of her tea shop. Vera calls the cops, but not before tidying up the shop and investigating the area around the body for clues. When the police show up, the detectives don’t inspire much confidence, leading Vera to decide that she could do a better job than the police and will solve this murder herself! After all, Vera loves her police shows. She is also a Chinese mother who can sniff out guilt just by looking at a person. This shouldn’t be a problem at all. Vera has this all under control.

This title is also available in large print and as a Libby eBook.

Messy Roots: A Graphic Memoir of a Wuhanese American by Laura Gao

“Every time I struggled to fit into the world around me, I thought if I flew far away enough, like Chang’e, the perfect home would magically appear. But when your roots are tangled up across so many different places, that perfect world may not exist.”
― Laura Gao, Messy Roots: A Graphic Memoir of a Wuhanese American

On my graphic memoir quest, I found Messy Roots: A Graphic Memoir of a Wuhanese American by Laura Gao, the child of Chinese immigrants and an immigrant herself. Messy Roots is her debut graphic memoir. She adds a level of hilarity and insightfulness to her story. Laura was born in Wuhan, China, a place that becomes prominent in the narrative about the Covid-19 pandemic. This graphic memoir is the story of her Wuhan, the one beyond Covid-19, the one that she knows.

Laura grew up in Wuhan in a land surrouded by rice paddies. She and her troublesome cousins rode water buffalo while being watching by her grandparents and managed to get into so much mischief. Her parents left Wuhan for the United States shortly after Laura was born. They moved to attend graduate school, hoping to build a better life for their family. Laura moved to be with her parents when she was four years old. Being thrust into a new and confusing world, Laura was lost. Her teachers and classmates had trouble pronouncing her Chinese name, Yuyang, so despite her mom’s protestations, she changed her name to Laura after seeing then-First Lafe Laura Bush on the news.

Laura moved around to different school frequently growing up, adding to her intense desire to fit in. This desire impacts her decisions regarding hobbies, after-school activities, her college choice, her career, and her contact with her family. When she goes to college, Laura starts to figure out her own identity. After college, she discussses her first job, her relationship with Wuhan today, and how the Covid-19 pandemic affected her as someone from Wuhan, China.

This graphic novel is a necessary read. She has a grounded and insightful take into Wuhan, Covid-19, and the perspective of someone who grew up in China, but is currently living in the United States. Laura also talks about her journey to figuring out her sexual identity, eventually coming out as queer. This coming-of-age story covers an incredible amount of topics. Seeing how all aspects of her life come together to inform her decisions was a delight, given how vulnerable Laura is in her storytelling.

The Iowa Writers’ Workshop

Also known as the Program in Creative Writing, the University of Iowa’s Writers’ Workshop began in 1936 and immediately counted Robert Frost, Robert Penn Warren and Dylan Thomas among its students.

Now, 87 years later, the IWW is still cultivating writers of literary and popular works.  Some of their novels reference life in a town very like Iowa City.  Some are set in places that couldn’t be more different.  Here is a selection of books published in 2023:

The Late Americans by Brandon Taylor

The Late Americans reads more like his interconnected story collection Filthy Animals (2021) than his debut, Real Life (2020), though both are campus tales centered on graduate students. In Iowa City, there are dancers who frequent the poet bar, poets dismissed early from seminar, art students whose day jobs label them outsiders, and those who will trade art for the security of med school or banking. Among the large cast, students and townies who come and go, sometimes in deep focus and other times in side roles, is Ivan, who dabbles in making porn, and his boyfriend, Goran, who doesn’t know how to feel about it. There’s poet Seamus, dancer Noah, and landlord Bert, whose lit-fuse presence bookends the novel as he becomes a menacing, sort-of lover to them both. Taylor writes feelings and physical interactions with a kind of sixth sense, creating scenes readers will visualize with ease. At the beginning and ending of things and in confronting gradations of sex, power, and class, ambivalence pervades. Lovers of character studies and fine writing will enjoy getting lost in this.  From Booklist Online

