Bunny by Mona Awad

Mona Awad’s Bunny is cerebral, experimental, and on more than one occasion left me wondering “What in the world just happened?” 

The novel follows Samantha Mackey (or Smackie as her best friend Ava affectionately calls her) as she trudges through the last few semesters of her MFA program at a prestigious New England university. Fraught with writer’s block and an iceberg of unresolved trauma, Samantha hazily moves to and from workshop day after day where the only other creative peers she interacts with are the Bunnies–a Heathers-esque, culty group of women who make up the other four seats in Samantha’s cohort. 

The Bunnies–whom she distinguishes by nicknames Cupcake, Creepy Doll, Vignette, and The Duchess–invite Samantha to their private “Workshop,” which proves to be nothing short of a horrific brainstorming session come to life. 

Awad pokes fun at the self-indulgent creative process that often is evoked from intense writing programs such as the one in the novel, programs with which she herself is intimately familiar. Much of Bunny reads like a fever-dream: As Samantha’s grip on reality weakens, so does her reliability as the protagonist and narrator. The fun of this novel is in the constant guessing game of what is real and what is figment of her dissociated imagination. 

The overall plot of the novel would have been well served by a more purposeful exploration of Ava and her relationship with Samantha, as well as the hierarchy between the bunnies, which is apparent but never explained. While I was let down by some gaps in character development, the execution and overarching concept of Bunny is unique, engrossing, and wonderfully freaky.

A Beautifully Foolish Endeavor by Hank Green

Love Hank and John Green? Devoured An Absolutely Remarkable Thing? Worried about our society? Then boy, do I have a book for you: A Beautifully Foolish Endeavor by Hank Green! A fresh installment in the saga of April May and her friends shows us a world after first contact with an alien intelligence, bitterly divided over the aliens, their intentions, and what it means (and should mean) to be human. This is, like its predecessor, a timely book perfectly plugged into the realities of online communication, internet fame, and the deep ideological divides in our nation and our world. (Psst – no idea what I’m talking about? Check out our previous blog post about the first book.)

SPOILERS AHEAD: Maya, Andy, and Miranda are all processing their grief over April’s disappearance (or death, depending on who you ask) differently. Maya refuses to accept April is gone and chases conspiracies and mysteries trying to find her. Andy has stepped into April’s fame and struggles to feel worthy of the task. And Miranda, returning to her research, recklessly joins a suspicious scientific venture to protect April’s legacy. Meanwhile, as tensions rise between the bitterly divided camps of pro- and anti- alien (and anti-April, honestly), an intelligence beyond their comprehension continues to meddle in their reality, with intentions unknown…

This book really made me think, and debate with myself how I feel about it. I like that it’s written in short, addictive chapters that rotate between April’s friends’ point of view. Downside: all three of her friends are on different, very exciting paths, and it can be hard to switch back and forth between them and remember what’s going on. I also like that it picks up not long after the events at the end of the first book and continues the story in a believable way, creating cohesion and continuity between the two books. Downside: too much continuity! It’s been a long time since I read the first one and I no longer remember all the important details this book is referencing.

However, the characters are brimming with wry, self-deprecating humor, relatable 20-something angst, and deep thoughts about humanity, identity, and fame. Overall, this book rings with truth, and for me seems to hold up a mirror to our society, showing us the good and the bad about the path we’re on.

Future Home of the Living God by Louise Erdrich

We all remember the “March of Progress” poster from grade school science class, used to illustrate the  straight-line evolution of Homo sapiens from our ancient ancestors. From Australopithecus  to Homo habilius and then to the assumed apex of human evolution – us. But what if evolution wasn’t a straight line? What if suddenly, somehow, it doubled-back on itself, returning our species to our most ancient origins?

It is in this speculative world that Louise Erdrich’s latest novel Future Home of the Living God is set. Taking place in an unspecified time in the near future, the novel is presented as the journal of 26 year-old Cedar Hawk Songmaker, written to her unborn child. Cedar, the adopted daughter of liberal Minnesota parents, finding herself pregnant, is compelled to seek out her Ojibwe birth parents, ostensibly to discover any genetic problems that might affect her baby, and in a larger sense, to find her own identity. This familiar journey of personal discovery is set against a tumultuous time in which the future of the earth is gravely in doubt as evolution appears to be running backward. Plants and animals are born “wrong,” throwbacks to their genetic ancestors. Human babies and their mothers are dying at an alarming rate, and those infants that do survive are abnormal, with characteristics more similar to our genetic ancestors. The planet is heating up, with harsh Minnesota winters a fond, distant memory, and political chaos is rampant. Soon, pregnant women are encouraged, then forced, into “unborn protective centers” – prisons, really – and a “womb draft” is instated. As Cedar’s pregnancy progresses, she confesses to her baby that she isn’t sure if he (and she is sure it is a he) will have the ability to read the journal that she is writing, if he survives at all. Cedar soon becomes a fugitive, then a prisoner, then fugitive again, seeking sanctuary with her birth family with the help of her adoptive parents.

