Copper tells the story of an Irish-American boxer turned cop named Kevin Corcoran, who after returning from the Civil War finds his wife missing and his young daughter murdered in their home. Corcoran keeps in contact with two of his soldier friends: the son of a rich industrialist and an African-American physician. These three are linked together by a secret that happened on the battlefireld, one that changed the future of their lives forever.
Right off the bat, Copper is fast-paced and running you through the streets of Five Points, the immigrant neighborhood in New York full of lawlessness, deceit, and murder. Kevin Corcoran, or Corcy as his friends call him, frequently finds himself having to solve the many murders that happen in Five Points. Corcoran never lets a case close without finding the true killer and getting vengeance for the families left behind. The entire time he is solving crimes for the police department, he is also looking for any clues into his wife’s disappearance and his daughter’s murder, asking people in the streets and looking for anyone who saw them before they died.
This television show hits every aspect of tv that I love: romance, murder, mayhem, secrets, espionage, politics, etc. This is 1864, so Copper deals with slavery, Lincoln’s election, spies for the Confederacy and the Union, lynchings, upper and lower class struggles, immigration, murder. Just when I thought I had this show figured out, I realized that the characters had far more depth and far more secrets than I ever realized.
In The Making of the Mob: New York, AMC has created an eight-part docu-drama series that begins in 1905 and traces the rise of the American Mafia for over fifty years. This series examines the lives of Charles “Lucky” Luciano, Meyer Lansky, Benjamin “Bugsy” Siegel, Frank Costello, Vito Genovese, and several other notorious gangsters as they all struggle for power when the mafia starts becoming more organized. The amount of attention to detail that went into the establishment of the five major heads of the family, also known as the Commission, and Murder, Inc., the group of Jewish hitmen who killed around 1,000 people in ten years, shows that the new mobsters rising up in the ranks were definitely looking to run the mafia as more of a business with set consequences and an elected representative board.
This docu-drama looks into the five main families of the American Mafia and goes into great detail showing how organized crime came to exist and flourish in America. What I found to be the most intriguing part of this series was that it included interviews from former politicians, mobsters, actors, and other influential people, as well as actual archival footage and sound recordings of the actual mobsters alongside the actors’ dramatic interpretations of what was happening. The inclusion of actual footage and interviews really drew me into this docu-drama and had me fully invested in the lives of the mobsters, the shady deals they were doing, and the specific individuals and governmental organizations who were working to bring down the American mafia.
The audiobook of Michael Connelly’s latest (hopefully, not the last) Harry Bosch novel is brilliantly narrated by Titus Welliver. The Burning Room is enjoyable on multiple levels. First, there’s the evolving relationship between Harry and an assigned protegee, Detective Lucia Soto, as well as Harry’s internal monologues about the careerists in charge of the LAPD and the incredible talents of Welliver and, probably least of all, the actual plot.
Bosch grows into an ever more fascinating character; professional in that he cares first and foremost about solving cases, rather than the political implications of each and every action. He skewers the bureaucratic bluster in the guise of the bumptious Lieutenant Samuels, Bosch’s nemesis. As they investigate two entwined cold cases, Harry imparts his survival skills and hard-won knowledge to Lucy Soto, a smart and hard-working disciple. Will she carry the torch in future Connelly books?
There’s a fine balance in audiobooks when it comes to altering the reader’s voice between characters; they should be distinct enough that the listener can follow a conversation, but not so in-your-face that you’re brought out of the story. Welliver’s gift is his ability to create, with consistent and subtle intonation, a conversation’s back and forth action. So much more efficient than “he said” and “Harry replied,” and “she shouted.”
His narrating work can be heard in several Robert B. Parker novels, while his acting can be seen in The Town, Gone Baby Gone, Twisted and Transformers. Age of Distinction. I’m sure acting is not easy, but reading aloud in such an intelligent and enjoyable manner must be even harder.
The Intercept is Dick Wolf’s first book. Unsurprisingly, it feels like the start of a long-running series. The master of the successful drama, Wolf is the creator of Law & Order and its many spin-offs.
Jeremy Fisk is an NYPD detective who works in the Intelligence Division, where police officers comb through bits of information from surveillance cameras, email and other computer data in order to uncover terrorist plots.
When a group of passengers and crew foil an airplane hijacking, the new heroes are sucked into a media and pr machine. Some bask in the limelight and some are desparate to avoid it.
After chasing a few false leads, Fisk begins to suspect that the original attempt is a distraction and another bigger plot is the ultimate goal.
Fast-paced and full of insider information about terrorism and forensics, Wolf writes with an assurance and cool confidence well suited to the thriller genre.