Romantic Comedy by Curtis Sittenfeld

When yet another shmopey guy—this time, her office mate at the Saturday Night Live–style show where she works—starts dating an uber-hot and talented female celebrity, comedy writer Sally channels her rage/certainty “that a gorgeous male celebrity would never fall in love with an ordinary, dorky, unkempt woman” into a sketch. The host and musical guest for this week’s episode of The Night Owls is the “outrageously handsome” superstar Noah Brewster, who seeks Sally’s help punching up his own sketch—she’s known around the studio as the queen of comedic structure. Sure that there could be nothing between them, due to the aforementioned law-turned-sketch, intimacy-phobic (and perhaps ordinary, dorky, and unkempt) Sally is her best, brilliant, warm self with Noah during the weeklong lead-up to the show, a fun and frenetic frame for the book’s first half that’s full of insider-feeling, behind-the-scenes excitement. You can see where this might be going, and yet how much you’ll enjoy getting there. Dialogue zips and zings as hearts plummet and soar through Sally and Noah’s meeting, misunderstanding, and years-later rapprochement as COVID-19 dawns. Sittenfeld’s (Rodham, 2020) meta-romance is an utterly perfect version of itself, a self-aware and pandemic-informed love story that’s no less romantic for being either.  From Booklist Online

Birnam Wood by Eleanor Catton The epigraph of Booker Prize–winner Catton’s fine new novel is a quote from Shakespeare’s Macbeth, which is appropriate given that the spirit of the Bard is mightily present. Mira Bunting is a young Kiwi horticulturalist and founder of a New Zealander activist collective called Birnam Wood. Bunting has a habit of assuming false identities to look at listings of land she cannot afford to buy and plants crops without permission on overlooked patches of land. In essence, Birnam Wood is a guerrilla gardening group, a combination of environmental anarchists and direct-action protesters. “Birnam Wood was . . . a pop-up, the brainchild of ‘creatives’; it was organic, it was local; it was a bit like Uber; it was a bit like Airbnb,” writes Catton. Bunting herself turns trespassing into a type of performance art. But when she inadvertently meets an American billionaire, Robert Lemoine, her world and the future of the collective change in ways she could not imagine. Catton’s filmic novel features vivid characters, not all of them likable, and sharp, sizzling dialogue. Themes in the intricate plot include identity politics, national identity, and exploitation by the -super-rich. Birnam Wood is tightly wound and psychologically thrilling, and Catton’s fans and readers new to her powers will savor it to the end.   From Booklist Online

The Thing in the Snow by Sean Adams

When confronted with a blank space, the mind tends to wander. Adams’ second novel, following The Heap (2020), takes place in such an environment. Hart is transported via helicopter to a research facility known as the Northern Institute, where it’s bitterly cold and snow-covered. He’s tasked with supervising two other employees, Gibbs and Cline, as they keep the recently vacated facility primed for an eventual but vaguely pending return. His instructions are helicoptered in each week, and feedback is curt to the point of mechanical. What, then, to do if a thing is spotted on the barren landscape outside the facility, where it is forbidden and dangerous to venture? The banter among the three about their monotonous tasks and their stress about the thing in the snow veers into the absurd. Adams’ quirky look at a confined and isolated workspace also offers an almost Stoppard-like look into character development while making a rather bleak but humorous statement about contemporary working life. Though the world Adams created is spare, the reading mind fills every corner with all that is dreamed and feared. From Booklist Online

Playhouse by Richard Bausch

Novels about contemporary stagings of classic plays, such as Margaret Atwood’s Hag-Seed (2016), Meg Wolitzer’s The Uncoupling (2011), and Adam Langer’s Cyclorama (2022), contrast epic social changes with timeless aspects of the human condition. Fiction virtuoso Bausch’s psychologically lush and situationally entangled tale is catalyzed by the building of a glitzy Globe Theater in Memphis and its ambitious, inevitably stormy opening production of King Lear. This endeavor forges highly problematic relationships, bringing back together the former husband of one of the two philanthropists funding the venture—his ex-wife and her wife—and a former TV anchor struggling with alcoholism and disgrace over an allegedly inappropriate involvement with his underage niece-by-marriage, who is also appearing onstage. Add a visiting artistic director with attitude, bad ideas, and his own woes; the imperiled marriage of the set designer and the general manager; and a leading actor who has just taken her dementia-afflicted father out of an assisted living facility against her family’s wishes. Profound turmoil ensues, driven by conscience, longing, gossip, guilt, anguish, rage, and sexual assaults, all taking place in a vibrantly depicted city assailed by nature’s fury. With Shakespearean moments of confusion, regret, and dissemblance, sharp-witted banter and all-out showdowns, Bausch’s enthralling, tempestuous, empathic drama illuminates with lightning strikes paradoxes of family, loyalty, and love.  From Booklist Online