If this all sounds strikingly familiar to The Handmaid’s Tale by Margaret Atwood, you would be correct. In her author’s notes, Erdrich writes that she began the novel in 2002, then set it aside,  picking it up again after the most recent election. Future Home of the Living God is Erdrich’s first speculative fiction book, but still closely shares the Native American culture she has explored in her past works. The premise of backwards evolution and how it might bring the end of civilization is compelling – it’s what interested me in the book in the first place – and it reads like a thriller (I read it all in one sitting). But at a slim 267 pages, it reads almost too fast, with not nearly enough time spent exploring the circumstances of the world it is set in, the stories of Cedar’s families, or her baby’s father. Since the story is told in the form of a journal, which does lend an intimacy to the narrative, many things go unsaid, or dropped entirely. Even the mystery of Cedar’s birth and adoption – the revelation of which is emotionally catastrophic for her – is quickly dropped to move onto the next crisis. At a few points, I thought that the plot was going in one direction, and then, disappointingly, found it dropped. Perhaps my expectations were overly influenced by my usual science fiction preferences. Some the misdirections reminded me of the short story “Before” by Carolyn Dunn (contained in the excellent collection After edited by Ellen Datlow) an end-of-the-world tale of a plague that leaves only those with Native American ancestors alive. But, that is not the case here.

Which isn’t to say the novel isn’t an exciting and interesting read. There are thoughtful explorations of faith (Cedar is a recent convert to Catholicism), the origin and evolution of our species, how and why we became human, and the consequences of ignoring and abusing our environment and each other, all alongside Cedar’s journey into motherhood and her birth family. The ending might come abruptly, but it is well worth the journey.

Black Science Vol. 1: How to Fall Forever by Rick Remender, Matteo Scalera & Dean White

BlackScience_vol1-1Across an alien landscape, two people in space suits race for safety. At each turn, they are thwarted. The woman is killed, but the man runs on, clutching a container, cursing himself for his mistakes, his obsessions, that have brought him – and his family – here. A race against time, it seems, to reach the Pillar before it is too late.

This breathless scene opens Rick Remender’s Black Science. Grant McKay, our narrator, does make it back to the Pillar, moments before it jumps. Along with Grant are is two children, teenaged Pia and younger Nathan, his five (now four)-person team of scientists and the man who bankrolled the project. We learn that Grant and his team have done the impossible – punched through the barriers between the multiverses’ dimensions, allowing humans to travel to new dimensions not only to explore, but also to exploit, possibly finding the keys to preserving our species. The method is called black science, and the Pillar is the tool. But the tool has been sabotaged, and now it and its passengers have no control over when or to where they will jump.

Grant laments his hubris and his recklessness for taking his children and his team with him on the first manned jump throughout the story. Each new dimension is as strange as the next, dumping the team into war and circumstance that are truly alien. There appears to be no way of repairing the Pillar, and now that the multiverse has been breached, nothing is certain, especially survival.

Remander’s (Uncanny Avengers, Fear Agent) novel moves at a frenetic pace, the art is both stark and riotously vivid. It harkens back to the era of pulp science fiction with non-stop action and lurid details. With three more volumes already published, this is a great choice for anyone looking for a true science fiction adventure. Fans of “The Venture Bros.,” will enjoy this considerable darker series (and the close similarity Grant McKay bears to a certain winged super-villain).

 

The Book Was Better

This year there have been a lot of fantastic books adapted to the big screen: Twelve Years a Slave, Catching Fire (The Hunger Games trilogy), The Great Gatsby, Warm Bodies, Admission, World War Z and The Book Thief  — just to name a few!  Right before an adapted movie comes out, many scramble to read the book first. In that rush it becomes difficult to find a copy that isn’t checked out.  To prepare for the new year and start planning your reading, here are some of the books that you may want to read before you watch (who doesn’t want to get to yell, “The book was better!” in a crowded theater?)

Following successful film adaptations of Twilight and The Hunger Games series, movie studios are continuing to bank on YA dystopian sci-fi and paranormal romance series. With planned releases of  Divergent by Veronica Roth, Vampire Academy by Richelle Mead, The Giver by Lois Lowry (finally!),  and The Maze Runner by James Dashner (the first part of the third book in The Hunger Games series, Mockingjay is also due to be released in November) fans of speculative teen fiction have plenty to read in preparation.

Realistic fiction and a stand alone, John Green’s The Fault in Our Stars is another popular YA book set to debut next year (if you want updates, John Green has been pretty open about the process on twitter), and will star Shailene Woodley  (who is also staring in Divergent).

Not all of the books adapted for the big screen next year will be targeted at young adults. In August, Helen Mirren is set to star in what has been described in the New York Times as Slumdog Millionaire meets Ratatouille, The Hundred-Foot Journey by Richard Morais.  Gillian Flynn’s massively popular Gone Girl  is due for an October release, starring Ben Affleck and directed by David Fincher (The Social Network, Fight Club).  And if you really want to get a head start, the release of Fifty Shades of Grey by E.L. James is planned for February of 2015.