Tag: rap

Applause for the Late Mac Miller’s Heart-Felt Swimming

- Erin Leave a comment

Sonically and lyrically, “Come Back To Earth,” perfectly establishes the feel of Swimming and encapsulates all the thematic elements of the album: breakups, vulnerability, addiction,  despair, hope, and painful self-awareness. People connect with Mac Miller because he wasn’t afraid to wear his heart on his sleeve. He perfectly sums up what depression feels like when he wrote:  “And don’t you know that sunshine don’t feel right / When you inside all day / I wish it was nice out, but it looked like rain /Grey skies and I’m drifting, not living forever /They told me it only gets better.”

Now, the lyrics “I’ll do anything for a way out of my head” are just haunting.

It wasn’t until after Mac Miller died  from a powerful combination of cocaine, fentanyl, and alcohol that I heard his most recent album, Swimming, and immediately started listening to his other work, Best Day Ever, and The Divine Feminine, among others.  Like the inimitable artists who preceded him in death – Prince and Tom Petty, most recently – Miller’s reputation as a real-deal artist is not diminished due to his struggle with addiction. In a short lifespan, he managed to eat, breath, and sleep his craft, so much so that he was always writing, creating, performing, and improving. Just 26 years old after dropping his self-produced August 2018 album, Miller made an inspired appearance on NPR’s Tiny Desk Concert Series, mere months before his body was found.  His NPR performance immediately struck me as genuine as he bantered with his band and addressed the audience in between songs.  Plus,  Thundercat’s willingness to back you up is evidence of your awesomeness . But moreso: Mac Miller makes me feel  something, and simple though that criteria may appear, it’s an indicator for great artistry. Even though he suffered, he nobly shared his vulnerability, sadness, and hope through his music.

The late Mac Miller

Initially, the song “2009” was one of my fast favorites on the album, probably because of the self-reflective quality that the song conveys, both lyrically and instrumentally. The narrator appears to have looked back on his life having realized some hard-won truths but is ready to embrace a hopeful future. My favorite lyric is when he refers a conversation the narrator had with a woman and he cleverly characterizes her as an angel: “She tell me that I get her high ’cause a angel’s s’posed to fly”. The track has a dreamy wisdom about it that comes through the stripped-down instrumentation. Much of Miller’s music simply makes me feel good. 

Track number three, “What’s the Use” is a funky, laid back, feel-good groove featuring Snoop and that signature Thundercat bassline and  that hits in all the right places and might be my favorite tune on the album because, hello, FIVE STRING BASS in the house

Then you have the trumpet-heavy funk and disco dance tune, “Ladders”, that seems to encapsulate the hope and despair Mac embodied in his music. Such a big, bright song evokes a wild night living large in the city but against the backdrop of a sad truth looming in the near future: that the sun would rise and the fun would be over.  “Somehow we gotta find a way / No matter how many miles it takes / I know it feels so good right now / But it all comes fallin’ down / When the night meet the light /Turn to day.  Where was it Mac wanted to go? Check out his live performance of ladders and the all-star 11-piece band on the The Late Show with Stephen Colbert.

Melodically and rhythmically, “Self-Care”(co-written by Dev Hynes of Blood Orange)  is easily one of my favorite tunes on the album (but I’m hard-pressed to find a bad song on the album). Eerily, the music video portrays Miller lying in a coffin and nearly buried alive as he sings: “Somebody save me from myself, yeah /Tell them they can take that bullshit elsewhere / Self care, we gonna be good /Hell yeah, they lettin’ me go”. Given the trendiness of the concept of “self care” in a society marked by millenial backlash against the backdrop of growing social isolation in spite of vast widespread advancements in technology, Miller wanted to take better care of himself: he was envisioning a better life, but the question would be:  how am I gonna get there?

A review in Pitchfork states so eloquently that the feeling  of a work of art is indeed as valuable as the other more technical components of song crafting:  “As always, Miller remains a step behind the prestige artists he emulates—Chance the Rapper, Anderson.Paak, and, increasingly,Frank Ocean, whose nonchalant songcraft looms large here. Swimming is less virtuosic than those artists’ recent works, but no less heartfelt, and the album’s wistful soul and warm funk fits Miller like his oldest, coziest hoodie. He may be unable to escape his own head, as he laments on the opener “Come Back to Earth,” but he’s decided to make himself as comfortable as possible while he’s trapped there.”

