The Batman on DVD

You could probably tell a lot about a person by their answer to the question: “Who’s your favorite Batman?” Me, personally, I’d probably say Michael Keaton from the Tim Burton Batman and Batman Returns movies, with Christian Bale’s Dark Knight a close second (but that’s because of Michael Caine as Alfred). I don’t know what that says about me (escapist nostalgia?), but I have a theory about people whose favorite Batman is now Robert Pattinson in The Batman: they’re probably thoughtful, complex people who know what it’s like to struggle with trauma and anger, and who care about responsibility and accountability.

Here’s why I think that. I’m not going to summarize the plot for you too much, because you’ve probably heard plenty about this movie while it was coming out (I sure did). I wasn’t surprised that a brooding Bruce Wayne faces a brutal Riddler after two years fighting crime as Vengeance. What I was surprised by was how NOT romanticized the Batman figure was. Rather than making him a kooky crimefighter (Adam West style), a pitiable and misguided orphan martyr (like in the Gotham TV series) or a playboy and noble warrior for justice (Christian Bale style), this film makes him (and his Bruce identity) undeniably problematic both as a person and as a symbol to Gotham. Feminists will probably be notably uncomfy with his behavior toward Selina Kyle, Alfred fans (like me) will be startled by how little time and affection Bruce has for his surrogate father, mental health advocates will recognize a truly troubled personality in the unwashed and obsessive Bruce, and by the end of the movie there will be a deep dive into the dark effects a violent vigilante like Batman would really have on the culture and crime rates of Gotham. It’s an important thing to consider in an age of radicalization, polarization, and people pushed to extremes – and it makes a film that really sticks with you.

I know many people were struggling to accept Pattinson’s jump from Twilight mega-fame to tough-guy Bruce, but if you haven’t already you should definitely give this film a watch. If you’re not interested in the philosophical exploration of violence and accountability, try it for the truly wild card atmosphere of this film. For one thing, I promise you are not prepared for the Wayne Manor, and second, I would not be surprised if the casting call for this film stated “must have an unusual or silly-sounding voice”. Moreover, Zoe Kravitz’ Selina Kyle is as tough and sultry as advertised, and ALMOST as good at critiquing Batman’s privileged perspective on the world as Michelle Pfeiffer’s in Batman Returns. Other worthwhile highlights for longtime Batman fans include a clearly retro-inspired Batmobile, an ethnically diverse cast including a particularly effective Jim Gordon, and skillful camera work and orchestration (almost as good a score as The Dark Knight, though not quite at that unsettling level).

Whatever your reason, don’t miss the latest reimagining of The Caped Crusader, now available in DVD and Blu-Ray at the library. Did I miss your favorite Batman? Tell us in the comments!

ApocalyptiGirl: An Aria for the End Times by Andrew MacLean

apocalyptigirlA theme that seems to be present in most of the materials I have been reading recently is the apocalypse and the end of the world. ApocalyptiGirl: An Aria for the End Times is no exception. Aria is stuck alone on the planet at the end of the world with only a cat named Jelly Beans as her companion. She discovered tunnels under this overgrown city and has transformed them into her living chambers. Although Aria is by herself, she has a mission to complete and one important part of this is to find working parts to transform Gus, a giant robot machine, back into working order.

Aria’s main mission? To find an ancient relic with immeasurable power called the Grand Photon. This gift from above is perfect energy because of its ability and power to transform an entire planet into a veritable Garden of Eden. History says, though, that the inhabitants of this planet had used the Grand Photon for evil, harnessing its power and weaponizing it, which eventually led to the scorching of the planet and the killing of almost every living thing. Aria was sent to this planet for what she thought would be three months, armed with a tracking device on her arm, to find the Grand Photon. Those three months turned into six years.

Andrew MacLean has put together a beautifully illustrated story about a young woman’s struggle in an action-packed adventure comic about the extremes of humanity and how even in a world that has been completely ravaged by war, we still long for a place to call our home. The artwork is bright and reminiscent of manga with woodblock art and a very-detailed, almost old American comic feel to it. Through the first few pages, it definitely becomes apparent that this story takes place not in this time period, but the art has you wanting to pay close attention to the vividness of each color and the different story lines. This graphic novel is not overly filled with back story; MacLean chooses instead to give us glimpses of history through Aria’s streaming consciousness, in essence she is talking to herself and through this talking, readers are privy to a much-needed-to-know history. With no one to talk to on this planet, Aria would naturally keep a running commentary in her head and also with her cat, Jelly Beans. This graphic novel was both serious and humorous; two things that if done right, work perfectly together.