The Golden Spoon by Jessa Maxwell

“Baking, very much like life, is about formulating the best possible outcome with the variables you are given.”
― Jessa Maxwell, The Golden Spoon

Jessa Maxwell’s novel The Golden Spoon is a mix of Clue and the Great British Baking Show. This book is a baking show with murder – it was practically tailor made for me! Jessa Maxwell is actually the pseudonym for cartoonist and illustrator Jessica Olein, whose work can be found in The New Yorker, The New York Times, and others. The Golden Spoon is her first novel.

Betsy Martin is a celebrity baker. In an effort to bring in money to keep her family home, Grafton Manor, in working order, Betsy created Bake Week over ten years ago. Every year, a group of six bakers descend on Grafton for a competition held in a tent on the lawn. They compete for the title of American’s best baker, a cookbook deal, the coveted Golden Spoon, plus other perks. Once filmed, the show streams online for all to see. While Betsy is grateful for the money the show brings in, it still barely covers the manor’s upkeep, plus she has to deal with the crew and bakers crawling all over her family home. It’s almost not worth it, especially with the changes happening this season.

For ten years, Betsy has hosted Bake Week by herself. Now the producers have decided they need fresh blood in the form of a younger, more popular cohost: Archie Morris, an award-winning baker and host of the show Cutting Board. Betsy is less than thrilled. She dislikes Archie and all he represents. Watching him interact with the bakers confirms her distaste. As Bake Week progresses, each baker’s personality presents itself. The commonality between all present, besides their love of baking, is their ability to keep secrets.

While I enjoyed this novel, I did find myself blindly trusting that all of the characters were telling the truth – should not have done that! This is a hodge podge of unreliable narrators that the author has woven together with subtle hints about their actual truths. Each chapter is told from the point-of-view of a different character. For the whole chapter, readers see what that character is thinking and how they are reacting to each presented scenario. This story was engaging, while the characters have fleshed out backstories. This isn’t a light and fluffy book as it does dig into the dark side of baking competitions (and there’s the pesky murder). All in all, a good read if you’re a fan of multi point-of-view novels. Here’s hoping there’s a sequel!

This title is also available in large print, Libby eAudiobook, and Libby eBook.

New Essay Collections

Have you ever read an essay collection? I turn to essay collections when I want to read, but need something shorter than a novel or a nonfiction book. I also find them helpful when I’m not in the mood for fiction, but want to read something. There’s a time and place for any type of reading and sometimes you just need an essay collection to cleanse your palate (at least I do)!

When reading essays, I have noticed that each one is self-contained. They take a special type of craft and discipline to cultivate a book theme and essays that surround it. Each collection of essays is its own work of art.

Below I have gathered a list of essay collections published in 2023. The descriptions have been provided by the publisher and/or author.

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Quietly Hostile: Essays by Samantha Irby

Samantha Irby’s career has taken her to new heights. She dodges calls from Hollywood and flop sweats on the red carpet at premieres (well, one premiere). But nothing is ever as it seems online, where she can crop out all the ugly parts.

Irby got a lot of weird emails about Carrie Bradshaw, and not only is there diarrhea to avoid, but now—anaphylactic shock. She is turned away from restaurants for being inappropriately dressed and looks for the best ways to cope, i.e., reveling in the offerings of QVC and adopting a deranged pandemic dog. Quietly Hostile makes light as Irby takes us on another outrageously funny tour of all the gory details that make up the true portrait of a life behind the screenshotted depression memes. Relatable, poignant, and uproarious, once again, Irby is the tonic we all need to get by.

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Monsters: A Fan’s Dilemma by Claire Dederer

Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience’s relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?

Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

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Black on Black: On Our Resilience and Brilliance in America by Daniel Black

“There are stories that must be told.”

Acclaimed novelist and scholar Daniel Black has spent a career writing into the unspoken, fleshing out, through storytelling, pain that can’t be described.

