Tag: Octavia Butler

Afrofuturism

- Elena Leave a comment

Celebrate Black History Month with Afrofuturism! Afrofuturism is a literary and artistic movement that combines Black history and culture with futuristic and science fiction elements. Check out the following titles available at Davenport Public Library. (Descriptions below provided by the publisher.)

Parable of the Sower by Octavia E. Butler

In 2025, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future. Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren’s father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, disease, war, and chronic water shortages. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others. When fire destroys their compound, Lauren’s family is killed and she is forced out into a world that is fraught with danger. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind. – Goodreads

How Long ’til Black Future Month? by N. K. Jemisin

Three-time Hugo Award winner and NYT bestselling author N. K. Jemisin challenges and delights readers with thought-provoking narratives of destruction, rebirth, and redemption that sharply examine modern society in her first collection of short fiction, which includes never-before-seen stories.

Spirits haunt the flooded streets of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow South must save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story “The City Born Great,” a young street kid fights to give birth to an old metropolis’s soul. – Hachette Book Group

Binti by Nnedi Okorafor

Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs. Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti’s stellar travel will bring her within their deadly reach. If Binti hopes to survive the legacy of a war not of her making, she will need both the gifts of her people and the wisdom enshrined within the University, itself–but first she has to make it there, alive. – Macmillan Publishers

An Unkindness of Ghosts by Rivers Solomon

Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She’s used to the names; she only wishes there was more truth to them. If she were truly a monster, she’d be powerful enough to tear down the walls around her until nothing remains of her world.

Aster lives in the lowdeck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship’s leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster. Embroiled in a grudge with a brutal overseer, Aster learns there may be a way to improve her lot—if she’s willing to sow the seeds of civil war. – Akashic Books

War Girls by Tochi Onyebuchi

Two sisters are torn apart by war and must fight their way back to each other in a futuristic, Black Panther-inspired Nigeria. The year is 2172. Climate change and nuclear disasters have rendered much of earth unlivable. Only the lucky ones have escaped to space colonies in the sky. In a war-torn Nigeria, battles are fought using flying, deadly mechs and soldiers are outfitted with bionic limbs and artificial organs meant to protect them from the harsh, radiation-heavy climate. Across the nation, as the years-long civil war wages on, survival becomes the only way of life. Two sisters, Onyii and Ify, dream of more. Their lives have been marked by violence and political unrest. Still, they dream of peace, of hope, of a future together. And they’re willing to fight an entire war to get there. – Penguin

Raybearer by Jordan Ifueko

Nothing is more important than loyalty. But what if you’ve sworn to protect the one you were born to destroy?

Tarisai has always longed for the warmth of a family. She was raised in isolation by a mysterious, often absent mother known only as the Lady. The Lady sends her to the capital of the global empire of Aritsar to compete with other children to be chosen as one of the Crown Prince’s Council of 11. If she’s picked, she’ll be joined with the other Council members through the Ray, a bond deeper than blood. That closeness is irresistible to Tarisai, who has always wanted to belong somewhere.

But the Lady has other ideas, including a magical wish that Tarisai is compelled to obey: Kill the Crown Prince once she gains his trust. Tarisai won’t stand by and become someone’s pawn—but is she strong enough to choose a different path for herself? With extraordinary world-building and breathtaking prose, Raybearer is the story of loyalty, fate, and the lengths we’re willing to go for the ones we love.

During the month of February, look for the “Afrofuturism” display at all three branches for more recommendations.

Octavia Butler’s Kindred

- Erin Leave a comment


I’m blown away by the sheer density and complexity of this novel for a number of reasons, but I’d have to say Butler’s technique of “layering” is so expertly done as to require multiple readings in order to unpack the story.  In other words, reading Kindred is like cutting into an onion and peeling back layer upon layer to reveal the deep meaning within. One of the more surface-level layers is simply that Butler–the first black, female author to write a science-fiction novel–has written a book about a black, female writer who is, in essence, writing, or rather, –re-writing–history and her future.

By definition, “kindred” means to be “connected” or “related to” and maybe most obviously would connote family relationships and ties. Yet, the first mentioning of the word is a departure from that obvious definition and appears early in the book on page 57 when the main protagonist, Dana, describes her white husband, Kevin: “He was like me–a kindred spirit crazy enough to keep on trying.” The statement is both double-entendre and a foreshadowing of things to come: you must be tenacious enough to pursue the life of a writer, bold enough to disrupt the status quo, and crazy enough to keep on trying.

Dana likens the job market in 1976 Los Angeles to a “slave market”, a clear juxtaposition to the literal slave market where Dana and Kevin are mysteriously transported via time-travel. Here, in the 19th century antebellum south, Dana confronts her familial past where American slavery and the promise of freedom are as inextricably linked as black & white identities.  Will Dana’s time-travels allow her to change the course of history and influence Rufus, son of a slave owner & blood-relative of her great great grandmother, whom she is called upon to save time and again? How will Rufus and Dana embody or challenge the systems of institutionalized racism they were born into? It is absolutely remarkable how Butler masterfully stacks layer upon layer to build characters as complex and enmeshed as our troubled and not-so-distant history of slavery and racism in the United States.

Thematically, Kindred is incredibly dense and complex, but I’ll focus on the theme of “performance” or “acting one’s part” that permeates the entire novel.  In several scenes, characters must “perform” their respective “roles” unless they want to suffer the consequences of falling out of line. Time-travel itself is a brilliant way to point out how racism is a construct and not the natural order.  Should we really require the passing of time in order to recognize and challenge systems of power & oppression?

When Dana brings Kevin to the plantation with her on her second journey back through time and space (she merely has to be physically holding onto him in order to transport him with her), she assumes the role of his slave as a matter of survival.  Kevin, of course reluctant to perform his assigned role as her “owner” accepts the painful challenge in order to protect his beloved wife. That Dana even needs protecting in this way brilliantly exposes and lays bare additional gender and sexuality constructs, another way Butler will craft a specific narrative in order to question it with a critical eye. But maybe one of the not-so-obvious questions is: Who, exactly, is assigning these roles, and why, and to whose benefit?  If we ourselves do not choose the role we are expected to play or act out, what are the implications when we are complicit in carrying out the performance? If refusal to play your role could get you killed (although Dana points out that “some fates are worse than death”),what is the best method for positively effecting change? Some characters in Kindred play their parts–worn down over time and physically beaten down–while others refuse to act: one standout character, Alice, asks “Am I a slave?” and ultimately attempts to break free.

Kindred is the kind of book that will stay with you, I am of sure. The complexity and depth of characters will challenge you to step outside of your comfort zone and do something that great books make you do: contemplate, sympathize, connect. I had some powerful emotional responses while reading this book which is exactly why I would recommend it to anyone who is interested in what it means to be human.