Bad Country by C.B. McKenzie

Welcome to 2017 and our new updated blog! As our wonderful librarian Ann mentioned last week, we’re changing how we’re blogging and what we’re blogging about. I’m so excited to dig deeper into my reading and watching interests with you all! Let’s dive right in!

I had an epiphany moment with the last book I was listening to, Bad Country by C.B. McKenzie. I listened to Bad Country through the library’s Rivershare OverDrive app which I have downloaded on my phone (a FANTASTIC way to both listen to and read books, btw). Anyway, as soon as I started listening to this book, my brain seemed to revolt. It took me about five minutes to realize why. It was a male narrator! And only a male narrator! Every other audiobook I’ve listened to has been a female narrator or a combination of female and male narrators (with the female narrator having more to say). As a result, I’ve decided to actively search out more books with male narrators, so next time I stumble upon an audiobook with a male narrator, I won’t be so surprised.

Mark Bramhall narrates Bad Country and does a wonderful job. He does different voices and accents for each character (and there are TONS of different characters), which allowed me to easily separate and tell who was who. Bad Country is a mystery set in the Southwest. Rodeo Grace Garnett is a former rodeo cowboy turned private investigator. He lives alone with his old dog in a very remote part of Arizona called the Hole. One day, Rodeo returns home to find a dead body near his home. Based on how the victim is dressed, Rodeo can tell he is not one of the many illegal immigrants who cross over just south of where he lives. The victim is instead a member of one of the local Indian tribes. He is also not the first Indian murdered in this county and town recently.

Rodeo is desperately looking for work. When his buddy offers him a job working for an elderly Indian woman who wants to know who murdered her grandson, he takes it. The woman has strange reactions to hiring him though, her behavior is slightly off, reactions that Rodeo begins to understand the more he digs into the case. Hatred swirls around this case, as well as the cases of the many murdered Indians in Rodeo’s area. Mystery, intrigue, death, and good old fashioned suspicion run rampant throughout this book with readers left wondering until the very end just who committed what crime.

All in all, I enjoyed this book. The narrator’s ability to provide different voices for each character really pulled me in. Towards the end, the plot seemed a little rushed, but I was able to keep up and found myself hoping that the author would turn this one book into a series. Here’s to hoping!

The Cuckoo’s Calling by Robert Galbraith

cuckoo's callingBack when Deathly Hallows was hot off the presses, I remember reading an interview with J.K. Rowling; when asked what she would write next, she answered: mysteries for adults. I’ve been looking forward to The Cuckoo’s Calling ever since. After her first post-Potter foray into literary fiction, Jo is back in the realm of genre, and I think it’s where she belongs. Her imagination is so fierce and wild and her observations about the real world are so raw and true that the juxtaposition of them is magical. We all saw it in Harry Potter, I missed it in The Casual Vacancy, and now it’s back in The Cuckoo’s Calling. This is a phenomenal book: thrilling and elegant and a little cheeky. The characters are vibrant, true, and endlessly entertaining. Even the dead model at the heart of the mystery, Lula “Cuckoo” Landry, has a personality, and a life, beyond her infamous lifestyle and her undignified death; the living characters, private detective Cormoran Strike and his assistant Robin, are even better.

Cormoran lost his leg to a land mine in Afghanistan, and back home in the UK, he’s facing a life that’s deteriorating rapidly as his debts mount, his relationships waver, and his stream of clients dries up. When Robin appears, the product of an expensive contract with the temp agency that he tried to cancel, Strike is vexed: how can he hide from this clever, intrepid young woman that he’s sleeping on a cot in his office? But Robin and Strike are a great team, as they both tentatively realize: Strike is a gifted detective whose shadowed past has removed him from the military police for complex, unclear reasons, and Robin is a whip-smart HR rep with a natural talent for investigation.

As Robert Galbraith, Rowling wastes no words. This is a long book, but not an overlong one. There are a lot of characters, a lot of red herrings, and a lot of plot developments, but they layer on top of each other seamlessly and the payoff is extremely satisfying. The scenes are so descriptive, you’re absolutely there – I was completely drawn into this book. The best part about it was how genuine and true it all was: when Robin and Cormoran use their cell phones and the internet to track down clues, it doesn’t feel forced or fake, it’s completely natural. The same thing happened in The Casual Vacancy: whenever technology is used, it’s employed seamlessly, artfully, expertly into the plot. I propose that this comes from treating it with the same rules you’d use to write about magic wands. It was painful to set The Cuckoo’s Calling down and heartbreaking to reach the end: if Rowling wants to write any more about Cormoran Strike, I’ll be gleefully pre-ordering every new Galbraith title.

Relevant Fun Fact: the common European cuckoo reproduces by parasitic brooding, where they lay their eggs in the nests of other birds and the other birds raise the baby cuckoos – leaving the adults free to flit off and do whatever birds do.