“And before you accuse me of telling my story in a labyrinthine manner, let me remind you this is a true story—and in real life, that’s how we communicate, isn’t it? We’re all over the place: we jump back and forth in time; slow down and expand on some moments; fast-forward through others; editing as we go, minimizing flaws and maximizing assets. We are all the unreliable narrators of our own lives.”
― Alex Michaelides, The Fury

Alex Michaelides’ latest novel, The Fury, relies heavily on unreliable narrators, which given the plots of his previous two books, The Silent Patient and The Maidens, shouldn’t come as a surprise. Unreliable narrators are narrators who can’t be relied upon to provide a trustworthy or completely accurate story. They may mislead readers, sometimes accidentally or deliberately. In my opinion, all first person narrators (those who are telling the story from their own point of view within the book) are unreliable narrators until you get to the end. The narrator in The Fury, Elliot Chase, tells the story from his perspective, whether or not it’s the 100% truth is up for you, the reader, to decide once he’s finished his story.

Have you ever read a story about a murder in the news and been curious about what led up to the crime? Well, Elliot Chase has a story for you. His best friend, an incredibly famous reclusive ex-movie star named Lana, has invited himself and her other closest friends to her private Greek island for a getaway over the Easter weekend. This isn’t anything new. Lana frequently invites her friends to the island as a way to escape the dreary English weather. What’s out of the ordinary this time? Murder. One of them will be dead before the weekend is over. This should be pretty easy to figure out. Everyone is trapped on an island cut off from others due to whipping winds and weather – this is a finite pool of people to figure out who the murderer and victim is. The murder, what led up to it, and its consequences were splattered all over the tabloids, but Elliot is able to give readers an insight into the story that no one else has. After all, he was privy to the gossip, revenge, and pettiness within their friend group. Elliot has been silent long enough. He has his own story to tell.

The Fury is also available in large print, as a CD audiobook, and as a Playaway audiobook.

[Note: Even though Alex Michaelides’ books aren’t in a series, they are interconnected. Characters from certain books are mentioned in others. Parts of some books are also mentioned in others. (This is all incredibly vague, but I can’t talk specifics without spoiling some parts). While they all may not seem like plot spoilers at the time of reading, some are, so I would recommend that you read his books in the order of publication: The Silent Patient (2019), The Maidens (2021), and The Fury (2024). ]