Now, in his debut essay collection, Black gives voice to the experiences of those who often find themselves on the margins. Tackling topics ranging from police brutality to the AIDS crisis to the role of HBCUs to queer representation in the black church, Black on Black celebrates the resilience, fortitude, and survival of black people in a land where their body is always on display.

As Daniel Black reminds us, while hope may be slow in coming, it always arrives, and when it does, it delivers beyond the imagination. Propulsive, intimate, and achingly relevant, Black on Black is cultural criticism at its openhearted best.

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Black and Female: Essays by Tsitsi Dangarembga

The first wound for all of us who are classified as “black” is empire.

In Black and Female, Tsitsi Dangarembga examines the legacy of imperialism on her own life and on every aspect of black embodied African life.

This paradigm-shifting essay collection weaves the personal and political in an illuminating exploration of race and gender. Dangarembga recounts a painful separation from her parents as a toddler, connecting this experience to the ruptures caused in Africa by human trafficking and enslavement. She argues that, after independence, the ruling party in Zimbabwe only performed inclusion for women while silencing the work of self-actualized feminists. She describes her struggles to realize her ambitions in theater, film, and literature, laying out the long path to the publication of her novels.

At once philosophical, intimate, and urgent, Black and Female is a powerful testimony of the pervasive and long-lasting effects of racism and patriarchy that provides an ultimately hopeful vision for change. Black feminists are “the status quo’s worst nightmare.” Dangarembga writes, “our conviction is deep, bolstered by a vivid imagination that reminds us that other realities are possible beyond the one that obtains.”

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Ordinary Notes by Christina Sharpe

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages—sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.

At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of “beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

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Superfan: How Pop Culture Broke my Heart by Jen Sookfong Lee

For most of Jen Sookfong Lee’s life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables promised her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams. Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her—the child of Chinese immigrant parents who looked for safety in the invisibility afforded by embracing model minority myths.

Ranging from the unattainable perfection of Gwyneth Paltrow and the father-figure familiarity of Bob Ross, to the long shadow cast by The Joy Luck Club and the life lessons she has learned from Rihanna, Jen weaves together key moments in pop culture with stories of her own failings, longings, and struggles as she navigates the minefields that come with carving her own path as an Asian woman, single mother, and writer. And with great wit, bracing honesty, and a deep appreciation for the ways culture shapes us, she draws direct lines between the spectacle of the popular, the intimacy of our personal bonds, and the social foundations of our collective obsessions.

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Do you have a favorite essay collection? Let us know in the comments.

 

Killer Chardonnay – A Colorado Wine Mystery by Kate Lansing

Author Kate Lansing’s Killer Chardonnay is the first book in the Colorado Wine Mystery series, the start to a charming cozy mystery series that features amateur sleuth and new wine shop owner Parker Valentine.  It has been Parker’s dream to open her own wine shop one day and when her beloved aunt passes away and leaves Parker with a sizeable inheritance, it seems like the right time to chase her dream.  With opening night planned and all the local VIPs invited to attend, Parker is ready to launch Vino Valentine.  On opening night, Parker gets the surprise of her life when local celebrity and renowned food and wine critic Gaskel Brown takes a seat at the bar and orders a flight of Parker’s signature wines.  Parker knows Gaskel’s reviews can set the course for the success or failure of Vino Valentine based on his opinion.

Parker isn’t having much luck winning over Gaskel with her wine selection.   He doesn’t seem to be enjoying himself and she is convinced a bad review is just around the corner.  He focuses on one of the wines that she is the proudest of  – her signature chardonnay –  and by the look on his face he is less than impressed.  Abruptly, Gaskel gets up and beelines for the bathroom, and in her desperation, Parker “accidentally” sees the notebook of his initial thoughts.  She is taken aback when she learns his initial impression is not positive.  In a daze from reading his words, Parker realizes that Gaskel has not returned to finish his glass. She knocks on the door of the bathroom to check on him and when there is no answer, she discovers Gaskel dead in the bathroom of Vino Valentine.

Authorities are convinced that Gaskel has been poisoned and the poison was lurking in Parker’s chardonnay.  To complicate things, Parker admits that she snooped in his notebook and he was about to give her establishment a less than stellar review, which doesn’t endear her to the investigating officer.

