Being a woman cop in the 1970s meant your day was filled with harassment from multiple sources: the men you worked with, the people you encountered on the streets, and usually the family you left behind to become a cop. No matter what you did, you would feel the heat from everyone around you. You were never good enough. This type of harassment and degradation led to some women not even making it through the police academy and for those that made it, enduring that treatment only fed their fire to become the best cop that they could. Reading fiction and nonfiction about women during this era showed me that those pioneering women were continuing on a quest for equality that started many, many years ago.
Cop Town by Karin Slaughter dives into what policewomen in the 1970s went through on a daily basis by following the Atlanta police force in 1974 as they struggled to deal with the murder of an officer and a suspected murderer on the loose. It’s Kate Murphy’s first day on the job. From the moment she steps foot in the precinct, Kate realizes that the Atlanta Police Department is not the place for her. The other police officers are not welcoming to the women and even within the female ranks, they’re all separated by color. Kate is juggling with the fact that her uniform is way too big, she’s not sure how to handle her gun, and the men she’s supposed to be working with only see her as a collection of attractive body parts. Add in the fact that the Atlanta Police Department is still reeling from the death of a fellow officer and Kate has walked into an extremely volatile situation. Despite all of this, Kate refuses to give up. She sets out to try and prove herself even though she really has no idea what she is doing.
Maggie Lawson is only too familiar with the craziness in the Atlanta Police Department. Both her brother and her uncle are on the force. Add in the fact that Maggie is a cop as well and her family life is more than a tad complicated. Having family so enmeshed in the force means that Maggie has to continuously prove herself and that has left her with multiple axes to grind. When Kate Murphy shows up, Maggie knows she is going to be a handful. Kate and Maggie soon find themselves partnered together, even though it’s against regulations. This action is made to isolate Kate and Maggie from the rest of the police, to essentially keep them out of everyone else’s way. Despite being paired together, the women soon find themselves right in the middle of a major criminal situation. Kate and Maggie are forced to learn to work together to figure out who they can trust and what the real truth is.
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James Patterson has slowly wormed his way in as one of my favorite authors. Every time I pick up one of his books, I know I’m going to enjoy it. If he’s not writing a book by himself, Patterson teams up with other writers, thus making his books change slightly from person to person. I have yet to find one that hasn’t piqued my interest and as such I plan to keep reading books by James Patterson until I grow tired of him.
Invisible by James Patterson and David Ellis was my latest listen. I had listened to another Patterson/Ellis book previously, so I pretty much knew I was going to enjoy it. Bonus part: the male narrator of this book(there are multiple narrators) is someone that has narrated other books that I have really enjoyed. His delivery really captures each character’s personality.
In Invisible, Emmy Dockery is on leave from the FBI. After her sister’s grisly death, Emmy finds that she can’t do her job as a research analyst for the FBI as effectively as she used to. On leave, her sister’s death consumes her. Emmy is obsessed with finding a link between hundreds of unsolved cases that she believes are connected. Having set up Google alerts for crimes similar to how her sister died, Emmy is inundated with newspaper clippings of events that all seem to be related. Waking up gasping in the middle of the night, Emmy’s recurring nightmares mimic how her sister died and leave her even more desirous to connect these unsolved cases. Calling in a favor from her ex-boyfriend, field agent Harrison “Books” Bookman, Emmy hopes that he will be able to help her finding the missing piece in this string of brutal kidnappings, rapes, and murders that all have a fire element. No one believes her that these unsolved cases could be connected, even when she lines up all the facts that she has gathered. It isn’t until Emmy finds a certain piece of evidence that Books perks up and begins to believe that what she is saying could possible be true. This story alternated between Emmy’s story and a mystery man’s story. Reading those alternate chapters back to back really ups the creepy, thrilling, suspenseful nature of this book.
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Horror Week at Davenport Library wraps up today with this terrifying suggestion from Lynn. Read at your own risk!
“Handcarved Coffins” (in the book Music for Chameleons) is a piece of novelistic journalism; Capote’s spare and economical style makes the ever-increasing suspense immediate.
A state cop relates the stories of a series of horrific murders to Capote. The first are killed by rabid rattlesnakes that attack a couple as they open their car doors. The next die in a fire, trapped in their basement. The victims are sent a small, balsa coffin with a candid photograph of themselves. As the murders mount up, the recipients are more aware of their fate and suffer unique torture as they wonder how and when they will die.
The murders are impossible to anticipate and guard against, and, seemingly, have no connection to each other. Their very randomness and the generic small midwestern town setting give the murders a sense of universality – (this could happen to ME). The fact that the victims seem entirely innocent makes the evil more purely heinous. Because this is supposed to be a piece of reportage, Capote never switches perspective to the psychopath, as is so common now. This is a piece of simple, classic horror. And it may be true.
Now it’s your turn – what’s your favorite scary book or movie? Leave a comment!