{"id":38316,"date":"2020-12-21T06:00:46","date_gmt":"2020-12-21T12:00:46","guid":{"rendered":"https:\/\/blogs.davenportlibrary.com\/reference\/?p=38316"},"modified":"2020-11-18T19:31:06","modified_gmt":"2020-11-19T01:31:06","slug":"the-roads-to-rebecca","status":"publish","type":"post","link":"https:\/\/blogs.davenportlibrary.com\/reference\/the-roads-to-rebecca\/","title":{"rendered":"The Roads to Rebecca"},"content":{"rendered":"

\"\"<\/a>Daphne Du Maurier’s Rebecca<\/a> <\/strong><\/em>is a classic novel for very good reason — the suspenseful tone, the clever writing style, and compelling characters all make it a story for the ages. The original novel was published in 1938, and was turned into first a play in 1939, a film in 1940, and most recently a Netflix film released this year<\/a>. If you’re not already aware (and let’s be honest, obsessed) with this story, here are some details about it and some different ways to experience it.<\/p>\n

First, the basics: a young woman falls in love with an older man, Maxim De Winter, while working as a companion to a rich American woman in Monte Carlo. After a whirlwind romance, they marry and return to his estate, Manderley. Once they arrive, the young woman discovers the house is a monument to her husband’s deceased first wife, the Rebecca from the title. The house’s habits, decoration, and staff all bear her stamp, including a sinister housekeeper who undermines our insecure narrator at every turn, bullying her with stories of the glamorous Rebecca. In mounting distress, the narrator struggles both to escape Rebecca’s shadow and to uncover the dark secrets her husband is keeping from her about his past. Eventually, he confides in her, but that may only cause them more problems…<\/p>\n

What I love about this book is how the writing style underscores the plot — the narrator is given no name other than Mrs. De Winter, while her predecessor Rebecca is not only named but is the book’s title. The narrator’s identity is literally erased, insignificant compared to Rebecca. Also, the story is told as a flashback, giving the reader enigmatic hints of the book’s ending long before it arrives – much as the narrator learns about Rebecca in mysterious bits and pieces.<\/p>\n

Intrigued? Check out the book or the film version<\/a> (or any one<\/a> of the several available<\/a>) from the library. But wait, there’s more!<\/p>\n

\"\"<\/a>Also released this year was a YA novel which retells the Rebecca story in a modern setting, to chilling effect. I Killed Zoe Spanos<\/a><\/strong><\/em> by Kit Frick echoes Du Maurier’s twisty plot full of drama, chills, and unexpected revelations. In this case, the story is about Anna, who comes to the Hamptons to spend the summer working as a nanny. She’s hoping for a fresh start but finds herself instead overshadowed by Zoe Spanos, a local girl who recently went missing, and who looks a LOT like Anna… Slowly, the mystery of Zoe Spanos takes over Anna’s life until she’s sure they’re linked by a dark connection. But did Anna really kill her? And how can she find the truth?<\/p>\n

This is far from the only retelling of or companion to this iconic story, of course. There’s also Rebecca’s Tale<\/a><\/strong><\/em>, The Winters<\/a>,<\/strong> Mrs. De Winter<\/a>,<\/strong> In Her Shadow<\/a><\/strong><\/em>, and more. If you like atmospheric mysteries, thrillers, or marriage stories, check out any of these titles from the Rebeccaverse.<\/p>\n","protected":false},"excerpt":{"rendered":"

Daphne Du Maurier’s Rebecca is a classic novel for very good reason — the suspenseful tone, the clever writing style, and compelling characters all make it a story for the ages. The original novel was published in 1938, and was turned into first a play in 1939, a film in[Read more]<\/a><\/p>\n","protected":false},"author":45,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10,5,1,8],"tags":[3324,923,713,5412,5425,1529,5482],"class_list":["post-38316","post","type-post","status-publish","format-standard","hentry","category-books","category-read-a-likes","category-reference","category-staff-picks","tag-classic-books","tag-films","tag-marriage","tag-page-to-screen","tag-retellings","tag-thrillers","tag-ya-books"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pd0CXx-9Y0","_links":{"self":[{"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/posts\/38316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/comments?post=38316"}],"version-history":[{"count":5,"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/posts\/38316\/revisions"}],"predecessor-version":[{"id":38531,"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/posts\/38316\/revisions\/38531"}],"wp:attachment":[{"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/media?parent=38316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/categories?post=38316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.davenportlibrary.com\/reference\/wp-json\/wp\/v2\/tags?post=38316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}