Word spreads quickly that it was Parker’s wine that killed him and she is desperate to save her business and lift the blame from Vino Valentine.  She, along with her group of friends, take matters into their own hands and conduct their own amateur investigation.  Their investigation takes an even darker turn when another guest from the opening night festivities dies under mysterious circumstances.  In her investigation, Parker discovers that Gaskel’s writings have left many people destitute and broke after his scathing reviews caused their businesses to fail.  Could the culprit be a ruined business owner seeking revenge?  If so, how did the poison end up in Parker’s chardonnay?  Readers will be on the edge of their seats trying to get to the bottom of the case.

Over the last few years the amount of cozy mysteries published has grown by leaps and bounds and there seems to be a theme or niche for nearly everyone, no matter your interest.  Killer Chardonnay stands out in a large field of new cozy mystery launches.  The characters are very engaging and the mystery will keep you guessing – especially how the poison got into the chardonnay.  Kate Lansing has four books (so far) in the Colorado Wine Mystery series with the most recent being published in the spring of 2023.

2. A Pairing To Die For

3. Mulled to Death

4. Til Death do Us Port

 

 

 

 

 

 

 

 

 

 

 

 

New Historical Fiction

Do you need an escape? Have you tried historical fiction? Since we can’t travel through time yet, I choose to visit other time periods through books. Below I have gathered a list of popular historical fiction novels that were published in 2023 that we haven’t talked about on the blog before. My want-to-read list of historical fiction is so long that I limited myself to ten to share with you all! This list cuts across the whole of historical fiction: stories range across different times and places, as well as blurring genres and some crossover stories.

All of these titles can be found at the Davenport Public Library. Descriptions have been provided by the publisher and/or the author.

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Lady Tan’s Circle of Women by Lisa See

According to Confucius, “an educated woman is a worthless woman,” but Tan Yunxian—born into an elite family, yet haunted by death, separations, and loneliness—is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine, the Four Examinations—looking, listening, touching, and asking—something a man can never do with a female patient.

From a young age, Yunxian learns about women’s illnesses, many of which relate to childbearing, alongside a young midwife-in-training, Meiling. The two girls find fast friendship and a mutual purpose—despite the prohibition that a doctor should never touch blood while a midwife comes in frequent contact with it—and they vow to be forever friends, sharing in each other’s joys and struggles. No mud, no lotus, they tell themselves: from adversity beauty can bloom.

But when Yunxian is sent into an arranged marriage, her mother-in-law forbids her from seeing Meiling and from helping the women and girls in the household. Yunxian is to act like a proper wife—embroider bound-foot slippers, pluck instruments, recite poetry, give birth to sons, and stay forever within the walls of the family compound, the Garden of Fragrant Delights.

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The Paris Daughter by Kristin Harmel

Paris, 1939: Young mothers Elise and Juliette become fast friends the day they meet in the beautiful Bois de Boulogne. Though there is a shadow of war creeping across Europe, neither woman suspects that their lives are about to irrevocably change.

When Elise becomes a target of the German occupation, she entrusts Juliette with the most precious thing in her life—her young daughter, playmate to Juliette’s own little girl. But nowhere is safe in war, not even a quiet little bookshop like Juliette’s Librairie des Rêves, and, when a bomb falls on their neighborhood, Juliette’s world is destroyed along with it.

More than a year later, with the war finally ending, Elise returns to reunite with her daughter, only to find her friend’s bookstore reduced to rubble—and Juliette nowhere to be found. What happened to her daughter in those last, terrible moments? Juliette has seemingly vanished without a trace, taking all the answers with her. Elise’s desperate search leads her to New York—and to Juliette—one final, fateful time.

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Maddalena and the Dark by Julia Fine

Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls’ orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena.

After a scandal threatens her noble family’s reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known. But Maddalena has a secret: she has hatched a dangerous plot to rescue her future her own way. When she invites Luisa into her plans, promising to make her dreams come true, Luisa doesn’t hesitate. But every wager has its price, and as the girls are drawn into the decadent world outside the Pietà’s walls, they must decide what it is they truly want—and what they will do to pay for it.