Co-written by Pharell Williams (does he collaborate with everyone?) , “Hurt Feelings” (awesomely described in this article as “weirdly cocksure”)  is another super-catchy tune on the album with a beat that’s perfect for head bobbing, and oddly enough, one of the tunes I crank in the morning to psych myself up for work or life.

Check out “Swimming”  for honest, heart-felt poetry from a young soul who lived the life he rapped about only to die far too young, long before he had a chance to love himself back to life.

The Hate U Give by Angie Thomas

- Stephanie Leave a comment

I spend a lot of time reading review journals, magazines, and online blogs about books. This helps me to order the most current books for my sections and keeps me aware of other books that are coming out across the whole library. The Hate U Give came across my radar as a book to recommend to teens about gun violence. Based on all of the talk going around about this book and its relevance to the Black Lives Matter movement, I knew I needed to read The Hate U Give if just to try to understand the power this book has.

The Hate U Give is a MASSIVE New York Times and Amazon bestseller. If the title drives you grammar nerds a little crazy, Thomas has reasons for it. The Hate U Give comes from the acronym THUG LIFE that Tupac Shakar had tattooed across his abdomen. It stands for “The hate u give little infants f**** everybody”. (If you’re offended by that word, I strongly suggest you don’t read this book. It doesn’t shy away from violence and language.) That acronym runs rampant throughout The Hate U Give and the main characters keep returning to it. It’s important. Now let’s get down to what this book is about.

The Hate U Give tells the story of Starr.  By the time she is sixteen, Starr has seen both of her best friends die as a result of gun violence: one by a gang drive-by and the other just recently fatally shot by a cop. Starr was out at a party, something she never does, when shots rang out. She and her friend Khalil took off running to his car. On their way home, they are stopped by the police, pulled over, and Khalil is shot and killed. (Obviously there’s more to the story, but I don’t want to give too many spoilers!) Starr is the only witness to Khalil’s fatal shooting by that police officer. This fact causes her a great deal of agony. Does she speak up? Obviously her parents and the cops know that she witnessed his death, but does she tell her friends? How will she react when the story is plastered all over the news? What will she do if the district attorney contacts her or if the cops want to interview her? Starr wants to stand up for Khalil, but she is afraid. How will she react if people start telling lies about Khalil? She just doesn’t know what to do.

Starr has grown up in the rough area of Garden Heights, but with a solid family backing her up. Her mother works as a nurse in a clinic and desperately wants to move away to protect the family. Her father, known as Big Mav, is a former gang-member who took the fall for King, a notorious gang lord in the community, and spent three years in prison when Starr was younger. Now Big Mav owns the local grocery store and is working to make the community better. Starr doesn’t go to the local high school; instead she goes to Williamson, a private school in a more affluent neighborhood where instead of being a black majority, she’s one of only two black kids in her school. Starr constantly talks about her Williamson self and her Garden Heights self. They’re kept separate and each Starr acts different. Her Williamson friends and her Garden Heights friends hardly ever mix. This is a life that Starr has kind of adjusted to, but the slightest bump to her normal life could cause her world to come crashing down. Khalil’s death rocks her world and Starr soon finds herself and her family the target of the police and King, the local drug lord, as everyone puts pressure on her and intimidates her in order to figure out what really happened the night that Khalil died.

The author, Angie Thomas, began writing in response to the fatal shooting in Oakland, California in 2009 of 22-year-old Oscar Grant. She quickly found the subject too painful, so Thomas set the book aside. After the stories of Trayvon Martin and Tamir Rice broke the news, Thomas knew she had to start writing this book again. Thomas had to voice her opinions, had to acknowledge the neighborhood where she grew up, and needed to shine a light on Black Lives Matter. The themes of social justice, opinion, responsibility, existing in two worlds, and violence are so prevalent and deeply explored in this book because Thomas knows what she is talking about. She lived it.

This book has been optioned for a film and is in development. I can only hope that the movie is just as moving as the book was. The movie has the opportunity to further change the world.