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A History of Burning by Janika Oza

In 1898, Pirbhai, a teenage boy looking for work, is taken from his village in India to labor for the British on the East African Railway. Far from home, Pirbhai commits a brutal act in the name of survival that will haunt him and his family for years to come.

So begins Janika Oza’s masterful, richly told epic, where the embers of this desperate act are fanned into flame over four generations, four continents, throughout the twentieth century. Pirbhai’s children are born in Uganda during the waning days of British colonial rule, and as the country moves toward independence, his granddaughters, three sisters, come of age in a divided nation. Latika is an aspiring journalist, who will put everything on the line for what she believes in; Mayuri’s ambitions will take her farther away from home than she ever imagined; and fearless Kiya will have to carry the weight of her family’s silence and secrets.

In 1972, the entire family is forced to flee under Idi Amin’s military dictatorship. Pirbhai’s grandchildren are now scattered across the world, struggling to find their way back to each other. One day a letter arrives with news that makes each generation question how far they are willing to go, and who they are willing to defy, to secure their own place in the world.

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Good Night, Irene by Luis Alberto Urrea

In 1943, Irene Woodward abandons an abusive fiancé in New York to enlist with the Red Cross and head to Europe. She makes fast friends in training with Dorothy Dunford, a towering Midwesterner with a ferocious wit. Together they are part of an elite group of women, nicknamed Donut Dollies, who command military vehicles called Clubmobiles at the front line, providing camaraderie and a taste of home that may be the only solace before troops head into battle.

After D-Day, these two intrepid friends join the Allied soldiers streaming into France. Their time in Europe will see them embroiled in danger, from the Battle of the Bulge to the liberation of Buchenwald. Through her friendship with Dorothy, and a love affair with a courageous American fighter pilot named Hans, Irene learns to trust again. Her most fervent hope, which becomes more precarious by the day, is for all three of them to survive the war intact.

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The House is on Fire by Rachel Beanland

Richmond, Virginia 1811. It’s the height of the winter social season, the General Assembly is in session, and many of Virginia’s gentleman planters, along with their wives and children, have made the long and arduous journey to the capital in hopes of whiling away the darkest days of the year. At the city’s only theater, the Charleston-based Placide & Green Company puts on two plays a night to meet the demand of a populace that’s done looking for enlightenment at the front of a church.

On the night after Christmas, the theater is packed with more than six hundred holiday revelers. In the third-floor boxes sits newly widowed Sally Henry Campbell, who is glad for any opportunity to relive the happy times she shared with her husband. One floor away, in the colored gallery, Cecily Patterson doesn’t give a whit about the play but is grateful for a four-hour reprieve from a life that has recently gone from bad to worse. Backstage, young stagehand Jack Gibson hopes that, if he can impress the theater’s managers, he’ll be offered a permanent job with the company. And on the other side of town, blacksmith Gilbert Hunt dreams of one day being able to bring his wife to the theater, but he’ll have to buy her freedom first.

When the theater goes up in flames in the middle of the performance, Sally, Cecily, Jack, and Gilbert make a series of split-second decisions that will not only affect their own lives but those of countless others. And in the days following the fire, as news of the disaster spreads across the United States, the paths of these four people will become forever intertwined.

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Only the Beautiful by Susan Meissner

California, 1938—When she loses her parents in an accident, sixteen-year-old Rosanne is taken in by the owners of the vineyard where she has lived her whole life as the vinedresser’s daughter. She moves into Celine and Truman Calvert’s spacious house with a secret, however—Rosie sees colors when she hears sound. She promised her mother she’d never reveal her little-understood ability to anyone, but the weight of her isolation and grief prove too much for her. Driven by her loneliness she not only breaks the vow to her mother, but in a desperate moment lets down her guard and ends up pregnant. Banished by the Calverts, Rosanne believes she is bound for a home for unwed mothers. But she soon finds out she is not going to a home of any kind, but to a place that seeks to forcibly take her baby – and the chance for any future babies – from her.

Austria, 1947—After witnessing firsthand Adolf Hitler’s brutal pursuit of hereditary purity—especially with regard to “different children”—Helen Calvert, Truman’s sister, is ready to return to America for good. But when she arrives at her brother’s peaceful vineyard after decades working abroad, she is shocked to learn what really happened nine years earlier to the vinedresser’s daughter, a girl whom Helen had long ago befriended. In her determination to find Rosanne, Helen discovers a shocking American eugenics program—and learns that that while the war had been won in Europe, there are still terrifying battles to be fought at home.

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Weyward by Emilia Hart

2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century.

1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom.

1942: As World War II rages, Violet is trapped in her family’s grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom.

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Looking for Jane by Heather Marshall

2017: When Angela Creighton discovers a mysterious letter containing a life-shattering confession, she is determined to find the intended recipient. Her search takes her back to the 1970s when a group of daring women operated an illegal underground abortion network in Toronto known only by its whispered code name: Jane.

1971: As a teenager, Dr. Evelyn Taylor was sent to a home for “fallen” women where she was forced to give up her baby for adoption—a trauma she has never recovered from. Despite the constant threat of arrest, she joins the Jane Network as an abortion provider, determined to give other women the choice she never had.

1980: After discovering a shocking secret about her family, twenty-year-old Nancy Mitchell begins to question everything she has ever known. When she unexpectedly becomes pregnant, she feels like she has no one to turn to for help. Grappling with her decision, she locates “Jane” and finds a place of her own alongside Dr. Taylor within the network’s ranks, but she can never escape the lies that haunt her.

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River Sing Me Home by Eleanor Shearer

The master of the Providence plantation in Barbados gathers his slaves and announces the king has decreed an end to slavery. As of the following day, the Emancipation Act of 1834 will come into effect. The cries of joy fall silent when he announces that they are no longer his slaves; they are now his apprentices. No one can leave. They must work for him for another six years. Freedom is just another name for the life they have always lived. So Rachel runs.

Away from Providence, she begins a desperate search to find her children—the five who survived birth and were sold. Are any of them still alive? Rachel has to know. The grueling, dangerous journey takes her from Barbados then, by river, deep into the forest of British Guiana and finally across the sea to Trinidad. She is driven on by the certainty that a mother cannot be truly free without knowing what has become of her children, even if the answer is more than she can bear. These are the stories of Mary Grace, Micah, Thomas Augustus, Cherry Jane and Mercy. But above all this is the story of Rachel and the extraordinary lengths to which a mother will go to find her children…and her freedom.

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Do you have a favorite historical fiction novel? Share with us in the comments below!

Everything is Fine by Mike Birchall

Have you ever read anything from WEBTOON? WEBTOON is a website, home to thousands of diverse comics, manga, webcomics, and more.  Some years ago, I was introduced to this website and have been reading a couple comics steadily. One of my favorites in Everything is Fine by Mike Birchall. Imagine my joy when I discovered that Mike Birchall had made this comic into a print book: Everything is Fine: Volume One. I was able to check it out from the library and reread part of this webcomic again, but in print!

“I want you to know, Tom. Even through that mask… I saw it on your face. We’re all in the same boat here, but that doesn’t mean you have to enjoy it. Like you do.” – Mike Birchall, Everything is Fine: Volume One

Everything is Fine: Volume One is a horror dystopian graphic novel definitely not for the faint of heart (or for a younger audience). Sam and Maggie are perfectly normal. They live in a perfectly normal neighborhood, have a perfectly normal relationship, and have a perfectly normal dog named Winston. The houses all look the same; the people all look and sound the same. Everything is fine in their world.

Look at them for a bit longer and the facade starts to crack. Sam and Maggie have been struggling for a while. Winston is dead. Their idyllic suburban life is monitored by outside surveillance cameras and red eyes pop to life in their heads sometimes. They and their neighbors question every decision, yet also are disconnected from the world. Emotions are pushed to the side, leading to serious repression that puts Maggie on the brink of lashing out. Something very sinister lurks beneath the surface of every interaction. One wrong move could disrupt the delicate balance they live in.

This is a strangely manipulative and creepy book that lives to make you uncomfortable. The pacing may seem measured, but that’s because the themes are heavy, the plot is tense, and the story is a slow burn. Readers are left wondering what is actually happening as an eerie weirdness permeates. Despite the title, everything is not fine. The people are too nice, the jokes aren’t that funny despite their hard laughter, and an undercurrent of ‘not-rightness’ runs through each conversation and interaction. This book was intriguing, ends on a cliff hanger, and left me wanting more.